Get Your Premium Membership

Best Famous Reputed(A) Poems

Here is a collection of the all-time best famous Reputed(A) poems. This is a select list of the best famous Reputed(A) poetry. Reading, writing, and enjoying famous Reputed(A) poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of reputed(a) poems.

Search and read the best famous Reputed(A) poems, articles about Reputed(A) poems, poetry blogs, or anything else Reputed(A) poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Gregory Corso | Create an image from this poem

Gregory Corso

 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.C. the mace the flail the axe
 Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone
 Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart
 And hath not St. Michael a burning sword St. George a lance David a sling
 Bomb you are as cruel as man makes you and you're no crueller than cancer
 All Man hates you they'd rather die by car-crash lightning drowning
Falling off a roof electric-chair heart-attack old age old age O Bomb
 They'd rather die by anything but you Death's finger is free-lance
 Not up to man whether you boom or not Death has long since distributed its
 categorical blue I sing thee Bomb Death's extravagance Death's jubilee
 Gem of Death's supremest blue The flyer will crash his death will differ
 with the climbor who'll fall to die by cobra is not to die by bad pork
Some die by swamp some by sea and some by the bushy-haired man in the night
 O there are deaths like witches of Arc Scarey deaths like Boris Karloff
 No-feeling deaths like birth-death sadless deaths like old pain Bowery
 Abandoned deaths like Capital Punishment stately deaths like senators
 And unthinkable deaths like Harpo Marx girls on Vogue covers my own
 I do not know just how horrible Bombdeath is I can only imagine
 Yet no other death I know has so laughable a preview I scope
 a city New York City streaming starkeyed subway shelter 
 Scores and scores A fumble of humanity High heels bend
 Hats whelming away Youth forgetting their combs
 Ladies not knowing what to do with their shopping bags
 Unperturbed gum machines Yet dangerous 3rd rail
 Ritz Brothers from the Bronx caught in the A train
 The smiling Schenley poster will always smile
 Impish death Satyr Bomb Bombdeath
 Turtles exploding over Istanbul
 The jaguar's flying foot
 soon to sink in arctic snow
 Penguins plunged against the Sphinx
 The top of the Empire state
 arrowed in a broccoli field in Sicily
 Eiffel shaped like a C in Magnolia Gardens
 St. Sophia peeling over Sudan
 O athletic Death Sportive Bomb
 the temples of ancient times
 their grand ruin ceased
 Electrons Protons Neutrons 
 gathering Hersperean hair
 walking the dolorous gulf of Arcady
 joining marble helmsmen
 entering the final ampitheater
 with a hymnody feeling of all Troys
 heralding cypressean torches
 racing plumes and banners
 and yet knowing Homer with a step of grace
 Lo the visiting team of Present
 the home team of Past
 Lyre and tube together joined
 Hark the hotdog soda olive grape
 gala galaxy robed and uniformed 
 commissary O the happy stands
 Ethereal root and cheer and boo
 The billioned all-time attendance
 The Zeusian pandemonium
 Hermes racing Owens
 The Spitball of Buddha
 Christ striking out
 Luther stealing third
 Planeterium Death Hosannah Bomb
 Gush the final rose O Spring Bomb
 Come with thy gown of dynamite green
 unmenace Nature's inviolate eye
 Before you the wimpled Past
 behind you the hallooing Future O Bomb
 Bound in the grassy clarion air
 like the fox of the tally-ho
 thy field the universe thy hedge the geo
 Leap Bomb bound Bomb frolic zig and zag
 The stars a swarm of bees in thy binging bag
 Stick angels on your jubilee feet
 wheels of rainlight on your bunky seat
 You are due and behold you are due
 and the heavens are with you
 hosanna incalescent glorious liaison
 BOMB O havoc antiphony molten cleft BOOM
 Bomb mark infinity a sudden furnace
 spread thy multitudinous encompassed Sweep
 set forth awful agenda
 Carrion stars charnel planets carcass elements
 Corpse the universe tee-hee finger-in-the-mouth hop
 over its long long dead Nor
 From thy nimbled matted spastic eye
 exhaust deluges of celestial ghouls
 From thy appellational womb
 spew birth-gusts of of great worms
 Rip open your belly Bomb
 from your belly outflock vulturic salutations
 Battle forth your spangled hyena finger stumps
 along the brink of Paradise
 O Bomb O final Pied Piper
 both sun and firefly behind your shock waltz
 God abandoned mock-nude
 beneath His thin false-talc's apocalypse
 He cannot hear thy flute's
 happy-the-day profanations
 He is spilled deaf into the Silencer's warty ear
 His Kingdom an eternity of crude wax
 Clogged clarions untrumpet Him
 Sealed angels unsing Him
 A thunderless God A dead God
 O Bomb thy BOOM His tomb
 That I lean forward on a desk of science
 an astrologer dabbling in dragon prose
 half-smart about wars bombs especially bombs
 That I am unable to hate what is necessary to love 
 That I can't exist in a world that consents
 a child in a park a man dying in an electric-chair
 That I am able to laugh at all things
 all that I know and do not know thus to conceal my pain
 That I say I am a poet and therefore love all man
 knowing my words to be the acquainted prophecy of all men
 and my unwords no less an acquaintanceship
 That I am manifold
 a man pursuing the big lies of gold
 or a poet roaming in bright ashes
 or that which I imagine myself to be 
 a shark-toothed sleep a man-eater of dreams
 I need not then be all-smart about bombs
 Happily so for if I felt bombs were caterpillars
 I'd doubt not they'd become butterflies
 There is a hell for bombs
 They're there I see them there
 They sit in bits and sing songs
  mostly German songs
 And two very long American songs
 and they wish there were more songs
 especially Russian and Chinese songs
 and some more very long American songs
 Poor little Bomb that'll never be 
 an Eskimo song I love thee 
 I want to put a lollipop
 in thy furcal mouth
 A wig of Goldilocks on thy baldy bean
 and have you skip with me Hansel and Gretel
 along the Hollywoodian screen
 O Bomb in which all lovely things
 moral and physical anxiously participate
  O fairylike plucked from the 
 grandest universe tree 
 O piece of heaven which gives
 both mountain and anthill a sun
 I am standing before your fantastic lily door
 I bring you Midgardian roses Arcadian musk
 Reputed cosmetics from the girls of heaven
 Welcome me fear not thy opened door
 nor thy cold ghost's grey memory
 nor the pimps of indefinite weather
 their cruel terrestial thaw
 Oppenheimer is seated
 in the dark pocket of Light
 Fermi is dry in Death's Mozambique
 Einstein his mythmouth
 a barnacled wreath on the moon-squid's head
 Let me in Bomb rise from that pregnant-rat corner
 nor fear the raised-broom nations of the world
 O Bomb I love you
 I want to kiss your clank eat your boom
 You are a paean an acme of scream
 a lyric hat of Mister Thunder
 O resound thy tanky knees
 BOOM BOOM BOOM BOOM BOOM
 BOOM ye skies and BOOM ye suns
 BOOM BOOM ye moons ye stars BOOM
 nights ye BOOM ye days ye BOOM
 BOOM BOOM ye winds ye clouds ye rains
 go BANG ye lakes ye oceans BING
 Barracuda BOOM and cougar BOOM
 Ubangi BOOM orangutang 
 BING BANG BONG BOOM bee bear baboon
 ye BANG ye BONG ye BING
 the tail the fin the wing
 Yes Yes into our midst a bomb will fall
 Flowers will leap in joy their roots aching
 Fields will kneel proud beneath the halleluyahs of the wind
 Pinkbombs will blossom Elkbombs will perk their ears
 Ah many a bomb that day will awe the bird a gentle look
 Yet not enough to say a bomb will fall
 or even contend celestial fire goes out
 Know that the earth will madonna the Bomb
 that in the hearts of men to come more bombs will be born
 magisterial bombs wrapped in ermine all beautiful
 and they'll sit plunk on earth's grumpy empires
 fierce with moustaches of gold


Written by A E Housman | Create an image from this poem

Fragment of a Greek Tragedy

 CHORUS: O suitably-attired-in-leather-boots
Head of a traveller, wherefore seeking whom
Whence by what way how purposed art thou come
To this well-nightingaled vicinity?
My object in inquiring is to know.
But if you happen to be deaf and dumb
And do not understand a word I say,
Then wave your hand, to signify as much.

ALCMAEON: I journeyed hither a Boetian road.
CHORUS: Sailing on horseback, or with feet for oars?
ALCMAEON: Plying with speed my partnership of legs.
CHORUS: Beneath a shining or a rainy Zeus?
ALCMAEON: Mud's sister, not himself, adorns my shoes.
CHORUS: To learn your name would not displease me much.
ALCMAEON: Not all that men desire do they obtain.
CHORUS: Might I then hear at what thy presence shoots.
ALCMAEON: A shepherd's questioned mouth informed me that--
CHORUS: What? for I know not yet what you will say.
ALCMAEON: Nor will you ever, if you interrupt.
CHORUS: Proceed, and I will hold my speechless tongue.
ALCMAEON: This house was Eriphyle's, no one else's.
CHORUS: Nor did he shame his throat with shameful lies.
ALCMAEON: May I then enter, passing through the door?
CHORUS: Go chase into the house a lucky foot.
And, O my son, be, on the one hand, good,
And do not, on the other hand, be bad;
For that is much the safest plan.
ALCMAEON: I go into the house with heels and speed.

CHORUS

Strophe

In speculation
I would not willingly acquire a name
For ill-digested thought;
But after pondering much
To this conclusion I at last have come:
LIFE IS UNCERTAIN.
This truth I have written deep
In my reflective midriff
On tablets not of wax,
Nor with a pen did I inscribe it there,
For many reasons: LIFE, I say, IS NOT
A STRANGER TO UNCERTAINTY.
Not from the flight of omen-yelling fowls
This fact did I discover,
Nor did the Delphine tripod bark it out,
Nor yet Dodona.
Its native ingunuity sufficed
My self-taught diaphragm.

Antistrophe

Why should I mention
The Inachean daughter, loved of Zeus?
Her whom of old the gods,
More provident than kind,
Provided with four hoofs, two horns, one tail,
A gift not asked for,
And sent her forth to learn
The unfamiliar science
Of how to chew the cud.
She therefore, all about the Argive fields,
Went cropping pale green grass and nettle-tops,
Nor did they disagree with her.
But yet, howe'er nutritious, such repasts
I do not hanker after:
Never may Cypris for her seat select
My dappled liver!
Why should I mention Io? Why indeed?
I have no notion why.

Epode

But now does my boding heart,
Unhired, unaccompanied, sing
A strain not meet for the dance.
Yes even the palace appears
To my yoke of circular eyes
(The right, nor omit I the left)
Like a slaughterhouse, so to speak,
Garnished with woolly deaths
And many sphipwrecks of cows.
I therefore in a Cissian strain lament:
And to the rapid
Loud, linen-tattering thumps upon my chest
Resounds in concert
The battering of my unlucky head.

ERIPHYLE (within): O, I am smitten with a hatchet's jaw;
And that in deed and not in word alone.
CHORUS: I thought I heard a sound within the house
Unlike the voice of one that jumps for joy.
ERIPHYLE: He splits my skull, not in a friendly way,
Once more: he purposes to kill me dead.
CHORUS: I would not be reputed rash, but yet
I doubt if all be gay within the house.
ERIPHYLE: O! O! another stroke! that makes the third.
He stabs me to the heart against my wish.
CHORUS: If that be so, thy state of health is poor;
But thine arithmetic is quite correct.
Written by Elizabeth Bishop | Create an image from this poem

Cape Breton

 Out on the high "bird islands," Ciboux and Hertford, 
the razorbill auks and the silly-looking puffins all stand 
with their backs to the mainland 
in solemn, uneven lines along the cliff's brown grass-frayed edge, 
while the few sheep pastured there go "Baaa, baaa." 
(Sometimes, frightened by aeroplanes, they stampede 
and fall over into the sea or onto the rocks.) 
The silken water is weaving and weaving, 
disappearing under the mist equally in all directions, 
lifted and penetrated now and then 
by one shag's dripping serpent-neck, 
and somewhere the mist incorporates the pulse, 
rapid but unurgent, of a motor boat. 

The same mist hangs in thin layers 
among the valleys and gorges of the mainland 
like rotting snow-ice sucked away 
almost to spirit; the ghosts of glaciers drift 
among those folds and folds of fir: spruce and hackmatack-- 
dull, dead, deep pea-cock colors, 
each riser distinguished from the next 
by an irregular nervous saw-tooth edge, 
alike, but certain as a stereoscopic view. 

The wild road clambers along the brink of the coast. 
On it stand occasional small yellow bulldozers, 
but without their drivers, because today is Sunday. 
The little white churches have been dropped into the matted hills 
like lost quartz arrowheads. 
The road appears to have been abandoned. 
Whatever the landscape had of meaning appears to have been abandoned, 
unless the road is holding it back, in the interior, 
where we cannot see, 
where deep lakes are reputed to be, 
and disused trails and mountains of rock 
and miles of burnt forests, standing in gray scratches 
like the admirable scriptures made on stones by stones-- 
and these regions now have little to say for themselves 
except in thousands of light song-sparrow songs floating upward 
freely, dispassionately, through the mist, and meshing 
in brown-wet, fine torn fish-nets. 

A small bus comes along, in up-and-down rushes, 
packed with people, even to its step. 
(On weekdays with groceries, spare automobile parts, and pump parts, 
but today only two preachers extra, one carrying his frock coat on a
 hanger.) 
It passes the closed roadside stand, the closed schoolhouse, 
where today no flag is flying 
from the rough-adzed pole topped with a white china doorknob. 
It stops, and a man carrying a bay gets off, 
climbs over a stile, and goes down through a small steep meadow, 
which establishes its poverty in a snowfall of daisies, 
to his invisible house beside the water. 

The birds keep on singing, a calf bawls, the bus starts. 
The thin mist follows 
the white mutations of its dream; 
an ancient chill is rippling the dark brooks.
Written by Ralph Waldo Emerson | Create an image from this poem

Mithridates

 I cannot spare water or wine,
Tobacco-leaf, or poppy, or rose;
From the earth-poles to the Line,
All between that works or grows,
Every thing is kin of mine.

Give me agates for my meat,
Give me cantharids to eat,
From air and ocean bring me foods,
From all zones and altitudes.

From all natures, sharp and slimy,
Salt and basalt, wild and tame,
Tree, and lichen, ape, sea-lion,
Bird and reptile be my game.

Ivy for my fillet band,
Blinding dogwood in my hand,
Hemlock for my sherbet cull me,
And the prussic juice to lull me,
Swing me in the upas boughs,
Vampire-fanned, when I carouse.

Too long shut in strait and few,
Thinly dieted on dew,
I will use the world, and sift it,
To a thousand humors shift it,
As you spin a cherry.
O doleful ghosts, and goblins merry,
O all you virtues, methods, mights;
Means, appliances, delights;
Reputed wrongs, and braggart rights;
Smug routine, and things allowed;
Minorities, things under cloud!
Hither! take me, use me, fill me,
Vein and artery, though ye kill me;
God! I will not be an owl,
But sun me in the Capitol.
Written by Rg Gregory | Create an image from this poem

a reader's de profundis

 in my reading of the moment i have learned
the figure next to christ in da vinci’s last supper
(a painting i have actually seen in a milan church
fragilely restored) is a woman – an honour earned
by mary magdalene who (according to research)
turns out to be christ’s wife – hang on what a whopper

cry those who can’t contemplate centuries of teaching
down the drain – who suck up to the precious thought
of divine purity (eternity’s abstention from all
the dirty business of the body) pasteurising preaching
let christ stay a product of the time before the fall
(da vinci had a darkness different from what’s taught)

mona lisa (amon-isis) – enigmatic smile and code
for male and female balance – offensive to the powers
that ran the bible their way (hoodwinked future ages)
turned the bright sun black to mask the path they strode
wrapped their ascetic bloodstreams in the holy pages
before which (even today) the congregation cowers

da vinci was an artist scientist (probably a necromancer)
had his own black sun – dabbled in the anti-matter
that official truth hates (creates) – that nurtures riddles 
through passageways that breed the ill-reputed answer
(soiled honour’s defence against sly caesar’s fiddles)
hissing its way lightwards through conspiracy chatter

christ had a woman at his right hand – locked together
(so da vinci had the painting say) like the letter m
the rumoured whore redeemed – the partner siamesed
into the one flesh – sharing the equal tragic tether
the whole edifice of the holy roman church teased
into collapse – virginal rose snapped at the stem

not that it seemed to make a difference – the vatican
still had its glory years ahead (its gory inquisitions)
da vinci stayed honoured in the breeches the word advanced
though its priests wore skirts – the brutality of man
multiplied its converts (scientifically enhanced)
not one power in the world changed its dirty dispositions

yesterday was aeons ago – tomorrow’s loath to come
no one really cares if magdalene was wife or whore
da vinci is someone to gawp at – all’s mutable (unreal)
what’s truth - we still know bugger-all (live by rule of thumb)
so educatedly dumb can’t trust what we think know feel
a thriller brought this on – half opened a not-there door


Written by Siegfried Sassoon | Create an image from this poem

Villon

THEY threw me from the gates: my matted hair
Was dank with dungeon wetness; my spent frame
O¡¯erlaid with marish agues: everywhere
Tortured by leaping pangs of frost and flame 
So hideous was I that even Lazarus there 5
In noisome rags arrayed and leprous shame 
Beside me set had seemed full sweet and fair 
And looked on me with loathing.

But one came
Who laid a cloak on me and brought me in
Tenderly to an hostel quiet and clean; 10
Used me with healing hands for all my needs.
The mortal stain of my reputed sin 
My state despised and my defil¨¨d weeds 
He hath put by as though they had not been.
Written by Jean Ingelow | Create an image from this poem

Requiescat In Pace!

My heart is sick awishing and awaiting:
  The lad took up his knapsack, he went, he went his way;
And I looked on for his coming, as a prisoner through the grating
  Looks and longs and longs and wishes for its opening day.
On the wild purple mountains, all alone with no other,
  The strong terrible mountains he longed, he longed to be;
And he stooped to kiss his father, and he stooped to kiss his mother,
  And till I said, "Adieu, sweet Sir," he quite forgot me.
He wrote of their white raiment, the ghostly capes that screen them,
  Of the storm winds that beat them, their thunder-rents and scars,
And the paradise of purple, and the golden slopes atween them,
  And fields, where grow God's gentian bells, and His crocus stars.
He wrote of frail gauzy clouds, that drop on them like fleeces,
  And make green their fir forests, and feed their mosses hoar;
Or come sailing up the valleys, and get wrecked and go to pieces,
  Like sloops against their cruel strength: then he wrote no more.
O the silence that came next, the patience and long aching!
  They never said so much as "He was a dear loved son;"
Not the father to the mother moaned, that dreary stillness breaking:
  "Ah! wherefore did he leave us so—this, our only one."
They sat within, as waiting, until the neighbors prayed them,
  At Cromer, by the sea-coast, 'twere peace and change to be;
And to Cromer, in their patience, or that urgency affrayed them,
  Or because the tidings tarried, they came, and took me.
It was three months and over since the dear lad had started:
  On the green downs at Cromer I sat to see the view;
On an open space of herbage, where the ling and fern had parted,
  Betwixt the tall white lighthouse towers, the old and the new.
Below me lay the wide sea, the scarlet sun was stooping,
  And he dyed the waste water, as with a scarlet dye;
And he dyed the lighthouse towers; every bird with white wing swooping
  Took his colors, and the cliffs did, and the yawning sky.
Over grass came that strange flush, and over ling and heather,
  Over flocks of sheep and lambs, and over Cromer town;
And each filmy cloudlet crossing drifted like a scarlet feather
  Torn from the folded wings of clouds, while he settled down.
When I looked, I dared not sigh:—In the light of God's splendor,
  With His daily blue and gold, who am I? what am I?
But that passion and outpouring seemed an awful sign and tender,
  Like the blood of the Redeemer, shown on earth and sky.
O for comfort, O the waste of a long doubt and trouble!
  On that sultry August eve trouble had made me meek;
I was tired of my sorrow—O so faint, for it was double
  In the weight of its oppression, that I could not speak!
And a little comfort grew, while the dimmed eyes were feeding,
  And the dull ears with murmur of water satisfied;
But a dream came slowly nigh me, all my thoughts and fancy leading
  Across the bounds of waking life to the other side.
And I dreamt that I looked out, to the waste waters turning,
  And saw the flakes of scarlet from wave to wave tossed on;
And the scarlet mix with azure, where a heap of gold lay burning
  On the clear remote sea reaches; for the sun was gone.
Then I thought a far-off shout dropped across the still water—
  A question as I took it, for soon an answer came
From the tall white ruined lighthouse: "If it be the old man's daughter
  That we wot of," ran the answer, "what then—who's to blame?"
I looked up at the lighthouse all roofless and storm-broken:
  A great white bird sat on it, with neck stretched out to sea;
Unto somewhat which was sailing in a skiff the bird had spoken,
  And a trembling seized my spirit, for they talked of me.
I was the old man's daughter, the bird went on to name him;
  "He loved to count the starlings as he sat in the sun;
Long ago he served with Nelson, and his story did not shame him:
  Ay, the old man was a good man—and his work was done."
The skiff was like a crescent, ghost of some moon departed,
  Frail, white, she rocked and curtseyed as the red wave she crossed,
And the thing within sat paddling, and the crescent dipped and darted,
  Flying on, again was shouting, but the words were lost.
I said, "That thing is hooded; I could hear but that floweth
  The great hood below its mouth:" then the bird made reply.
"If they know not, more's the pity, for the little shrew-mouse knoweth,
  And the kite knows, and the eagle, and the glead and pye."
And he stooped to whet his beak on the stones of the coping;
  And when once more the shout came, in querulous tones he spake,
"What I said was 'more's the pity;' if the heart be long past hoping,
  Let it say of death, 'I know it,' or doubt on and break.
"Men must die—one dies by day, and near him moans his mother,
  They dig his grave, tread it down, and go from it full loth:
And one dies about the midnight, and the wind moans, and no other,
  And the snows give him a burial—and God loves them both.
"The first hath no advantage—it shall not soothe his slumber
  That a lock of his brown hair his father aye shall keep;
For the last, he nothing grudgeth, it shall nought his quiet cumber,
  That in a golden mesh of HIS callow eaglets sleep.
"Men must die when all is said, e'en the kite and glead know it,
  And the lad's father knew it, and the lad, the lad too;
It was never kept a secret, waters bring it and winds blow it,
  And he met it on the mountain—why then make ado?"
With that he spread his white wings, and swept across the water,
  Lit upon the hooded head, and it and all went down;
And they laughed as they went under, and I woke, "the old man's daughter."
  And looked across the slope of grass, and at Cromer town.
And I said, "Is that the sky, all gray and silver-suited?"
  And I thought, "Is that the sea that lies so white and wan?
I have dreamed as I remember: give me time—I was reputed
  Once to have a steady courage—O, I fear 'tis gone!"
And I said, "Is this my heart? if it be, low 'tis beating
  So he lies on the mountain, hard by the eagles' brood;
I have had a dream this evening, while the white and gold were fleeting,
  But I need not, need not tell it—where would be the good?
"Where would be the good to them, his father and his mother?
  For the ghost of their dead hope appeareth to them still.
While a lonely watch-fire smoulders, who its dying red would smother,
  That gives what little light there is to a darksome hill?"
I rose up, I made no moan, I did not cry nor falter,
  But slowly in the twilight I came to Cromer town.
What can wringing of the hands do that which is ordained to alter?
  He had climbed, had climbed the mountain, he would ne'er come down.
But, O my first, O my best, I could not choose but love thee:
  O, to be a wild white bird, and seek thy rocky bed!
From my breast I'd give thee burial, pluck the down and spread above thee;
  I would sit and sing thy requiem on the mountain head.
Fare thee well, my love of loves! would I had died before thee!
  O, to be at least a cloud, that near thee I might flow,
Solemnly approach the mountain, weep away my being o'er thee,
  And veil thy breast with icicles, and thy brow with snow!
Written by Alec Derwent (A D) Hope | Create an image from this poem

The Pleasure of Princes

 What pleasures have great princes? These: to know 
Themselves reputed mad with pride or power; 
To speak few words -- few words and short bring low 
This ancient house, that city with flame devour;

To make old men, their father's enemies,
Drunk on the vintage of the former age;
To have great painters show their mistresses
Naked to the succeeding time; engage

The cunning of able, treacherous ministers 
To serve, despite themselves, the cause they hate, 
And leave a prosperous kingdom to their heirs 
Nursed by the caterpillars of the state;

To keep their spies in good men's hearts; to read 
The malice of the wise, and act betimes; 
To hear the Grand Remonstrances of greed 
Led by the pure; cheat justice of her crimes;

To beget worthless sons and, being old,
By starlight climb the battlements, and while
The pacing sentry hugs himself for cold,
Keep vigil like a lover, muse and smile,

And think, to see from the grim castle steep 
The midnight city below rejoice and shine: 
"There my great demon grumbles in his sleep 
And dreams of his destruction, and of mine."

Book: Radiant Verses: A Journey Through Inspiring Poetry