Written by
Marianne Moore |
Man looking into the sea,
taking the view from those who have as much right to it as
you have to it yourself,
it is human nature to stand in the middle of a thing,
but you cannot stand in the middle of this;
the sea has nothing to give but a well excavated grave.
The firs stand in a procession, each with an emerald turkey—
foot at the top,
reserved as their contours, saying nothing;
repression, however, is not the most obvious characteristic of
the sea;
the sea is a collector, quick to return a rapacious look.
There are others besides you who have worn that look—
whose expression is no longer a protest; the fish no longer
investigate them
for their bones have not lasted:
men lower nets, unconscious of the fact that they are
desecrating a grave,
and row quickly away-the blades of the oars
moving together like the feet of water-spiders as if there were
no such thing as death.
The wrinkles progress among themselves in a phalanx—
beautiful under networks of foam,
and fade breathlessly while the sea rustles in and out of the
seaweed;
the birds swim through the air at top speed, emitting cat-calls
as heretofore—
the tortoise-shell scourges about the feet of the cliffs, in motion
beneath them;
and the ocean, under the pulsation of lighthouses and noise of
bell-bouys,
advances as usual, looking as if it were not that ocean in which
dropped things are bound to sink—
in which if they turn and twist, it is neither with volition nor
consciousness.
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Written by
Rainer Maria Rilke |
Dedication
These to His Memory--since he held them dear,
Perchance as finding there unconsciously
Some image of himself--I dedicate,
I dedicate, I consecrate with tears--
These Idylls.
And indeed He seems to me
Scarce other than my king's ideal knight,
`Who reverenced his conscience as his king;
Whose glory was, redressing human wrong;
Who spake no slander, no, nor listened to it;
Who loved one only and who clave to her--'
Her--over all whose realms to their last isle,
Commingled with the gloom of imminent war,
The shadow of His loss drew like eclipse,
Darkening the world. We have lost him: he is gone:
We know him now: all narrow jealousies
Are silent; and we see him as he moved,
How modest, kindly, all-accomplished, wise,
With what sublime repression of himself,
And in what limits, and how tenderly;
Not swaying to this faction or to that;
Not making his high place the lawless perch
Of winged ambitions, nor a vantage-ground
For pleasure; but through all this tract of years
Wearing the white flower of a blameless life,
Before a thousand peering littlenesses,
In that fierce light which beats upon a throne,
And blackens every blot: for where is he,
Who dares foreshadow for an only son
A lovelier life, a more unstained, than his?
Or how should England dreaming of HIS sons
Hope more for these than some inheritance
Of such a life, a heart, a mind as thine,
Thou noble Father of her Kings to be,
Laborious for her people and her poor--
Voice in the rich dawn of an ampler day--
Far-sighted summoner of War and Waste
To fruitful strifes and rivalries of peace--
Sweet nature gilded by the gracious gleam
Of letters, dear to Science, dear to Art,
Dear to thy land and ours, a Prince indeed,
Beyond all titles, and a household name,
Hereafter, through all times, Albert the Good.
Break not, O woman's-heart, but still endure;
Break not, for thou art Royal, but endure,
Remembering all the beauty of that star
Which shone so close beside Thee that ye made
One light together, but has past and leaves
The Crown a lonely splendour.
May all love,
His love, unseen but felt, o'ershadow Thee,
The love of all Thy sons encompass Thee,
The love of all Thy daughters cherish Thee,
The love of all Thy people comfort Thee,
Till God's love set Thee at his side again!
|
Written by
Siegfried Sassoon |
Now light the candles; one; two; there’s a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame—
No, no, not that,—it’s bad to think of war,
When thoughts you’ve gagged all day come back to scare you;
And it’s been proved that soldiers don’t go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.
Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you’re as right as rain...
Why won’t it rain?...
I wish there’d be a thunder-storm to-night,
With bucketsful of water to sluice the dark,
And make the roses hang their dripping heads.
Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green,
And every kind of colour. Which will you read?
Come on; O do read something; they’re so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence: on the ceiling
There’s one big, dizzy moth that bumps and flutters;
And in the breathless air outside the house
The garden waits for something that delays.
There must be crowds of ghosts among the trees,—
Not people killed in battle,—they’re in France,—
But horrible shapes in shrouds—old men who died
Slow, natural deaths,—old men with ugly souls,
Who wore their bodies out with nasty sins.
. . . .
You’re quiet and peaceful, summering safe at home;
You’d never think there was a bloody war on!...
O yes, you would ... why, you can hear the guns.
Hark! Thud, thud, thud,—quite soft ... they never cease—
Those whispering guns—O Christ, I want to go out
And screech at them to stop—I’m going crazy;
I’m going stark, staring mad because of the guns.
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Written by
Paul Laurence Dunbar |
Deep in my heart that aches with the repression,
And strives with plenitude of bitter pain,
There lives a thought that clamors for expression,
And spends its undelivered force in vain.
What boots it that some other may have thought it?
The right of thoughts' expression is divine;
The price of pain I pay for it has bought it,
I care not who lays claim to it—'t is mine!
And yet not mine until it be delivered;
The manner of its birth shall prove the test.
Alas, alas, my rock of pride is shivered—
[Pg 26]I beat my brow—the thought still unexpressed.
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