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Best Famous Reviews Poems

Here is a collection of the all-time best famous Reviews poems. This is a select list of the best famous Reviews poetry. Reading, writing, and enjoying famous Reviews poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of reviews poems.

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Written by Billy Collins | Create an image from this poem

Madmen

 They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn, your poem will fly away, and this time they are absolutely right.
Take the night I mentioned to you I wanted to write about the madmen, as the newspapers so blithely call them, who attack art, not in reviews, but with breadknives and hammers in the quiet museums of Prague and Amsterdam.
Actually, they are the real artists, you said, spinning the ice in your glass.
The screwdriver is their brush.
The real vandals are the restorers, you went on, slowly turning me upside-down, the ones in the white doctor's smocks who close the wound in the landscape, and thus ruin the true art of the mad.
I watched my poem fly down to the front of the bar and hover there until the next customer walked in-- then I watched it fly out the open door into the night and sail away, I could only imagine, over the dark tenements of the city.
All I had wished to say was that art was also short, as a razor can teach with a slash or two, that it only seems long compared to life, but that night, I drove home alone with nothing swinging in the cage of my heart except the faint hope that I might catch a glimpse of the thing in the fan of my headlights, maybe perched on a road sign or a street lamp, poor unwritten bird, its wings folded, staring down at me with tiny illuminated eyes.


Written by Charles Bukowski | Create an image from this poem

True Story

 they found him walking along the freeway
all red in
front
he had taken a rusty tin can
and cut off his sexual
machinery
as if to say --
see what you've done to
me? you might as well have the
rest.
and he put part of him in one pocket and part of him in another and that's how they found him, walking along.
they gave him over to the doctors who tried to sew the parts back on but the parts were quite contented the way they were.
I think sometimes of all of the good ass turned over to the monsters of the world.
maybe it was his protest against this or his protest against everything.
a one man Freedom March that never squeezed in between the concert reviews and the baseball scores.
God, or somebody, bless him.
Written by Lisa Zaran | Create an image from this poem

How We Are

 Pale scrapings of people 
with lipstick ringed glasses 
and cigarettes burning, 
and laughter trickling up and down 
their knotty throats.
What is this, a gathering of henhouse critics? My father's voice in the back of my head, saying, forget that I'm dead and if you can not do that than pretend.
I am standing just outside the gallery beneath the shadowy bough of a birch.
The moon is floating in the sky's dark lap.
Faraway I can hear the ocean sigh.
Now father, I am asking, what smile are you wearing? What color are your eyes again? How many teeth have you lost? Don't you think I want a kiss.
Perhaps I don't.
Perhaps I don't want to stand and pretend you not dead while the wet, champagne mouths of the living tell me how wonderful your paintings are.
As they crook their fingers and strain their necks, lose their vocabulary inside the artwork's depths and colors.
Father, I want your reputation to outlive the pursuits of others with their iron-on reviews after an hour's worth of browsing at a lifetime of your work.
Father, are you crying? Stop that sound.
Copyright © Lisa Zaran, 2005
Written by Barry Tebb | Create an image from this poem

LETTER FROM LEEDS

 Would ‘any woman’ find me difficult to live with?

My tastes are simple: space for several thousand books,

The smoke from my pipe stuffed with aromatic Balkan Sobranie, 

A leftover from the Sixties, frequent brief absences to fulfil

My duties as a carer, unending phone calls

And the unenviable reputation as England’s worst or best complainer,

"Treading on toes or keeping people on their toes"

Also a warm and welcoming vagina, an insatiable need

For ******** and cunnilingus, a bed with clean sheets

I can retire to by five with a hot water bottle 

To calm my churning viscera while I read 

Endless analytic texts, tomes of French poems to translate,

A notorious weekly newsletter to edit, a quarterly to write reviews for

And – I must confess – cable TV so I can access Starsky and Hutch.
I need a cottage in Haworth to go with the wife, Companion or whatever, to see with me the changing Seasons of heather from purple September glory To the browns of winter and wisps of summer green And meet with Michael Haslam, fellow poet, Maestro of the moors and shape-shifter supreme.
I write these verses sitting in the marble hall Of City Station’s restored art deco glory, The rats and debris of decades swept away, How much I need the kindness of strangers, The welcome from my son’s nurses on the Ward with the highest security rating Leeds possesses, A magnificent rotunda among lawns and wooded glades, Air conditioned with more staff than patients- When visiting times are readily extended to encompass My moorland walks and journeys to the capital When I visit Brenda Williams, England’s leading protest poet.
In an Eden garden which spreads its lawned sleeves To envelop my tobacco smoke which irritates everyone Or is it a displacement onto the smoker As I ecstasise the red and yellow splendour of the red hot poker Defiantly erect among the flowering robes of magnolia? Here we reminisce of long ago days when our children Blossomed with talent and showed no signs Of the unending torment of their adult years, Depot injections, Red clouds which whirl as in end-on sections, absconding, Liasing, losing and finding…
Written by Barry Tebb | Create an image from this poem

HUDDERSFIELD - THE SECOND POETRY CAPITAL OF ENGLAND

 It brings to mind Swift leaving a fortune to Dublin

‘For the founding of a lunatic asylum - no place needs it more’.
The breathing beauty of the moors and cheap accommodation Drew me but the total barbarity of the town stopped me from Writing a single line: from the hideous facade of its railway Station - Betjeman must have been drunk or mad to praise it - To that lump of stone on Castle Hill - her savage spirit broods.
I remember trying to teach there, at Bradley, where the head Was some kind of ex-P.
T.
teacher, who thought poetry something You did to children and his workaholic jackass deputy, obsessed With practical science and lesson preparation and team teaching And everything on, above and beneath the earth except ‘The Education Of the Poetic Spirit’ and without that and as an example of what Pound meant about how a country treats its poets "is a measure Of its civilisation".
I once had a holiday job in a mill and the Nightwatchman’s killer alsatian had more civilisation than Huddersfield’s Deputy Direction of Education.
For a while I was granted temporary asylum at Royds Hall - At least some of the staff there had socialism if not art - But soon it was spoilt for everyone when Jenks came to head English, sweating for his OU degree and making us all suffer, The kids hating his sarcasm and the staff his vaulting ambition And I was the only one not afraid of him.
His Achilles’ heel was Culture - he was a yob through and through - and the Head said to me "I’ve had enough of him throwing his weight around, if it comes To a showdown I’ll back you against him any day" but he got The degree and the job and the dollars - my old T.
C.
took him But that was typical, after Roy Rich went came a fat appointee Who had written nothing and knew nothing but knew everyone on The appointing committee.
Everyday I was in Huddersfield I thought I was in hell and Sartre was right and so was Jonson - "Hell’s a grammar school To this" - too (Peter Porter I salute you!) and always I dreamed Of Leeds and my beautiful gifted ten-year olds and Sheila, my Genius-child-poet and a head who left me alone to teach poetry And painting day in, day out and Dave Clark and Diane and I, In the staffroom discussing phenomenology and daseinanalysis Applied to Dewey’s theory of education and the essence of the Forms in Plato and Plotinus and plaiting a rose in Sheila’s Hair and Johns, the civilised HMI, asking for a copy of my poems And Horovitz putting me in ‘Children of Albion’ and ‘The Statesman’ giving me good reviews.
Decades later, in Byram Arcade, I am staring at the facade of ‘The Poetry Business’ and its proprietors sitting on the steps Outside, trying to look civilised and their letter, "Your poetry Is good but its not our kind" and I wondered what their kind was And besides they’re not my kind of editor and I’m back in Leeds With a letter from Seamus Heaney - thank you, Nobel Laureate, for Liking ‘My Perfect Rose’ and yes, you’re right about my wanting To get those New Generation Poets into my classroom at Wyther Park and show them a thing or two and a phone call from Horovitz who is my kind of editor still, after thirty years, His mellifluous voice with its blend of an Oxford accent and American High Camp, so warm and full of knowledge and above all PASSIONATE ABOUT POETRY and I remember someone saying, "If Oxford is the soul of England, Huddersfield is its arsehole".


Written by Leonard Cohen | Create an image from this poem

Take This Waltz

 (After Lorca) 

Now in Vienna there are ten pretty women.
There's a shoulder where death comes to cry.
There's a lobby with nine hundred windows.
There's a tree where the doves go to die.
There's a piece that was torn from the morning, and it hangs in the Gallery of Frost— Ay, ay ay ay Take this waltz, take this waltz, take this waltz with the clamp on its jaws.
I want you, I want you, I want you on a chair with a dead magazine.
In the cave at the tip of the lily, in some hallway where love's never been.
On a bed where the moon has been sweating, in a cry filled with footsteps and sand— Ay, ay ay ay Take this waltz, take this waltz, take its broken waist in your hand.
This waltz, this waltz, this waltz, this waltz with its very own breath of brandy and death, dragging its tail in the sea.
There's a concert hall in Vienna where your mouth had a thousand reviews.
There's a bar where the boys have stopped talking, they've been sentenced to death by the blues.
Ah, but who is it climbs to your picture with a garland of freshly cut tears? Ay, ay ay ay Take this waltz, take this waltz, take this waltz, it's been dying for years.
There's an attic where children are playing, where I've got to lie down with you soon, in a dream of Hungarian lanterns, in the mist of some sweet afternoon.
And I'll see what you've chained to your sorrow, all your sheep and your lilies of snow— Ay, ay ay ay Take this waltz, take this waltz with its "I'll never forget you, you know!" And I'll dance with you in Vienna, I'll be wearing a river's disguise.
The hyacinth wild on my shoulder my mouth on the dew of your thighs.
And I'll bury my soul in a scrapbook, with the photographs there and the moss.
And I'll yield to the flood of your beauty, my cheap violin and my cross.
And you'll carry me down on your dancing to the pools that you lift on your wrist— O my love, O my love Take this waltz, take this waltz, it's yours now.
It's all that there is.
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 3

 Close by those meads, for ever crown'd with flow'rs, 
Where Thames with pride surveys his rising tow'rs,
There stands a structure of majestic frame,
Which from the neighb'ring Hampton takes its name.
Here Britain's statesmen oft the fall foredoom Of foreign tyrants and of nymphs at home; Here thou, great Anna! whom three realms obey, Dost sometimes counsel take--and sometimes tea.
Hither the heroes and the nymphs resort, To taste awhile the pleasures of a court; In various talk th' instructive hours they pass'd, Who gave the ball, or paid the visit last; One speaks the glory of the British queen, And one describes a charming Indian screen; A third interprets motions, looks, and eyes; At ev'ry word a reputation dies.
Snuff, or the fan, supply each pause of chat, With singing, laughing, ogling, and all that.
Meanwhile, declining from the noon of day, The sun obliquely shoots his burning ray; The hungry judges soon the sentence sign, And wretches hang that jury-men may dine; The merchant from th' Exchange returns in peace, And the long labours of the toilet cease.
Belinda now, whom thirst of fame invites, Burns to encounter two adventrous knights, At ombre singly to decide their doom; And swells her breast with conquests yet to come.
Straight the three bands prepare in arms to join, Each band the number of the sacred nine.
Soon as she spreads her hand, th' aerial guard Descend, and sit on each important card: First Ariel perch'd upon a Matadore, Then each, according to the rank they bore; For Sylphs, yet mindful of their ancient race, Are, as when women, wondrous fond of place.
Behold, four Kings in majesty rever'd, With hoary whiskers and a forky beard; And four fair Queens whose hands sustain a flow'r, Th' expressive emblem of their softer pow'r; Four Knaves in garbs succinct, a trusty band, Caps on their heads, and halberds in their hand; And parti-colour'd troops, a shining train, Draw forth to combat on the velvet plain.
The skilful nymph reviews her force with care: "Let Spades be trumps!" she said, and trumps they were.
Now move to war her sable Matadores, In show like leaders of the swarthy Moors.
Spadillio first, unconquerable lord! Led off two captive trumps, and swept the board.
As many more Manillio forc'd to yield, And march'd a victor from the verdant field.
Him Basto follow'd, but his fate more hard Gain'd but one trump and one plebeian card.
With his broad sabre next, a chief in years, The hoary Majesty of Spades appears; Puts forth one manly leg, to sight reveal'd; The rest, his many-colour'd robe conceal'd.
The rebel Knave, who dares his prince engage, Proves the just victim of his royal rage.
Ev'n mighty Pam, that kings and queens o'erthrew And mow'd down armies in the fights of loo, Sad chance of war! now destitute of aid, Falls undistinguish'd by the victor Spade! Thus far both armies to Belinda yield; Now to the baron fate inclines the field.
His warlike Amazon her host invades, Th' imperial consort of the crown of Spades.
The Club's black tyrant first her victim died, Spite of his haughty mien, and barb'rous pride: What boots the regal circle on his head, His giant limbs, in state unwieldy spread; That long behind he trails his pompous robe, And of all monarchs, only grasps the globe? The baron now his diamonds pours apace; Th' embroider'd King who shows but half his face, And his refulgent Queen, with pow'rs combin'd Of broken troops an easy conquest find.
Clubs, Diamonds, Hearts, in wild disorder seen, With throngs promiscuous strow the level green.
Thus when dispers'd a routed army runs, Of Asia's troops, and Afric's sable sons, With like confusion diff'rent nations fly, Of various habit, and of various dye, The pierc'd battalions disunited fall.
In heaps on heaps; one fate o'erwhelms them all.
The Knave of Diamonds tries his wily arts, And wins (oh shameful chance!) the Queen of Hearts.
At this, the blood the virgin's cheek forsook, A livid paleness spreads o'er all her look; She sees, and trembles at th' approaching ill, Just in the jaws of ruin, and codille.
And now (as oft in some distemper'd state) On one nice trick depends the gen'ral fate.
An Ace of Hearts steps forth: The King unseen Lurk'd in her hand, and mourn'd his captive Queen: He springs to vengeance with an eager pace, And falls like thunder on the prostrate Ace.
The nymph exulting fills with shouts the sky; The walls, the woods, and long canals reply.
Oh thoughtless mortals! ever blind to fate, Too soon dejected, and too soon elate! Sudden, these honours shall be snatch'd away, And curs'd for ever this victorious day.
For lo! the board with cups and spoons is crown'd, The berries crackle, and the mill turns round.
On shining altars of Japan they raise The silver lamp; the fiery spirits blaze.
From silver spouts the grateful liquors glide, While China's earth receives the smoking tide.
At once they gratify their scent and taste, And frequent cups prolong the rich repast.
Straight hover round the fair her airy band; Some, as she sipp'd, the fuming liquor fann'd, Some o'er her lap their careful plumes display'd, Trembling, and conscious of the rich brocade.
Coffee, (which makes the politician wise, And see through all things with his half-shut eyes) Sent up in vapours to the baron's brain New stratagems, the radiant lock to gain.
Ah cease, rash youth! desist ere 'tis too late, Fear the just gods, and think of Scylla's fate! Chang'd to a bird, and sent to flit in air, She dearly pays for Nisus' injur'd hair! But when to mischief mortals bend their will, How soon they find fit instruments of ill! Just then, Clarissa drew with tempting grace A two-edg'd weapon from her shining case; So ladies in romance assist their knight Present the spear, and arm him for the fight.
He takes the gift with rev'rence, and extends The little engine on his fingers' ends; This just behind Belinda's neck he spread, As o'er the fragrant steams she bends her head.
Swift to the lock a thousand sprites repair, A thousand wings, by turns, blow back the hair, And thrice they twitch'd the diamond in her ear, Thrice she look'd back, and thrice the foe drew near.
Just in that instant, anxious Ariel sought The close recesses of the virgin's thought; As on the nosegay in her breast reclin'd, He watch'd th' ideas rising in her mind, Sudden he view'd, in spite of all her art, An earthly lover lurking at her heart.
Amaz'd, confus'd, he found his pow'r expir'd, Resign'd to fate, and with a sigh retir'd.
The peer now spreads the glitt'ring forfex wide, T' inclose the lock; now joins it, to divide.
Ev'n then, before the fatal engine clos'd, A wretched Sylph too fondly interpos'd; Fate urg'd the shears, and cut the Sylph in twain, (But airy substance soon unites again).
The meeting points the sacred hair dissever From the fair head, for ever, and for ever! Then flash'd the living lightning from her eyes, And screams of horror rend th' affrighted skies.
Not louder shrieks to pitying Heav'n are cast, When husbands or when lap-dogs breathe their last, Or when rich China vessels, fall'n from high, In glitt'ring dust and painted fragments lie! "Let wreaths of triumph now my temples twine," The victor cried, "the glorious prize is mine! While fish in streams, or birds delight in air, Or in a coach and six the British fair, As long at Atalantis shall be read, Or the small pillow grace a lady's bed, While visits shall be paid on solemn days, When num'rous wax-lights in bright order blaze, While nymphs take treats, or assignations give, So long my honour, name, and praise shall live! What time would spare, from steel receives its date, And monuments, like men, submit to fate! Steel could the labour of the gods destroy, And strike to dust th' imperial tow'rs of Troy; Steel could the works of mortal pride confound, And hew triumphal arches to the ground.
What wonder then, fair nymph! thy hairs should feel The conqu'ring force of unresisted steel?"
Written by James Whitcomb Riley | Create an image from this poem

A Summer Afternoon

 A languid atmosphere, a lazy breeze,
With labored respiration, moves the wheat
From distant reaches, till the golden seas
Break in crisp whispers at my feet.
My book, neglected of an idle mind, Hides for a moment from the eyes of men; Or lightly opened by a critic wind, Affrightedly reviews itself again.
Off through the haze that dances in the shine The warm sun showers in the open glade, The forest lies, a silhouette design Dimmed through and through with shade.
A dreamy day; and tranquilly I lie At anchor from all storms of mental strain; With absent vision, gazing at the sky, "Like one that hears it rain.
" The Katydid, so boisterous last night, Clinging, inverted, in uneasy poise, Beneath a wheat-blade, has forgotten quite If "Katy DID or DIDN'T" make a noise.
The twitter, sometimes, of a wayward bird That checks the song abruptly at the sound, And mildly, chiding echoes that have stirred, Sink into silence, all the more profound.
And drowsily I hear the plaintive strain Of some poor dove .
.
.
Why, I can scarcely keep My heavy eyelids--there it is again-- "Coo-coo!"--I mustn't--"Coo-coo!"--fall asleep!
Written by Emily Dickinson | Create an image from this poem

Ah Teneriffe!

 Ah, Teneriffe!
Retreating Mountain!
Purples of Ages -- pause for you --
Sunset -- reviews her Sapphire Regiment --
Day -- drops you her Red Adieu!

Still -- Clad in your Mail of ices --
Thigh of Granite -- and thew -- of Steel --
Heedless -- alike -- of pomp -- or parting

Ah, Teneriffe!
I'm kneeling -- still --
Written by Friedrich von Schiller | Create an image from this poem

Elysium

 Past the despairing wail--
And the bright banquets of the Elysian vale
Melt every care away!
Delight, that breathes and moves forever,
Glides through sweet fields like some sweet river!
Elysian life survey!
There, fresh with youth, o'er jocund meads,
His merry west-winds blithely leads
The ever-blooming May!
Through gold-woven dreams goes the dance of the hours,
In space without bounds swell the soul and its powers,
And truth, with no veil, gives her face to the day.
And joy to-day and joy to-morrow, But wafts the airy soul aloft; The very name is lost to sorrow, And pain is rapture tuned more exquisitely soft.
Here the pilgrim reposes the world-weary limb, And forgets in the shadow, cool-breathing and dim, The load he shall bear never more; Here the mower, his sickle at rest, by the streams, Lulled with harp-strings, reviews, in the calm of his dreams, The fields, when the harvest is o'er.
Here, he, whose ears drank in the battle roar, Whose banners streamed upon the startled wind A thunder-storm,--before whose thunder tread The mountains trembled,--in soft sleep reclined, By the sweet brook that o'er its pebbly bed In silver plays, and murmurs to the shore, Hears the stern clangor of wild spears no more! Here the true spouse the lost-beloved regains, And on the enamelled couch of summer-plains Mingles sweet kisses with the zephyr's breath.
Here, crowned at last, love never knows decay, Living through ages its one bridal day, Safe from the stroke of death!

Book: Shattered Sighs