Written by
George (Lord) Byron |
The roses of Love glad the garden of life,
Though nurtur'd 'mid weeds dropping pestilent dew,
Till Time crops the leaves with unmerciful knife,
Or prunes them for ever, in Love's last adieu!
In vain, with endearments, we soothe the sad heart,
In vain do we vow for an age to be true;
The chance of an hour may command us to part,
Or Death disunite us, in Love's last adieu!
Still Hope, breathing peace, through the grief-swollen breast,
Will whisper, ?Our meeting we yet may renew:?
With this dream of deceit, half our sorrow's represt,
Nor taste we the poison, of Love's last adieu!
Oh! mark you yon pair, in the sunshine of youth,
Love twin'd round their childhood his flow'rs as they grew;
They flourish awhile, in the season of truth,
Till chill'd by the winter of Love's last adieu!
Sweet lady! why thus doth a tear steal its way,
Down a cheek which outrivals thy bosom in hue?
Yet why do I ask?---to distraction a prey,
Thy reason has perish'd, with Love's last adieu!
Oh! who is yon Misanthrope, shunning mankind?
From cities to caves of the forest he flew:
There, raving, he howls his complaint to the wind;
The mountains reverberate Love's last adieu!
Now Hate rules a heart which in Love's easy chains,
Once Passion's tumultuous blandishments knew;
Despair now inflames the dark tide of his veins,
He ponders, in frenzy, on Love's last adieu!
How he envies the wretch, with a soul wrapt in steel!
His pleasures are scarce, yet his troubles are few,
Who laughs at the pang that he never can feel,
And dreads not the anguish of Love's last adieu!
Youth flies, life decays, even hope is o'ercast;
No more, with Love's former devotion, we sue:
He spreads his young wing, he retires with the blast;
The shroud of affection is Love's last adieu!
In this life of probation, for rapture divine,
Astrea declares that some penance is due;
From him, who has worshipp'd at Love's gentle shrine,
The atonement is ample, in Love's last adieu!
Who kneels to the God, on his altar of light
Must myrtle and cypress alternately strew:
His myrtle, an emblem of purest delight,
His cypress, the garland of Love's last adieu!
|
Written by
Joyce Kilmer |
(For S.
M.
L.
)
I like to look at the blossomy track of the moon upon the sea,
But it isn't half so fine a sight as Main Street used to be
When it all was covered over with a couple of feet of snow,
And over the crisp and radiant road the ringing sleighs would go.
Now, Main Street bordered with autumn leaves, it
was a pleasant thing,
And its gutters were gay with dandelions early in the Spring;
I like to think of it white with frost or dusty in the heat,
Because I think it is humaner than any other street.
A city street that is busy and wide is ground by
a thousand wheels,
And a burden of traffic on its breast is all it ever feels:
It is dully conscious of weight and speed and of work that never
ends,
But it cannot be human like Main Street, and recognise its friends.
There were only about a hundred teams on Main Street
in a day,
And twenty or thirty people, I guess, and some children out to play.
And there wasn't a wagon or buggy, or a man or a girl or a boy
That Main Street didn't remember, and somehow seem to enjoy.
The truck and the motor and trolley car and the
elevated train
They make the weary city street reverberate with pain:
But there is yet an echo left deep down within my heart
Of the music the Main Street cobblestones made beneath a butcher's
cart.
God be thanked for the Milky Way that runs across
the sky,
That's the path that my feet would tread whenever I have to die.
Some folks call it a Silver Sword, and some a Pearly Crown,
But the only thing I think it is, is Main Street, Heaventown.
|
Written by
Algernon Charles Swinburne |
I.
Years upon years, as a course of clouds that thicken
Thronging the ways of the wind that shifts and veers,
Pass, and the flames of remembered fires requicken
Years upon years.
Surely the thought in a man's heart hopes or fears
Now that forgetfulness needs must here have stricken
Anguish, and sweetened the sealed-up springs of tears.
Ah, but the strength of regrets that strain and sicken,
Yearning for love that the veil of death endears,
Slackens not wing for the wings of years that quicken -
Years upon years.
II.
Years upon years, and the flame of love's high altar
Trembles and sinks, and the sense of listening ears
Heeds not the sound that it heard of love's blithe psalter
Years upon years.
Only the sense of a heart that hearkens hears,
Louder than dreams that assail and doubts that palter,
Sorrow that slept and that wakes ere sundawn peers.
Wakes, that the heart may behold, and yet not falter,
Faces of children as stars unknown of, spheres
Seen but of love, that endures though all things alter,
Years upon years.
III.
Years upon years, as a watch by night that passes,
Pass, and the light of their eyes is fire that sears
Slowly the hopes of the fruit that life amasses
Years upon years.
Pale as the glimmer of stars on moorland meres
Lighten the shadows reverberate from the glasses
Held in their hands as they pass among their peers.
Lights that are shadows, as ghosts on graveyard grasses,
Moving on paths that the moon of memory cheers,
Shew but as mists over cloudy mountain passes
Years upon years.
|
Written by
Alan Seeger |
Her courts are by the flux of flaming ways,
Between the rivers and the illumined sky
Whose fervid depths reverberate from on high
Fierce lustres mingled in a fiery haze.
They mark it inland; blithe and fair of face
Her suitors follow, guessing by the glare
Beyond the hilltops in the evening air
How bright the cressets at her portals blaze.
On the pure fronts Defeat ere many a day
Falls like the soot and dirt on city-snow;
There hopes deferred lie sunk in piteous seams.
Her paths are disillusion and decay,
With ruins piled and unapparent woe,
The graves of Beauty and the wreck of dreams.
|
Written by
Algernon Charles Swinburne |
I.
Gone, O gentle heart and true,
Friend of hopes foregone,
Hopes and hopeful days with you
Gone?
Days of old that shone
Saw what none shall see anew,
When we gazed thereon.
Soul as clear as sunlit dew,
Why so soon pass on,
Forth from all we loved and knew
Gone?
II.
Friend of many a season fled,
What may sorrow send
Toward thee now from lips that said
'Friend'?
Sighs and songs to blend
Praise with pain uncomforted
Though the praise ascend?
Darkness hides no dearer head:
Why should darkness end
Day so soon, O dear and dead
Friend?
III.
Dear in death, thou hast thy part
Yet in life, to cheer
Hearts that held thy gentle heart
Dear.
Time and chance may sear
Hope with grief, and death may part
Hand from hand's clasp here:
Memory, blind with tears that start,
Sees through every tear
All that made thee, as thou art,
Dear.
IV.
True and tender, single-souled,
What should memory do
Weeping o'er the trust we hold
True?
Known and loved of few,
But of these, though small their fold,
Loved how well were you!
Change, that makes of new things old,
Leaves one old thing new;
Love which promised truth, and told
True.
V.
Kind as heaven, while earth's control
Still had leave to bind
Thee, thy heart was toward man's whole
Kind.
Thee no shadows blind
Now: the change of hours that roll
Leaves thy sleep behind.
Love, that hears thy death-bell toll
Yet, may call to mind
Scarce a soul as thy sweet soul
Kind.
VI.
How should life, O friend, forget
Death, whose guest art thou?
Faith responds to love's regret,
How?
Still, for us that bow
Sorrowing, still, though life be set,
Shines thy bright mild brow.
Yea, though death and thou be met,
Love may find thee now
Still, albeit we know not yet
How.
VII.
Past as music fades, that shone
While its life might last;
As a song-bird's shadow flown
Past!
Death's reverberate blast
Now for music's lord has blown
Whom thy love held fast.
Dead thy king, and void his throne:
Yet for grief at last
Love makes music of his own
Past.
|
Written by
Elinor Wylie |
The garden's full of scented wallflowers,
And, save that these stir faintly, nothing stirs;
Only a distant bell in hollow chime
Cried out just now for far-forgoten time,
And three reverberate words the great bell spoke.
The knocker's made of brass, the door of oak,
And such a clamor must be loosed on air
By the knocker's blow that knock I do not dare.
The silence is a spell, and if it break,
What things, that now lie sleeping, will awake?
Are simple creatures lying there in cool
Sweet linen sheets, in slumber like the pool
Of moonlight white as water on the floor?
Will they come down laughing and unlock the door?
And will they draw me in, and let me sit
On the tall settle while the lamp is lit?
And shall I see their innocent clean lives
Shining as plainly as the plates and knives,
The blue bowls, and the brass cage with its bird?
But listen! listen! surely something stirred
Within the house, and creeping down the halls
Draws close to me with sinister footfalls.
Will long pale fingers softly lift the latch,
And lead me up, under the osier thatch,
To a little room, a little secret room,
Hung with green arras picturing the doom,
The most disasterous death of some proud knight?
And shall I search the room by candle-light
And see, behind the curtains of my bed,
A murdered man who sleeps as sleep the dead?
Or will my clamorous knocking shake the trees
With lonely thunder through the stillnesses,
And then lie down--the coldest fear of all--
To nothing, and deliberate silence fall
On the house deep in the silence, and no one come
To door or window, staring blind and dumb?
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