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Best Famous Radios Poems

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Written by David Berman | Create an image from this poem

Self-Portrait At 28

 I know it's a bad title
but I'm giving it to myself as a gift
on a day nearly canceled by sunlight
when the entire hill is approaching
the ideal of Virginia
brochured with goldenrod and loblolly
and I think "at least I have not woken up
with a bloody knife in my hand"
by then having absently wandered
one hundred yards from the house
while still seated in this chair
with my eyes closed.
It is a certain hill the one I imagine when I hear the word "hill" and if the apocalypse turns out to be a world-wide nervous breakdown if our five billion minds collapse at once well I'd call that a surprise ending and this hill would still be beautiful a place I wouldn't mind dying alone or with you.
I am trying to get at something and I want to talk very plainly to you so that we are both comforted by the honesty.
You see there is a window by my desk I stare out when I am stuck though the outdoors has rarely inspired me to write and I don't know why I keep staring at it.
My childhood hasn't made good material either mostly being a mulch of white minutes with a few stand out moments, popping tar bubbles on the driveway in the summer a certain amount of pride at school everytime they called it "our sun" and playing football when the only play was "go out long" are what stand out now.
If squeezed for more information I can remember old clock radios with flipping metal numbers and an entree called Surf and Turf.
As a way of getting in touch with my origins every night I set the alarm clock for the time I was born so that waking up becomes a historical reenactment and the first thing I do is take a reading of the day and try to flow with it like when you're riding a mechanical bull and you strain to learn the pattern quickly so you don't inadverantly resist it.
II two I can't remember being born and no one else can remember it either even the doctor who I met years later at a cocktail party.
It's one of the little disappointments that makes you think about getting away going to Holly Springs or Coral Gables and taking a room on the square with a landlady whose hands are scored by disinfectant, telling the people you meet that you are from Alaska, and listen to what they have to say about Alaska until you have learned much more about Alaska than you ever will about Holly Springs or Coral Gables.
Sometimes I am buying a newspaper in a strange city and think "I am about to learn what it's like to live here.
" Oftentimes there is a news item about the complaints of homeowners who live beside the airport and I realize that I read an article on this subject nearly once a year and always receive the same image.
I am in bed late at night in my house near the airport listening to the jets fly overhead a strange wife sleeping beside me.
In my mind, the bedroom is an amalgamation of various cold medicine commercial sets (there is always a box of tissue on the nightstand).
I know these recurring news articles are clues, flaws in the design though I haven't figured out how to string them together yet, but I've begun to notice that the same people are dying over and over again, for instance Minnie Pearl who died this year for the fourth time in four years.
III three Today is the first day of Lent and once again I'm not really sure what it is.
How many more years will I let pass before I take the trouble to ask someone? It reminds of this morning when you were getting ready for work.
I was sitting by the space heater numbly watching you dress and when you asked why I never wear a robe I had so many good reasons I didn't know where to begin.
If you were cool in high school you didn't ask too many questions.
You could tell who'd been to last night's big metal concert by the new t-shirts in the hallway.
You didn't have to ask and that's what cool was: the ability to deduct to know without asking.
And the pressure to simulate coolness means not asking when you don't know, which is why kids grow ever more stupid.
A yearbook's endpages, filled with promises to stay in touch, stand as proof of the uselessness of a teenager's promise.
Not like I'm dying for a letter from the class stoner ten years on but.
.
.
Do you remember the way the girls would call out "love you!" conveniently leaving out the "I" as if they didn't want to commit to their own declarations.
I agree that the "I" is a pretty heavy concept and hope you won't get uncomfortable if I should go into some deeper stuff here.
IV four There are things I've given up on like recording funny answering machine messages.
It's part of growing older and the human race as a group has matured along the same lines.
It seems our comedy dates the quickest.
If you laugh out loud at Shakespeare's jokes I hope you won't be insulted if I say you're trying too hard.
Even sketches from the original Saturday Night Live seem slow-witted and obvious now.
It's just that our advances are irrepressible.
Nowadays little kids can't even set up lemonade stands.
It makes people too self-conscious about the past, though try explaining that to a kid.
I'm not saying it should be this way.
All this new technology will eventually give us new feelings that will never completely displace the old ones leaving everyone feeling quite nervous and split in two.
We will travel to Mars even as folks on Earth are still ripping open potato chip bags with their teeth.
Why? I don't have the time or intelligence to make all the connections like my friend Gordon (this is a true story) who grew up in Braintree Massachusetts and had never pictured a brain snagged in a tree until I brought it up.
He'd never broken the name down to its parts.
By then it was too late.
He had moved to Coral Gables.
V five The hill out my window is still looking beautiful suffused in a kind of gold national park light and it seems to say, I'm sorry the world could not possibly use another poem about Orpheus but I'm available if you're not working on a self-portrait or anything.
I'm watching my dog have nightmares, twitching and whining on the office floor and I try to imagine what beast has cornered him in the meadow where his dreams are set.
I'm just letting the day be what it is: a place for a large number of things to gather and interact -- not even a place but an occasion a reality for real things.
Friends warned me not to get too psychedelic or religious with this piece: "They won't accept it if it's too psychedelic or religious," but these are valid topics and I'm the one with the dog twitching on the floor possibly dreaming of me that part of me that would beat a dog for no good reason no reason that a dog could see.
I am trying to get at something so simple that I have to talk plainly so the words don't disfigure it and if it turns out that what I say is untrue then at least let it be harmless like a leaky boat in the reeds that is bothering no one.
VI six I can't trust the accuracy of my own memories, many of them having blended with sentimental telephone and margarine commercials plainly ruined by Madison Avenue though no one seems to call the advertising world "Madison Avenue" anymore.
Have they moved? Let's get an update on this.
But first I have some business to take care of.
I walked out to the hill behind our house which looks positively Alaskan today and it would be easier to explain this if I had a picture to show you but I was with our young dog and he was running through the tall grass like running through the tall grass is all of life together until a bird calls or he finds a beer can and that thing fills all the space in his head.
You see, his mind can only hold one thought at a time and when he finally hears me call his name he looks up and cocks his head and for a single moment my voice is everything: Self-portrait at 28.


Written by Derek Walcott | Create an image from this poem

The Star-Apple Kingdom

 There were still shards of an ancient pastoral 
in those shires of the island where the cattle drank 
their pools of shadow from an older sky, 
surviving from when the landscape copied such objects as 
"Herefords at Sunset in the valley of the Wye.
" The mountain water that fell white from the mill wheel sprinkling like petals from the star-apple trees, and all of the windmills and sugar mills moved by mules on the treadmill of Monday to Monday, would repeat in tongues of water and wind and fire, in tongues of Mission School pickaninnies, like rivers remembering their source, Parish Trelawny, Parish St David, Parish St Andrew, the names afflicting the pastures, the lime groves and fences of marl stone and the cattle with a docile longing, an epochal content.
And there were, like old wedding lace in an attic, among the boas and parasols and the tea-colored daguerreotypes, hints of an epochal happiness as ordered and infinite to the child as the great house road to the Great House down a perspective of casuarinas plunging green manes in time to the horses, an orderly life reduced by lorgnettes day and night, one disc the sun, the other the moon, reduced into a pier glass: nannies diminished to dolls, mahogany stairways no larger than those of an album in which the flash of cutlery yellows, as gamboge as the piled cakes of teatime on that latticed bougainvillea verandah that looked down toward a prospect of Cuyp-like Herefords under a sky lurid as a porcelain souvenir with these words: "Herefords at Sunset in the Valley of the Wye.
" Strange, that the rancor of hatred hid in that dream of slow rivers and lily-like parasols, in snaps of fine old colonial families, curled at the edge not from age of from fire or the chemicals, no, not at all, but because, off at its edges, innocently excluded stood the groom, the cattle boy, the housemaid, the gardeners, the tenants, the good ******* down in the village, their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly all night, that was bringing in heavier clouds, more black smoke than cloud, frightening the cattle in whose bulging eyes the Great House diminished; a scorching wind of a scream that began to extinguish the fireflies, that dried the water mill creaking to a stop as it was about to pronounce Parish Trelawny all over, in the ancient pastoral voice, a wind that blew all without bending anything, neither the leaves of the album nor the lime groves; blew Nanny floating back in white from a feather to a chimerical, chemical pin speck that shrank the drinking Herefords to brown porcelain cows on a mantelpiece, Trelawny trembling with dusk, the scorched pastures of the old benign Custos; blew far the decent servants and the lifelong cook, and shriveled to a shard that ancient pastoral of dusk in a gilt-edged frame now catching the evening sun in Jamaica, making both epochs one.
He looked out from the Great House windows on clouds that still held the fragrance of fire, he saw the Botanical Gardens officially drown in a formal dusk, where governors had strolled and black gardeners had smiled over glinting shears at the lilies of parasols on the floating lawns, the flame trees obeyed his will and lowered their wicks, the flowers tightened their fists in the name of thrift, the porcelain lamps of ripe cocoa, the magnolia's jet dimmed on the one circuit with the ginger lilies and left a lonely bulb on the verandah, and, had his mandate extended to that ceiling of star-apple candelabra, he would have ordered the sky to sleep, saying, I'm tired, save the starlight for victories, we can't afford it, leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended from tangerine daybreaks to star-apple dusks, his hand could not dam that ceaseless torrent of dust that carried the shacks of the poor, to their root-rock music, down the gullies of Yallahs and August Town, to lodge them on thorns of maca, with their rags crucified by cactus, tins, old tires, cartons; from the black Warieka Hills the sky glowed fierce as the dials of a million radios, a throbbing sunset that glowed like a grid where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music of the country dancers, the fiddlers like fifes put aside.
He had to heal this malarial island in its bath of bay leaves, its forests tossing with fever, the dry cattle groaning like winches, the grass that kept shaking its head to remember its name.
No vowels left in the mill wheel, the river.
Rock stone.
Rock stone.
The mountains rolled like whales through phosphorous stars, as he swayed like a stone down fathoms into sleep, drawn by that magnet which pulls down half the world between a star and a star, by that black power that has the assassin dreaming of snow, that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls his mind is a mill wheel in moonlight, and he hears, in the sleep of his moonlight, the drowned bell of Port Royal's cathedral, sees the copper pennies of bubbles rising from the empty eye-pockets of green buccaneers, the parrot fish floating from the frayed shoulders of pirates, sea horses drawing gowned ladies in their liquid promenade across the moss-green meadows of the sea; he heard the drowned choirs under Palisadoes, a hymn ascending to earth from a heaven inverted by water, a crab climbing the steeple, and he climbed from that submarine kingdom as the evening lights came on in the institute, the scholars lamplit in their own aquarium, he saw them mouthing like parrot fish, as he passed upward from that baptism, their history lessons, the bubbles like ideas which he could not break: Jamaica was captured by Penn and Venables, Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals from Santiago to Caracas, where penitential archbishops washed the feet of paupers (a parenthetical moment that made the Caribbean a baptismal font, turned butterflies to stone, and whitened like doves the buzzards circling municipal garbage), the Caribbean was borne like an elliptical basin in the hands of acolytes, and a people were absolved of a history which they did not commit; the slave pardoned his whip, and the dispossessed said the rosary of islands for three hundred years, a hymn that resounded like the hum of the sea inside a sea cave, as their knees turned to stone, while the bodies of patriots were melting down walls still crusted with mute outcries of La Revolucion! "San Salvador, pray for us,St.
Thomas, San Domingo, ora pro nobis, intercede for us, Sancta Lucia of no eyes," and when the circular chaplet reached the last black bead of Sancta Trinidad they began again, their knees drilled into stone, where Colon had begun, with San Salvador's bead, beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle, ulcers formed on the municipal portraits, the hotels went up, and the casinos and brothels, and the empires of tobacco, sugar, and bananas, until a black woman, shawled like a buzzard, climbed up the stairs and knocked at the door of his dream, whispering in the ear of the keyhole: "Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.
" She was as beautiful as a stone in the sunrise, her voice had the gutturals of machine guns across khaki deserts where the cactus flower detonates like grenades, her sex was the slit throat of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out by the wind of revolution, La Madre Dolorosa, a black rose of sorrow, a black mine of silence, raped wife, empty mother, Aztec virgin transfixed by arrows from a thousand guitars, a stone full of silence, which, if it gave tongue to the tortures done in the name of the Father, would curdle the blood of the marauding wolf, the fountain of generals, poets, and cripples who danced without moving over their graves with each revolution; her Caesarean was stitched by the teeth of machine guns,and every sunset she carried the Caribbean's elliptical basin as she had once carried the penitential napkins to be the footbath of dictators, Trujillo, Machado, and those whose faces had yellowed like posters on municipal walls.
Now she stroked his hair until it turned white, but she would not understand that he wanted no other power but peace, that he wanted a revolution without any bloodshed, he wanted a history without any memory, streets without statues, and a geography without myth.
He wanted no armies but those regiments of bananas, thick lances of cane, and he sobbed,"I am powerless, except for love.
" She faded from him, because he could not kill; she shrunk to a bat that hung day and night in the back of his brain.
He rose in his dream.
(to be continued)
Written by Federico García Lorca | Create an image from this poem

Landscape of a Pissing Multitude

 The men kept to themselves:
they were waiting for the swiftness of the last cyclists.
The women kept to themselves: they were expecting the death of a boy on a Japanese schooner.
They all kept to themselves- dreaming of the open beaks of dying birds, the sharp parasol that punctures a recently flattened toad, beneath silence with a thousand ears and tiny mouths of water in the canyons that resist the violent attack on the moon.
The boy on the schooner was crying and hearts were breaking in anguish for the witness and vigilance of all things, and because of the sky blue ground of black footprints, obscure names, saliva, and chrome radios were still crying.
It doesn't matter if the boy grows silent when stuck with the last pin, or if the breeze is defeated in cupped cotton flowers, because there is a world of death whose perpetual sailors will appear in the arches and freeze you from behind the trees.
It's useless to look for the bend where night loses its way and to wait in ambush for a silence that has no torn clothes, no shells, and no tears, because even the tiny banquet of a spider is enough to upset the entire equilibrium of the sky.
There is no cure for the moaning from a Japanese schooner, nor for those shadowy people who stumble on the curbs.
The countryside bites its own tail in order to gather a bunch of roots and a ball of yarn looks anxiously in the grass for unrealized longitude.
The Moon! The police.
The foghorns of the ocean liners! Facades of urine, of smoke, anemones, rubber gloves.
Everything is shattered in the night that spread its legs on the terraces.
Everything is shatter in the tepid faucets of a terrible silent fountain.
Oh, crowds! Loose women! Soldiers! We will have to journey through the eyes of idiots, open country where the docile cobras, coiled like wire, hiss, landscapes full of graves that yield the freshest apples, so that uncontrollable light will arrive to frighten the rich behind their magnifying glasses- the odor of a single corpse from the double source of lily and rat- and so that fire will consume those crowds still able to piss around a moan or on the crystals in which each inimitable wave is understood.
Written by Edwin Muir | Create an image from this poem

The Horses

 Barely a twelvemonth after
The seven days war that put the world to sleep,
Late in the evening the strange horses came.
By then we had made our covenant with silence, But in the first few days it was so still We listened to our breathing and were afraid.
On the second day The radios failed; we turned the knobs; no answer.
On the third day a warship passed us, heading north, Dead bodies piled on the deck.
On the sixth day A plane plunged over us into the sea.
Thereafter Nothing.
The radios dumb; And still they stand in corners of our kitchens, And stand, perhaps, turned on, in a million rooms All over the world.
But now if they should speak, If on a sudden they should speak again, If on the stroke of noon a voice should speak, We would not listn, we would not let it bring That old bad world that swallowed its children quick At one great gulp.
We would not have it again.
Sometimes we think of the nations lying asleep, Curled blindly in impenetrable sorrow, And then the thought confounds us with its strangeness.
The tractors lie about our fields; at evening They look like dank sea-monsters couched and waiting.
We leave them where they are and let them rust: "They'll molder away and be like other loam.
" We make our oxen drag our rusty plows, Long laid aside.
We have gone back Far past our fathers' land.
And then, that evening Late in the summer the strange horses came.
We heard a distant tapping on the road, A deepening drumming; it stopped, went on again And at the corner changed to hollow thunder.
We saw the heads Like a wild wave charging and were afraid.
We had sold our horses in our fathers' time To buy new tractors.
Now they were strange to us As fabulous steeds set on an ancient shield.
Or illustrations in a book of knights.
We did not dare go near them.
Yet they waited, Stubborn and shy, as if they had been sent By an old command to find our whereabouts And that long-lost archaic companionship.
In the first moment we had never a thought That they were creatures to be owned and used.
Among them were some half a dozen colts Dropped in some wilderness of the broken world, Yet new as if they had come from their own Eden.
Since then they have pulled our plows and borne our loads, But that free servitude still can pierce our hearts.
Our life is changed; their coming our beginning.
Written by Robert Pinsky | Create an image from this poem

The Night Game

 Some of us believe
We would have conceived romantic
Love out of our own passions
With no precedents,
Without songs and poetry--
Or have invented poetry and music
As a comb of cells for the honey.
Shaped by ignorance, A succession of new worlds, Congruities improvised by Immigrants or children.
I once thought most people were Italian, Jewish or Colored.
To be white and called Something like Ed Ford Seemed aristocratic, A rare distinction.
Possibly I believed only gentiles And blonds could be left-handed.
Already famous After one year in the majors, Whitey Ford was drafted by the Army To play ball in the flannels Of the Signal Corps, stationed In Long Branch, New Jersey.
A night game, the silver potion Of the lights, his pink skin Shining like a burn.
Never a player I liked or hated: a Yankee, A mere success.
But white the chalked-off lines In the grass, white and green The immaculate uniform, And white the unpigmented Halo of his hair When he shifted his cap: So ordinary and distinct, So close up, that I felt As if I could have made him up, Imagined him as I imagined The ball, a scintilla High in the black backdrop Of the sky.
Tight red stitches.
Rawlings.
The bleached Horsehide white: the color Of nothing.
Color of the past And of the future, of the movie screen At rest and of blank paper.
"I could have.
" The mind.
The black Backdrop, the white Fly picked out by the towering Lights.
A few years later On a blanket in the grass By the same river A girl and I came into Being together To the faint muttering Of unthinkable Troubadours and radios.
The emerald Theater, the night.
Another time, I devised a left-hander Even more gifted Than Whitey Ford: A Dodger.
People were amazed by him.
Once, when he was young, He refused to pitch on Yom Kippur.


Written by Julie Hill Alger | Create an image from this poem

Lesson 1

 At least I've learned this much:
Life doesn't have to be
all poetry and roses.
Life can be bus rides, gritty sidewalks, electric bills, dishwashing, chapped lips, dull stubby pencils with the erasers chewed off, cheap radios played too loud, the rank smell of stale coffee yet still glow with the inner fire of an opal, still taste like honey.
-Julie Alger
Written by Andrew Marvell | Create an image from this poem

Ros

 Cernis ut Eio descendat Gemmula Roris,
Inque Rosas roseo transfluat orta sinu.
Sollicita Flores stant ambitione supini, Et certant foliis pellicuisse suis.
Illa tamen patriae lustrans fastigia Sphaerae, Negligit hospitii limina picta novi.
Inque sui nitido conclusa voluminis orbe, Exprimit aetherei qua licet Orbis aquas.
En ut odoratum spernat generosior Ostrum, Vixque premat casto mollia strata pede.
Suspicit at longis distantem obtutibus Axem, Inde & languenti lumine pendet amans, Tristis, & in liquidum mutata dolore dolorem, Marcet, uti roseis Lachryma fusa Genis.
Ut pavet, & motum tremit irrequieta Cubile, Et quoties Zephyro fluctuat Aura, fugit .
Qualis inexpertam subeat formido Puellam, Sicubi nocte redit incomitata domum.
Sic & in horridulas agitatur Gutta procellas, Dum prae virgineo cuncta pudore timet.
Donec oberrantem Radio clemente vaporet, Inq; jubar reducem Sol genitale trahat.
Talis, in humano si possit flore videri, Exul ubi longas Mens agit usq; moras; Haec quoque natalis meditans convivia Coeli, Evertit Calices, purpureosque Thoros.
Fontis stilla sacri, Lucis scintilla perennis, Non capitur Tyria veste, vapore Sabae.
Tota sed in proprii secedens luminis Arcem, Colligit in Gyros se sinuosa breves.
Magnorumque sequens animo convexa Deorum, Sydereum parvo fingit in Orbe Globum.
Quam bene in aversae modulum contracta figurae Oppositum Mundo claudit ubiq; latus.
Sed bibit in speculum radios ornata rotundum; Et circumfuso splendet aperta Die.
Qua Superos spectat rutilans, obscurior infra; Caetera dedignans, ardet amore Poli.
Subsilit, hinc agili Poscens discedere motu, Undique coelesti cincta soluta Viae.
Totaque in aereos extenditur orbita cursus; Hinc punctim carpens, mobile stringit iter.
Haud aliter Mensis exundans Manna beatis Deserto jacuit Stilla gelata Solo: Stilla gelata Solo, sed Solibus hausta benignis, Ad sua qua cecidit purior Aftra redit.

Book: Shattered Sighs