Written by
John Donne |
Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick
Our love, and force it new strange shapes to take,
We err, and of a lump a monster make.
Were not a calf a monster that were grown
Faced like a man, though better than his own?
Perfection is in unity: prefer
One woman first, and then one thing in her.
I, when I value gold, may think upon
The ductileness, the application,
The wholsomeness, the ingenuity,
From rust, from soil, from fire ever free;
But if I love it, 'tis because 'tis made
By our new nature (Use) the soul of trade.
All these in women we might think upon
(If women had them) and yet love but one.
Can men more injure women than to say
They love them for that by which they're not they?
Makes virtue woman? Must I cool my blood
Till I both be, and find one, wise and good?
May barren angels love so! But if we
Make love to woman, virtue is not she,
As beauty's not, nor wealth.
He that strays thus
From her to hers is more adulterous
Than if he took her maid.
Search every sphere
And firmament, our Cupid is not there;
He's an infernal god, and under ground
With Pluto dwells, where gold and fire abound:
Men to such gods their sacrificing coals
Did not in altars lay, but pits and holes.
Although we see celestial bodies move
Above the earth, the earth we till and love:
So we her airs contemplate, words and heart
And virtues, but we love the centric part.
Nor is the soul more worthy, or more fit,
For love than this, as infinite is it.
But in attaining this desired place
How much they err that set out at the face.
The hair a forest is of ambushes,
Of springs, snares, fetters and manacles;
The brow becalms us when 'tis smooth and plain,
And when 'tis wrinkled shipwrecks us again—
Smooth, 'tis a paradise where we would have
Immortal stay, and wrinkled 'tis our grave.
The nose (like to the first meridian) runs
Not 'twixt an East and West, but 'twixt two suns;
It leaves a cheek, a rosy hemisphere,
On either side, and then directs us where
Upon the Islands Fortunate we fall,
(Not faint Canaries, but Ambrosial)
Her swelling lips; to which when we are come,
We anchor there, and think ourselves at home,
For they seem all: there Sirens' songs, and there
Wise Delphic oracles do fill the ear;
There in a creek where chosen pearls do swell,
The remora, her cleaving tongue doth dwell.
These, and the glorious promontory, her chin,
O'erpassed, and the straight Hellespont between
The Sestos and Abydos of her breasts,
(Not of two lovers, but two loves the nests)
Succeeds a boundless sea, but yet thine eye
Some island moles may scattered there descry;
And sailing towards her India, in that way
Shall at her fair Atlantic navel stay;
Though thence the current be thy pilot made,
Yet ere thou be where thou wouldst be embayed
Thou shalt upon another forest set,
Where many shipwreck and no further get.
When thou art there, consider what this chase
Misspent by thy beginning at the face.
Rather set out below; practise my art.
Some symetry the foot hath with that part
Which thou dost seek, and is thy map for that,
Lovely enough to stop, but not stay at;
Least subject to disguise and change it is—
Men say the devil never can change his.
It is the emblem that hath figured
Firmness; 'tis the first part that comes to bed.
Civility we see refined; the kiss
Which at the face began, transplanted is,
Since to the hand, since to the imperial knee,
Now at the papal foot delights to be:
If kings think that the nearer way, and do
Rise from the foot, lovers may do so too;
For as free spheres move faster far than can
Birds, whom the air resists, so may that man
Which goes this empty and ethereal way,
Than if at beauty's elements he stay.
Rich nature hath in women wisely made
Two purses, and their mouths aversely laid:
They then which to the lower tribute owe
That way which that exchequer looks must go:
He which doth not, his error is as great
As who by clyster gave the stomach meat.
|
Written by
Philip Levine |
The gates are chained, the barbed-wire fencing stands,
An iron authority against the snow,
And this grey monument to common sense
Resists the weather.
Fears of idle hands,
Of protest, men in league, and of the slow
Corrosion of their minds, still charge this fence.
Beyond, through broken windows one can see
Where the great presses paused between their strokes
And thus remain, in air suspended, caught
In the sure margin of eternity.
The cast-iron wheels have stopped; one counts the spokes
Which movement blurred, the struts inertia fought,
And estimates the loss of human power,
Experienced and slow, the loss of years,
The gradual decay of dignity.
Men lived within these foundries, hour by hour;
Nothing they forged outlived the rusted gears
Which might have served to grind their eulogy.
|
Written by
Randall Jarrell |
At the back of the houses there is the wood.
While there is a leaf of summer left, the wood
Makes sounds I can put somewhere in my song,
Has paths I can walk, when I wake, to good
Or evil: to the cage, to the oven, to the House
In the Wood.
It is a part of life, or of the story
We make of life.
But after the last leaf,
The last light--for each year is leafless,
Each day lightless, at the last--the wood begins
Its serious existence: it has no path,
No house, no story; it resists comparison.
.
.
One clear, repeated, lapping gurgle, like a spoon
Or a glass breathing, is the brook,
The wood's fouled midnight water.
If I walk into the wood
As far as I can walk, I come to my own door,
The door of the House in the Wood.
It opens silently:
On the bed is something covered, something humped
Asleep there, awake there--but what? I do not know.
I look, I lie there, and yet I do not know.
How far out my great echoing clumsy limbs
Stretch, surrounded only by space! For time has struck,
All the clocks are stuck now, for how many lives,
On the same second.
Numbed, wooden, motionless,
We are far under the surface of the night.
Nothing comes down so deep but sound: a car, freight cars,
A high soft droning, drawn out like a wire
Forever and ever--is this the sound that Bunyan heard
So that he thought his bowels would burst within him?--
Drift on, on, into nothing.
Then someone screams
A scream like an old knife sharpened into nothing.
It is only a nightmare.
No one wakes up, nothing happens,
Except there is gooseflesh over my whole body--
And that too, after a little while, is gone.
I lie here like a cut-off limb, the stump the limb has left.
.
.
Here at the bottom of the world, what was before the world
And will be after, holds me to its back
Breasts and rocks me: the oven is cold, the cage is empty,
In the House in the Wood, the witch and her child sleep.
|
Written by
Joseph Brodsky |
A list of some observation.
In a corner it's warm.
A glance leaves an imprint on anything it's dwelt on.
Water is glass's most public form.
Man is more frightening than its skeleton.
A nowhere winter evening with wine.
A black
porch resists an osier's stiff assaults.
Fixed on an elbow the body bulks
like a glacier's debris a moraine of sorts.
A millennium hence they'll no doubt expose
a fossil bivalve propped behind this gauze
cloth with the print of lips under the print of fringe
mumbling "Good night" to a window hinge.
|
Written by
George Meredith |
I am to follow her.
There is much grace
In woman when thus bent on martyrdom.
They think that dignity of soul may come,
Perchance, with dignity of body.
Base!
But I was taken by that air of cold
And statuesque sedateness, when she said
'I'm going'; lit a taper, bowed her head,
And went, as with the stride of Pallas bold.
Fleshly indifference horrible! The hands
Of Time now signal: O, she's safe from me!
Within those secret walls what do I see
Where first she set the taper down she stands:
Not Pallas: Hebe shamed! Thoughts black as death,
Like a stirred pool in sunshine break.
Her wrists
I catch: she faltering, as she half resists,
'You love.
.
.
? love.
.
.
? love.
.
.
?' all on an in-drawn breath.
|
Written by
Victor Hugo |
("Il s'est dit tant de fois.")
{III., May, 1830.}
How often have the people said: "What's power?"
Who reigns soon is dethroned? each fleeting hour
Has onward borne, as in a fevered dream,
Such quick reverses, like a judge supreme—
Austere but just, they contemplate the end
To which the current of events must tend.
Self-confidence has taught them to forbear,
And in the vastness of their strength, they spare.
Armed with impunity, for one in vain
Resists a nation, they let others reign.
G.W.M. REYNOLDS.
|
Written by
Isaac Watts |
The humble enlightened, and carnal reason humbled.
Luke 10:21,22.
There was an hour when Christ rejoiced,
And spoke his joy in words of praise:
"Father, I thank thee, mighty God,
Lord of the earth, and heav'ns, and seas.
"I thank thy sovereign power and love
That crowns my doctrine with success,
And makes the babes in knowledge learn
The heights, and breadths, and lengths of grace.
"But all this glory lies concealed
From men of prudence and of wit;
The prince of darkness blinds their eyes,
And their own pride resists the light.
"Father, 'tis thus, because thy will
Chose and ordained it should be so;
'Tis thy delight t' abase the proud,
And lay the haughty scorner low.
"There's none can know the Father right
But those who learn it from the Son;
Nor can the Son be well received
But where the Father makes him known.
"
Then let our souls adore our God,
Who deals his graces as he please;
Nor gives to mortals an account
Or of his actions or decrees.
|
Written by
Joseph Brodsky |
A list of some observation.
In a corner, it's warm.
A glance leaves an imprint on anything it's dwelt on.
Water is glass's most public form.
Man is more frightening than its skeleton.
A nowhere winter evening with wine.
A black
porch resists an osier's stiff assaults.
Fixed on an elbow, the body bulks
like a glacier's debris, a moraine of sorts.
A millennium hence, they'll no doubt expose
a fossil bivalve propped behind this gauze
cloth, with the print of lips under the print of fringe, mumbling "Good night" to a window hinge.
|
Written by
Francesco Petrarch |
SONNET LIII.
Ben sapev' io che natural consiglio.
FLEEING FROM LOVE, HE FALLS INTO THE HANDS OF HIS MINISTERS.
Full well I know that natural wisdom nought,
Love, 'gainst thy power, in any age prevail'd,
For snares oft set, fond oaths that ever fail'd,
Sore proofs of thy sharp talons long had taught;
But lately, and in me it wonder wrought—
With care this new experience be detail'd—
'Tween Tuscany and Elba as I sail'd
On the salt sea, it first my notice caught.
I fled from thy broad hands, and, by the way,
An unknown wanderer, 'neath the violence
Of winds, and waves, and skies, I helpless lay,
When, lo! thy ministers, I knew not whence,
Who quickly made me by fresh stings to feel
Ill who resists his fate, or would conceal.
Macgregor.
|
Written by
Algernon Charles Swinburne |
SOFT, small, and sweet as sunniest flowers
That bask in heavenly heat
When bud by bud breaks, breathes, and cowers,
Soft, small, and sweet.
A babe's hands open as to greet
The tender touch of ours
And mock with motion faint and fleet
The minutes of the new strange hours
That earth, not heaven, must mete;
Buds fragrant still from heaven's own bowers,
Soft, small, and sweet.
A velvet vice with springs of steel
That fasten in a trice
And clench the fingers fast that feel
A velvet viceÑ
What man would risk the danger twice,
Nor quake from head to heel?
Whom would not one such test suffice?
Well may we tremble as we kneel
In sight of Paradise,
If both a babe's closed fists conceal
A velvet vice.
Two flower-soft fists of conquering clutch,
Two creased and dimpled wrists,
That match, if mottled overmuch,
Two flower-soft fists---
What heart of man dare hold the lists
Against such odds and such
Sweet vantage as no strength resists?
Our strength is all a broken crutch,
Our eyes are dim with mists,
Our hearts are prisoners as we touch
Two flower-soft fists.
|