Written by
Jonathan Swift |
As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young,
When first for thee my harp was strung,
Without one word of Cupid's darts,
Of killing eyes, or bleeding hearts;
With friendship and esteem possest,
I ne'er admitted Love a guest.
In all the habitudes of life,
The friend, the mistress, and the wife,
Variety we still pursue,
In pleasure seek for something new;
Or else, comparing with the rest,
Take comfort that our own is best;
The best we value by the worst,
As tradesmen show their trash at first;
But his pursuits are at an end,
Whom Stella chooses for a friend.
A poet starving in a garret,
Invokes his mistress and his Muse,
And stays at home for want of shoes:
Should but his Muse descending drop
A slice of bread and mutton-chop;
Or kindly, when his credit's out,
Surprise him with a pint of stout;
Or patch his broken stocking soles;
Or send him in a peck of coals;
Exalted in his mighty mind,
He flies and leaves the stars behind;
Counts all his labours amply paid,
Adores her for the timely aid.
Or, should a porter make inquiries
For Chloe, Sylvia, Phillis, Iris;
Be told the lodging, lane, and sign,
The bowers that hold those nymphs divine;
Fair Chloe would perhaps be found
With footmen tippling under ground;
The charming Sylvia beating flax,
Her shoulders marked with bloody tracks;
Bright Phyllis mending ragged smocks:
And radiant Iris in the pox.
These are the goddesses enrolled
In Curll's collection, new and old,
Whose scoundrel fathers would not know 'em,
If they should meet them in a poem.
True poets can depress and raise,
Are lords of infamy and praise;
They are not scurrilous in satire,
Nor will in panegyric flatter.
Unjustly poets we asperse;
Truth shines the brighter clad in verse,
And all the fictions they pursue
Do but insinuate what is true.
Now, should my praises owe their truth
To beauty, dress, or paint, or youth,
What stoics call without our power,
They could not be ensured an hour;
'Twere grafting on an annual stock,
That must our expectation mock,
And, making one luxuriant shoot,
Die the next year for want of root:
Before I could my verses bring,
Perhaps you're quite another thing.
So Maevius, when he drained his skull
To celebrate some suburb trull,
His similes in order set,
And every crambo he could get;
Had gone through all the common-places
Worn out by wits, who rhyme on faces;
Before he could his poem close,
The lovely nymph had lost her nose.
Your virtues safely I commend;
They on no accidents depend:
Let malice look with all her eyes,
She dare not say the poet lies.
Stella, when you these lines transcribe,
Lest you should take them for a bribe,
Resolved to mortify your pride,
I'll here expose your weaker side.
Your spirits kindle to a flame,
Moved by the lightest touch of blame;
And when a friend in kindness tries
To show you where your error lies,
Conviction does but more incense;
Perverseness is your whole defence;
Truth, judgment, wit, give place to spite,
Regardless both of wrong and right;
Your virtues all suspended wait,
Till time has opened reason's gate;
And, what is worse, your passion bends
Its force against your nearest friends,
Which manners, decency, and pride,
Have taught from you the world to hide;
In vain; for see, your friend has brought
To public light your only fault;
And yet a fault we often find
Mixed in a noble, generous mind:
And may compare to Etna's fire,
Which, though with trembling, all admire;
The heat that makes the summit glow,
Enriching all the vales below.
Those who, in warmer climes, complain
From Phoebus' rays they suffer pain,
Must own that pain is largely paid
By generous wines beneath a shade.
Yet, when I find your passions rise,
And anger sparkling in your eyes,
I grieve those spirits should be spent,
For nobler ends by nature meant.
One passion, with a different turn,
Makes wit inflame, or anger burn:
So the sun's heat, with different powers,
Ripens the grape, the liquor sours:
Thus Ajax, when with rage possest,
By Pallas breathed into his breast,
His valour would no more employ,
Which might alone have conquered Troy;
But, blinded be resentment, seeks
For vengeance on his friends the Greeks.
You think this turbulence of blood
From stagnating preserves the flood,
Which, thus fermenting by degrees,
Exalts the spirits, sinks the lees.
Stella, for once your reason wrong;
For, should this ferment last too long,
By time subsiding, you may find
Nothing but acid left behind;
From passion you may then be freed,
When peevishness and spleen succeed.
Say, Stella, when you copy next,
Will you keep strictly to the text?
Dare you let these reproaches stand,
And to your failing set your hand?
Or, if these lines your anger fire,
Shall they in baser flames expire?
Whene'er they burn, if burn they must,
They'll prove my accusation just.
|
Written by
Andrew Barton Paterson |
We've travelled per Joe Gardiner, a humping of our swag
In the country of the Gidgee and Belar.
We've swum the Di'mantina with our raiment in a bag,
And we've travelled per superior motor car,
But when we went to Germany we hadn't any choice,
No matter what our training or pursuits,
For they gave us no selection 'twixt a Ford or Rolls de Royce
So we did it in our good Australian boots.
They called us "mad Australians"; they couldn't understand
How officers and men could fraternise,
Thay said that we were "reckless", we were "wild, and out of hand",
With nothing great or sacred to our eyes.
But on one thing you could gamble, in the thickest of the fray,
Though they called us volunteers and raw recruits,
You could track us past the shell holes, and the tracks were all one way
Of the good Australian ammunition boots.
The Highlanders were next of kin, the Irish were a treat,
The Yankees knew it all and had to learn,
The Frenchmen kept it going, both in vict'ry and defeat,
Fighting grimly till the tide was on the turn.
And our army kept beside 'em, did its bit and took its chance,
And I hailed our newborn nation and its fruits,
As I listened to the clatter on the cobblestones of France
Of the good Australian military boots.
|
Written by
Walt Whitman |
THE world below the brine;
Forests at the bottom of the sea—the branches and leaves,
Sea-lettuce, vast lichens, strange flowers and seeds—the thick tangle, the openings,
and
the pink turf,
Different colors, pale gray and green, purple, white, and gold—the play of light
through
the water,
Dumb swimmers there among the rocks—coral, gluten, grass, rushes—and the aliment
of
the swimmers,
Sluggish existences grazing there, suspended, or slowly crawling close to the bottom,
The sperm-whale at the surface, blowing air and spray, or disporting with his flukes,
The leaden-eyed shark, the walrus, the turtle, the hairy sea-leopard, and the sting-ray;
Passions there—wars, pursuits, tribes—sight in those ocean-depths—breathing
that
thick-breathing air, as so many do;
The change thence to the sight here, and to the subtle air breathed by beings like us, who
walk
this sphere;
The change onward from ours, to that of beings who walk other spheres.
|
Written by
D. H. Lawrence |
I
When shall I see the half moon sink again
Behind the black sycamore at the end of the garden?
When will the scent of the dim, white phlox
Creep up the wall to me, and in at my open window?
Why is it, the long slow stroke of the midnight bell,
(Will it never finish the twelve?)
Falls again and again on my heart with a heavy reproach?
The moon-mist is over the village, out of the mist speaks the bell,
And all the little roofs of the village bow low, pitiful, beseeching,
resigned:
Oh, little home, what is it I have not done well?
Ah home, suddenly I love you,
As I hear the sharp clean trot of a pony down the road,
Succeeding sharp little sounds dropping into the silence,
Clear upon the long-drawn hoarseness of a train across the valley.
The light has gone out from under my mother's door.
That she should love me so,
She, so lonely, greying now,
And I leaving her,
Bent on my pursuits!
Love is the great Asker,
The sun and the rain do not ask the secret
Of the time when the grain struggles down in the dark.
The moon walks her lonely way without anguish,
Because no loved one grieves over her departure.
II
Forever, ever by my shoulder pitiful Love will linger,
Crouching as little houses crouch under the mist when I turn.
Forever, out of the mist the church lifts up her reproachful finger,
Pointing my eyes in wretched defiance where love hides her face to
mourn.
Oh but the rain creeps down to wet the grain
That struggles alone in the dark,
And asking nothing, cheerfully steals back again!
The moon sets forth o' nights
To walk the lonely, dusky heights
Serenely, with steps unswerving;
Pursued by no sigh of bereavement,
No tears of love unnerving
Her constant tread:
While ever at my side,
Frail and sad, with grey bowed head,
The beggar-woman, the yearning-eyed
Inexorable love goes lagging.
The wild young heifer, glancing distraught,
With a strange new knocking of life at her side
Runs seeking a loneliness.
The little grain draws down the earth to hide.
Nay, even the slumberous egg, as it labours under the shell,
Patiently to divide, and self-divide,
Asks to be hidden, and wishes nothing to tell.
But when I draw the scanty cloak of silence over my eyes,
Piteous Love comes peering under the hood.
Touches the clasp with trembling fingers, and tries
To put her ear to the painful sob of my blood,
While her tears soak through to my breast,
Where they burn and cauterise.
III
The moon lies back and reddens.
In the valley, a corncrake calls
Monotonously,
With a piteous, unalterable plaint, that deadens
My confident activity:
With a hoarse, insistent request that falls
Unweariedly, unweariedly,
Asking something more of me,
Yet more of me!
|