Written by
Lewis Carroll |
He thought he saw an Elephant,
That practised on a fife:
He looked again, and found it was
A letter from his wife.
'At length I realise,' he said,
The bitterness of Life!'
He thought he saw a Buffalo
Upon the chimney-piece:
He looked again, and found it was
His Sister's Husband's Niece.
'Unless you leave this house,' he said,
"I'll send for the Police!'
He thought he saw a Rattlesnake
That questioned him in Greek:
He looked again, and found it was
The Middle of Next Week.
'The one thing I regret,' he said,
'Is that it cannot speak!'
He thought he saw a Banker's Clerk
Descending from the bus:
He looked again, and found it was
A Hippopotamus.
'If this should stay to dine,' he said,
'There won't be much for us!'
He thought he saw a Kangaroo
That worked a coffee-mill:
He looked again, and found it was
A Vegetable-Pill.
'Were I to swallow this,' he said,
'I should be very ill!'
He thought he saw a Coach-and-Four
That stood beside his bed:
He looked again, and found it was
A Bear without a Head.
'Poor thing,' he said, 'poor silly thing!
It's waiting to be fed!'
He thought he saw an Albatross
That fluttered round the lamp:
He looked again, and found it was
A Penny-Postage Stamp.
'You'd best be getting home,' he said:
'The nights are very damp!'
He thought he saw a Garden-Door
That opened with a key:
He looked again, and found it was
A Double Rule of Three:
'And all its mystery,' he said,
'Is clear as day to me!'
He thought he saw a Argument
That proved he was the Pope:
He looked again, and found it was
A Bar of Mottled Soap.
'A fact so dread,' he faintly said,
'Extinguishes all hope!'
|
Written by
Philip Larkin |
Higher than the handsomest hotel
The lucent comb shows up for miles, but see,
All round it close-ribbed streets rise and fall
Like a great sigh out of the last century.
The porters are scruffy; what keep drawing up
At the entrance are not taxis; and in the hall
As well as creepers hangs a frightening smell.
There are paperbacks, and tea at so much a cup,
Like an airport lounge, but those who tamely sit
On rows of steel chairs turning the ripped mags
Haven't come far.
More like a local bus.
These outdoor clothes and half-filled shopping-bags
And faces restless and resigned, although
Every few minutes comes a kind of nurse
To fetch someone away: the rest refit
Cups back to saucers, cough, or glance below
Seats for dropped gloves or cards.
Humans, caught
On ground curiously neutral, homes and names
Suddenly in abeyance; some are young,
Some old, but most at that vague age that claims
The end of choice, the last of hope; and all
Here to confess that something has gone wrong.
It must be error of a serious sort,
For see how many floors it needs, how tall
It's grown by now, and how much money goes
In trying to correct it.
See the time,
Half-past eleven on a working day,
And these picked out of it; see, as they c1imb
To their appointed levels, how their eyes
Go to each other, guessing; on the way
Someone's wheeled past, in washed-to-rags ward clothes:
They see him, too.
They're quiet.
To realise
This new thing held in common makes them quiet,
For past these doors are rooms, and rooms past those,
And more rooms yet, each one further off
And harder to return from; and who knows
Which he will see, and when? For the moment, wait,
Look down at the yard.
Outside seems old enough:
Red brick, lagged pipes, and someone walking by it
Out to the car park, free.
Then, past the gate,
Traffic; a locked church; short terraced streets
Where kids chalk games, and girls with hair-dos fetch
Their separates from the cleaners - O world,
Your loves, your chances, are beyond the stretch
Of any hand from here! And so, unreal
A touching dream to which we all are lulled
But wake from separately.
In it, conceits
And self-protecting ignorance congeal
To carry life, collapsing only when
Called to these corridors (for now once more
The nurse beckons -).
Each gets up and goes
At last.
Some will be out by lunch, or four;
Others, not knowing it, have come to join
The unseen congregations whose white rows
Lie set apart above - women, men;
Old, young; crude facets of the only coin
This place accepts.
All know they are going to die.
Not yet, perhaps not here, but in the end,
And somewhere like this.
That is what it means,
This clean-sliced cliff; a struggle to transcend
The thought of dying, for unless its powers
Outbuild cathedrals nothing contravenes
The coming dark, though crowds each evening try
With wasteful, weak, propitiatory flowers.
|
Written by
Gertrude Stein |
Why is the world at peace.
This may astonish you a little but when you realise how
easily Mrs.
Charles Bianco sells the work of American
painters to American millionaires you will recognize that
authorities are constrained to be relieved.
Let me tell you a
story.
A painter loved a woman.
A musician did not sing.
A South African loved books.
An American was a woman
and needed help.
Are Americans the same as incubators.
But this is the rest of the story.
He became an authority.
|
Written by
Pritish Nandy |
1
Come, let us pretend this is a ritual. This hand
in your hair, your tongue seeking mine: this
cataclysmic despair. Let us pretend tonight that
you are mine. Forever. For when daybreak returns, we
shall realise once more that forever means an
empty room, a tired night swirling into nowhere,
when I shore up to your tattered skyline.
2
At midnight I move in on strangers, for the caress
or the kill. I have come to terms with shadows,
I have been assaulted by gentler lovetimes: once
in a long while a face comes near, our eyes meet
in challenge, or is it love? Our bodies come alive
in secret oneness: one spring ago, terrified to be
touched, you draw me tonight, at last, deep within
your frantic countryside.
4
The wind disentangles itself from your frenzied body as
hurricanes of dreams follow me: eternity is only a
river reaching towards the sea. My tongue travels to
your navel, and downwards: I cling to your body, my
mouth breathes in the shadow of your breath. Someday
perhaps the sea will reveal itself, the delirium of
the flesh fatigue at dawn.
11
It hurts to say I am sorry. So let us use unfamiliar words.
The summer has gone the ground's turned cold. The old
road calls me back again. Anothertime we shall meet again:
as strangers or as friends, or perhaps as lovers once
again. Now turn, turn, to the rain again.
15
Tonight I draw your body to my lips: your hand, your
mouth, your breasts, the small of your back. I draw
blood to every secret nerve and gently kiss their tips, as
you move under me, anchored to a rough sea. I cling to
you, your music and your knees. I touch the secret vibes
of your body, I fill my hands with the darkness of
your hair. This passion alone can resurrect our love.
|
Written by
Robert William Service |
My precious grand-child, aged two,
Is eager to unlace one shoe,
And then the other;
Her cotton socks she'll deftly doff
Despite the mild reproaches of
Her mother.
Around the house she loves to fare,
And with her rosy tootsies bare,
Pit-pat the floor;
And though remonstrances we make
She presently decides to take
Off something more.
Her pinafore she next unties,
And then before we realise,
Her dress drops down;
Her panties and her brassiere,
Her chemise and her underwear
Are round her strown.
And now she dances all about,
As naked as a new-caught trout,
With impish glee;
And though she's beautiful like that,
(A cherubim, but not so fat),
Quite shocked are we.
And so we dread with dim dismay
Some day she may her charms display
In skimpy wear;
Aye, even in a gee-string she
May frolic on the stage of the
Folies-Bèrgere
But e'er she does, I hope she'll read
This worldly wise and warning screed,
That to conceal,
Unto the ordinary man
Is often more alluring than
To ALL reveal.
|
Written by
Robert William Service |
To me at night the stars are vocal.
They say: 'Your planet's oh so local!
A speck of dust in heaven's ceiling;
Your faith divine a foolish feeling.
What odds if you are chaos hurled,
Yours is a silly little world.
'
For their derision, haply true,
I hate the stars, as wouldn't you?
But whether earth be great or little,
I do not care a fishwife's spittle;
I do not fret its where or why,--
Today's a day and I am I.
Serene, afar from woe and worry
I tend my vines and do not hurry.
I buss the lass and tip the bottle,
Fill up the glass and rinse my throttle.
Tomorrow though the earth should perish,
The lust of life today I cherish.
Ah no, the stars I will not curse:
Though things are bad they might be worse.
So when vast constellations shine
I drink to them in ruby wine;
For they themselves,--although it odd is,
Somehow give me a sense that God is.
Because we trust and realise
His love he steers us in the skies.
For faith however foolish can
Be mighty helpful to a man:
And as I tend my vines so He
With tenderness looks after me.
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