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Best Famous Reports Poems

Here is a collection of the all-time best famous Reports poems. This is a select list of the best famous Reports poetry. Reading, writing, and enjoying famous Reports poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of reports poems.

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Written by Wystan Hugh (W H) Auden | Create an image from this poem

The Unknown Citizen

He was found by the Bureau of Statistics to be
One against whom there was no official complaint,
And all the reports on his conduct agree
That, in the modern sense of an old-fashioned word, he was a
saint,
For in everything he did he served the Greater Community.
Except for the War till the day he retired
He worked in a factory and never got fired,
But satisfied his employers, Fudge Motors Inc.
Yet he wasn't a scab or odd in his views,
For his Union reports that he paid his dues,
(Our report on his Union shows it was sound)
And our Social Psychology workers found
That he was popular with his mates and liked a drink.
The Press are convinced that he bought a paper every day
And that his reactions to advertisements were normal in every way.
Policies taken out in his name prove that he was fully insured,
And his Health-card shows he was once in hospital but left it cured.
Both Producers Research and High-Grade Living declare
He was fully sensible to the advantages of the Instalment Plan
And had everything necessary to the Modern Man,
A phonograph, a radio, a car and a frigidaire.
Our researchers into Public Opinion are content
That he held the proper opinions for the time of year;
When there was peace, he was for peace: when there was war, he went.
He was married and added five children to the population,
Which our Eugenist says was the right number for a parent of his
generation.
And our teachers report that he never interfered with their
education.
Was he free? Was he happy? The question is absurd:
Had anything been wrong, we should certainly have heard.


Written by Vladimir Mayakovsky | Create an image from this poem

Back Home

 Thoughts, go your way home.
Embrace, depths of the soul and the sea.
In my view, it is stupid to be always serene.
My cabin is the worst of all cabins - All night above me Thuds a smithy of feet.
All night, stirring the ceiling’s calm, dancers stampede to a moaning motif: “Marquita, Marquita, Marquita my darling, why won’t you, Marquita, why won’t you love me …” But why Should marquita love me?! I have no francs to spare.
And Marquita (at the slightest wink!) for a hundred francs she’d be brought to your room.
The sum’s not large - just live for show - No, you highbrow, ruffling your matted hair, you would thrust upon her a sewing machine, in stitches scribbling the silk of verse.
Proletarians arrive at communism from below - by the low way of mines, sickles, and pitchforks - But I, from poetry’s skies, plunge into communism, because without it I feel no love.
Whether I’m self-exiled or sent to mamma - the steel of words corrodes, the brass of the brass tarnishes.
Why, beneath foreign rains, must I soak, rot, and rust? Here I recline, having gone oversea, in my idleness barely moving my machine parts.
I myself feel like a Soviet factory, manufacturing happiness.
I object to being torn up, like a flower of the fields, after a long day’s work.
I want the Gosplan to sweat in debate, assignning me goals a year ahead.
I want a commissar with a decree to lean over the thought of the age.
I want the heart to earn its love wage at a specialist’s rate.
I want the factory committee to lock My lips when the work is done.
I want the pen to be on a par with the bayonet; and Stalin to deliver his Politbureau reports about verse in the making as he would about pig iron and the smelting of steel.
“That’s how it is, the way it goes … We’ve attained the topmost level, climbing from the workers’ bunks: in the Union of Republics the understanding of verse now tops the prewar norm …” Transcribed: by Mitch Abidor.
Written by Richard Wilbur | Create an image from this poem

Shame

 It is a cramped little state with no foreign policy,
Save to be thought inoffensive.
The grammar of the language Has never been fathomed, owing to the national habit Of allowing each sentence to trail off in confusion.
Those who have visited Scusi, the capital city, Report that the railway-route from Schuldig passes Through country best described as unrelieved.
Sheep are the national product.
The faint inscription Over the city gates may perhaps be rendered, "I'm afraid you won't find much of interest here.
" Census-reports which give the population As zero are, of course, not to be trusted, Save as reflecting the natives' flustered insistence That they do not count, as well as their modest horror Of letting one's sex be known in so many words.
The uniform grey of the nondescript buildings, the absence Of churches or comfort-stations, have given observers An odd impression of ostentatious meanness, And it must be said of the citizens (muttering by In their ratty sheepskins, shying at cracks in the sidewalk) That they lack the peace of mind of the truly humble.
The tenor of life is careful, even in the stiff Unsmiling carelessness of the border-guards And douaniers, who admit, whenever they can, Not merely the usual carloads of deodorant But gypsies, g-strings, hasheesh, and contraband pigments.
Their complete negligence is reserved, however, For the hoped-for invasion, at which time the happy people (Sniggering, ruddily naked, and shamelessly drunk) Will stun the foe by their overwhelming submission, Corrupt the generals, infiltrate the staff, Usurp the throne, proclaim themselves to be sun-gods, And bring about the collapse of the whole empire.
Written by Bertolt Brecht | Create an image from this poem

Questions From A Worker Who Reads

 Who built Thebes of the seven gates?
In the books you will find the names of kings.
Did the kings haul up the lumps of rock? And Babylon, many times demolished Who raised it up so many times? In what houses of gold-glittering Lima did the builders live? Where, the evening that the Wall of China was finnished Did the masons go? Great Rome Is full of triumphal arches.
Who erected them? Over whom Did the Caesars triumph? Had Byzantium, much praised in song Only palaces for its inhabitans? Even in fabled Atlantis The night the ocean engulfed it The drowning still bawled for their slaves.
The young Alexander conquered India.
Was he alone? Caesar beat the Gauls.
Did he not have even a cook with him? Philip of Spain wept when his armada Went down.
Was he the only one to weep? Frederick the Second won the Seven Year's War.
Who Else won it? Every page a victory.
Who cooked the feast for the victors? Every ten years a great man? Who paid the bill? So many reports.
So many questions.
Written by Kenn Nesbitt | Create an image from this poem

Poor Cinderella

Poor Cinderella, whose stepmom was mean,
could never see films rated PG-13.
She hadn’t a cell phone and no DVD,
no notebook computer or pocket TV.
She wasn’t allowed to play video games.
The tags on her clothes had unfashionable names.
Her shoes were not trendy enough to be cool.
No limousine chauffeur would drive her to school.
Her house had no drawing room; only a den.
Her bedtime, poor darling, was quarter past ten!
Well one day Prince Charming declared that a ball
would be held in his honor and maidens from all
over the kingdom were welcome to come
and party to techno and jungle house drum.
But Poor Cinderella, with nothing to wear,
collapsed in her stepmother’s La-Z-Boy chair.
She let out a sigh, with a lump in her throat,
then sniffled and picked up the TV remote.
She surfed channel zero to channel one-ten
then went back to zero and started again.
She watched music videos, sitcoms and sports,
commercials and talkshows and weather reports.
But no fairy godmother came to her side
to offer a dress or a carriage to ride.
So Poor Cinderella’s been sitting there since,
while one of her stepsisters married the Prince.
She sits there and sadly complains to the screen,
if only her stepmother wasn’t so mean.

 --Kenn Nesbitt

Copyright © Kenn Nesbitt 2009. All Rights Reserved.


Written by Robert Browning | Create an image from this poem

Waring

 I

What's become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who'd have guessed it from his lip,
Or his brow's accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what's-his-name's, the new prose-poet,
That wrote the book there, on the shelf— 
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken, Written, bustled? Who's to blame If your silence kept unbroken? "True, but there were sundry jottings, Stray-leaves, fragments, blurrs and blottings, Certain first steps were achieved Already which—(is that your meaning?) Had well borne out whoe'er believed In more to come!" But who goes gleaning Hedge-side chance-blades, while full-sheaved Stand cornfields by him? Pride, o'erweening Pride alone, puts forth such claims O'er the day's distinguished names.
Meantime, how much I loved him, I find out now I've lost him: I, who cared not if I moved him, Henceforth never shall get free Of his ghostly company, His eyes that just a little wink As deep I go into the merit Of this and that distinguished spirit— His cheeks' raised colour, soon to sink, As long I dwell on some stupendous And tremendous (Heaven defend us!) Monstr'-inform'-ingens-horrend-ous Demoniaco-seraphic Penman's latest piece of graphic.
Nay, my very wrist grows warm With his dragging weight of arm! E'en so, swimmingly appears, Through one's after-supper musings, Some lost Lady of old years, With her beauteous vain endeavour, And goodness unrepaid as ever; The face, accustomed to refusings, We, puppies that we were.
.
.
Oh never Surely, nice of conscience, scrupled Being aught like false, forsooth, to? Telling aught but honest truth to? What a sin, had we centupled Its possessor's grace and sweetness! No! she heard in its completeness Truth, for truth's a weighty matter, And, truth at issue, we can't flatter! Well, 'tis done with: she's exempt From damning us through such a sally; And so she glides, as down a valley, Taking up with her contempt, Past our reach; and in, the flowers Shut her unregarded hours.
Oh, could I have him back once more, This Waring, but one half-day more! Back, with the quiet face of yore, So hungry for acknowledgment Like mine! I'd fool him to his bent! Feed, should not he, to heart's content? I'd say, "to only have conceived Your great works, though they ne'er make progress, Surpasses all we've yet achieved!" I'd lie so, I should be believed.
I'd make such havoc of the claims Of the day's distinguished names To feast him with, as feasts an ogress Her sharp-toothed golden-crowned child! Or, as one feasts a creature rarely Captured here, unreconciled To capture; and completely gives Its pettish humours licence, barely Requiring that it lives.
Ichabod, Ichabod, The glory is departed! Travels Waring East away? Who, of knowledge, by hearsay, Reports a man upstarted Somewhere as a God, Hordes grown European-hearted, Millions of the wild made tame On a sudden at his fame? In Vishnu-land what Avatar? Or who, in Moscow, toward the Czar, With the demurest of footfalls Over the Kremlin's pavement, bright With serpentine and syenite, Steps, with five other generals, That simultaneously take snuff, For each to have pretext enough To kerchiefwise unfurl his sash Which, softness' self, is yet the stuff To hold fast where a steel chain snaps, And leave the grand white neck no gash? Waring, in Moscow, to those rough Cold northern natures borne, perhaps, Like the lambwhite maiden dear From the circle of mute kings, Unable to repress the tear, Each as his sceptre down he flings, To Dian's fane at Taurica, Where now a captive priestess, she alway Mingles her tender grave Hellenic speech With theirs, tuned to the hailstone-beaten beach, As pours some pigeon, from the myrrhy lands Rapt by the whirlblast to fierce Scythian strands Where bred the swallows, her melodious cry Amid their barbarous twitter! In Russia? Never! Spain were fitter! Ay, most likely, 'tis in Spain That we and Waring meet again— Now, while he turns down that cool narrow lane Into the blackness, out of grave Madrid All fire and shine—abrupt as when there's slid Its stiff gold blazing pall From some black coffin-lid.
Or, best of all, I love to think The leaving us was just a feint; Back here to London did he slink; And now works on without a wink Of sleep, and we are on the brink Of something great in fresco-paint: Some garret's ceiling, walls and floor, Up and down and o'er and o'er He splashes, as none splashed before Since great Caldara Polidore: Or Music means this land of ours Some favour yet, to pity won By Purcell from his Rosy Bowers,— "Give me my so long promised son, Let Waring end what I begun!" Then down he creeps and out he steals Only when the night conceals His face—in Kent 'tis cherry-time, Or, hops are picking; or, at prime Of March, he wanders as, too happy, Years ago when he was young, Some mild eve when woods grew sappy, And the early moths had sprung To life from many a trembling sheath Woven the warm boughs beneath; While small birds said to themselves What should soon be actual song, And young gnats, by tens and twelves, Made as if they were the throng That crowd around and carry aloft The sound they have nursed, so sweet and pure, Out of a myriad noises soft, Into a tone that can endure Amid the noise of a July noon, When all God's creatures crave their boon, All at once and all in tune, And get it, happy as Waring then, Having first within his ken What a man might do with men, And far too glad, in the even-glow, To mix with your world he meant to take Into his hand, he told you, so— And out of it his world to make, To contract and to expand As he shut or oped his hand.
Oh, Waring, what's to really be? A clear stage and a crowd to see! Some Garrick—say—out shall not he The heart of Hamlet's mystery pluck Or, where most unclean beasts are rife, Some Junius—am I right?—shall tuck His sleeve, and out with flaying-knife! Some Chatterton shall have the luck Of calling Rowley into life! Some one shall somehow run amuck With this old world, for want of strife Sound asleep: contrive, contrive To rouse us, Waring! Who's alive? Our men scarce seem in earnest now: Distinguished names!—but 'tis, somehow As if they played at being names Still more distinguished, like the games Of children.
Turn our sport to earnest With a visage of the sternest! Bring the real times back, confessed Still better than our very best! II "When I last saw Waring.
.
.
" (How all turned to him who spoke— You saw Waring? Truth or joke? In land-travel, or seafaring?) ".
.
.
We were sailing by Triest, Where a day or two we harboured: A sunset was in the West, When, looking over the vessel's side, One of our company espied A sudden speck to larboard.
And, as a sea-duck flies and swins At once, so came the light craft up, With its sole lateen sail that trims And turns (the water round its rims Dancing, as round a sinking cup) And by us like a fish it curled, And drew itself up close beside, Its great sail on the instant furled, And o'er its planks, a shrill voice cried (A neck as bronzed as a Lascar's) 'Buy wine of us, you English Brig? Or fruit, tobacco and cigars? A Pilot for you to Triest? Without one, look you ne'er so big, They'll never let you up the bay! We natives should know best.
' I turned, and 'just those fellows' way,' Our captain said, 'The long-shore thieves Are laughing at us in their sleeves.
' "In truth, the boy leaned laughing back; And one, half-hidden by his side Under the furled sail, soon I spied, With great grass hat, and kerchief black, Who looked up, with his kingly throat, Said somewhat, while the other shook His hair back from his eyes to look Their longest at us; then the boat, I know not how, turned sharply round, Laying her whole side on the sea As a leaping fish does; from the lee Into the weather, cut somehow Her sparkling path beneath our bow; And so went off, as with a bound, Into the rose and golden half Of the sky, to overtake the sun, And reach the shore, like the sea-calf Its singing cave; yet I caught one Glance ere away the boat quite passed, And neither time nor toil could mar Those features: so I saw the last Of Waring!"—You? Oh, never star Was lost here, but it rose afar! Look East, where whole new thousands are! In Vishnu-land what Avatar?
Written by Ogden Nash | Create an image from this poem

One From One Leaves Two

 Higgledy piggledy, my black hen,
She lays eggs for gentlemen.
Gentlemen come every day To count what my black hen doth lay.
If perchance she lays too many, They fine my hen a pretty penny; If perchance she fails to lay, The gentlemen a bonus pay.
Mumbledy pumbledy, my red cow, She’s cooperating now.
At first she didn’t understand That milk production must be planned; She didn’t understand at first She either had to plan or burst, But now the government reports She’s giving pints instead of quarts.
Fiddle de dee, my next-door neighbors, They are giggling at their labors.
First they plant the tiny seed, Then they water, then they weed, Then they hoe and prune and lop, They they raise a record crop, Then they laugh their sides asunder, And plow the whole caboodle under.
Abracadabra, thus we learn The more you create, the less you earn.
The less you earn, the more you’re given, The less you lead, the more you’re driven, The more destroyed, the more they feed, The more you pay, the more they need, The more you earn, the less you keep, And now I lay me down to sleep.
I pray the Lord my soul to take If the tax-collector hasn’t got it before I wake.
Written by Jerome Rothenberg | Create an image from this poem

I VENT MY WRATH ON ANIMALS

 I came alive
when things went
crazy.
I pulled the plug on the reports of sturm & drang When someone signaled I left open what I could not close.
I broke a covenant that was more fierce than murder.
I vent my wrath on animals pretending they will turn divine.
I open up rare certainties that test free will.
I take from animals a place in which the taste of death pours from their mouths & drowns them.
I support a lesser surface.
I draw comfort from the knowledge of their being.
Written by Charles Sorley | Create an image from this poem

A Letter From the Trenches to a School Friend

 I have not brought my Odyssey
With me here across the sea;
But you'll remember, when I say
How, when they went down Sparta way,
To sandy Sparta, long ere dawn
Horses were harnessed, rations drawn,
Equipment polished sparkling bright,
And breakfasts swallowed (as the white
Of eastern heavens turned to gold) -
The dogs barked, swift farewells were told.
The sun springs up, the horses neigh, Crackles the whip thrice-then away! From sun-go-up to sun-go-down All day across the sandy down The gallant horses galloped, till The wind across the downs more chill Blew, the sun sank and all the road Was darkened, that it only showed Right at the end the town's red light And twilight glimmering into night.
The horses never slackened till They reached the doorway and stood still.
Then came the knock, the unlading; then The honey-sweet converse of men, The splendid bath, the change of dress, Then - oh the grandeur of their Mess, The henchmen, the prim stewardess! And oh the breaking of old ground, The tales, after the port went round! (The wondrous wiles of old Odysseus, Old Agamemnon and his misuse Of his command, and that young chit Paris - who didn't care a bit For Helen - only to annoy her He did it really, K.
T.
A.
) But soon they led amidst the din The honey-sweet -- in, Whose eyes were blind, whose soul had sight, Who knew the fame of men in fight - Bard of white hair and trembling foot, Who sang whatever God might put Into his heart.
And there he sung, Those war-worn veterans among, Tales of great war and strong hearts wrung, Of clash of arms, of council's brawl, Of beauty that must early fall, Of battle hate and battle joy By the old windy walls of Troy.
They felt that they were unreal then, Visions and shadow-forms, not men.
But those the Bard did sing and say (Some were their comrades, some were they) Took shape and loomed and strengthened more Greatly than they had guessed of yore.
And now the fight begins again, The old war-joy, the old war-pain.
Sons of one school across the sea We have no fear to fight - And soon, oh soon, I do not doubt it, With the body or without it, We shall all come tumbling down To our old wrinkled red-capped town.
Perhaps the road up llsley way, The old ridge-track, will be my way.
High up among the sheep and sky, Look down on Wantage, passing by, And see the smoke from Swindon town; And then full left at Liddington, Where the four winds of heaven meet The earth-blest traveller to greet.
And then my face is toward the south, There is a singing on my mouth Away to rightward I descry My Barbury ensconced in sky, Far underneath the Ogbourne twins, And at my feet the thyme and whins, The grasses with their little crowns Of gold, the lovely Aldbourne downs, And that old signpost (well I knew That crazy signpost, arms askew, Old mother of the four grass ways).
And then my mouth is dumb with praise, For, past the wood and chalkpit tiny, A glimpse of Marlborough --! So I descend beneath the rail To warmth and welcome and wassail.
This from the battered trenches - rough, Jingling and tedious enough.
And so I sign myself to you: One, who some crooked pathways knew Round Bedwyn: who could scarcely leave The Downs on a December eve: Was at his happiest in shorts, And got - not many good reports! Small skill of rhyming in his hand - But you'll forgive - you'll understand.
Written by Katherine Philips | Create an image from this poem

La Solitude de St. Amant

 1

O! Solitude, my sweetest choice
Places devoted to the night,
Remote from tumult, and from noise,
How you my restless thoughts delight!
O Heavens! what content is mine,
To see those trees which have appear'd
From the nativity of Time,
And which hall ages have rever'd,
To look to-day as fresh and green,
As when their beauties first were seen!


2

A cheerful wind does court them so,
And with such amorous breath enfold,
That we by nothing else can know,
But by their hieght that they are old.
Hither the demi-gods did fly To seek the sanctuary, when Displeased Jove once pierc'd the sky, To pour a deluge upon men, And on these boughs themselves did save, When they could hardly see a wave.
3 Sad Philomel upon this thorn, So curiously by Flora dress'd, In melting notes, her case forlorn, To entertain me, hath confess'd.
O! how agreeable a sight These hanging mountains do appear, Which the unhappy would invite To finish all their sorrows here, When their hard fate makes them endure Such woes, as only death can cure.
4 What pretty desolations make These torrents vagabond and fierce, Who in vast leaps their springs forsake, This solitary Vale to pierce.
Then sliding just as serpents do Under the foot of every tree, Themselves are changed to rivers too, Wherein some stately Nayade, As in her native bed, is grown A queen upon a crystal throne.
5 This fen beset with river-plants, O! how it does my sense charm! Nor elders, reeds, nor willows want, Which the sharp steel did never harm.
Here Nymphs which come to take the air, May with such distaffs furnish'd be, As flags and rushes can prepare, Where we the nimble frogs may see, Who frighted to retreat do fly If an approaching man they spy.
6 Here water-flowl repose enjoy, Without the interrupting care, Lest Fortune should their bliss destroy By the malicious fowler's snare.
Some ravish'd with so bright a day, Their feathers finely prune and deck; Others their amorous heats allay, Which yet the waters could not check: All take their innocent content In this their lovely element.
7 Summer's, nor Winter's bold approach, This stream did never entertain; Nor ever felt a boat or coach, Whilst either season did remain.
No thirsty traveller came near, And rudely made his hand his cup; Nor any hunted hind hath here Her hopeless life resigned up; Nor ever did the treacherous hook Intrude to empty any brook.
8 What beauty is there in the sight Of these old ruin'd castle-walls Of which the utmost rage and spight Of Time's worst insurrection falls? The witches keep their Sabbath here, And wanton devils make retreat.
Who in malicious sport appear, Our sense both to afflict and cheat; And here within a thousand holes Are nest of adders and of owls.
9 The raven with his dismal cries, That mortal augury of Fate, Those ghastly goblins ratifies, Which in these gloomy places wait.
On a curs'd tree the wind does move A carcase which did once belong To one that hang'd himself for love Of a fair Nymph that did him wrong, Who thought she saw his love and truth, With one look would not save the youth.
10 But Heaven which judges equally, And its own laws will still maintain, Rewarded soon her cruelty With a deserv'd and mighty pain: About this squalid heap of bones, Her wand'ring and condemned shade, Laments in long and piercing groans The destiny her rigour made, And the more to augment her right, Her crime is ever in her sight.
11 There upon antique marbles trac'd, Devices of past times we see, Here age ath almost quite defac'd, What lovers carv'd on every tree.
The cellar, here, the highest room Receives when its old rafters fail, Soil'd with the venom and the foam Of the spider and the snail: And th'ivy in the chimney we Find shaded by a walnut tree.
12 Below there does a cave extend, Wherein there is so dark a grot, That should the Sun himself descend, I think he could not see a jot.
Here sleep within a heavy lid In quiet sadness locks up sense, And every care he does forbid, Whilst in arms of negligence, Lazily on his back he's spread, And sheaves of poppy are his bed.
13 Within this cool and hollow cave, Where Love itself might turn to ice, Poor Echo ceases not to rave On her Narcissus wild and nice: Hither I softly steal a thought, And by the softer music made With a sweet lute in charms well taught, Sometimes I flatter her sad shade, Whilst of my chords I make such choice, They serve as body to her voice.
14 When from these ruins I retire, This horrid rock I do invade, Whose lofty brow seems to inquire Of what materials mists are made: From thence descending leisurely Under the brow of this steep hill It with great pleasure I descry By waters undermin'd, until They to Palaemon's seat did climb, Compos'd of sponges and of slime.
15 How highly is the fancy pleas'd To be upon the Ocean's shore, When she begins to be appeas'd And her fierce billows cease to roar! And when the hairy Tritons are Riding upon the shaken wave, With what strange sounds they strike the air Of their trumpets hoarse and brave, Whose shrill reports does every wind Unto his due submission bind! 16 Sometimes the sea dispels the sand, Trembling and murmuring in the bay, And rolls itself upon the shells Which it both brings and takes away.
Sometimes exposed on the strand, Th'effect of Neptune's rage and scorn, Drown'd men, dead monsters cast on land, And ships that were in tempests torn, With diamonds and ambergreece, And many more such things as these.
17 Sometimes so sweetly she does smile, A floating mirror she might be, And you would fancy all that while New Heavens in her face to see: The Sun himself is drawn so well, When there he would his picture view, That our eye can hardly tell Which is the false Sun, which the true; And lest we give our sense the lie, We think he's fallen from the sky.
18 Bernieres! for whose beloved sake My thoughts are at a noble strife, This my fantastic landskip take, Which I have copied from the life.
I only seek the deserts rough, Where all alone I love to walk, And with discourse refin'd enough, My Genius and the Muses talk; But the converse most truly mine, Is the dear memory of thine.
19 Thou mayst in this Poem find, So full of liberty and heat, What illustrious rays have shin'd To enlighten my conceit: Sometimes pensive, sometimes gay, Just as that fury does control, And as the object I survey The notions grow up in my soul, And are as unconcern'd and free As the flame which transported me.
20 O! how I Solitude adore, That element of noblest wit, Where I have learnt Apollo's lore, Without the pains to study it: For thy sake I in love am grown With what thy fancy does pursue; But when I think upon my own, I hate it for that reason too.
Because it needs must hinder me From seeing, and from serving thee.

Book: Reflection on the Important Things