Written by
Billy Collins |
There is a section in my library for death
and another for Irish history,
a few shelves for the poetry of China and Japan,
and in the center a row of imperturbable reference books,
the ones you can turn to anytime,
when the night is going wrong
or when the day is full of empty promise.
I have nothing against
the thin monograph, the odd query,
a note on the identity of Chekhov's dentist,
but what I prefer on days like these
is to get up from the couch,
pull down The History of the World,
and hold in my hands a book
containing nearly everything
and weighing no more than a sack of potatoes,
eleven pounds, I discovered one day when I placed it
on the black, iron scale
my mother used to keep in her kitchen,
the device on which she would place
a certain amount of flour,
a certain amount of fish.
Open flat on my lap
under a halo of lamplight,
a book like this always has a way
of soothing the nerves,
quieting the riotous surf of information
that foams around my waist
even though it never mentions
the silent labors of the poor,
the daydreams of grocers and tailors,
or the faces of men and women alone in single rooms-
even though it never mentions my mother,
now that I think of her again,
who only last year rolled off the edge of the earth
in her electric bed,
in her smooth pink nightgown
the bones of her fingers interlocked,
her sunken eyes staring upward
beyond all knowledge,
beyond the tiny figures of history,
some in uniform, some not,
marching onto the pages of this incredibly heavy book.
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Written by
Thomas Hardy |
In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.
Steel chambers, late the pyres
Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.
Over the mirrors meant
To glass the opulent
The sea-worm crawls -- grotesque, slimed, dumb, indifferent.
Jewels in joy designed
To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.
Dim moon-eyed fishes near
Gaze at the gilded gear
And query: "What does this vaingloriousness down here?" ...
Well: while was fashioning
This creature of cleaving wing,
The Immanent Will that stirs and urges everything
Prepared a sinister mate
For her -- so gaily great --
A Shape of Ice, for the time far and dissociate.
And as the smart ship grew
In stature, grace, and hue,
In shadowy silent distance grew the Iceberg too.
Alien they seemed to be;
No mortal eye could see
The intimate welding of their later history,
Or sign that they were bent
By paths coincident
On being anon twin halves of one august event,
Till the Spinner of the Years
Said "Now!" And each one hears,
And consummation comes, and jars two hemispheres.
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Written by
Carolyn Kizer |
For more than thirty years we hadn't met.
I remembered the bright query of your face,
That single-minded look,intense and stern,
Yet most important -how could I forget?-
Was what your taught me inadvertantly
(tutored by books and parents, even more
By my own awe at what was yet to learn):
The finest intellect can be a bore.
At this, perhaps our final interview,
Still luminous with your passion to instruct,
You speak to that recalcitrant pupil who
Inhaled the chalk-dust of your rhetoric.
I nod, I sip my wine, I praise your view,
Grateful, my dear, that I escaped from you.
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Written by
Thomas Hardy |
(Lines on the loss of the "Titanic")
I
In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.
II
Steel chambers, late the pyres
Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.
III
Over the mirrors meant
To glass the opulent
The sea-worm crawls--grotesque, slimed, dumb, indifferent.
IV
Jewels in joy designed
To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.
V
Dim moon-eyed fishes near
Gaze at the gilded gear
And query: "What does this vaingloriousness down here?". . .
VI
Well: while was fashioning
This creature of cleaving wing,
The Immanent Will that stirs and urges everything
VII
Prepared a sinister mate
For her--so gaily great--
A Shape of Ice, for the time fat and dissociate.
VIII
And as the smart ship grew
In stature, grace, and hue
In shadowy silent distance grew the Iceberg too.
IX
Alien they seemed to be:
No mortal eye could see
The intimate welding of their later history.
X
Or sign that they were bent
By paths coincident
On being anon twin halves of one August event,
XI
Till the Spinner of the Years
Said "Now!" And each one hears,
And consummation comes, and jars two hemispheres.
|
Written by
Eugene Field |
I.--TO MISTRESS BARBARA
There were three cavaliers, all handsome and true,
On Valentine's day came a maiden to woo,
And quoth to your mother: "Good-morrow, my dear,
We came with some songs for your daughter to hear!"
Your mother replied: "I'll be pleased to convey
To my daughter what things you may sing or may say!"
Then the first cavalier sung: "My pretty red rose,
I'll love you and court you some day, I suppose!"
And the next cavalier sung, with make-believe tears:
"I've loved you! I've loved you these many long years!"
But the third cavalier (with the brown, bushy head
And the pretty blue jacket and necktie of red)
He drew himself up with a resolute air,
And he warbled: "O maiden, surpassingly fair!
I've loved you long years, and I love you to-day,
And, if you will let me, I'll love you for aye!"
I (the third cavalier) sang this ditty to you,
In my necktie of red and my jacket of blue;
I'm sure you'll prefer the song that was mine
And smile your approval on your valentine.
II.--TO A BABY BOY
Who I am I shall not say,
But I send you this bouquet
With this query, baby mine:
"Will you be my valentine?"
See these roses blushing blue,
Very like your eyes of hue;
While these violets are the red
Of your cheeks. It can be said
Ne'er before was babe like you.
And I think it is quite true
No one e'er before to-day
Sent so wondrous a bouquet
As these posies aforesaid--
Roses blue and violets red!
Sweet, repay me sweets for sweets--
'Tis your lover who entreats!
Smile upon me, baby mine--
Be my little valentine!
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Written by
Siegfried Sassoon |
You like my bird-sung gardens: wings and flowers;
Calm landscapes for emotion; star-lit lawns;
And Youth against the sun-rise ... ‘Not profound;
‘But such a haunting music in the sound:
‘Do it once more; it helps us to forget’.
Last night I dreamt an old recurring scene—
Some complex out of childhood; (sex, of course!)
I can’t remember how the trouble starts;
And then I’m running blindly in the sun
Down the old orchard, and there’s something cruel
Chasing me; someone roused to a grim pursuit
Of clumsy anger ... Crash! I’m through the fence
And thrusting wildly down the wood that’s dense
With woven green of safety; paths that wind
Moss-grown from glade to glade; and far behind,
One thwarted yell; then silence. I’ve escaped.
That’s where it used to stop. Last night I went
Onward until the trees were dark and huge,
And I was lost, cut off from all return
By swamps and birdless jungles. I’d no chance
Of getting home for tea. I woke with shivers,
And thought of crocodiles in crawling rivers.
Some day I’ll build (more ruggedly than Doughty)
A dark tremendous song you’ll never hear.
My beard will be a snow-storm, drifting whiter
On bowed, prophetic shoulders, year by year.
And some will say, ‘His work has grown so dreary.’
Others, ‘He used to be a charming writer’.
And you, my friend, will query—
‘Why can’t you cut it short, you pompous blighter?’
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