Written by
Robert William Service |
It was the steamer Alice May that sailed the Yukon foam.
And touched in every river camp from Dawson down to Nome.
It was her builder, owner, pilot, Captain Silas Geer,
Who took her through the angry ice, the last boat of the year;
Who patched her cracks with gunny sacks and wound her pipes with wire,
And cut the spruce upon the banks to feed her boiler fire;
Who headed her into the stream and bucked its mighty flow,
And nosed her up the little creeks where no one else would go;
Who bragged she had so small a draft, if dew were on the grass,
With gallant heart and half a start his little boat would pass.
Aye, ships might come and ships might go, but steady every year
The Alice May would chug away with Skipper Silas Geer.
Now though Cap geer had ne'er a fear the devil he could bilk,
He owned a gastric ulcer and his grub was mostly milk.
He also owned a Jersey cow to furnish him the same,
So soft and sleek and mild and meek, and Kathleen was her name.
And so his source of nourishment he got to love her so
That everywhere the captain went the cow would also go;
And though his sleeping quarters were ridiculously small,
He roped a section of them off to make Kathleen a stall.
So every morn she'd wake him up with mellifluous moo,
And he would pat her on the nose and go to wake the crew.
Then when he'd done his daily run and hitched on to the bank,
She'd breath above his pillow till to soothing sleep he sank.
So up and down the river seeded sourdoughs would allow,
They made a touching tableau, Captain Silas and his cow.
Now as the Captain puffed his pipe and Kathleen chewed her cud,
There came to him a poetess, a Miss Belinda Budd.
"An epic I would write," said she, "about this mighty stream,
And from your gallant bark 'twould be romantic as a dream.
"
Somewhat amazed the Captain gazed at her and shook his head;
"I'm sorry, Miss, but we don't take she passengers," he said.
"My boat's a freighter, we have no accommodation space
For women-folk - my cabin is the only private palce.
It's eight foot small from wall to wall, and I have, anyhow,
No room to spare, for half I share with Kathleen, That's my cow.
"
The lady sighed, then soft replied: "I love your Yukon scene,
And for its sake your room I'll take, and put up with Kathleen.
"
Well, she was so dead set to go the Captain said: "By heck!
I like your *****; you take my bunk and I'll camp on the deck.
"
So days went by then with a sigh she sought him so anew:
"Oh, Captain Geer, Kathleen's a dear, but does she have to moo?
In early morn like motor horn she bellows overhead,
While all the night without respite she snores above my bed.
I know it's true she dotes on you, your smile she seems to miss;
She leans so near I live in fear my brow she'll try to kiss.
Her fond regard makes it so hard my Pegasus to spur.
.
.
Oh, please be kind and try to find another place for her.
"
Bereft of cheer was captain Geer; his face was glazed with gloom:
He scratched his head: "There ain't," he said, "another inch of room.
With freight we're packed; it's stowed and stacked - why even on the deck.
There's seven salted sourdoughs and they're sleeping neck and neck.
I'm sorry, Miss, that Kathleen's kiss has put your muse to flight;
I realize her amber eyes abstract you when you write.
I used to love them orbs above a-shining down on me,
And when she'd chew my whickers you can't calculate my glee.
I ain't at all poetical, but gosh! I guess your plight,
So I will try to plan what I can fix up for to-night.
"
Thus while upon her berth the wan and weary Author Budd
Bewailed her fate, Kathleen sedate above her chewed her cud;
And as he sought with brain distraught a steady course to steer,
Yet find a plan, a worried man was Captain Silas Geer.
Then suddenly alert was he, he hollerred to his mate;
"Hi, Patsy, press our poetess to climb on deck and wait.
Hip-hip-hooray! Bid her be gay and never more despair;
My search is crowned - by heck, I've found an answer to her prayer.
"
To Patsy's yell like glad gazelle came bounding Bardess Budd;
No more forlorn, with hope new-born she faced the foaming flood;
While down the stair with eager air was seen to disappear,
Like one inspired (by genius fired) exultant Captain Geer.
Then up he came with eye aflame and honest face aglow,
And oh, how loud he laughed, as proud he led her down below.
"Now you may write by day or night upon our Yukon scene,
For I," he cried, "have clarified the problem of Kathleen.
I thought a lot, then like a shot the remedy I found:
I jest unhitched her rope and switched the loving creature round.
No more her moo will trouble you, you'll sleep right restful now.
Look, Lady, look! - I'm giving you.
.
.
the tail end of the cow.
"
|
Written by
Robert William Service |
Light up your pipe again, old chum, and sit awhile with me;
I've got to watch the bannock bake -- how restful is the air!
You'd little think that we were somewhere north of Sixty-three,
Though where I don't exactly know, and don't precisely care.
The man-size mountains palisade us round on every side;
The river is a-flop with fish, and ripples silver-clear;
The midnight sunshine brims yon cleft -- we think it's the Divide;
We'll get there in a month, maybe, or maybe in a year.
It doesn't matter, does it, pal? We're of that breed of men
With whom the world of wine and cards and women disagree;
Your trouble was a roofless game of poker now and then,
And "raising up my elbow", that's what got away with me.
We're merely "Undesirables", artistic more or less;
My horny hands are Chopin-wise; you quote your Browning well;
And yet we're fooling round for gold in this damned wilderness:
The joke is, if we found it, we would both go straight to hell.
Well, maybe we won't find it -- and at least we've got the "life".
We're both as brown as berries, and could wrestle with a bear:
(That bannock's raising nicely, pal; just jab it with your knife.
)
Fine specimens of manhood they would reckon us out there.
It's the tracking and the packing and the poling in the sun;
It's the sleeping in the open, it's the rugged, unfaked food;
It's the snow-shoe and the paddle, and the campfire and the gun,
And when I think of what I was, I know that it is good.
Just think of how we've poled all day up this strange little stream;
Since life began no eye of man has seen this place before;
How fearless all the wild things are! the banks with goose-grass gleam,
And there's a bronzy musk-rat sitting sniffing at his door.
A mother duck with brood of ten comes squattering along;
The tawny, white-winged ptarmigan are flying all about;
And in that swirly, golden pool, a restless, gleaming throng,
The trout are waiting till we condescend to take them out.
Ah, yes, it's good! I'll bet that there's no doctor like the Wild:
(Just turn that bannock over there; it's getting nicely brown.
)
I might be in my grave by now, forgotten and reviled,
Or rotting like a sickly cur in some far, foreign town.
I might be that vile thing I was, -- it all seems like a dream;
I owed a man a grudge one time that only life could pay;
And yet it's half-forgotten now -- how petty these things seem!
(But that's "another story", pal; I'll tell it you some day.
)
How strange two "irresponsibles" should chum away up here!
But round the Arctic Circle friends are few and far between.
We've shared the same camp-fire and tent for nigh on seven year,
And never had a word that wasn't cheering and serene.
We've halved the toil and split the spoil, and borne each other's packs;
By all the Wild's freemasonry we're brothers, tried and true;
We've swept on danger side by side, and fought it back to back,
And you would die for me, old pal, and I would die for you.
Now there was that time I got lost in Rory Bory Land,
(How quick the blizzards sweep on one across that Polar sea!)
You formed a rescue crew of One, and saw a frozen hand
That stuck out of a drift of snow -- and, partner, it was Me.
But I got even, did I not, that day the paddle broke?
White water on the Coppermine -- a rock -- a split canoe --
Two fellows struggling in the foam (one couldn't swim a stroke):
A half-drowned man I dragged ashore .
.
.
and partner, it was You.
* * * * *
In Rory Borealis Land the winter's long and black.
The silence seems a solid thing, shot through with wolfish woe;
And rowelled by the eager stars the skies vault vastly back,
And man seems but a little mite on that weird-lit plateau.
No thing to do but smoke and yarn of wild and misspent lives,
Beside the camp-fire there we sat -- what tales you told to me
Of love and hate, and chance and fate, and temporary wives!
In Rory Borealis Land, beside the Arctic Sea.
One yarn you told me in those days I can remember still;
It seemed as if I visioned it, so sharp you sketched it in;
Bellona was the name, I think; a coast town in Brazil,
Where nobody did anything but serenade and sin.
I saw it all -- the jewelled sea, the golden scythe of sand,
The stately pillars of the palms, the feathery bamboo,
The red-roofed houses and the swart, sun-dominated land,
The people ever children, and the heavens ever blue.
You told me of that girl of yours, that blossom of old Spain,
All glamour, grace and witchery, all passion, verve and glow.
How maddening she must have been! You made me see her plain,
There by our little camp-fire, in the silence and the snow.
You loved her and she loved you.
She'd a husband, too, I think,
A doctor chap, you told me, whom she treated like a dog,
A white man living on the beach, a hopeless slave to drink --
(Just turn that bannock over there, that's propped against the log.
)
That story seemed to strike me, pal -- it happens every day:
You had to go away awhile, then somehow it befell
The doctor chap discovered, gave her up, and disappeared;
You came back, tired of her in time .
.
.
there's nothing more to tell.
Hist! see those willows silvering where swamp and river meet!
Just reach me up my rifle quick; that's Mister Moose, I know --
There now, I've got him dead to rights .
.
.
but hell! we've lots to eat
I don't believe in taking life -- we'll let the beggar go.
Heigh ho! I'm tired; the bannock's cooked; it's time we both turned in.
The morning mist is coral-kissed, the morning sky is gold.
The camp-fire's a confessional -- what funny yarns we spin!
It sort of made me think a bit, that story that you told.
The fig-leaf belt and Rory Bory are such odd extremes,
Yet after all how very small this old world seems to be .
.
.
Yes, that was quite a yarn, old pal, and yet to me it seems
You missed the point: the point is that the "doctor chap" .
.
.
was ME.
.
.
.
|
Written by
Robert William Service |
The sky is like an envelope,
One of those blue official things;
And, sealing it, to mock our hope,
The moon, a silver wafer, clings.
What shall we find when death gives leave
To read--our sentence or reprieve?
I'm holding it down on God's scrap-pile, up on the ***-end of earth;
O'er me a menace of mountains, a river that grits at my feet;
Face to face with my soul-self, weighing my life at its worth;
Wondering what I was made for, here in my last retreat.
Last! Ah, yes, it's the finish.
Have ever you heard a man cry?
(Sobs that rake him and rend him, right from the base of the chest.
)
That's how I've cried, oh, so often; and now that my tears are dry,
I sit in the desolate quiet and wait for the infinite Rest.
Rest! Well, it's restful around me; it's quiet clean to the core.
The mountains pose in their ermine, in golden the hills are clad;
The big, blue, silt-freighted Yukon seethes by my cabin door,
And I think it's only the river that keeps me from going mad.
By day it's a ruthless monster, a callous, insatiate thing,
With oily bubble and eddy, with sudden swirling of breast;
By night it's a writhing Titan, sullenly murmuring,
Ever and ever goaded, and ever crying for rest.
It cries for its human tribute, but me it will never drown.
I've learned the lore of my river; my river obeys me well.
I hew and I launch my cordwood, and raft it to Dawson town,
Where wood means wine and women, and, incidentally, hell.
Hell and the anguish thereafter.
Here as I sit alone
I'd give the life I have left me to lighten some load of care:
(The bitterest part of the bitter is being denied to atone;
Lips that have mocked at Heaven lend themselves ill to prayer.
)
Impotent as a beetle pierced on the needle of Fate;
A wretch in a cosmic death-cell, peaks for my prison bars;
'Whelmed by a world stupendous, lonely and listless I wait,
Drowned in a sea of silence, strewn with confetti of stars.
See! from far up the valley a rapier pierces the night,
The white search-ray of a steamer.
Swiftly, serenely it nears;
A proud, white, alien presence, a glittering galley of light,
Confident-poised, triumphant, freighted with hopes and fears.
I look as one looks on a vision; I see it pulsating by;
I glimpse joy-radiant faces; I hear the thresh of the wheel.
Hoof-like my heart beats a moment; then silence swoops from the sky.
Darkness is piled upon darkness.
God only knows how I feel.
Maybe you've seen me sometimes; maybe you've pitied me then--
The lonely waif of the wood-camp, here by my cabin door.
Some day you'll look and see not; futile and outcast of men,
I shall be far from your pity, resting forevermore.
My life was a problem in ciphers, a weary and profitless sum.
Slipshod and stupid I worked it, dazed by negation and doubt.
Ciphers the total confronts me.
Oh, Death, with thy moistened thumb,
Stoop like a petulant schoolboy, wipe me forever out!
|
Written by
Paul Laurence Dunbar |
It's hot to-day. The bees is buzzin'
Kinder don't-keer-like aroun'
An' fur off the warm air dances
O'er the parchin' roofs in town.
In the brook the cows is standin';
Childern hidin' in the hay;
Can't keep none of 'em a workin',
'Cause it's hot to-day.
It's hot to-day. The sun is blazin'
Like a great big ball o' fire;
Seems as ef instead o' settin'
It keeps mountin' higher an' higher.
I'm as triflin' as the children,
Though I blame them lots an' scold;
I keep slippin' to the spring-house,
Where the milk is rich an' cold.
The very air within its shadder
Smells o' cool an' restful things,
An' a roguish little robin
Sits above the place an' sings.
I don't mean to be a shirkin',
But I linger by the way
Longer, mebbe, than is needful,
'Cause it's hot to-day.
It's hot to-day. The horses stumble
Half asleep across the fiel's;
An' a host o' teasin' fancies
O'er my burnin' senses steals,—
Dreams o' cool rooms, curtains lowered,
An' a sofy's temptin' look;
Patter o' composin' raindrops
Or the ripple of a brook.
I strike a stump! That wakes me sudden;
Dreams all vanish into air.
Lordy! how I chew my whiskers;
'Twouldn't do fur me to swear.
But I have to be so keerful
'Bout my thoughts an' what I say;
Somethin' might slip out unheeded,
'Cause it's hot to-day.
Git up, there, Suke! you, Sal, git over!
Sakes alive! how I do sweat.
Every stitch that I've got on me,
Bet a cent, is wringin' wet.
[Pg 280]If this keeps up, I'll lose my temper.
Gee there, Sal, you lazy brute!
Wonder who on airth this weather
Could 'a' be'n got up to suit?
You, Sam, go bring a tin o' water;
Dash it all, don't be so slow!
'Pears as ef you tuk an hour
'Tween each step to stop an' blow.
Think I want to stand a meltin'
Out here in this b'ilin' sun,
While you stop to think about it?
Lift them feet o' your'n an' run.
It ain't no use; I'm plumb fetaggled.
Come an' put this team away.
I won't plow another furrer;
It's too mortal hot to-day.
I ain't weak, nor I ain't lazy,
But I'll stand this half day's loss
'Fore I let the devil make me
Lose my patience an' git cross.
|
Written by
Paul Laurence Dunbar |
On the wide veranda white,
In the purple failing light,
Sits the master while the sun is lowly burning;
And his dreamy thoughts are drowned
In the softly flowing sound
Of the corn-songs of the field-hands slow returning.
Oh, we hoe de co'n
Since de ehly mo'n;
Now de sinkin' sun
Says de day is done.
O'er the fields with heavy tread,
Light of heart and high of head,
Though the halting steps be labored, slow, and weary;
Still the spirits brave and strong
Find a comforter in song,
And their corn-song rises ever loud and cheery.
Oh, we hoe de co'n
Since de ehly mo'n;
Now de sinkin' sun
Says de day is done.
To the master in his seat,
Comes the burden, full and sweet,
Of the mellow minor music growing clearer,
As the toilers raise the hymn,
Thro' the silence dusk and dim,
To the cabin's restful shelter drawing nearer.
Oh, we hoe de co'n
Since de ehly mo'n;
Now de sinkin' sun
Says de day is done.
And a tear is in the eye
Of the master sitting by,
As he listens to the echoes low-replying
To the music's fading calls
As it faints away and falls
Into silence, deep within the cabin dying.
Oh, we hoe de co'n
Since de ehly mo'n;
Now de sinkin' sun
[Pg 60]Says de day is done.
|
Written by
William Shakespeare |
Tired with all these, for restful death I cry,
As, to behold desert a beggar born,
And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn,
And guilded honour shamefully misplaced,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,
And strength by limping sway disabled,
And art made tongue-tied by authority,
And folly doctor-like controlling skill,
And simple truth miscall'd simplicity,
And captive good attending captain ill:
Tired with all these, from these would I be gone,
Save that, to die, I leave my love alone.
|
Written by
Paul Laurence Dunbar |
Oh, dere 's lots o' keer an' trouble
In dis world to swaller down;
An' ol' Sorrer 's purty lively
In her way o' gittin' roun'.
Yet dere's times when I furgit em,—
Aches an' pains an' troubles all,—
An' it's when I tek at ebenin'
My ol' banjo f'om de wall.
'Bout de time dat night is fallin'
An' my daily wu'k is done,
An' above de shady hilltops
I kin see de settin' sun;
When de quiet, restful shadders
Is beginnin' jes' to fall,—
Den I take de little banjo
F'om its place upon de wall.
Den my fam'ly gadders roun' me
In de fadin' o' de light,
Ez I strike de strings to try 'em
Ef dey all is tuned er-right.
An' it seems we 're so nigh heaben
We kin hyeah de angels sing
When de music o' dat banjo
Sets my cabin all er-ring.
An' my wife an' all de othahs,—
Male an' female, small an' big,—
Even up to gray-haired granny,
Seem jes' boun' to do a jig;
'Twell I change de style o' music,
Change de movement an' de time,
An' de ringin' little banjo
Plays an ol' hea't-feelin' hime.
An' somehow my th'oat gits choky,
An' a lump keeps tryin' to rise
Lak it wan'ed to ketch de water
Dat was flowin' to my eyes;
An' I feel dat I could sorter
Knock de socks clean off o' sin
Ez I hyeah my po' ol' granny
Wif huh tremblin' voice jine in.
Den we all th'ow in our voices
Fu' to he'p de chune out too,
Lak a big camp-meetin' choiry
Tryin' to sing a mou'nah th'oo.
An' our th'oahts let out de music,
Sweet an' solemn, loud an' free,
'Twell de raftahs o' my cabin
Echo wif de melody.
Oh, de music o' de banjo,
Quick an' deb'lish, solemn, slow,
Is de greates' joy an' solace
[Pg 21]Dat a weary slave kin know!
So jes' let me hyeah it ringin',
Dough de chune be po' an' rough,
It's a pleasure; an' de pleasures
O' dis life is few enough.
Now, de blessed little angels
Up in heaben, we are told,
Don't do nothin' all dere lifetime
'Ceptin' play on ha'ps o' gold.
Now I think heaben 'd be mo' homelike
Ef we 'd hyeah some music fall
F'om a real ol'-fashioned banjo,
Like dat one upon de wall.
|
Written by
Ella Wheeler Wilcox |
In the dawn of the day when the sea and the earth
Reflected the sunrise above,
I set forth with a heart full of courage and mirth
To seek for the Kingdom of Love.
I asked of a Poet I met on the way
Which cross-road would lead me aright.
And he said: "Follow me, and not long you shall see
Its glittering turrets of light.
"
And soon in the distance a city shone fair,
"Look yonder," he said; "how it gleams!"
But alas! for the hopes that were doomed to despair,
It was only the "Kingdom of Dreams.
"
Then the next man I asked was a gay Cavalier,
And he said: "Follow me, follow me;"
And with laughter and song we went speeding along
By the shores of Life's beautiful sea.
Then we came to a valley more tropical far
Than the wonderful vale of Cashmere,
And I saw from a bower a face like a flower
Smile out on the gay Cavalier.
And he said: "We have come to humanity's goal:
Here love and delight are intense.
"
But alas and alas! for the hopes of my soul
It was only the "Kingdom of Sense.
"
As I journeyed more slowly I met on the road
A coach with retainers behind.
And they said: "Follow me, for our Lady's abode
Belongs in that realm, you will find.
"
'Twas a grand dame of fashion, a newly made bride,
I followed, encouraged and bold;
But my hopes died away like the last gleams of day,
For we came to the "Kingdom of Gold.
"
At the door of a cottage I asked a fair maid.
"I have heard of that realm," she replied;
"But my feet never roam from the "Kingdom of Home,"
So I know not the way," and she sighed.
I looked on the cottage; how restful it seemed!
And the maid was as fair as a dove.
Great light glorified my soul as I cried:
"Why home is the 'Kingdom of Love!'"
|
Written by
William Shakespeare |
Tired with all these, for restful death I cry,
As to behold desert a beggar born,
And needy nothing trimmed in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplaced,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,
And strength by limping sway disablèd
And art made tongue-tied by authority,
And folly doctor-like controlling skill,
And simple truth miscalled simplicity,
And captive good attending captain ill.
Tired with all these, from these would I be gone,
Save that to die, I leave my love alone.
|
Written by
Ella Wheeler Wilcox |
After the fierce midsummer all ablaze
Has burned itself to ashes, and expires
In the intensity of its own fires,
There come the mellow, mild, St.
Martin days
Crowned with the calm of peace, but sad with haze.
So after Love has led us, till he tires
Of his own throes, and torments, and desires,
Comes large-eyed Friendship: with a restful gaze.
He beckons us to follow, and across
Cool verdant vales we wander free from care.
Is it a touch of frost lies in the air?
Why are we haunted with a sense of loss?
We do not wish the pain back, or the heat;
And yet, and yet, these days are incomplete.
|