10 Best Famous Quarrelsome Poems

Here is a collection of the top 10 all-time best famous Quarrelsome poems. This is a select list of the best famous Quarrelsome poetry. Reading, writing, and enjoying famous Quarrelsome poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of quarrelsome poems.

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Written by Walt Whitman | Create an image from this poem

There was a Child went Forth

 THERE was a child went forth every day; 
And the first object he look’d upon, that object he became; 
And that object became part of him for the day, or a certain part of the day, or for many
 years, or
 stretching cycles of years. 

The early lilacs became part of this child, 
And grass, and white and red morning-glories, and white and red clover, and the song of
 the
 phoebe-bird,
And the Third-month lambs, and the sow’s pink-faint litter, and the mare’s foal,
 and
 the
 cow’s calf, 
And the noisy brood of the barn-yard, or by the mire of the pond-side, 
And the fish suspending themselves so curiously below there—and the beautiful curious
 liquid, 
And the water-plants with their graceful flat heads—all became part of him. 

The field-sprouts of Fourth-month and Fifth-month became part of him;
Winter-grain sprouts, and those of the light-yellow corn, and the esculent roots of the
 garden,

And the apple-trees cover’d with blossoms, and the fruit afterward, and wood-berries,
 and
 the
 commonest weeds by the road; 
And the old drunkard staggering home from the out-house of the tavern, whence he had
 lately
 risen, 
And the school-mistress that pass’d on her way to the school, 
And the friendly boys that pass’d—and the quarrelsome boys,
And the tidy and fresh-cheek’d girls—and the barefoot ***** boy and girl, 
And all the changes of city and country, wherever he went. 

His own parents, 
He that had father’d him, and she that had conceiv’d him in her womb, and
 birth’d
 him, 
They gave this child more of themselves than that;
They gave him afterward every day—they became part of him. 

The mother at home, quietly placing the dishes on the supper-table; 
The mother with mild words—clean her cap and gown, a wholesome odor falling off her
 person
 and
 clothes as she walks by; 
The father, strong, self-sufficient, manly, mean, anger’d, unjust; 
The blow, the quick loud word, the tight bargain, the crafty lure,
The family usages, the language, the company, the furniture—the yearning and swelling
 heart, 
Affection that will not be gainsay’d—the sense of what is real—the thought
 if,
 after
 all, it should prove unreal, 
The doubts of day-time and the doubts of night-time—the curious whether and how, 
Whether that which appears so is so, or is it all flashes and specks? 
Men and women crowding fast in the streets—if they are not flashes and specks, what
 are
 they?
The streets themselves, and the façades of houses, and goods in the windows, 
Vehicles, teams, the heavy-plank’d wharves—the huge crossing at the ferries, 
The village on the highland, seen from afar at sunset—the river between, 
Shadows, aureola and mist, the light falling on roofs and gables of white or brown, three
 miles
 off,

The schooner near by, sleepily dropping down the tide—the little boat
 slack-tow’d
 astern,
The hurrying tumbling waves, quick-broken crests, slapping, 
The strata of color’d clouds, the long bar of maroon-tint, away solitary by
 itself—the
 spread of purity it lies motionless in, 
The horizon’s edge, the flying sea-crow, the fragrance of salt marsh and shore mud; 
These became part of that child who went forth every day, and who now goes, and will
 always go
 forth
 every day.

Written by Robert Graves | Create an image from this poem

Double Red Daisies

 Double red daisies, they’re my flowers,
Which nobody else may grow. 
In a big quarrelsome house like ours 
They try it sometimes—but no, 
I root them up because they’re my flowers,
Which nobody else may grow.

Claire has a tea-rose, but she didn’t plant it; 
Ben has an iris, but I don’t want it. 
Daisies, double red daisies for me, 
The beautifulest flowers in the garden.

Double red daisy, that’s my mark: 
I paint it in all my books! 
It’s carved high up on the beech-tree bark, 
How neat and lovely it looks! 
So don’t forget that it’s my trade mark;
Don’t copy it in your books. 

Claire has a tea-rose, but she didn’t plant it; 
Ben has an iris, but I don’t want it. 
Daisies, double red daisies for me, 
The beautifulest flowers in the garden.
Written by Anne Bradstreet | Create an image from this poem

Of the Four Ages of Man

 Lo, now four other act upon the stage,
Childhood and Youth, the Many and Old age:
The first son unto phlegm, grandchild to water,
Unstable, supple, cold and moist's his nature
The second, frolic, claims his pedigree
From blood and air, for hot and moist is he.
The third of fire and choler is compos'd,
Vindicative and quarrelsome dispos'd.
The last of earth and heavy melancholy,
Solid, hating all lightness and all folly.
Childhood was cloth'd in white and green to show
His spring was intermixed with some snow:
Upon his head nature a garland set
Of Primrose, Daisy and the Violet.
Such cold mean flowers the spring puts forth betime,
Before the sun hath thoroughly heat the clime.
His hobby striding did not ride but run,
And in his hand an hour-glass new begun,
In danger every moment of a fall,
And when 't is broke then ends his life and all:
But if he hold till it have run its last,
Then may he live out threescore years or past.
Next Youth came up in gorgeous attire
(As that fond age doth most of all desire),
His suit of crimson and his scarf of green,
His pride in's countenance was quickly seen;
Garland of roses, pinks and gillyflowers
Seemed on's head to grow bedew'd with showers.
His face as fresh as is Aurora fair,
When blushing she first 'gins to light the air.
No wooden horse, but one of mettle tried,
He seems to fly or swim, and not to ride.
Then prancing on the stage, about he wheels,
But as he went death waited at his heels,
The next came up in a much graver sort,
As one that cared for a good report,
His sword by's side, and choler in his eyes,
But neither us'd as yet, for he was wise;
Of Autumn's fruits a basket on his arm,
His golden god in's purse, which was his charm.
And last of all to act upon this stage
Leaning upon his staff came up Old Age,
Under his arm a sheaf of wheat he bore,
An harvest of the best, what needs he more?
In's other hand a glass ev'n almost run,
Thus writ about: "This out, then am I done."
Written by Henry Wadsworth Longfellow | Create an image from this poem

Thangbrand the Priest

 Short of stature, large of limb,
Burly face and russet beard,
All the women stared at him,
When in Iceland he appeared.
"Look!" they said,
With nodding head,
"There goes Thangbrand, Olaf's Priest."

All the prayers he knew by rote,
He could preach like Chrysostome,
From the Fathers he could quote,
He had even been at Rome.
A learned clerk,
A man of mark,
Was this Thangbrand, Olaf's Priest.

He was quarrelsome and loud,
And impatient of control,
Boisterous in the market crowd,
Boisterous at the wassail-bowl,
Everywhere
Would drink and swear,
Swaggering Thangbrand, Olaf's Priest.

In his house this malcontent
Could the King no longer bear,
So to Iceland he was sent
To convert the heathen there,
And away
One summer day
Sailed this Thangbrand, Olaf's Priest.

There in Iceland, o'er their books
Pored the people day and night,
But he did not like their looks,
Nor the songs they used to write. 
All this rhyme
Is waste of time! "
Grumbled Thangbrand, Olaf's Priest.

To the alehouse, where he sat,
Came the Scalds and Saga men;
Is it to be wondered at,
That they quarrelled now and then,
When o'er his beer
Began to leer
Drunken Thangbrand, Olaf's Priest?

All the folk in Altafiord
Boasted of their island grand;
Saying in a single word,
"Iceland is the finest land
That the sun
Doth shine upon!"
Loud laughed Thangbrand, Olaf's Priest.

And he answered: "What's the use
Of this bragging up and down,
When three women and one goose
Make a market in your town! "
Every Scald
Satires scrawled
On poor Thangbrand, Olaf's Priest.

Something worse they did than that!
And what vexed him most of all
Was a figure in shovel hat,
Drawn in charcoal on the wall;
With words that go
Sprawling below,
"This is Thangbrand, Olaf's Priest."

Hardly knowing what he did,
Then he smote them might and main,
Thorvald Veile and Veterlid
Lay there in the alehouse slain.
"To-day we are gold,
To-morrow mould!"
Muttered Thangbrand, Olaf's Priest

Much in fear of axe and rope,
Back to Norway sailed he then.
"O, King Olaf! little hope
Is there of these Iceland men!"
Meekly said,
With bending head,
Pious Thangbrand, Olaf's Priest.
Written by Isaac Watts | Create an image from this poem

Psalm 120

 Complaint of quarrelsome neighbors; or, A devout wish for peace.

Thou God of love, thou ever-blest,
Pity my suff'ring state;
When wilt thou set my soul at rest
From lips that love deceit?

Hard lot of mine! my days are cast
Among the sons of strife,
Whose never-ceasing brawling waste
My golden hours of life.

O might I fly to change my place,
How would I choose to dwell
In some wide lonesome wilderness,
And leave these gates of hell!

Peace is the blessing that I seek,
How lovely are its charms!
I am for peace; but when I speak,
They all declare for arms.

New passions still their souls engage,
And keep their malice strong:
What shall be done to curb thy rage,
O thou devouring tongue!

Should burning arrows smite thee through
Strict justice would approve;
But I had rather spare my foe,
And melt his heart with love.

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