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Best Famous Relief Poems

Here is a collection of the all-time best famous Relief poems. This is a select list of the best famous Relief poetry. Reading, writing, and enjoying famous Relief poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of relief poems.

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Written by Langston Hughes | Create an image from this poem

Let America Be America Again

 Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain Seeking a home where he himself is free.
(America never was America to me.
) Let America be the dream the dreamers dreamed-- Let it be that great strong land of love Where never kings connive nor tyrants scheme That any man be crushed by one above.
(It never was America to me.
) O, let my land be a land where Liberty Is crowned with no false patriotic wreath, But opportunity is real, and life is free, Equality is in the air we breathe.
(There's never been equality for me, Nor freedom in this "homeland of the free.
") Say, who are you that mumbles in the dark? And who are you that draws your veil across the stars? I am the poor white, fooled and pushed apart, I am the ***** bearing slavery's scars.
I am the red man driven from the land, I am the immigrant clutching the hope I seek-- And finding only the same old stupid plan Of dog eat dog, of mighty crush the weak.
I am the young man, full of strength and hope, Tangled in that ancient endless chain Of profit, power, gain, of grab the land! Of grab the gold! Of grab the ways of satisfying need! Of work the men! Of take the pay! Of owning everything for one's own greed! I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the *****, servant to you all.
I am the people, humble, hungry, mean-- Hungry yet today despite the dream.
Beaten yet today--O, Pioneers! I am the man who never got ahead, The poorest worker bartered through the years.
Yet I'm the one who dreamt our basic dream In the Old World while still a serf of kings, Who dreamt a dream so strong, so brave, so true, That even yet its mighty daring sings In every brick and stone, in every furrow turned That's made America the land it has become.
O, I'm the man who sailed those early seas In search of what I meant to be my home-- For I'm the one who left dark Ireland's shore, And Poland's plain, and England's grassy lea, And torn from Black Africa's strand I came To build a "homeland of the free.
" The free? Who said the free? Not me? Surely not me? The millions on relief today? The millions shot down when we strike? The millions who have nothing for our pay? For all the dreams we've dreamed And all the songs we've sung And all the hopes we've held And all the flags we've hung, The millions who have nothing for our pay-- Except the dream that's almost dead today.
O, let America be America again-- The land that never has been yet-- And yet must be--the land where every man is free.
The land that's mine--the poor man's, Indian's, *****'s, ME-- Who made America, Whose sweat and blood, whose faith and pain, Whose hand at the foundry, whose plow in the rain, Must bring back our mighty dream again.
Sure, call me any ugly name you choose-- The steel of freedom does not stain.
From those who live like leeches on the people's lives, We must take back our land again, America! O, yes, I say it plain, America never was America to me, And yet I swear this oath-- America will be! Out of the rack and ruin of our gangster death, The rape and rot of graft, and stealth, and lies, We, the people, must redeem The land, the mines, the plants, the rivers.
The mountains and the endless plain-- All, all the stretch of these great green states-- And make America again!


Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells.
I scarcely think, for ten long years, A hand has touched these relics old; And, coating each, slow-formed, appears, The growth of green and antique mould.
All in this house is mossing over; All is unused, and dim, and damp; Nor light, nor warmth, the rooms discover­ Bereft for years of fire and lamp.
The sun, sometimes in summer, enters The casements, with reviving ray; But the long rains of many winters Moulder the very walls away.
And outside all is ivy, clinging To chimney, lattice, gable grey; Scarcely one little red rose springing Through the green moss can force its way.
Unscared, the daw, and starling nestle, Where the tall turret rises high, And winds alone come near to rustle The thick leaves where their cradles lie.
I sometimes think, when late at even I climb the stair reluctantly, Some shape that should be well in heaven, Or ill elsewhere, will pass by me.
I fear to see the very faces, Familiar thirty years ago, Even in the old accustomed places Which look so cold and gloomy now.
I've come, to close the window, hither, At twilight, when the sun was down, And Fear, my very soul would wither, Lest something should be dimly shown.
Too much the buried form resembling, Of her who once was mistress here; Lest doubtful shade, or moonbeam trembling, Might take her aspect, once so dear.
Hers was this chamber; in her time It seemed to me a pleasant room, For then no cloud of grief or crime Had cursed it with a settled gloom; I had not seen death's image laid In shroud and sheet, on yonder bed.
Before she married, she was blest­ Blest in her youth, blest in her worth; Her mind was calm, its sunny rest Shone in her eyes more clear than mirth.
And when attired in rich array, Light, lustrous hair about her brow, She yonder sat­a kind of day Lit up­what seems so gloomy now.
These grim oak walls, even then were grim; That old carved chair, was then antique; But what around looked dusk and dim Served as a foil to her fresh cheek; Her neck, and arms, of hue so fair, Eyes of unclouded, smiling, light; Her soft, and curled, and floating hair, Gems and attire, as rainbow bright.
Reclined in yonder deep recess, Ofttimes she would, at evening, lie Watching the sun; she seemed to bless With happy glance the glorious sky.
She loved such scenes, and as she gazed, Her face evinced her spirit's mood; Beauty or grandeur ever raised In her, a deep-felt gratitude.
But of all lovely things, she loved A cloudless moon, on summer night; Full oft have I impatience proved To see how long, her still delight Would find a theme in reverie.
Out on the lawn, or where the trees Let in the lustre fitfully, As their boughs parted momently, To the soft, languid, summer breeze.
Alas ! that she should e'er have flung Those pure, though lonely joys away­ Deceived by false and guileful tongue, She gave her hand, then suffered wrong; Oppressed, ill-used, she faded young, And died of grief by slow decay.
Open that casket­look how bright Those jewels flash upon the sight; The brilliants have not lost a ray Of lustre, since her wedding day.
But see­upon that pearly chain­ How dim lies time's discolouring stain ! I've seen that by her daughter worn: For, e'er she died, a child was born; A child that ne'er its mother knew, That lone, and almost friendless grew; For, ever, when its step drew nigh, Averted was the father's eye; And then, a life impure and wild Made him a stranger to his child; Absorbed in vice, he little cared On what she did, or how she fared.
The love withheld, she never sought, She grew uncherished­learnt untaught; To her the inward life of thought Full soon was open laid.
I know not if her friendlessness Did sometimes on her spirit press, But plaint she never made.
The book-shelves were her darling treasure, She rarely seemed the time to measure While she could read alone.
And she too loved the twilight wood, And often, in her mother's mood, Away to yonder hill would hie, Like her, to watch the setting sun, Or see the stars born, one by one, Out of the darkening sky.
Nor would she leave that hill till night Trembled from pole to pole with light; Even then, upon her homeward way, Long­long her wandering steps delayed To quit the sombre forest shade, Through which her eerie pathway lay.
You ask if she had beauty's grace ? I know not­but a nobler face My eyes have seldom seen; A keen and fine intelligence, And, better still, the truest sense Were in her speaking mien.
But bloom or lustre was there none, Only at moments, fitful shone An ardour in her eye, That kindled on her cheek a flush, Warm as a red sky's passing blush And quick with energy.
Her speech, too, was not common speech, No wish to shine, or aim to teach, Was in her words displayed: She still began with quiet sense, But oft the force of eloquence Came to her lips in aid; Language and voice unconscious changed, And thoughts, in other words arranged, Her fervid soul transfused Into the hearts of those who heard, And transient strength and ardour stirred, In minds to strength unused.
Yet in gay crowd or festal glare, Grave and retiring was her air; 'Twas seldom, save with me alone, That fire of feeling freely shone; She loved not awe's nor wonder's gaze, Nor even exaggerated praise, Nor even notice, if too keen The curious gazer searched her mien.
Nature's own green expanse revealed The world, the pleasures, she could prize; On free hill-side, in sunny field, In quiet spots by woods concealed, Grew wild and fresh her chosen joys, Yet Nature's feelings deeply lay In that endowed and youthful frame; Shrined in her heart and hid from day, They burned unseen with silent flame; In youth's first search for mental light, She lived but to reflect and learn, But soon her mind's maturer might For stronger task did pant and yearn; And stronger task did fate assign, Task that a giant's strength might strain; To suffer long and ne'er repine, Be calm in frenzy, smile at pain.
Pale with the secret war of feeling, Sustained with courage, mute, yet high; The wounds at which she bled, revealing Only by altered cheek and eye; She bore in silence­but when passion Surged in her soul with ceaseless foam, The storm at last brought desolation, And drove her exiled from her home.
And silent still, she straight assembled The wrecks of strength her soul retained; For though the wasted body trembled, The unconquered mind, to quail, disdained.
She crossed the sea­now lone she wanders By Seine's, or Rhine's, or Arno's flow; Fain would I know if distance renders Relief or comfort to her woe.
Fain would I know if, henceforth, ever, These eyes shall read in hers again, That light of love which faded never, Though dimmed so long with secret pain.
She will return, but cold and altered, Like all whose hopes too soon depart; Like all on whom have beat, unsheltered, The bitter blasts that blight the heart.
No more shall I behold her lying Calm on a pillow, smoothed by me; No more that spirit, worn with sighing, Will know the rest of infancy.
If still the paths of lore she follow, 'Twill be with tired and goaded will; She'll only toil, the aching hollow, The joyless blank of life to fill.
And oh ! full oft, quite spent and weary, Her hand will pause, her head decline; That labour seems so hard and dreary, On which no ray of hope may shine.
Thus the pale blight of time and sorrow Will shade with grey her soft, dark hair Then comes the day that knows no morrow, And death succeeds to long despair.
So speaks experience, sage and hoary; I see it plainly, know it well, Like one who, having read a story, Each incident therein can tell.
Touch not that ring, 'twas his, the sire Of that forsaken child; And nought his relics can inspire Save memories, sin-defiled.
I, who sat by his wife's death-bed, I, who his daughter loved, Could almost curse the guilty dead, For woes, the guiltless proved.
And heaven did curse­they found him laid, When crime for wrath was rife, Cold­with the suicidal blade Clutched in his desperate gripe.
'Twas near that long deserted hut, Which in the wood decays, Death's axe, self-wielded, struck his root, And lopped his desperate days.
You know the spot, where three black trees, Lift up their branches fell, And moaning, ceaseless as the seas, Still seem, in every passing breeze, The deed of blood to tell.
They named him mad, and laid his bones Where holier ashes lie; Yet doubt not that his spirit groans, In hell's eternity.
But, lo ! night, closing o'er the earth, Infects our thoughts with gloom; Come, let us strive to rally mirth, Where glows a clear and tranquil hearth In some more cheerful room.
Written by Frank Bidart | Create an image from this poem

California Plush

 The only thing I miss about Los Angeles

is the Hollywood Freeway at midnight, windows down and
radio blaring
bearing right into the center of the city, the Capitol Tower
on the right, and beyond it, Hollywood Boulevard
blazing

--pimps, surplus stores, footprints of the stars

--descending through the city
 fast as the law would allow

through the lights, then rising to the stack
out of the city
to the stack where lanes are stacked six deep

 and you on top; the air
 now clean, for a moment weightless

 without memories, or
 need for a past.
The need for the past is so much at the center of my life I write this poem to record my discovery of it, my reconciliation.
It was in Bishop, the room was done in California plush: we had gone into the coffee shop, were told you could only get a steak in the bar: I hesitated, not wanting to be an occasion of temptation for my father but he wanted to, so we entered a dark room, with amber water glasses, walnut tables, captain's chairs, plastic doilies, papier-mâché bas-relief wall ballerinas, German memorial plates "bought on a trip to Europe," Puritan crosshatch green-yellow wallpaper, frilly shades, cowhide booths-- I thought of Cambridge: the lovely congruent elegance of Revolutionary architecture, even of ersatz thirties Georgian seemed alien, a threat, sign of all I was not-- to bode order and lucidity as an ideal, if not reality-- not this California plush, which also I was not.
And so I made myself an Easterner, finding it, after all, more like me than I had let myself hope.
And now, staring into the embittered face of my father, again, for two weeks, as twice a year, I was back.
The waitress asked us if we wanted a drink.
Grimly, I waited until he said no.
.
.
Before the tribunal of the world I submit the following document: Nancy showed it to us, in her apartment at the model, as she waited month by month for the property settlement, her children grown and working for their father, at fifty-three now alone, a drink in her hand: as my father said, "They keep a drink in her hand": Name Wallace du Bois Box No 128 Chino, Calif.
Date July 25 ,19 54 Mr Howard Arturian I am writing a letter to you this afternoon while I'm in the mood of writing.
How is everything getting along with you these fine days, as for me everything is just fine and I feel great except for the heat I think its lot warmer then it is up there but I don't mind it so much.
I work at the dairy half day and I go to trade school the other half day Body & Fender, now I am learning how to spray paint cars I've already painted one and now I got another car to paint.
So now I think I've learned all I want after I have learned all this.
I know how to straighten metals and all that.
I forgot to say "Hello" to you.
The reason why I am writing to you is about a job, my Parole Officer told me that he got letter from and that you want me to go to work for you.
So I wanted to know if its truth.
When I go to the Board in Feb.
I'll tell them what I want to do and where I would like to go, so if you want me to work for you I'd rather have you sent me to your brother John in Tonapah and place to stay for my family.
The Old Lady says the same thing in her last letter that she would be some place else then in Bishop, thats the way I feel too.
and another thing is my drinking problem.
I made up my mind to quit my drinking, after all what it did to me and what happen.
This is one thing I'll never forget as longs as I live I never want to go through all this mess again.
This sure did teach me lot of things that I never knew before.
So Howard you can let me know soon as possible.
I sure would appreciate it.
P.
S From Your Friend I hope you can read my Wally Du Bois writing.
I am a little nervous yet --He and his wife had given a party, and one of the guests was walking away just as Wallace started backing up his car.
He hit him, so put the body in the back seat and drove to a deserted road.
There he put it before the tires, and ran back and forth over it several times.
When he got out of Chino, he did, indeed, never do that again: but one child was dead, his only son, found with the rest of the family immobile in their beds with typhoid, next to the mother, the child having been dead two days: he continued to drink, and as if it were the Old West shot up the town a couple of Saturday nights.
"So now I think I've learned all I want after I have learned all this: this sure did teach me a lot of things that I never knew before.
I am a little nervous yet.
" It seems to me an emblem of Bishop-- For watching the room, as the waitresses in their back-combed, Parisian, peroxided, bouffant hairdos, and plastic belts, moved back and forth I thought of Wallace, and the room suddenly seemed to me not uninteresting at all: they were the same.
Every plate and chair had its congruence with all the choices creating these people, created by them--by me, for this is my father's chosen country, my origin.
Before, I had merely been anxious, bored; now, I began to ask a thousand questions.
.
.
He was, of course, mistrustful, knowing I was bored, knowing he had dragged me up here from Bakersfield after five years of almost managing to forget Bishop existed.
But he soon became loquacious, ordered a drink, and settled down for an afternoon of talk.
.
.
He liked Bishop: somehow, it was to his taste, this hard-drinking, loud, visited-by-movie-stars town.
"Better to be a big fish in a little pond.
" And he was: when they came to shoot a film, he entertained them; Miss A--, who wore nothing at all under her mink coat; Mr.
M--, good horseman, good shot.
"But when your mother let me down" (for alcoholism and infidelity, she divorced him) "and Los Angeles wouldn't give us water any more, I had to leave.
We were the first people to grow potatoes in this valley.
" When he began to tell me that he lost control of the business because of the settlement he gave my mother, because I had heard it many times, in revenge, I asked why people up here drank so much.
He hesitated.
"Bored, I guess.
--Not much to do.
" And why had Nancy's husband left her? In bitterness, all he said was: "People up here drink too damn much.
" And that was how experience had informed his life.
"So now I think I've learned all I want after I have learned all this: this sure did teach me a lot of things that I never knew before.
I am a little nervous yet.
" Yet, as my mother said, returning, as always, to the past, "I wouldn't change any of it.
It taught me so much.
Gladys is such an innocent creature: you look into her face and somehow it's empty, all she worries about are sales and the baby.
her husband's too good!" It's quite pointless to call this rationalization: my mother, for uncertain reasons, has had her bout with insanity, but she's right: the past in maiming us, makes us, fruition is also destruction: I think of Proust, dying in a cork-linked room, because he refuses to eat because he thinks that he cannot write if he eats because he wills to write, to finish his novel --his novel which recaptures the past, and with a kind of joy, because in the debris of the past, he has found the sources of the necessities which have led him to this room, writing --in this strange harmony, does he will for it to have been different? And I can't not think of the remorse of Oedipus, who tries to escape, to expiate the past by blinding himself, and then, when he is dying, sees that he has become a Daimon --does he, discovering, at last, this cruel coherence created by "the order of the universe" --does he will anything reversed? I look at my father: as he drinks his way into garrulous, shaky defensiveness, the debris of the past is just debris--; whatever I reason, it is a desolation to watch.
.
.
must I watch? He will not change; he does not want to change; every defeated gesture implies the past is useless, irretrievable.
.
.
--I want to change: I want to stop fear's subtle guidance of my life--; but, how can I do that if I am still afraid of its source?
Written by Louisa May Alcott | Create an image from this poem

Transfiguration

 Mysterious death! who in a single hour 
Life's gold can so refine 
And by thy art divine 
Change mortal weakness to immortal power! 

Bending beneath the weight of eighty years 
Spent with the noble strife 
of a victorious life 
We watched her fading heavenward, through our tears.
But ere the sense of loss our hearts had wrung A miracle was wrought; And swift as happy thought She lived again -- brave, beautiful, and young.
Age, pain, and sorrow dropped the veils they wore And showed the tender eyes Of angels in disguise, Whose discipline so patiently she bore.
The past years brought their harvest rich and fair; While memory and love, Together, fondly wove A golden garland for the silver hair.
How could we mourn like those who are bereft, When every pang of grief found balm for its relief In counting up the treasures she had left?-- Faith that withstood the shocks of toil and time; Hope that defied despair; Patience that conquered care; And loyalty, whose courage was sublime; The great deep heart that was a home for all-- Just, eloquent, and strong In protest against wrong; Wide charity, that knew no sin, no fall; The spartan spirit that made life so grand, Mating poor daily needs With high, heroic deeds, That wrested happiness from Fate's hard hand.
We thought to weep, but sing for joy instead, Full of the grateful peace That follows her release; For nothing but the weary dust lies dead.
Oh, noble woman! never more a queen Than in the laying down Of sceptre and of crown To win a greater kingdom, yet unseen; Teaching us how to seek the highest goal, To earn the true success -- To live, to love, to bless -- And make death proud to take a royal soul.
Written by D. H. Lawrence | Create an image from this poem

Anxiety

 The hoar-frost crumbles in the sun, 
The crisping steam of a train 
Melts in the air, while two black birds 
Sweep past the window again.
Along the vacant road, a red Bicycle approaches; I wait In a thaw of anxiety, for the boy To leap down at our gate.
He has passed us by; but is it Relief that starts in my breast? Or a deeper bruise of knowing that still She has no rest.


Written by William Shakespeare | Create an image from this poem

Sonnet XXXIV

 Why didst thou promise such a beauteous day,
And make me travel forth without my cloak,
To let base clouds o'ertake me in my way,
Hiding thy bravery in their rotten smoke?
'Tis not enough that through the cloud thou break,
To dry the rain on my storm-beaten face,
For no man well of such a salve can speak
That heals the wound and cures not the disgrace:
Nor can thy shame give physic to my grief;
Though thou repent, yet I have still the loss:
The offender's sorrow lends but weak relief
To him that bears the strong offence's cross.
Ah! but those tears are pearl which thy love sheds, And they are rich and ransom all ill deeds.
Written by Barry Tebb | Create an image from this poem

TO THE SOUND OF VIOLINS

 Give me life at its most garish

Friday night in the Square, pink sequins dazzle

And dance on clubbers bare to the midriff

Young men in crisp shirts and pressed pants

‘Dress code smart’ gyrate to ‘Sex Bomb, Sex Bomb’

And sing along its lyrics to the throng of which I’m one

My shorts, shoulder bag and white beard

Making me stand out in the teeming swarm

Of teens and twenties this foetid Friday night

On my way from the ward where our son paces

And fulminates I throw myself into the drowning

Tide of Friday to be rescued by sheer normality.
The mill girl with her mates asks anxiously "Are you on your own? Come and join us What’s your name?" Age has driven my shyness away As I join the crowd beneath the turning purple screens Bannered ‘****** lasts for ever’ and sip unending Halves of bitter, as I circulate among the crowd, Being complete in itself and out for a good night out, A relief from factory, shop floor and market stall Running from the reality of the ward where my son Pounds the ledge with his fist and seems out to blast My very existence with words like bullets.
The need to anaesthetise the pain resurfaces Again and again.
In Leeds City Square where Pugin’s church, the Black Prince and the Central Post Office In its Edwardian grandeur are startled by the arching spumes Or white water fountains and the steel barricades of Novotel Rise from the ruins of a sixties office block.
I hurry past and join Boar Lane’s Friday crew From Keighley and Dewsbury’s mills, hesitating At the thought of being told I’m past my Sell-by-date and turned away by the West Indian Bouncers, black-suited and city-council badged Who checked my bag but smiled at ‘The Lights of Leeds’ and ‘Poets of Our Time’ tucked away as carefully as condoms- Was it guns or drugs they were after I wondered as I crossed the bare boards to the bar.
I stayed near the fruit machine which no-one played, Where the crowd was thickest, the noise drowned out the pain ‘Sex Bomb, Sex Bomb’ the chorus rang The girls joined in but the young men knew The words no more than me.
Dancing as we knew it In the sixties has gone, you do your own thing And follow the beat, hampered by my bag I just kept going, letting the music and the crowd Hold me, my camera eye moving in search, in search… What I’m searching for I don’t know Searching’s a way of life that has to grow "All of us who are patients here are searchers after truth" My son kept saying, his legs shaking from the side effects Of God-knows- what, pacing the tiny ward kitchen cum smoking room, Denouncing his ‘illegal section’ and ‘poisonous medication’ To an audience of one.
The prospect of TV, Seroxat and Diazepan fazed me: I was beyond unravelling Meltzer on differentiation Of self and object or Rosine Josef Perelberg on ‘Dreaming and Thinking’ Or even the simpler ‘Rise and Crisis of Psychoanalysis in the United States’ So I went out with West Yorkshire on a Friday night.
Nothing dramatic happened; perhaps I’m a little too used To acute wards or worse where chairs fly across rooms, Windows disintegrate and double doors are triple locked And every nurse carries a white panic button and black pager To pinpoint the moment’s crisis.
Normality was a bit of adrenaline, A wild therapy that drew me in, sanity had won the night.
"Are you on your own, love? Come and join us" People kept asking if I was alright and why I had that damned great shoulder bag.
I was introduced To three young men about to tie the knot, a handsome lothario In his midforties winked at me constantly, Dancing with practised ease with sixteen year olds Who all seemed to know him and determined to show him.
Three hours passed in as many minutes and then the crowds Disappeared to catch the last bus home.
The young aren’t As black as they are painted, one I danced with reminded me Of how Margaret would have been at sixteen With straw gold hair Yeats would have immortalised.
People seemed to guess I was haunted by an inner demon I’d tried to leave in the raftered lofts of City Square But failed to.
Girls from sixteen to twenty six kept grabbing me And making me dance and I found my teenage inhibitions Gone at sixty-one and wildly gyrated to ‘Sex Bomb, Sex Bomb’ Egged on by the throng by the fruit machine and continuous Thumbs-up signs from passing men.
I had to forgo A cheerful group of Aussies were intent on taking me clubbing "I’d get killed or turned into a pumpkin If I get home after midnight" I quipped to their delight But being there had somehow put things right.
Written by William Wordsworth | Create an image from this poem

THE LAST OF THE FLOCK

  In distant countries I have been,
  And yet I have not often seen
  A healthy man, a man full grown,
  Weep in the public roads alone.
  But such a one, on English ground,
  And in the broad high-way, I met;
  Along the broad high-way he came,
  His cheeks with tears were wet.
  Sturdy he seemed, though he was sad;
  And in his arms a lamb he had.

  He saw me, and he turned aside,
  As if he wished himself to hide:
  Then with his coat he made essay
  To wipe those briny tears away.
  I follow'd him, and said, "My friend
  What ails you? wherefore weep you so?"
  —"Shame on me, Sir! this lusty lamb,
  He makes my tears to flow.
  To-day I fetched him from the rock;
  He is the last of all my flock.
"

  When I was young, a single man,
  And after youthful follies ran.
  Though little given to care and thought,
  Yet, so it was, a ewe I bought;
  And other sheep from her I raised,
  As healthy sheep as you might see,
  And then I married, and was rich
  As I could wish to be;
  Of sheep I numbered a full score,
  And every year increas'd my store.

  Year after year my stock it grew,
  And from this one, this single ewe,
  Full fifty comely sheep I raised,
  As sweet a flock as ever grazed!
  Upon the mountain did they feed;
  They throve, and we at home did thrive.
  —This lusty lamb of all my store
  Is all that is alive;
  And now I care not if we die,
  And perish all of poverty.

  Six children, Sir! had I to feed,
  Hard labour in a time of need!
  My pride was tamed, and in our grief,
  I of the parish ask'd relief.
  They said I was a wealthy man;
  My sheep upon the mountain fed,
  And it was fit that thence I took
  Whereof to buy us bread:
  "Do this; how can we give to you,"
  They cried, "what to the poor is due?"

  I sold a sheep as they had said,
  And bought my little children bread,
  And they were healthy with their food;
  For me it never did me good.
  A woeful time it was for me,
  To see the end of all my gains,
  The pretty flock which I had reared
  With all my care and pains,
  To see it melt like snow away!
  For me it was a woeful day.

  Another still! and still another!
  A little lamb, and then its mother!
  It was a vein that never stopp'd,
  Like blood-drops from my heart they dropp'd.
  Till thirty were not left alive
  They dwindled, dwindled, one by one,
  And I may say that many a time
  I wished they all were gone:
  They dwindled one by one away;
  For me it was a woeful day.

  To wicked deeds I was inclined,
  And wicked fancies cross'd my mind,
  And every man I chanc'd to see,
  I thought he knew some ill of me.
  No peace, no comfort could I find,
  No ease, within doors or without,
  And crazily, and wearily
  I went my work about.
  Oft-times I thought to run away;
  For me it was a woeful day.

  Sir! 'twas a precious flock to me,
  As dear as my own children be;
  For daily with my growing store
  I loved my children more and more.
  Alas! it was an evil time;
  God cursed me in my sore distress,
  I prayed, yet every day I thought
  I loved my children less;
  And every week, and every day,
  My flock, it seemed to melt away.

  They dwindled.
Sir, sad sight to see!
  From ten to five, from five to three,
  A lamb, a weather, and a ewe;
  And then at last, from three to two;
  And of my fifty, yesterday
  I had but only one,
  And here it lies upon my arm,
  Alas! and I have none;
  To-day I fetched it from the rock;
  It is the last of all my flock.

Written by Allen Ginsberg | Create an image from this poem

September On Jessore Road

 Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls vomit & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions Families walk
Stunted boys big heads don't talk
Look bony skulls & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged like elderly nuns
small bodied hands to their mouths in prayer
Five months small food since they settled there

on one floor mat with small empty pot
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together in palmroof shade
Stare at me no word is said
Rice ration, lentils one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days eat while they can
Then children starve three days in a row
and vomit their next food unless they eat slow.
On Jessore road Mother wept at my knees Bengali tongue cried mister Please Identity card torn up on the floor Husband still waits at the camp office door Baby at play I was washing the flood Now they won't give us any more food The pieces are here in my celluloid purse Innocent baby play our death curse Two policemen surrounded by thousands of boys Crowded waiting their daily bread joys Carry big whistles & long bamboo sticks to whack them in line They play hungry tricks Breaking the line and jumping in front Into the circle sneaks one skinny runt Two brothers dance forward on the mud stage Teh gaurds blow their whistles & chase them in rage Why are these infants massed in this place Laughing in play & pushing for space Why do they wait here so cheerful & dread Why this is the House where they give children bread The man in the bread door Cries & comes out Thousands of boys and girls Take up his shout Is it joy? is it prayer? "No more bread today" Thousands of Children at once scream "Hooray!" Run home to tents where elders await Messenger children with bread from the state No bread more today! & and no place to squat Painful baby, sick **** he has got.
Malnutrition skulls thousands for months Dysentery drains bowels all at once Nurse shows disease card Enterostrep Suspension is wanting or else chlorostrep Refugee camps in hospital shacks Newborn lay naked on mother's thin laps Monkeysized week old Rheumatic babe eye Gastoenteritis Blood Poison thousands must die September Jessore Road rickshaw 50,000 souls in one camp I saw Rows of bamboo huts in the flood Open drains, & wet families waiting for food Border trucks flooded, food cant get past, American Angel machine please come fast! Where is Ambassador Bunker today? Are his Helios machinegunning children at play? Where are the helicopters of U.
S.
AID? Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light? Bombing North Laos all day and all night? Where are the President's Armies of Gold? Billionaire Navies merciful Bold? Bringing us medicine food and relief? Napalming North Viet Nam and causing more grief? Where are our tears? Who weeps for the pain? Where can these families go in the rain? Jessore Road's children close their big eyes Where will we sleep when Our Father dies? Whom shall we pray to for rice and for care? Who can bring bread to this **** flood foul'd lair? Millions of children alone in the rain! Millions of children weeping in pain! Ring O ye tongues of the world for their woe Ring out ye voices for Love we don't know Ring out ye bells of electrical pain Ring in the conscious of America brain How many children are we who are lost Whose are these daughters we see turn to ghost? What are our souls that we have lost care? Ring out ye musics and weep if you dare-- Cries in the mud by the thatch'd house sand drain Sleeps in huge pipes in the wet ****-field rain waits by the pump well, Woe to the world! whose children still starve in their mother's arms curled.
Is this what I did to myself in the past? What shall I do Sunil Poet I asked? Move on and leave them without any coins? What should I care for the love of my loins? What should we care for our cities and cars? What shall we buy with our Food Stamps on Mars? How many millions sit down in New York & sup this night's table on bone & roast pork? How many millions of beer cans are tossed in Oceans of Mother? How much does She cost? Cigar gasolines and asphalt car dreams Stinking the world and dimming star beams-- Finish the war in your breast with a sigh Come tast the tears in your own Human eye Pity us millions of phantoms you see Starved in Samsara on planet TV How many millions of children die more before our Good Mothers perceive the Great Lord? How many good fathers pay tax to rebuild Armed forces that boast the children they've killed? How many souls walk through Maya in pain How many babes in illusory pain? How many families hollow eyed lost? How many grandmothers turning to ghost? How many loves who never get bread? How many Aunts with holes in their head? How many sisters skulls on the ground? How many grandfathers make no more sound? How many fathers in woe How many sons nowhere to go? How many daughters nothing to eat? How many uncles with swollen sick feet? Millions of babies in pain Millions of mothers in rain Millions of brothers in woe Millions of children nowhere to go New York, November 14-16, 1971
Written by Charlotte Bronte | Create an image from this poem

Frances

 SHE will not sleep, for fear of dreams, 
But, rising, quits her restless bed, 
And walks where some beclouded beams 
Of moonlight through the hall are shed.
Obedient to the goad of grief, Her steps, now fast, now lingering slow, In varying motion seek relief From the Eumenides of woe.
Wringing her hands, at intervals­ But long as mute as phantom dim­ She glides along the dusky walls, Under the black oak rafters, grim.
The close air of the grated tower Stifles a heart that scarce can beat, And, though so late and lone the hour, Forth pass her wandering, faltering feet; And on the pavement, spread before The long front of the mansion grey, Her steps imprint the night-frost hoar, Which pale on grass and granite lay.
Not long she stayed where misty moon And shimmering stars could on her look, But through the garden arch-way, soon Her strange and gloomy path she took.
Some firs, coeval with the tower, Their straight black boughs stretched o'er her head, Unseen, beneath this sable bower, Rustled her dress and rapid tread.
There was an alcove in that shade, Screening a rustic-seat and stand; Weary she sat her down and laid Her hot brow on her burning hand.
To solitude and to the night, Some words she now, in murmurs, said; And, trickling through her fingers white, Some tears of misery she shed.
' God help me, in my grievous need, God help me, in my inward pain; Which cannot ask for pity's meed, Which has no license to complain; Which must be borne, yet who can bear, Hours long, days long, a constant weight­ The yoke of absolute despair, A suffering wholly desolate ? Who can for ever crush the heart, Restrain its throbbing, curb its life ? Dissemble truth with ceaseless art, With outward calm, mask inward strife ?' She waited­as for some reply; The still and cloudy night gave none; Erelong, with deep-drawn, trembling sigh, Her heavy plaint again begun.
' Unloved­I love; unwept­I weep; Grief I restrain­hope I repress: Vain is this anguish­fixed and deep; Vainer, desires and dreams of bliss.
My love awakes no love again, My tears collect, and fall unfelt; My sorrow touches none with pain, My humble hopes to nothing melt.
For me the universe is dumb, Stone-deaf, and blank, and wholly blind; Life I must bound, existence sum In the strait limits of one mind; That mind my own.
Oh ! narrow cell; Dark­imageless­a living tomb ! There must I sleep, there wake and dwell Content, with palsy, pain, and gloom.
' Again she paused; a moan of pain, A stifled sob, alone was heard; Long silence followed­then again, Her voice the stagnant midnight stirred.
' Must it be so ? Is this my fate ? Can I nor struggle, nor contend ? And am I doomed for years to wait, Watching death's lingering axe descend ? And when it falls, and when I die, What follows ? Vacant nothingness ? The blank of lost identity ? Erasure both of pain and bliss ? I've heard of heaven­I would believe; For if this earth indeed be all, Who longest lives may deepest grieve, Most blest, whom sorrows soonest call.
Oh ! leaving disappointment here, Will man find hope on yonder coast ? Hope, which, on earth, shines never clear, And oft in clouds is wholly lost.
Will he hope's source of light behold, Fruition's spring, where doubts expire, And drink, in waves of living gold, Contentment, full, for long desire ? Will he find bliss, which here he dreamed ? Rest, which was weariness on earth ? Knowledge, which, if o'er life it beamed, Served but to prove it void of worth ? Will he find love without lust's leaven, Love fearless, tearless, perfect, pure, To all with equal bounty given, In all, unfeigned, unfailing, sure ? Will he, from penal sufferings free, Released from shroud and wormy clod, All calm and glorious, rise and see Creation's Sire­Existence' God ? Then, glancing back on Time's brief woes, Will he behold them, fading, fly; Swept from Eternity's repose, Like sullying cloud, from pure blue sky ? If so­endure, my weary frame; And when thy anguish strikes too deep, And when all troubled burns life's flame, Think of the quiet, final sleep; Think of the glorious waking-hour, Which will not dawn on grief and tears, But on a ransomed spirit's power, Certain, and free from mortal fears.
Seek now thy couch, and lie till morn, Then from thy chamber, calm, descend, With mind nor tossed, nor anguish-torn, But tranquil, fixed, to wait the end.
And when thy opening eyes shall see Mementos, on the chamber wall, Of one who has forgotten thee, Shed not the tear of acrid gall.
The tear which, welling from the heart, Burns where its drop corrosive falls, And makes each nerve, in torture, start, At feelings it too well recalls: When the sweet hope of being loved, Threw Eden sunshine on life's way; When every sense and feeling proved Expectancy of brightest day.
When the hand trembled to receive A thrilling clasp, which seemed so near, And the heart ventured to believe, Another heart esteemed it dear.
When words, half love, all tenderness, Were hourly heard, as hourly spoken, When the long, sunny days of bliss, Only by moonlight nights were broken.
Till drop by drop, the cup of joy Filled full, with purple light, was glowing, And Faith, which watched it, sparkling high, Still never dreamt the overflowing.
It fell not with a sudden crashing, It poured not out like open sluice; No, sparkling still, and redly flashing, Drained, drop by drop, the generous juice.
I saw it sink, and strove to taste it, My eager lips approached the brim; The movement only seemed to waste it, It sank to dregs, all harsh and dim.
These I have drank, and they for ever Have poisoned life and love for me; A draught from Sodom's lake could never More fiery, salt, and bitter, be.
Oh ! Love was all a thin illusion; Joy, but the desert's flying stream; And, glancing back on long delusion, My memory grasps a hollow dream.
Yet, whence that wondrous change of feeling, I never knew, and cannot learn, Nor why my lover's eye, congealing, Grew cold, and clouded, proud, and stern.
Nor wherefore, friendship's forms forgetting, He careless left, and cool withdrew; Nor spoke of grief, nor fond regretting, Nor even one glance of comfort threw.
And neither word nor token sending, Of kindness, since the parting day, His course, for distant regions bending, Went, self-contained and calm, away.
Oh, bitter, blighting, keen sensation, Which will not weaken, cannot die, Hasten thy work of desolation, And let my tortured spirit fly ! Vain as the passing gale, my crying; Though lightning-struck, I must live on; I know, at heart, there is no dying Of love, and ruined hope, alone.
Still strong, and young, and warm with vigour, Though scathed, I long shall greenly grow, And many a storm of wildest rigour Shall yet break o'er my shivered bough.
Rebellious now to blank inertion, My unused strength demands a task; Travel, and toil, and full exertion, Are the last, only boon I ask.
Whence, then, this vain and barren dreaming Of death, and dubious life to come ? I see a nearer beacon gleaming Over dejection's sea of gloom.
The very wildness of my sorrow Tells me I yet have innate force; My track of life has been too narrow, Effort shall trace a broader course.
The world is not in yonder tower, Earth is not prisoned in that room, 'Mid whose dark pannels, hour by hour, I've sat, the slave and prey of gloom.
One feeling­turned to utter anguish, Is not my being's only aim; When, lorn and loveless, life will languish, But courage can revive the flame.
He, when he left me, went a roving To sunny climes, beyond the sea; And I, the weight of woe removing, Am free and fetterless as he.
New scenes, new language, skies less clouded, May once more wake the wish to live; Strange, foreign towns, astir, and crowded, New pictures to the mind may give.
New forms and faces, passing ever, May hide the one I still retain, Defined, and fixed, and fading never, Stamped deep on vision, heart, and brain.
And we might meet­time may have changed him; Chance may reveal the mystery, The secret influence which estranged him; Love may restore him yet to me.
False thought­false hope­in scorn be banished ! I am not loved­nor loved have been; Recall not, then, the dreams scarce vanished, Traitors ! mislead me not again ! To words like yours I bid defiance, 'Tis such my mental wreck have made; Of God alone, and self-reliance, I ask for solace­hope for aid.
Morn comes­and ere meridian glory O'er these, my natal woods, shall smile, Both lonely wood and mansion hoary I'll leave behind, full many a mile.

Book: Shattered Sighs