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Best Famous Relatively Poems

Here is a collection of the all-time best famous Relatively poems. This is a select list of the best famous Relatively poetry. Reading, writing, and enjoying famous Relatively poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of relatively poems.

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Written by William Carlos (WCW) Williams | Create an image from this poem

Berket And The Stars

 A day on the boulevards chosen out of ten years of 
student poverty! One best day out of ten good ones.
Berket in high spirits—"Ha, oranges! Let's have one!"
And he made to snatch an orange from the vender's cart.

Now so clever was the deception, so nicely timed 
to the full sweep of certain wave summits, 
that the rumor of the thing has come down through 
three generations—which is relatively forever!


Written by Robert William Service | Create an image from this poem

Tourist

 To Italy a random tour
I took to crown my education,
Returning relatively poor
In purse yet rich in conversation.
Old Rome put up a jolly show,
But I am not a classic purist,
Preferring to Mike Angelo
The slim stems of a lady tourist.

Venice, they say, was built on piles;
I used to muse, how did they do it?
I tramped the narrow streets for miles,
Religiously I gondoled through it.
But though to shrines I bowed my head,
My stomach's an aesthetic sinner,
For in St. Mark's I yawned and said:
"I hope we'll have lasagne for dinner."

Florence, I'll say, was mighty swell,
With heaps of statues stark and lusty;
I liked the Pitti Palace well,
The Offusi I found to fusty.
But though I "did" the best of it,
My taste, I fear, is low and nasty,
For in its bars I'd rather sit
Imbibing cups of sparkling Asti.

And so we go, a tourist host,
And pass art treasures little heeding,
While memories that haunt us most
Are those of rich and copious feeding.
In sooth I see no need to roam,
Since all I want this side of Hades,
I'll comfortably find at home -
Just eating, drinking and the Ladies.
Written by William Carlos (WCW) Williams | Create an image from this poem

Overture To A Dance Of Locomotives

 Men with picked voices chant the names 
of cities in a huge gallery: promises 
that pull through descending stairways 
to a deep rumbling. 

 The rubbing feet 
of those coming to be carried quicken a 
grey pavement into soft light that rocks 
to and fro, under the domed ceiling, 
across and across from pale 
earthcolored walls of bare limestone. 

Covertly the hands of a great clock 
go round and round! Were they to 
move quickly and at once the whole 
secret would be out and the shuffling 
of all ants be done forever. 

A leaning pyramid of sunlight, narrowing 
out at a high window, moves by the clock: 
disaccordant hands straining out from 
a center: inevitable postures infinitely 
repeated— 
 two—twofour—twoeight! 
Porters in red hats run on narrow platforms. 
This way ma'am! 
 —important not to take 
the wrong train! 
 Lights from the concrete 
ceiling hang crooked but— 
 Poised horizontal 
on glittering parallels the dingy cylinders 
packed with a warm glow—inviting entry— 
pull against the hour. But brakes can 
hold a fixed posture till— 
 The whistle! 

Not twoeight. Not twofour. Two! 

Gliding windows. Colored cooks sweating 
in a small kitchen. Taillights— 

In time: twofour! 
In time: twoeight! 

—rivers are tunneled: trestles 
cross oozy swampland: wheels repeating 
the same gesture remain relatively 
stationary: rails forever parallel 
return on themselves infinitely. 

Book: Reflection on the Important Things