Written by
Larry Levis |
--The Carpathian Frontier, October, 1968
--for my brother
Once, in a foreign country, I was suddenly ill.
I was driving south toward a large city famous
For so little it had a replica, in concrete,
In two-thirds scale, of the Arc de Triomphe stuck
In the midst of traffic, & obstructing it.
But the city was hours away, beyond the hills
Shaped like the bodies of sleeping women.
Often I had to slow down for herds of goats
Or cattle milling on those narrow roads, & for
The narrower, lost, stone streets of villages
I passed through. The pains in my stomach had grown
Gradually sharper & more frequent as the day
Wore on, & now a fever had set up house.
In the villages there wasn't much point in asking
Anyone for help. In those places, where tanks
Were bivouacked in shade on their way back
From some routine exercise along
The Danube, even food was scarce that year.
And the languages shifted for no clear reason
From two hard quarries of Slavic into German,
Then to a shred of Latin spliced with oohs
And hisses. Even when I tried the simplest phrases,
The peasants passing over those uneven stones
Paused just long enough to look up once,
Uncomprehendingly. Then they turned
Quickly away, vanishing quietly into that
Moment, like bark chips whirled downriver.
It was autumn. Beyond each village the wind
Threw gusts of yellowing leaves across the road.
The goats I passed were thin, gray; their hind legs,
Caked with dried ****, seesawed along--
Not even mild contempt in their expressionless,
Pale eyes, & their brays like the scraping of metal.
Except for one village that had a kind
Of museum where I stopped to rest, & saw
A dead Scythian soldier under glass,
Turning to dust while holding a small sword
At attention forever, there wasn't much to look at.
Wind, leaves, goats, the higher passes
Locked in stone, the peasants with their fate
Embroidering a stillness into them,
And a spell over all things in that landscape,
Like . . .
That was the trouble; it couldn't be
Compared to anything else, not even the sleep
Of some asylum at a wood's edge with the sound
Of a pond's spillway beside it. But as each cramp
Grew worse & lasted longer than the one before,
It was hard to keep myself aloof from the threadbare
World walking on that road. After all,
Even as they moved, the peasants, the herds of goats
And cattle, the spiralling leaves, at least were part
Of that spell, that stillness.
After a while,
The villages grew even poorer, then thinned out,
Then vanished entirely. An hour later,
There were no longer even the goats, only wind,
Then more & more leaves blown over the road, sometimes
Covering it completely for a second.
And yet, except for a random oak or some brush
Writhing out of the ravine I drove beside,
The trees had thinned into rock, into large,
Tough blonde rosettes of fading pasture grass.
Then that gave out in a bare plateau. . . . And then,
Easing the Dacia down a winding grade
In second gear, rounding a long, funneled curve--
In a complete stillness of yellow leaves filling
A wide field--like something thoughtlessly,
Mistakenly erased, the road simply ended.
I stopped the car. There was no wind now.
I expected that, & though I was sick & lost,
I wasn't afraid. I should have been afraid.
To this day I don't know why I wasn't.
I could hear time cease, the field quietly widen.
I could feel the spreading stillness of the place
Moving like something I'd witnessed as a child,
Like the ancient, armored leisure of some reptile
Gliding, gray-yellow, into the slightly tepid,
Unidentical gray-brown stillness of the water--
Something blank & unresponsive in its tough,
Pimpled skin--seen only a moment, then unseen
As it submerged to rest on mud, or glided just
Beneath the lustreless, calm yellow leaves
That clustered along a log, or floated there
In broken ringlets, held by a gray froth
On the opaque, unbroken surface of the pond,
Which reflected nothing, no one.
And then I remembered.
When I was a child, our neighbors would disappear.
And there wasn't a pond of crocodiles at all.
And they hadn't moved. They couldn't move. They
Lived in the small, fenced-off backwater
Of a canal. I'd never seen them alive. They
Were in still photographs taken on the Ivory Coast.
I saw them only once in a studio when
I was a child in a city I once loved.
I was afraid until our neighbor, a photographer,
Explained it all to me, explained how far
Away they were, how harmless; how they were praised
In rituals as "powers." But they had no "powers,"
He said. The next week he vanished. I thought
Someone had cast a spell & that the crocodiles
Swam out of the pictures on the wall & grew
Silently & multiplied & then turned into
Shadows resting on the banks of lakes & streams
Or took the shapes of fallen logs in campgrounds
In the mountains. They ate our neighbor, Mr. Hirata.
They ate his whole family. That is what I believed,
Then. . .that someone had cast a spell. I did not
Know childhood was a spell, or that then there
Had been another spell, too quiet to hear,
Entering my city, entering the dust we ate. . . .
No one knew it then. No one could see it,
Though it spread through lawnless miles of housing tracts,
And the new, bare, treeless streets; it slipped
Into the vacant rows of warehouses & picked
The padlocked doors of working-class bars
And union halls & shuttered, empty diners.
And how it clung! (forever, if one had noticed)
To the brothel with the pastel tassels on the shade
Of an unlit table lamp. Farther in, it feasted
On the decaying light of failing shopping centers;
It spilled into the older, tree-lined neighborhoods,
Into warm houses, sealing itself into books
Of bedtime stories read each night by fathers--
The books lying open to the flat, neglected
Light of dawn; & it settled like dust on windowsills
Downtown, filling the smug cafés, schools,
Banks, offices, taverns, gymnasiums, hotels,
Newsstands, courtrooms, opium parlors, Basque
Restaurants, Armenian steam baths,
French bakeries, & two of the florists' shops--
Their plate glass windows smashed forever.
Finally it tried to infiltrate the exact
Center of my city, a small square bordered
With palm trees, olives, cypresses, a square
Where no one gathered, not even thieves or lovers.
It was a place which no longer had any purpose,
But held itself aloof, I thought, the way
A deaf aunt might, from opinions, styles, gossip.
I liked it there. It was completely lifeless,
Sad & clear in what seemed always a perfect,
Windless noon. I saw it first as a child,
Looking down at it from that as yet
Unvandalized, makeshift studio.
I remember leaning my right cheek against
A striped beach ball so that Mr. Hirata--
Who was Japanese, who would be sent the next week
To a place called Manzanar, a detention camp
Hidden in stunted pines almost above
The Sierra timberline--could take my picture.
I remember the way he lovingly relished
Each camera angle, the unwobbling tripod,
The way he checked each aperture against
The light meter, in love with all things
That were not accidental, & I remember
The care he took when focusing; how
He tried two different lens filters before
He found the one appropriate for that
Sensual, late, slow blush of afternoon
Falling through the one broad bay window.
I remember holding still & looking down
Into the square because he asked me to;
Because my mother & father had asked me please
To obey & be patient & allow the man--
Whose business was failing anyway by then--
To work as long as he wished to without any
Irritations or annoyances before
He would have to spend these years, my father said,
Far away, in snow, & without his cameras.
But Mr. Hirata did not work. He played.
His toys gleamed there. That much was clear to me . . . .
That was the day I decided I would never work.
It felt like a conversion. Play was sacred.
My father waited behind us on a sofa made
From car seats. One spring kept nosing through.
I remember the camera opening into the light . . . .
And I remember the dark after, the studio closed,
The cameras stolen, slivers of glass from the smashed
Bay window littering the unsanded floors,
And the square below it bathed in sunlight . . . . All this
Before Mr. Hirata died, months later,
From complications following pneumonia.
His death, a letter from a camp official said,
Was purely accidental. I didn't believe it.
Diseases were wise. Diseases, like the polio
My sister had endured, floating paralyzed
And strapped into her wheelchair all through
That war, seemed too precise. Like photographs . . .
Except disease left nothing. Disease was like
And equation that drank up light & never ended,
Not even in summer. Before my fever broke,
And the pains lessened, I could actually see
Myself, in the exact center of that square.
How still it had become in my absence, & how
Immaculate, windless, sunlit. I could see
The outline of every leaf on the nearest tree,
See it more clearly than ever, more clearly than
I had seen anything before in my whole life:
Against the modest, dark gray, solemn trunk,
The leaves were becoming only what they had to be--
Calm, yellow, things in themselves & nothing
More--& frankly they were nothing in themselves,
Nothing except their little reassurance
Of persisting for a few more days, or returning
The year after, & the year after that, & every
Year following--estranged from us by now--& clear,
So clear not one in a thousand trembled; hushed
And always coming back--steadfast, orderly,
Taciturn, oblivious--until the end of Time.
|
Written by
D. H. Lawrence |
I thought he was dumb, said he was dumb,
Yet I've heard him cry.
First faint scream,
Out of life's unfathomable dawn,
Far off, so far, like a madness, under the horizon's dawning rim,
Far, far off, far scream.
Tortoise in extremis.
Why were we crucified into sex?
Why were we not left rounded off, and finished in ourselves,
As we began,
As he certainly began, so perfectly alone?
A far, was-it-audible scream,
Or did it sound on the plasm direct?
Worse than the cry of the new-born,
A scream,
A yell,
A shout,
A paean,
A death-agony,
A birth-cry,
A submission,
All tiny, tiny, far away, reptile under the first dawn.
War-cry, triumph, acute-delight, death-scream reptilian,
Why was the veil torn?
The silken shriek of the soul's torn membrane?
The male soul's membrane
Torn with a shriek half music, half horror.
Crucifixion.
Male tortoise, cleaving behind the hovel-wall of that dense female,
Mounted and tense, spread-eagle, out-reaching out of the shell
In tortoise-nakedness,
Long neck, and long vulnerable limbs extruded, spreadeagle over her house-roof,
And the deep, secret, all-penetrating tail curved beneath her walls,
Reaching and gripping tense, more reaching anguish in uttermost tension
Till suddenly, in the spasm of coition, tupping like a jerking leap, and oh!
Opening its clenched face from his outstretched neck
And giving that fragile yell, that scream,
Super-audible,
From his pink, cleft, old-man's mouth,
Giving up the ghost,
Or screaming in Pentecost, receiving the ghost.
His scream, and his moment's subsidence,
The moment of eternal silence,
Yet unreleased, and after the moment, the sudden, startling jerk of coition, and at once
The inexpressible faint yell --
And so on, till the last plasm of my body was melted back
To the primeval rudiments of life, and the secret.
So he tups, and screams
Time after time that frail, torn scream
After each jerk, the longish interval,
The tortoise eternity,
Age-long, reptilian persistence,
Heart-throb, slow heart-throb, persistent for the next spasm.
I remember, when I was a boy,
I heard the scream of a frog, which was caught with his foot in the mouth of an up-starting snake;
I remember when I first heard bull-frogs break into sound in the spring;
I remember hearing a wild goose out of the throat of night
Cry loudly, beyond the lake of waters;
I remember the first time, out of a bush in the darkness, a nightingale's piercing cries and gurgles startled the depths of my soul;
I remember the scream of a rabbit as I went through a wood at midnight;
I remember the heifer in her heat, blorting and blorting through the hours, persistent and irrepressible,
I remember my first terror hearing the howl of weird, amorous cats;
I remember the scream of a terrified, injured horse, the sheet-lightning,
And running away from the sound of a woman in labour, something like an owl whooing,
And listening inwardly to the first bleat of a lamb,
The first wail of an infant,
And my mother singing to herself,
And the first tenor singing of the passionate throat of a young collier, who has long since drunk himself to death,
The first elements of foreign speech
On wild dark lips.
And more than all these,
And less than all these,
This last,
Strange, faint coition yell
Of the male tortoise at extremity,
Tiny from under the very edge of the farthest far-off horizon of life.
The cross,
The wheel on which our silence first is broken,
Sex, which breaks up our integrity, our single inviolability, our deep silence,
Tearing a cry from us.
Sex, which breaks us into voice, sets us calling across the deeps, calling, calling for the complement,
Singing, and calling, and singing again, being answered, having found.
Torn, to become whole again, after long seeking for what is lost,
The same cry from the tortoise as from Christ, the Osiris-cry of abandonment,
That which is whole, torn asunder,
That which is in part, finding its whole again throughout the universe.
|
Written by
D. H. Lawrence |
She is large and matronly
And rather dirty,
A little sardonic-looking, as if domesticity had driven her to it.
Though what she does, except lay four eggs at random in the garden once a year
And put up with her husband,
I don't know.
She likes to eat.
She hurries up, striding reared on long uncanny legs
When food is going.
Oh yes, she can make haste when she likes.
She snaps the soft bread from my hand in great mouthfuls,
Opening her rather pretty wedge of an iron, pristine face
Into an enormously wide-beaked mouth
Like sudden curved scissors,
And gulping at more than she can swallow, and working her thick, soft tongue,
And having the bread hanging over her chin.
O Mistress, Mistress,
Reptile mistress,
Your eye is very dark, very bright,
And it never softens
Although you watch.
She knows,
She knows well enough to come for food,
Yet she sees me not;
Her bright eye sees, but not me, not anything,
Sightful, sightless, seeing and visionless,
Reptile mistress.
Taking bread in her curved, gaping, toothless mouth,
She has no qualm when she catches my finger in her steel overlapping gums,
But she hangs on, and my shout and my shrinking are nothing to her.
She does not even know she is nipping me with her curved beak.
Snake-like she draws at my finger, while I drag it in horror away.
Mistress, reptile mistress,
You are almost too large, I am almost frightened.
He is much smaller,
Dapper beside her,
And ridiculously small.
Her laconic eye has an earthy, materialistic look,
His, poor darling, is almost fiery.
His wimple, his blunt-prowed face,
His low forehead, his skinny neck, his long, scaled, striving legs,
So striving, striving,
Are all more delicate than she,
And he has a cruel scar on his shell.
Poor darling, biting at her feet,
Running beside her like a dog, biting her earthy, splay feet,
Nipping her ankles,
Which she drags apathetic away, though without retreating into her shell.
Agelessly silent,
And with a grim, reptile determination,
Cold, voiceless age-after-age behind him, serpents' long obstinacy
Of horizontal persistence.
Little old man
Scuffling beside her, bending down, catching his opportunity,
Parting his steel-trap face, so suddenly, and seizing her scaly ankle,
And hanging grimly on,
Letting go at last as she drags away,
And closing his steel-trap face.
His steel-trap, stoic, ageless, handsome face.
Alas, what a fool he looks in this scuffle.
And how he feels it!
The lonely rambler, the stoic, dignified stalker through chaos,
The immune, the animate,
Enveloped in isolation,
Fore-runner.
Now look at him!
Alas, the spear is through the side of his isolation.
His adolescence saw him crucified into sex,
Doomed, in the long crucifixion of desire, to seek his consummation beyond himself.
Divided into passionate duality,
He, so finished and immune, now broken into desirous fragmentariness,
Doomed to make an intolerable fool of himself
In his effort toward completion again.
Poor little earthy house-inhabiting Osiris,
The mysterious bull tore him at adolescence into pieces,
And he must struggle after reconstruction, ignominiously.
And so behold him following the tail
Of that mud-hovel of his slowly rambling spouse,
Like some unhappy bull at the tail of a cow,
But with more than bovine, grim, earth-dank persistence.
Suddenly seizing the ugly ankle as she stretches out to walk,
Roaming over the sods,
Or, if it happen to show, at her pointed, heavy tail
Beneath the low-dropping back-board of her shell.
Their two shells like domed boats bumping,
Hers huge, his small;
Their splay feet rambling and rowing like paddles,
And stumbling mixed up in one another,
In the race of love --
Two tortoises,
She huge, he small.
She seems earthily apathetic,
And he has a reptile's awful persistence.
I heard a woman pitying her, pitying the Mère Tortue.
While I, I pity Monsieur.
"He pesters her and torments her," said the woman.
How much more is he pestered and tormented, say I.
What can he do?
He is dumb, he is visionless,
Conceptionless.
His black, sad-lidded eye sees but beholds not
As her earthen mound moves on,
But he catches the folds of vulnerable, leathery skin,
Nail-studded, that shake beneath her shell,
And drags at these with his beak,
Drags and drags and bites,
While she pulls herself free, and rows her dull mound along.
|
Written by
Charlotte Bronte |
I've quenched my lamp, I struck it in that start
Which every limb convulsed, I heard it fall
The crash blent with my sleep, I saw depart
Its light, even as I woke, on yonder wall;
Over against my bed, there shone a gleam
Strange, faint, and mingling also with my dream.
It sunk, and I am wrapt in utter gloom;
How far is night advanced, and when will day
Retinge the dusk and livid air with bloom,
And fill this void with warm, creative ray ?
Would I could sleep again till, clear and red,
Morning shall on the mountain-tops be spread!
I'd call my women, but to break their sleep,
Because my own is broken, were unjust;
They've wrought all day, and well-earned slumbers steep
Their labours in forgetfulness, I trust;
Let me my feverish watch with patience bear,
Thankful that none with me its sufferings share.
Yet, Oh, for light ! one ray would tranquilise
My nerves, my pulses, more than effort can;
I'll draw my curtain and consult the skies:
These trembling stars at dead of night look wan,
Wild, restless, strange, yet cannot be more drear
Than this my couch, shared by a nameless fear.
All blackone great cloud, drawn from east to west,
Conceals the heavens, but there are lights below;
Torches burn in Jerusalem, and cast
On yonder stony mount a lurid glow.
I see men stationed there, and gleaming spears;
A sound, too, from afar, invades my ears.
Dull, measured, strokes of axe and hammer ring
From street to street, not loud, but through the night
Distinctly heardand some strange spectral thing
Is now uprearedand, fixed against the light
Of the pale lamps; defined upon that sky,
It stands up like a column, straight and high.
I see it allI know the dusky sign
A cross on Calvary, which Jews uprear
While Romans watch; and when the dawn shall shine
Pilate, to judge the victim will appear,
Pass sentenceyield him up to crucify;
And on that cross the spotless Christ must die.
Dreams, then, are truefor thus my vision ran;
Surely some oracle has been with me,
The gods have chosen me to reveal their plan,
To warn an unjust judge of destiny:
I, slumbering, heard and saw; awake I know,
Christ's coming death, and Pilate's life of woe.
I do not weep for Pilatewho could prove
Regret for him whose cold and crushing sway
No prayer can soften, no appeal can move;
Who tramples hearts as others trample clay,
Yet with a faltering, an uncertain tread,
That might stir up reprisal in the dead.
Forced to sit by his side and see his deeds;
Forced to behold that visage, hour by hour,
In whose gaunt lines, the abhorrent gazer reads
A triple lust of gold, and blood, and power;
A soul whom motives, fierce, yet abject, urge
Rome's servile slave, and Judah's tyrant scourge.
How can I love, or mourn, or pity him ?
I, who so long my fettered hands have wrung;
I, who for grief have wept my eye-sight dim;
Because, while life for me was bright and young,
He robbed my youthhe quenched my life's fair ray
He crushed my mind, and did my freedom slay.
And at this houralthough I be his wife
He has no more of tenderness from me
Than any other wretch of guilty life;
Less, for I know his household privacy
I see him as he iswithout a screen;
And, by the gods, my soul abhors his mien !
Has he not sought my presence, dyed in blood
Innocent, righteous blood, shed shamelessly ?
And have I not his red salute withstood ?
Aye,when, as erst, he plunged all Galilee
In dark bereavementin affliction sore,
Mingling their very offerings with their gore.
Then came hein his eyes a serpent-smile,
Upon his lips some false, endearing word,
And, through the streets of Salem, clanged the while,
His slaughtering, hacking, sacrilegious sword
And I, to see a man cause men such woe,
Trembled with ireI did not fear to show.
And now, the envious Jewish priests have brought
Jesuswhom they in mockery call their king
To have, by this grim power, their vengeance wrought;
By this mean reptile, innocence to sting.
Oh ! could I but the purposed doom avert,
And shield the blameless head from cruel hurt!
Accessible is Pilate's heart to fear,
Omens will shake his soul, like autumn leaf;
Could he this night's appalling vision hear,
This just man's bonds were loosed, his life were safe,
Unless that bitter priesthood should prevail,
And make even terror to their malice quail.
Yet if I tell the dreambut let me pause.
What dream ? Erewhile the characters were clear,
Graved on my brainat once some unknown cause
Has dimmed and rased the thoughts, which now appear,
Like a vague remnant of some by-past scene;
Not what will be, but what, long since, has been.
I suffered many things, I heard foretold
A dreadful doom for Pilate,lingering woes,
In far, barbarian climes, where mountains cold
Built up a solitude of trackless snows,
There, he and grisly wolves prowled side by side,
There he lived famishedthere methought he died;
But not of hunger, nor by malady;
I saw the snow around him, stained with gore;
I said I had no tears for such as he,
And, lo ! my cheek is wetmine eyes run o'er;
I weep for mortal suffering, mortal guilt,
I weep the impious deedthe blood self-spilt.
More I recall not, yet the vision spread
Into a world remote, an age to come
And still the illumined name of Jesus shed
A light, a clearness, through the enfolding gloom
And still I saw that sign, which now I see,
That cross on yonder brow of Calvary.
What is this Hebrew Christ ? To me unknown,
His lineagedoctrinemissionyet how clear,
Is God-like goodness, in his actions shewn !
How straight and stainless is his life's career !
The ray of Deity that rests on him,
In my eyes makes Olympian glory dim.
The world advances, Greek, or Roman rite
Suffices not the inquiring mind to stay;
The searching soul demands a purer light
To guide it on its upward, onward way;
Ashamed of sculptured godsReligion turns
To where the unseen Jehovah's altar burns.
Our faith is rottenall our rites defiled,
Our temples sullied, and methinks, this man,
With his new ordinance, so wise and mild,
Is come, even as he says, the chaff to fan
And sever from the wheat; but will his faith
Survive the terrors of to-morrow's death ?
* * * * *
I feel a firmer trusta higher hope
Rise in my soulit dawns with dawning day;
Lo ! on the Temple's roofon Moriah's slope
Appears at length that clear, and crimson ray,
Which I so wished for when shut in by night;
Oh, opening skies, I hail, I bless your light !
Part, clouds and shadows ! glorious Sun appear !
Part, mental gloom ! Come insight from on high !
Dusk dawn in heaven still strives with daylight clear,
The longing soul, doth still uncertain sigh.
Oh ! to behold the truththat sun divine,
How doth my bosom pant, my spirit pine !
This day, time travails with a mighty birth,
This day, Truth stoops from heaven and visits earth,
Ere night descends, I shall more surely know
What guide to follow, in what path to go;
I wait in hopeI wait in solemn fear,
The oracle of Godthe soletrue Godto hear.
|
Written by
Robert Browning |
Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,--alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,--
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!
Would it might tarry like his, the beautiful building of mine,
This which my keys in a crowd pressed and importuned to raise!
Ah, one and all, how they helped, would dispart now and now combine,
Zealous to hasten the work, heighten their master his praise!
And one would bury his brow with a blind plunge down to hell,
Burrow awhile and build, broad on the roots of things,
Then up again swim into sight, having based me my palace well,
Founded it, fearless of flame, flat on the nether springs.
And another would mount and march, like the excellent minion he was,
Ay, another and yet another, one crowd but with many a crest,
Raising my rampired walls of gold as transparent as glass,
Eager to do and die, yield each his place to the rest:
For higher still and higher (as a runner tips with fire,
When a great illumination surprises a festal night--
Outlining round and round Rome's dome from space to spire)
Up, the pinnacled glory reached, and the pride of my soul was in sight.
In sight? Not half! for it seemed, it was certain, to match man's birth,
Nature in turn conceived, obeying an impulse as I;
And the emulous heaven yearned down, made effort to reach the earth,
As the earth had done her best, in my passion, to scale the sky:
Novel splendours burst forth, grew familiar and dwelt with mine,
Not a point nor peak but found and fixed its wandering star;
Meteor-moons, balls of blaze: and they did not pale nor pine,
For earth had attained to heaven, there was no more near nor far.
Nay more; for there wanted not who walked in the glare and glow,
Presences plain in the place; or, fresh from the Protoplast,
Furnished for ages to come, when a kindlier wind should blow,
Lured now to begin and live, in a house to their liking at last;
Or else the wonderful Dead who have passed through the body and gone,
But were back once more to breathe in an old world worth their new:
What never had been, was now; what was, as it shall be anon;
And what is,--shall I say, matched both? for I was made perfect too.
All through my keys that gave their sounds to a wish of my soul,
All through my soul that praised as its wish flowed visibly forth,
All through music and me! For think, had I painted the whole,
Why, there it had stood, to see, nor the process so wonder-worth:
Had I written the same, made verse--still, effect proceeds from cause,
Ye know why the forms are fair, ye hear how the tale is told;
It is all triumphant art, but art in obedience to laws,
Painter and poet are proud in the artist-list enrolled:--
But here is the finger of God, a flash of the will that can,
Existent behind all laws, that made them and, lo, they are!
And I know not if, save in this, such gift be allowed to man,
That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought;
It is everywhere in the world--loud, soft, and all is said:
Give it to me to use! I mix it with two in my thought:
And, there! Ye have heard and seen: consider and bow the head!
Well, it is gone at last, the palace of music I reared;
Gone! and the good tears start, the praises that come too slow;
For one is assured at first, one scarce can say that he feared,
That he even gave it a thought, the gone thing was to go.
Never to be again! But many more of the kind
As good, nay, better, perchance: is this your comfort to me?
To me, who must be saved because I cling with my mind
To the same, same self, same love, same God: ay, what was, shall be.
Therefore to whom turn I but to thee, the ineffable Name?
Builder and maker, thou, of houses not made with hands!
What, have fear of change from thee who art ever the same?
Doubt that thy power can fill the heart that thy power expands?
There shall never be one lost good! What was, shall live as before;
The evil is null, is nought, is silence implying sound;
What was good shall be good, with, for evil, so much good more;
On the earth the broken arcs; in the heaven, a perfect round.
All we have willed or hoped or dreamed of good shall exist;
Not its semblance, but itself; no beauty, nor good, nor power
Whose voice has gone forth, but each survives for the melodist
When eternity affirms the conception of an hour.
The high that proved too high, the heroic for earth too hard,
The passion that left the ground to lose itself in the sky,
Are music sent up to God by the lover and the bard;
Enough that he heard it once: we shall hear it by and by.
And what is our failure here but a triumph's evidence
For the fulness of the days? Have we withered or agonized?
Why else was the pause prolonged but that singing might issue thence?
Why rushed the discords in, but that harmony should be prized?
Sorrow is hard to bear, and doubt is slow to clear,
Each sufferer says his say, his scheme of the weal and woe:
But God has a few of us whom he whispers in the ear;
The rest may reason and welcome; 'tis we musicians know.
Well, it is earth with me; silence resumes her reign:
I will be patient and proud, and soberly acquiesce.
Give me the keys. I feel for the common chord again,
Sliding by semitones till I sink to the minor,--yes,
And I blunt it into a ninth, and I stand on alien ground,
Surveying awhile the heights I rolled from into the deep;
Which, hark, I have dared and done, for my resting-place is found,
The C Major of this life: so, now I will try to sleep.
|
Written by
John Greenleaf Whittier |
The firmament breaks up. In black eclipse
Light after light goes out. One evil star,
Luridly glaring through the smoke of war,
As in the dream of the Apocalypse,
Drags others down. Let us not weakly weep
Nor rashly threaten. Give us grace to keep
Our faith and patience; wherefore should we leap
On one hand into fratricidal fight,
Or, on the other, yield eternal right,
Frame lies of laws, and good and ill confound?
What fear we? Safe on freedom's vantage ground
Our feet are planted; let us there remain
In unrevengeful calm, no means untried
Which truth can sanction, no just claim denied,
The sad spectators of a suicide!
They break the lines of Union: shall we light
The fires of hell to weld anew the chain
On that red anvil where each blow is pain?
Draw we not even now a freer breath,
As from our shoulders falls a load of death
Loathsome as that the Tuscan's victim bore
When keen with life to a dead horror bound?
Why take we up the accursed thing again?
Pity, forgive, but urge them back no more
Who, drunk with passion, flaunt disunion's rag
With its vile reptile blazon. Let us press
The golden cluster on our brave old flag
In closer union, and, if numbering less,
Brighter shall shine the stars which still remain.
|
Written by
William Blake |
AFRICA
I will sing you a song of Los. the Eternal Prophet:
He sung it to four harps at the tables of Eternity.
In heart-formed Africa.
Urizen faded! Ariston shudderd!
And thus the Song began
Adam stood in the garden of Eden:
And Noah on the mountains of Ararat;
They saw Urizen give his Laws to the Nations
By the hands of the children of Los.
Adam shudderd! Noah faded! black grew the sunny African
When Rintrah gave Abstract Philosophy to Brama in the East:
(Night spoke to the Cloud!
Lo these Human form'd spirits in smiling hipocrisy. War
Against one another; so let them War on; slaves to the eternal Elements)
Noah shrunk, beneath the waters;
Abram fled in fires from Chaldea;
Moses beheld upon Mount Sinai forms of dark delusion:
To Trismegistus. Palamabron gave an abstract Law:
To Pythagoras Socrates & Plato.
Times rolled on o'er all the sons of Har, time after time
Orc on Mount Atlas howld, chain'd down with the Chain of Jealousy
Then Oothoon hoverd over Judah & Jerusalem
And Jesus heard her voice (a man of sorrows) he recievd
A Gospel from wretched Theotormon.
The human race began to wither, for the healthy built
Secluded places, fearing the joys of Love
And the disease'd only propagated:
So Antamon call'd up Leutha from her valleys of delight:
And to Mahomet a loose Bible gave.
But in the North, to Odin, Sotha gave a Code of War,
Because of Diralada thinking to reclaim his joy.
These were the Churches: Hospitals: Castles: Palaces:
Like nets & gins & traps to catch the joys of Eternity
And all the rest a desart;
Till like a dream Eternity was obliterated & erased.
Since that dread day when Har and Heva fled.
Because their brethren & sisters liv'd in War & Lust;
And as they fled they shrunk
Into two narrow doleful forms:
Creeping in reptile flesh upon
The bosom of the ground:
And all the vast of Nature shrunk
Before their shrunken eyes.
Thus the terrible race of Los & Enitharmon gave
Laws & Religions to the sons of Har binding them more
And more to Earth: closing and restraining:
Till a Philosophy of Five Senses was complete
Urizen wept & gave it into the hands of Newton & Locke
Clouds roll heavy upon the Alps round Rousseau & Voltaire:
And on the mountains of Lebanon round the deceased Gods
Of Asia; & on the deserts of Africa round the Fallen Angels
The Guardian Prince of Albion burns in his nightly tent
ASIA
The Kings of Asia heard
The howl rise up from Europe!
And each ran out from his Web;
From his ancient woven Den;
For the darkness of Asia was startled
At the thick-flaming, thought-creating fires of Orc.
And the Kings of Asia stood
And cried in bitterness of soul.
Shall not the King call for Famine from the heath?
Nor the Priest, for Pestilence from the fen?
To restrain! to dismay! to thin!
The inhabitants of mountain and plain;
In the day, of full-feeding prosperity;
And the night of delicious songs.
Shall not the Councellor throw his curb
Of Poverty on the laborious?
To fix the price of labour;
To invent allegoric riches:
And the privy admonishers of men
Call for fires in the City
For heaps of smoking ruins,
In the night of prosperity & wantonness
To turn man from his path,
To restrain the child from the womb,
To cut off the bread from the city,
That the remnant may learn to obey.
That the pride of the heart may fail;
That the lust of the eyes may be quench'd:
That the delicate ear in its infancy
May be dull'd; and the nostrils clos'd up;
To teach mortal worms the path
That leads from the gates of the Grave.
Urizen heard them cry!
And his shudd'ring waving wings
Went enormous above the red flames
Drawing clouds of despair thro' the heavens
Of Europe as he went:
And his Books of brass iron & gold
Melted over the land as he flew,
Heavy-waving, howling, weeping.
And he stood over Judea:
And stay'd in his ancient place:
And stretch'd his clouds over Jerusalem;
For Adam, a mouldering skeleton
Lay bleach'd on the garden of Eden;
And Noah as white as snow
On the mountains of Ararat.
Then the thunders of Urizen bellow'd aloud
From his woven darkness above.
Orc raging in European darkness
Arose like a pillar of fire above the Alps
Like a serpent of fiery flame!
The sullen Earth
Shrunk!
Forth from the dead dust rattling bones to bones
Join: shaking convuls'd the shivring clay breathes
And all flesh naked stands: Fathers and Friends;
Mothers & Infants; Kings & Warriors:
The Grave shrieks with delight, & shakes
Her hollow womb, & clasps the solid stem:
Her bosom swells with wild desire:
And milk & blood & glandous wine.
|
Written by
Robert Lowell |
"Relinquunt Omnia Servare Rem Publicam."
The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.
Once my nose crawled like a snail on the glass;
my hand tingled
to burst the bubbles
drifting from the noses of the cowed, compliant fish.
My hand draws back. I often sigh still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,
I pressed against the new barbed and galvanized
fence on the Boston Common. Behind their cage,
yellow dinosaur steamshovels were grunting
as they cropped up tons of mush and grass
to gouge their underworld garage.
Parking spaces luxuriate like civic
sandpiles in the heart of Boston.
A girdle of orange, Puritan-pumpkin colored girders
braces the tingling Statehouse,
shaking over the excavations, as it faces Colonel Shaw
and his bell-cheeked ***** infantry
on St. Gaudens' shaking Civil War relief,
propped by a plank splint against the garage's earthquake.
Two months after marching through Boston,
half the regiment was dead;
at the dedication,
William James could almost hear the bronze ******* breathe.
Their monument sticks like a fishbone
in the city's throat.
Its Colonel is as lean
as a compass-needle.
He has an angry wrenlike vigilance,
a greyhound's gently tautness;
he seems to wince at pleasure,
and suffocate for privacy.
He is out of bounds now. He rejoices in man's lovely,
peculiar power to choose life and die--
when he leads his black soldiers to death,
he cannot bend his back.
On a thousand small town New England greens,
the old white churches hold their air
of sparse, sincere rebellion; frayed flags
quilt the graveyards of the Grand Army of the Republic.
The stone statues of the abstract Union Soldier
grow slimmer and younger each year--
wasp-waisted, they doze over muskets
and muse through their sideburns . . .
Shaw's father wanted no monument
except the ditch,
where his son's body was thrown
and lost with his "niggers."
The ditch is nearer.
There are no statues for the last war here;
on Boylston Street, a commercial photograph
shows Hiroshima boiling
over a Mosler Safe, the "Rock of Ages"
that survived the blast. Space is nearer.
When I crouch to my television set,
the drained faces of ***** school-children rise like balloons.
Colonel Shaw
is riding on his bubble,
he waits
for the bless?d break.
The Aquarium is gone. Everywhere,
giant finned cars nose forward like fish;
a savage servility
slides by on grease.
|
Written by
Charles Baudelaire |
MADONNA, mistress, I would build for thee
An altar deep in the sad soul of me;
And in the darkest corner of my heart,
From mortal hopes and mocking eyes apart,
Carve of enamelled blue and gold a shrine
For thee to stand erect in, Image divine!
And with a mighty Crown thou shalt be crowned
Wrought of the gold of my smooth Verse, set round
With starry crystal rhymes; and I will make,
O mortal maid, a Mantle for thy sake,
And weave it of my jealousy, a gown
Heavy, barbaric, stiff, and weighted down
With my distrust, and broider round the hem
Not pearls, but all my tears in place of them.
And then thy wavering, trembling robe shall be
All the desires that rise and fall in me
From mountain-peaks to valleys of repose,
Kissing thy lovely body's white and rose.
For thy humiliated feet divine,
Of my Respect I'll make thee Slippers fine
Which, prisoning them within a gentle fold,
Shall keep their imprint like a faithful mould.
And if my art, unwearying and discreet,
Can make no Moon of Silver for thy feet
To have for Footstool, then thy heel shall rest
Upon the snake that gnaws within my breast,
Victorious Queen of whom our hope is born!
And thou shalt trample down and make a scorn
Of the vile reptile swollen up with hate.
And thou shalt see my thoughts, all consecrate,
Like candles set before thy flower-strewn shrine,
O Queen of Virgins, and the taper-shine
Shall glimmer star-like in the vault of blue,
With eyes of flame for ever watching you.
While all the love and worship in my sense
Will be sweet smoke of myrrh and frankincense.
Ceaselessly up to thee, white peak of snow,
My stormy spirit will in vapours go!
And last, to make thy drama all complete,
That love and cruelty may mix and meet,
I, thy remorseful torturer, will take
All the Seven Deadly Sins, and from them make
In darkest joy, Seven Knives, cruel-edged and keen,
And like a juggler choosing, O my Queen,
That spot profound whence love and mercy start,
I'll plunge them all within thy panting heart!
|
Written by
Oliver Wendell Holmes |
How the mountains talked together,
Looking down upon the weather,
When they heard our friend had planned his
Little trip among the Andes
How they'll bare their snowy scalps
To the climber of the Alps
When the cry goes through their passes,
"Here comes the great Agassiz!"
"Yes, I'm tall," says Chimborazo,
"But I wait for him to say so,--
That's the only thing that lacks,-- he
Must see me, Cotopaxi!"
"Ay! ay!" the fire-peak thunders,
"And he must view my wonders
I'm but a lonely crater
Till I have him for spectator!"
The mountain hearts are yearning,
The lava-torches burning,
The rivers bend to meet him,
The forests bow to greet him,
It thrills the spinal column
Of fossil fishes solemn,
And glaciers crawl the faster
To the feet of their old master!
Heaven keep him well and hearty,
Both him and all his party!
From the sun that broils and smites,
From the centipede that bites,
From the hail-storm and the thunder,
From the vampire and the condor,
From the gust upon the river,
From the sudden earthquake shiver,
From the trip of mule or donkey,
From the midnight howling monkey,
From the stroke of knife or dagger,
From the puma and the jaguar,
From the horrid boa-constrictor
That has scared us in the picture,
From the Indians of the Pampas
Who would dine upon their grampas,
From every beast and vermin
That to think of sets us squirmin',
From every snake that tries on
The traveller his p'ison,
From every pest of Natur',
Likewise the alligator,
And from two things left behind him,
(Be sure they'll try to find him,)
The tax-bill and assessor,--
Heaven keep the great Professor!
May he find, with his apostles,
That the land is full of fossils,
That the waters swarm with fishes
Shaped according to his wishes,
That every pool is fertile
In fancy kinds of turtle,
New birds around him singing,
New insects, never stinging,
With a million novel data
About the articulata,
And facts that strip off all husks
From the history of mollusks.
And when, with loud Te Deum,
He returns to his Museum
May he find the monstrous reptile
That so long the land has kept ill
By Grant and Sherman throttled,
And by Father Abraham bottled,
(All specked and streaked and mottled
With the scars of murderous battles,
Where he clashed the iron rattles
That gods and men he shook at,)
For all the world to look at!
God bless the great Professor!
And Madam, too, God bless her!
Bless him and all his band,
On the sea and on the land,
Bless them head and heart and hand,
Till their glorious raid is o'er,
And they touch our ransomed shore!
Then the welcome of a nation,
With its shout of exultation,
Shall awake the dumb creation,
And the shapes of buried aeons
Join the living creature's paeans,
Till the fossil echoes roar;
While the mighty megalosaurus
Leads the palaeozoic chorus,
God bless the great Professor,
And the land his proud possessor,--
Bless them now and evermore!
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