Written by
Homer |
Achilles' wrath, to Greece the direful spring
Of woes unnumber'd, heavenly goddess, sing!
That wrath which hurl'd to Pluto's gloomy reign
The souls of mighty chiefs untimely slain;
Whose limbs unburied on the naked shore,
Devouring dogs and hungry vultures tore.(41)
Since great Achilles and Atrides strove,
Such was the sovereign doom, and such the will of Jove!(42)
Declare, O Muse! in what ill-fated hour(43)
Sprung the fierce strife, from what offended power
Latona's son a dire contagion spread,(44)
And heap'd the camp with mountains of the dead;
The king of men his reverent priest defied,(45)
And for the king's offence the people died.
For Chryses sought with costly gifts to gain
His captive daughter from the victor's chain.
Suppliant the venerable father stands;
Apollo's awful ensigns grace his hands
By these he begs; and lowly bending down,
Extends the sceptre and the laurel crown
He sued to all, but chief implored for grace
The brother-kings, of Atreus' royal race(46)
"Ye kings and warriors! may your vows be crown'd,
And Troy's proud walls lie level with the ground.
May Jove restore you when your toils are o'er
Safe to the pleasures of your native shore.
But, oh! relieve a wretched parent's pain,
And give Chryseis to these arms again;
If mercy fail, yet let my presents move,
And dread avenging Phoebus, son of Jove."
The Greeks in shouts their joint assent declare,
The priest to reverence, and release the fair.
Not so Atrides; he, with kingly pride,
Repulsed the sacred sire, and thus replied:
"Hence on thy life, and fly these hostile plains,
Nor ask, presumptuous, what the king detains
Hence, with thy laurel crown, and golden rod,
Nor trust too far those ensigns of thy god.
Mine is thy daughter, priest, and shall remain;
And prayers, and tears, and bribes, shall plead in vain;
Till time shall rifle every youthful grace,
And age dismiss her from my cold embrace,
In daily labours of the loom employ'd,
Or doom'd to deck the bed she once enjoy'd
Hence then; to Argos shall the maid retire,
Far from her native soil and weeping sire."
|
Written by
Anne Kingsmill Finch |
In such a night, when every louder wind
Is to its distant cavern safe confined;
And only gentle Zephyr fans his wings,
And lonely Philomel, still waking, sings;
Or from some tree, famed for the owl's delight,
She, hollowing clear, directs the wand'rer right:
In such a night, when passing clouds give place,
Or thinly veil the heav'ns' mysterious face;
When in some river, overhung with green,
The waving moon and trembling leaves are seen;
When freshened grass now bears itself upright,
And makes cool banks to pleasing rest invite,
Whence springs the woodbind, and the bramble-rose,
And where the sleepy cowslip sheltered grows;
Whilst now a paler hue the foxglove takes,
Yet checkers still with red the dusky brakes
When scattered glow-worms, but in twilight fine,
Shew trivial beauties watch their hour to shine;
Whilst Salisb'ry stands the test of every light,
In perfect charms, and perfect virtue bright:
When odors, which declined repelling day,
Through temp'rate air uninterrupted stray;
When darkened groves their softest shadows wear,
And falling waters we distinctly hear;
When through the gloom more venerable shows
Some ancient fabric, awful in repose,
While sunburnt hills their swarthy looks conceal,
And swelling haycocks thicken up the vale:
When the loosed horse now, as his pasture leads,
Comes slowly grazing through th' adjoining meads,
Whose stealing pace, and lengthened shade we fear,
Till torn-up forage in his teeth we hear:
When nibbling sheep at large pursue their food,
And unmolested kine rechew the cud;
When curlews cry beneath the village walls,
And to her straggling brood the partridge calls;
Their shortlived jubilee the creatures keep,
Which but endures, whilst tyrant man does sleep;
When a sedate content the spirit feels,
And no fierce light disturbs, whilst it reveals;
But silent musings urge the mind to seek
Something, too high for syllables to speak;
Till the free soul to a composedness charmed,
Finding the elements of rage disarmed,
O'er all below a solemn quiet grown,
Joys in th' inferior world, and thinks it like her own:
In such a night let me abroad remain,
Till morning breaks, and all's confused again;
Our cares, our toils, our clamors are renewed,
Or pleasures, seldom reached, again pursued.
|
Written by
T S (Thomas Stearns) Eliot |
Thou hast committed—
Fornication: but that was in another country,
And besides, the wench is dead.
The Jew of Malta.
I
AMONG the smoke and fog of a December afternoon
You have the scene arrange itself—as it will seem to do—
With “I have saved this afternoon for you”;
And four wax candles in the darkened room,
Four rings of light upon the ceiling overhead,
An atmosphere of Juliet’s tomb
Prepared for all the things to be said, or left unsaid.
We have been, let us say, to hear the latest Pole
Transmit the Preludes, through his hair and fingertips.
“So intimate, this Chopin, that I think his soul
Should be resurrected only among friends
Some two or three, who will not touch the bloom
That is rubbed and questioned in the concert room.”
—And so the conversation slips
Among velleities and carefully caught regrets
Through attenuated tones of violins
Mingled with remote cornets
And begins.
“You do not know how much they mean to me, my friends,
And how, how rare and strange it is, to find
In a life composed so much, so much of odds and ends,
[For indeed I do not love it ... you knew? you are not blind!
How keen you are!]
To find a friend who has these qualities,
Who has, and gives
Those qualities upon which friendship lives.
How much it means that I say this to you—
Without these friendships—life, what cauchemar!”
Among the windings of the violins
And the ariettes
Of cracked cornets
Inside my brain a dull tom-tom begins
Absurdly hammering a prelude of its own,
Capricious monotone
That is at least one definite “false note.”
—Let us take the air, in a tobacco trance,
Admire the monuments,
Discuss the late events,
Correct our watches by the public clocks.
Then sit for half an hour and drink our bocks.
II
Now that lilacs are in bloom
She has a bowl of lilacs in her room
And twists one in his fingers while she talks.
“Ah, my friend, you do not know, you do not know
What life is, you who hold it in your hands”;
(Slowly twisting the lilac stalks)
“You let it flow from you, you let it flow,
And youth is cruel, and has no remorse
And smiles at situations which it cannot see.”
I smile, of course,
And go on drinking tea.
“Yet with these April sunsets, that somehow recall
My buried life, and Paris in the Spring,
I feel immeasurably at peace, and find the world
To be wonderful and youthful, after all.”
The voice returns like the insistent out-of-tune
Of a broken violin on an August afternoon:
“I am always sure that you understand
My feelings, always sure that you feel,
Sure that across the gulf you reach your hand.
You are invulnerable, you have no Achilles’ heel.
You will go on, and when you have prevailed
You can say: at this point many a one has failed.
But what have I, but what have I, my friend,
To give you, what can you receive from me?
Only the friendship and the sympathy
Of one about to reach her journey’s end.
I shall sit here, serving tea to friends...”
I take my hat: how can I make a cowardly amends
For what she has said to me?
You will see me any morning in the park
Reading the comics and the sporting page.
Particularly I remark
An English countess goes upon the stage.
A Greek was murdered at a Polish dance,
Another bank defaulter has confessed.
I keep my countenance,
I remain self-possessed
Except when a street piano, mechanical and tired
Reiterates some worn-out common song
With the smell of hyacinths across the garden
Recalling things that other people have desired.
Are these ideas right or wrong?
III
The October night comes down; returning as before
Except for a slight sensation of being ill at ease
I mount the stairs and turn the handle of the door
And feel as if I had mounted on my hands and knees.
“And so you are going abroad; and when do you return?
But that’s a useless question.
You hardly know when you are coming back,
You will find so much to learn.”
My smile falls heavily among the bric-à-brac.
“Perhaps you can write to me.”
My self-possession flares up for a second;
This is as I had reckoned.
“I have been wondering frequently of late
(But our beginnings never know our ends!)
Why we have not developed into friends.”
I feel like one who smiles, and turning shall remark
Suddenly, his expression in a glass.
My self-possession gutters; we are really in the dark.
“For everybody said so, all our friends,
They all were sure our feelings would relate
So closely! I myself can hardly understand.
We must leave it now to fate.
You will write, at any rate.
Perhaps it is not too late.
I shall sit here, serving tea to friends.”
And I must borrow every changing shape
To find expression ... dance, dance
Like a dancing bear,
Cry like a parrot, chatter like an ape.
Let us take the air, in a tobacco trance—
Well! and what if she should die some afternoon,
Afternoon grey and smoky, evening yellow and rose;
Should die and leave me sitting pen in hand
With the smoke coming down above the housetops;
Doubtful, for a while
Not knowing what to feel or if I understand
Or whether wise or foolish, tardy or too soon...
Would she not have the advantage, after all?
This music is successful with a “dying fall”
Now that we talk of dying—
And should I have the right to smile?
|
Written by
Ogden Nash |
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.
The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly bum from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.
Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."
The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The bum bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."
Quoth the bum, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."
Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.
"We are higher than twelve and below fourteen,"
Said Maxie to the bum,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.
It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)
The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.
Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.
Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.
Now the damned make way for the double-damned
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.
See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.
And still they come, and from the bum
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."
"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"
The bum reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-damned.
|
Written by
Walt Whitman |
1
AS a strong bird on pinions free,
Joyous, the amplest spaces heavenward cleaving,
Such be the thought I’d think to-day of thee, America,
Such be the recitative I’d bring to-day for thee.
The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long,
Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library;
But an odor I’d bring to-day as from forests of pine in the north, in Maine—or
breath
of an Illinois prairie,
With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or
Florida’s glades,
With presentment of Yellowstone’s scenes, or Yosemite;
And murmuring under, pervading all, I’d bring the rustling sea-sound,
That endlessly sounds from the two great seas of the world.
And for thy subtler sense, subtler refrains, O Union!
Preludes of intellect tallying these and thee—mind-formulas fitted for
thee—real, and
sane, and large as these and thee;
Thou, mounting higher, diving deeper than we knew—thou transcendental Union!
By thee Fact to be justified—blended with Thought;
Thought of Man justified—blended with God:
Through thy Idea—lo! the immortal Reality!
Through thy Reality—lo! the immortal Idea!
2
Brain of the New World! what a task is thine!
To formulate the Modern.....Out of the peerless grandeur of the modern,
Out of Thyself—comprising Science—to recast Poems, Churches, Art,
(Recast—may-be discard them, end them—May-be their work is done—who knows?)
By vision, hand, conception, on the background of the mighty past, the dead,
To limn, with absolute faith, the mighty living present.
(And yet, thou living, present brain! heir of the dead, the Old World brain!
Thou that lay folded, like an unborn babe, within its folds so long!
Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest
it;
It to eventuate in thee—the essence of the by-gone time contain’d in thee;
Its poems, churches, arts, unwitting to themselves, destined with reference to thee,
The fruit of all the Old, ripening to-day in thee.)
3
Sail—sail thy best, ship of Democracy!
Of value is thy freight—’tis not the Present only,
The Past is also stored in thee!
Thou holdest not the venture of thyself alone—not of thy western continent alone;
Earth’s résumé entire floats on thy keel, O ship—is
steadied by
thy spars;
With thee Time voyages in trust—the antecedent nations sink or swim with thee;
With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the
other
continents;
Theirs, theirs as much as thine, the destination-port triumphant:
—Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great
companions,
Venerable, priestly Asia sails this day with thee,
And royal, feudal Europe sails with thee.
4
Beautiful World of new, superber Birth, that rises to my eyes,
Like a limitless golden cloud, filling the western sky;
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons;
Out of thy teeming womb, thy giant babes in ceaseless procession issuing,
Acceding from such gestation, taking and giving continual strength and life;
World of the Real! world of the twain in one!
World of the Soul—born by the world of the real alone—led to identity, body, by
it
alone;
Yet in beginning only—incalculable masses of composite, precious materials,
By history’s cycles forwarded—by every nation, language, hither sent,
Ready, collected here—a freer, vast, electric World, to be constructed here,
(The true New World—the world of orbic Science, Morals, Literatures to come,)
Thou Wonder World, yet undefined, unform’d—neither do I define thee;
How can I pierce the impenetrable blank of the future?
I feel thy ominous greatness, evil as well as good;
I watch thee, advancing, absorbing the present, transcending the past;
I see thy light lighting and thy shadow shadowing, as if the entire globe;
But I do not undertake to define thee—hardly to comprehend thee;
I but thee name—thee prophecy—as now!
I merely thee ejaculate!
Thee in thy future;
Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring
spirit;
Thee as another equally needed sun, America—radiant, ablaze, swift-moving,
fructifying
all;
Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity!
(Scattering for good the cloud that hung so long—that weigh’d so long upon the
mind
of man,
The doubt, suspicion, dread, of gradual, certain decadence of man;)
Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral,
spiritual,
South, North, West, East,
(To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike,
forever
equal;)
Thee in thy own musicians, singers, artists, unborn yet, but certain;
Thee in thy moral wealth and civilization (until which thy proudest material wealth and
civilization must remain in vain;)
Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour,
merely,
Thy saviours countless, latent within thyself—thy bibles incessant, within thyself,
equal
to any, divine as any;
Thee in an education grown of thee—in teachers, studies, students, born of thee;
Thee in thy democratic fetes, en masse—thy high original festivals, operas,
lecturers,
preachers;
Thee in thy ultimata, (the preparations only now completed—the edifice on sure
foundations
tied,)
Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love,
and
godlike aspiration,
In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal
bards—kosmic savans,
These! these in thee, (certain to come,) to-day I prophecy.
5
Land tolerating all—accepting all—not for the good alone—all good for thee;
Land in the realms of God to be a realm unto thyself;
Under the rule of God to be a rule unto thyself.
(Lo! where arise three peerless stars,
To be thy natal stars, my country—Ensemble—Evolution—Freedom,
Set in the sky of Law.)
Land of unprecedented faith—God’s faith!
Thy soil, thy very subsoil, all upheav’d;
The general inner earth, so long, so sedulously draped over, now and hence for what it is,
boldly laid bare,
Open’d by thee to heaven’s light, for benefit or bale.
Not for success alone;
Not to fair-sail unintermitted always;
The storm shall dash thy face—the murk of war, and worse than war, shall cover thee
all
over;
(Wert capable of war—its tug and trials? Be capable of peace, its trials;
For the tug and mortal strain of nations come at last in peace—not war;)
In many a smiling mask death shall approach, beguiling thee—thou in disease shalt
swelter;
The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike
thee
deep within;
Consumption of the worst—moral consumption—shall rouge thy face with hectic:
But thou shalt face thy fortunes, thy diseases, and surmount them all,
Whatever they are to-day, and whatever through time they may be,
They each and all shall lift, and pass away, and cease from thee;
While thou, Time’s spirals rounding—out of thyself, thyself still extricating,
fusing,
Equable, natural, mystical Union thou—(the mortal with immortal blent,)
Shalt soar toward the fulfilment of the future—the spirit of the body and the mind,
The Soul—its destinies.
The Soul, its destinies—the real real,
(Purport of all these apparitions of the real;)
In thee, America, the Soul, its destinies;
Thou globe of globes! thou wonder nebulous!
By many a throe of heat and cold convuls’d—(by these thyself solidifying;)
Thou mental, moral orb! thou New, indeed new, Spiritual World!
The Present holds thee not—for such vast growth as thine—for such
unparallel’d
flight as thine,
The Future only holds thee, and can hold thee.
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