Written by
Walt Whitman |
1
NOW list to my morning’s romanza—I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before me.
A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.
And I stand before the young man face to face, and take his right hand in my left hand,
and his
left
hand in my right hand,
And I answer for his brother, and for men, and I answer for him that answers for all, and
send
these
signs.
2
Him all wait for—him all yield up to—his word is decisive and final,
Him they accept, in him lave, in him perceive themselves, as amid light,
Him they immerse, and he immerses them.
Beautiful women, the haughtiest nations, laws, the landscape, people, animals,
The profound earth and its attributes, and the unquiet ocean, (so tell I my morning’s
romanza;)
All enjoyments and properties, and money, and whatever money will buy,
The best farms—others toiling and planting, and he unavoidably reaps,
The noblest and costliest cities—others grading and building, and he domiciles there;
Nothing for any one, but what is for him—near and far are for him, the ships in the
offing,
The perpetual shows and marches on land, are for him, if they are for any body.
He puts things in their attitudes;
He puts to-day out of himself, with plasticity and love;
He places his own city, times, reminiscences, parents, brothers and sisters, associations,
employment, politics, so that the rest never shame them afterward, nor assume to command
them.
He is the answerer:
What can be answer’d he answers—and what cannot be answer’d, he shows how
it
cannot
be answer’d.
3
A man is a summons and challenge;
(It is vain to skulk—Do you hear that mocking and laughter? Do you hear the ironical
echoes?)
Books, friendships, philosophers, priests, action, pleasure, pride, beat up and down,
seeking
to
give satisfaction;
He indicates the satisfaction, and indicates them that beat up and down also.
Whichever the sex, whatever the season or place, he may go freshly and gently and safely,
by
day or
by night;
He has the pass-key of hearts—to him the response of the prying of hands on the
knobs.
His welcome is universal—the flow of beauty is not more welcome or universal than he
is;
The person he favors by day, or sleeps with at night, is blessed.
4
Every existence has its idiom—everything has an idiom and tongue;
He resolves all tongues into his own, and bestows it upon men, and any man translates, and
any
man
translates himself also;
One part does not counteract another part—he is the joiner—he sees how they
join.
He says indifferently and alike, How are you, friend? to the President at his
levee,
And he says, Good-day, my brother! to Cudge that hoes in the sugar-field,
And both understand him, and know that his speech is right.
He walks with perfect ease in the Capitol,
He walks among the Congress, and one Representative says to another, Here is our equal,
appearing
and new.
Then the mechanics take him for a mechanic,
And the soldiers suppose him to be a soldier, and the sailors that he has follow’d
the
sea,
And the authors take him for an author, and the artists for an artist,
And the laborers perceive he could labor with them and love them;
No matter what the work is, that he is the one to follow it, or has follow’d it,
No matter what the nation, that he might find his brothers and sisters there.
The English believe he comes of their English stock,
A Jew to the Jew he seems—a Russ to the Russ—usual and near, removed from none.
Whoever he looks at in the traveler’s coffee-house claims him,
The Italian or Frenchman is sure, and the German is sure, and the Spaniard is sure, and
the
island
Cuban is sure;
The engineer, the deck-hand on the great lakes, or on the Mississippi, or St.
Lawrence, or
Sacramento, or Hudson, or Paumanok Sound, claims him.
The gentleman of perfect blood acknowledges his perfect blood;
The insulter, the prostitute, the angry person, the beggar, see themselves in the ways of
him—he strangely transmutes them,
They are not vile any more—they hardly know themselves, they are so grown.
|
Written by
Edwin Arlington Robinson |
As we the withered ferns
By the roadway lying,
Time, the jester, spurns
All our prayers and prying --
All our tears and sighing,
Sorrow, change, and woe --
All our where-and-whying
For friends that come and go.
Life awakes and burns,
Age and death defying,
Till at last it learns
All but Love is dying;
Love's the trade we're plying,
God has willed it so;
Shrouds are what we're buying
For friends that come and go.
Man forever yearns
For the thing that's flying.
Everywhere he turns,
Men to dust are drying, --
Dust that wanders, eying
(With eyes that hardly glow)
New faces, dimly spying
For friends that come and go.
ENVOY
And thus we all are nighing
The truth we fear to know:
Death will end our crying
For friends that come and go.
|
Written by
Thomas Lux |
What I love about this little leaning mark
is how it divides
without divisiveness.
The left
or bottom side prying that choice up or out,
the right or top side pressing down upon
its choice: either/or,
his/her.
Sometimes called a slash (too harsh), a slant
(a little dizzy, but the Dickinson association
nice: "Tell all the Truth but tell it slant--"), solidus (sounding
too much like a Roman legionnaire
of many campaigns),
or a separatrix (reminding one of a sexual
variant).
No, I like virgule.
I like the word
and I like the function: "Whichever is appropriate
may be chosen to complete the sense.
"
There is something democratic
about that, grown-up; a long
and slender walking stick set against the house.
Virgule: it feels good in your mouth.
Virgule: its foot on backwards, trochaic, that's OK, American.
Virgule: you could name your son that,
or your daughter Virgula.
I'm sorry now
I didn't think to give my daughter such a name
though I doubt that she and/or
her mother would share that thought.
|
Written by
Alan Seeger |
Their strength had fed on this when Death's white arms
Came sleeved in vapors and miasmal dew,
Curling across the jungle's ferny floor,
Becking each fevered brain.
On bleak divides,
Where Sleep grew niggardly for nipping cold
That twinged blue lips into a mouthed curse,
Not back to Seville and its sunny plains
Winged their brief-biding dreams, but once again,
Lords of a palace in Tenochtitlan,
They guarded Montezuma's treasure-hoard.
Gold, like some finny harvest of the sea,
Poured out knee deep around the rifted floors,
Shiny and sparkling, -- arms and crowns and rings:
Gold, sweet to toy with as beloved hair, --
To plunge the lustful, crawling fingers down,
Arms elbow deep, and draw them out again,
And watch the glinting metal trickle off,
Even as at night some fisherman, home bound
With speckled cargo in his hollow keel
Caught off Campeche or the Isle of Pines,
Dips in his paddle, lifts it forth again,
And laughs to see the luminous white drops
Fall back in flakes of fire.
.
.
.
Gold was the dream
That cheered that desperate enterprise.
And now? .
.
.
Victory waited on the arms of Spain,
Fallen was the lovely city by the lake,
The sunny Venice of the western world;
There many corpses, rotting in the wind,
Poked up stiff limbs, but in the leprous rags
No jewel caught the sun, no tawny chain
Gleamed, as the prying halberds raked them o'er.
Pillage that ran red-handed through the streets
Came railing home at evening empty-palmed;
And they, on that sad night a twelvemonth gone,
Who, ounce by ounce, dear as their own life's blood
Retreating, cast the cumbrous load away:
They, when brown foemen lopped the bridges down,
Who tipped thonged chests into the stream below
And over wealth that might have ransomed kings
Passed on to safety; -- cheated, guerdonless --
Found (through their fingers the bright booty slipped)
A city naked, of that golden dream
Shorn in one moment like a sunset sky.
Deep in a chamber that no cheerful ray
Purged of damp air, where in unbroken night
Black scorpions nested in the sooty beams,
Helpless and manacled they led him down --
Cuauhtemotzin -- and other lords beside --
All chieftains of the people, heroes all --
And stripped their feathered robes and bound them there
On short stone settles sloping to the head,
But where the feet projected, underneath
Heaped the red coals.
Their swarthy fronts illumed,
The bearded Spaniards, helmed and haubergeoned,
Paced up and down beneath the lurid vault.
Some kneeling fanned the glowing braziers; some
Stood at the sufferers' heads and all the while
Hissed in their ears: "The gold .
.
.
the gold .
.
.
the gold.
Where have ye hidden it -- the chested gold?
Speak -- and the torments cease!"
They answered not.
Past those proud lips whose key their sovereign claimed
No accent fell to chide or to betray,
Only it chanced that bound beside the king
Lay one whom Nature, more than other men
Framing for delicate and perfumed ease,
Not yet, along the happy ways of Youth,
Had weaned from gentle usages so far
To teach that fortitude that warriors feel
And glory in the proof.
He answered not,
But writhing with intolerable pain,
Convulsed in every limb, and all his face
Wrought to distortion with the agony,
Turned on his lord a look of wild appeal,
The secret half atremble on his lips,
Livid and quivering, that waited yet
For leave -- for leave to utter it -- one sign --
One word -- one little word -- to ease his pain.
As one reclining in the banquet hall,
Propped on an elbow, garlanded with flowers,
Saw lust and greed and boisterous revelry
Surge round him on the tides of wine, but he,
Staunch in the ethic of an antique school --
Stoic or Cynic or of Pyrrho's mind --
With steady eyes surveyed the unbridled scene,
Himself impassive, silent, self-contained:
So sat the Indian prince, with brow unblanched,
Amid the tortured and the torturers.
He who had seen his hopes made desolate,
His realm despoiled, his early crown deprived him,
And watched while Pestilence and Famine piled
His stricken people in their reeking doors,
Whence glassy eyes looked out and lean brown arms
Stretched up to greet him in one last farewell
As back and forth he paced along the streets
With words of hopeless comfort -- what was this
That one should weaken now? He weakened not.
Whate'er was in his heart, he neither dealt
In pity nor in scorn, but, turning round,
Met that racked visage with his own unmoved,
Bent on the sufferer his mild calm eyes,
And while the pangs smote sharper, in a voice,
As who would speak not all in gentleness
Nor all disdain, said: "Yes! And am -I- then
Upon a bed of roses?"
Stung with shame --
Shame bitterer than his anguish -- to betray
Such cowardice before the man he loved,
And merit such rebuke, the boy grew calm;
And stilled his struggling limbs and moaning cries,
And shook away his tears, and strove to smile,
And turned his face against the wall -- and died.
|
Written by
Walt Whitman |
AFTER the Sea-Ship—after the whistling winds;
After the white-gray sails, taut to their spars and ropes,
Below, a myriad, myriad waves, hastening, lifting up their necks,
Tending in ceaseless flow toward the track of the ship:
Waves of the ocean, bubbling and gurgling, blithely prying,
Waves, undulating waves—liquid, uneven, emulous waves,
Toward that whirling current, laughing and buoyant, with curves,
Where the great Vessel, sailing and tacking, displaced the surface;
Larger and smaller waves, in the spread of the ocean, yearnfully flowing;
The wake of the Sea-Ship, after she passes—flashing and frolicsome, under the sun,
A motley procession, with many a fleck of foam, and many fragments,
Following the stately and rapid Ship—in the wake following.
|
Written by
Amy Lowell |
After a Print by George Cruikshank
It was a gusty night,
With the wind booming, and swooping,
Looping round corners,
Sliding over the cobble-stones,
Whipping and veering,
And careering over the roofs
Like a thousand clattering horses.
Mr.
Spruggins had been dining in the city,
Mr.
Spruggins was none too steady in his gait,
And the wind played ball with Mr.
Spruggins
And laughed as it whistled past him.
It rolled him along the street,
With his little feet pit-a-patting on the flags of the sidewalk,
And his muffler and his coat-tails blown straight out behind him.
It bumped him against area railings,
And chuckled in his ear when he said "Ouch!"
Sometimes it lifted him clear off his little patting feet
And bore him in triumph over three grey flagstones and a quarter.
The moon dodged in and out of clouds, winking.
It was all very unpleasant for Mr.
Spruggins,
And when the wind flung him hard against his own front door
It was a relief,
Although the breath was quite knocked out of him.
The gas-lamp in front of the house flared up,
And the keyhole was as big as a barn door;
The gas-lamp flickered away to a sputtering blue star,
And the keyhole went out with it.
Such a stabbing, and jabbing,
And sticking, and picking,
And poking, and pushing, and prying
With that key;
And there is no denying that Mr.
Spruggins rapped out an oath or
two,
Rub-a-dub-dubbing them out to a real snare-drum roll.
But the door opened at last,
And Mr.
Spruggins blew through it into his own hall
And slammed the door to so hard
That the knocker banged five times before it stopped.
Mr.
Spruggins struck a light and lit a candle,
And all the time the moon winked at him through the window.
"Why couldn't you find the keyhole, Spruggins?"
Taunted the wind.
"I can find the keyhole.
"
And the wind, thin as a wire,
Darted in and seized the candle flame
And knocked it over to one side
And pummelled it down -- down -- down --!
But Mr.
Spruggins held the candle so close that it singed his chin,
And ran and stumbled up the stairs in a surprisingly agile manner,
For the wind through the keyhole kept saying, "Spruggins! Spruggins!"
behind him.
The fire in his bedroom burned brightly.
The room with its crimson bed and window curtains
Was as red and glowing as a carbuncle.
It was still and warm.
There was no wind here, for the windows were fastened;
And no moon,
For the curtains were drawn.
The candle flame stood up like a pointed pear
In a wide brass dish.
Mr.
Spruggins sighed with content;
He was safe at home.
The fire glowed -- red and yellow roses
In the black basket of the grate --
And the bed with its crimson hangings
Seemed a great peony,
Wide open and placid.
Mr.
Spruggins slipped off his top-coat and his muffler.
He slipped off his bottle-green coat
And his flowered waistcoat.
He put on a flannel dressing-gown,
And tied a peaked night-cap under his chin.
He wound his large gold watch
And placed it under his pillow.
Then he tiptoed over to the window and pulled back the curtain.
There was the moon dodging in and out of the clouds;
But behind him was his quiet candle.
There was the wind whisking along the street.
The window rattled, but it was fastened.
Did the wind say, "Spruggins"?
All Mr.
Spruggins heard was "S-s-s-s-s --"
Dying away down the street.
He dropped the curtain and got into bed.
Martha had been in the last thing with the warming-pan;
The bed was warm,
And Mr.
Spruggins sank into feathers,
With the familiar ticking of his watch just under his head.
Mr.
Spruggins dozed.
He had forgotten to put out the candle,
But it did not make much difference as the fire was so bright .
.
.
Too bright!
The red and yellow roses pricked his eyelids,
They scorched him back to consciousness.
He tried to shift his position;
He could not move.
Something weighed him down,
He could not breathe.
He was gasping,
Pinned down and suffocating.
He opened his eyes.
The curtains of the window were flung back,
The fire and the candle were out,
And the room was filled with green moonlight.
And pressed against the window-pane
Was a wide, round face,
Winking -- winking --
Solemnly dropping one eyelid after the other.
Tick -- tock -- went the watch under his pillow,
Wink -- wink -- went the face at the window.
It was not the fire roses which had pricked him,
It was the winking eyes.
Mr.
Spruggins tried to bounce up;
He could not, because --
His heart flapped up into his mouth
And fell back dead.
On his chest was a fat pink pig,
On the pig a blackamoor
With a ten pound weight for a cap.
His mustachios kept curling up and down like angry snakes,
And his eyes rolled round and round,
With the pupils coming into sight, and disappearing,
And appearing again on the other side.
The holsters at his saddle-bow were two port bottles,
And a curved table-knife hung at his belt for a scimitar,
While a fork and a keg of spirits were strapped to the saddle behind.
He dug his spurs into the pig,
Which trampled and snorted,
And stamped its cloven feet deeper into Mr.
Spruggins.
Then the green light on the floor began to undulate.
It heaved and hollowed,
It rose like a tide,
Sea-green,
Full of claws and scales
And wriggles.
The air above his bed began to move;
It weighed over him
In a mass of draggled feathers.
Not one lifted to stir the air.
They drooped and dripped
With a smell of port wine and brandy,
Closing down, slowly,
Trickling drops on the bed-quilt.
Suddenly the window fell in with a great scatter of glass,
And the moon burst into the room,
Sizzling -- "S-s-s-s-s -- Spruggins! Spruggins!"
It rolled toward him,
A green ball of flame,
With two eyes in the center,
A red eye and a yellow eye,
Dropping their lids slowly,
One after the other.
Mr.
Spruggins tried to scream,
But the blackamoor
Leapt off his pig
With a cry,
Drew his scimitar,
And plunged it into Mr.
Spruggins's mouth.
Mr.
Spruggins got up in the cold dawn
And remade the fire.
Then he crept back to bed
By the light which seeped in under the window curtains,
And lay there, shivering,
While the bells of St.
George the Martyr chimed the quarter after
seven.
|
Written by
Mary Darby Robinson |
LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!
KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!
STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.
STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!
Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!
KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,
Was now, poor Maiden, taught!
And STEPHEN rul'd with boundless sway,
The rustic tyrant of his day.
LUBIN had giv'n inconstant KATE,
Ten pounds , to buy her wedding geer:
And now, 'tis said, tho' somewhat late,
He thought his bargain rather dear.
For, Lo ! The day before the pair
Had fix'd, the marriage chain to wear,
A GYPSY gang, a wand'ring set,
In a lone wood young LUBIN met.
All round him press with canting tale,
And, in a jargon, well design'd
To cheat the unsuspecting mind,
His list'ning ears assail.
Some promis'd riches; others swore
He should, by women, be ador'd;
And never sad, and never poor--
Live like a Squire, or Lord;--
Do what he pleas'd, and ne'er be brought
To shame,--for what he did, or thought;
Seduce mens wives and daughters fair,
Spend wealth, while others toil'd in vain,
And scoff at honesty, and swear,--
And scoff, and trick, and swear again!
ONE roguish Girl, with sparkling eyes,
To win the handsome LUBIN tries;
She smil'd, and by her speaking glance,
Enthrall'd him in a wond'ring trance;
He thought her lovelier far than KATE,
And wish'd that she had been his mate;
For when the FANCY is on wing,
VARIETY'S a dangerous thing:
And PASSIONS, when they learn to stray
Will seldom seldom keep the beaten way.
The gypsy-girl, with speaking eyes,
Observ'd her pupil's fond surprize,
She begg'd that he her hand would cross,
With Sixpence; and that He should know
His future scene of gain and loss,
His weal and woe.
--
LUBIN complies.
And straight he hears
That he had many long, long years;
That he a maid inconstant, loves,
Who, to another slyly roves.
That a dark man his bane will be--
"And poison his domestic hours;
"While a fair woman, treach'rously--
"Will dress his brow--with thorns and flow'rs!"
It happen'd, to confirm his care--
STEPHEN was dark ,--and KATE was fair!
Nay more that "home his bride would bring
"A little, alien, prattling thing
"In just six moons!" Poor LUBIN hears
All that confirms his jealous fears;
Perplex'd and frantic, what to do
The cheated Lover scarcely knew.
He flies to KATE, and straight he tells
The wonder that in magic dwells!
Speaks of the Fortune-telling crew,
And how all things the Vagrants knew;
KATE hears: and soon determines, she
Will know her future destiny.
Swift to the wood she hies, tho' late
To read the tablet of her Fate.
The Moon its crystal beam scarce shew'd
Upon the darkly shadow'd road;
The hedge-row was the feasting-place
Where, round a little blazing wood,
The wand'ring, dingy, gabbling race,
Crowded in merry mood.
And now she loiter'd near the scene.
Now peep'd the hazle copse between;
Fearful that LUBIN might be near
The story of her Fate to hear.
--
She saw the feasting circle gay
By the stol'n ******'s yellow light;
She heard them, as in sportive play,
They chear'd the sullen gloom of night.
Nor was sly KATE by all unseen
Peeping, the hazle copse between.
And now across the thicket side
A tatter'd, skulking youth she spied;
He beckon'd her along, and soon,
Hid safely from the prying moon,
His hand with silver, thrice she crosses--
"Tell me," said she, "my gains and losses?"
"You gain a fool ," the youth replies,
"You lose a lover too.
"
The false one blushes deep, and sighs,
For well the truth she knew!
"You gave to STEPHEN, vows; nay more
"You gave him favors rare:
"And LUBIN is condemn'd to share
"What many others shar'd before!
"A false, capricious, guilty heart,
"Made up of folly, vice, and art,
"Which only takes a wedded mate
"To brand with shame, an husband's fate.
"
"Hush! hush!" cried KATE, for Heav'n's sake be
"As secret as the grave--
"For LUBIN means to marry me--
"And if you will not me betray,
"I for your silence well will pay;
"Five pounds this moment you shall have.
"--
"I will have TEN!" the gypsy cries--
"The fearful, trembling girl complies.
But, what was her dismay, to find
That LUBIN was the gypsy bold;
The cunning, fortune-telling hind
Who had the artful story told--
Who thus, was cur'd of jealous pain,--
"And got his TEN POUNDS back again!
Thus, Fortune pays the LOVER bold!
But, gentle Maids, should Fate
Have any secret yet untold,--
Remember, simple KATE!
|
Written by
Robert William Service |
Her little head just topped the window-sill;
She even mounted on a stool, maybe;
She pressed against the pane, as children will,
And watched us playing, oh so wistfully!
And then I missed her for a month or more,
And idly thought: "She's gone away, no doubt,"
Until a hearse drew up beside the door .
.
.
I saw a tiny coffin carried out.
And after that, towards dusk I'd often see
Behind the blind another face that looked:
Eyes of a young wife watching anxiously,
Then rushing back to where her dinner cooked.
She often gulped it down alone, I fear,
Within her heart the sadness of despair,
For near to midnight I would vaguely hear
A lurching step, a stumbling on the stair.
These little dramas of the common day!
A man weak-willed and fore-ordained to fail .
.
.
The window's empty now, they've gone away,
And yonder, see, their furniture's for sale.
To all the world their door is open wide,
And round and round the bargain-hunters roam,
And peer and gloat, like vultures avid-eyed,
Above the corpse of what was once a home.
So reverent I go from room to room,
And see the patient care, the tender touch,
The love that sought to brighten up the gloom,
The woman-courage tested overmuch.
Amid those things so intimate and dear,
Where now the mob invades with brutal tread,
I think: "What happiness is buried here,
What dreams are withered and what hopes are dead!"
Oh, woman dear, and were you sweet and glad
Over the lining of your little nest!
What ponderings and proud ideas you had!
What visions of a shrine of peace and rest!
For there's his easy-chair upon the rug,
His reading-lamp, his pipe-rack on the wall,
All that you could devise to make him snug --
And yet you could not hold him with it all.
Ah, patient heart, what homelike joys you planned
To stay him by the dull domestic flame!
Those silken cushions that you worked by hand
When you had time, before the baby came.
Oh, how you wove around him cozy spells,
And schemed so hard to keep him home of nights!
Aye, every touch and turn some story tells
Of sweet conspiracies and dead delights.
And here upon the scratched piano stool,
Tied in a bundle, are the songs you sung;
That cozy that you worked in colored wool,
The Spanish lace you made when you were young,
And lots of modern novels, cheap reprints,
And little dainty knick-knacks everywhere;
And silken bows and curtains of gay chintz .
.
.
And oh, her tiny crib, her folding chair!
Sweet woman dear, and did your heart not break,
To leave this precious home you made in vain?
Poor shabby things! so prized for old times' sake,
With all their memories of love and pain.
Alas! while shouts the raucous auctioneer,
And rat-faced dames are prying everywhere,
The echo of old joy is all I hear,
All, all I see just heartbreak and despair.
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Written by
Robert Burns |
FROM those drear solitudes and frowsy cells,
Where Infamy with sad Repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant ’prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half, to whore, no more;
Where tiny thieves not destin’d yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus’ fate.
“Alas! I feel I am no actor here!”
’Tis real hangmen real scourges bear!
Prepare Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make thy hair, tho’ erst from gipsy poll’d,
By barber woven, and by barber sold,
Though twisted smooth with Harry’s nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or, haughty Chieftain, ’mid the din of arms
In Highland Bonnet, woo Malvina’s charms;
While sans-culottes stoop up the mountain high,
And steal from me Maria’s prying eye.
Blest Highland bonnet! once my proudest dress,
Now prouder still, Maria’s temples press;
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war:
I see her face the first of Ireland’s sons,
And even out-Irish his Hibernian bronze;
The crafty Colonel leaves the tartan’d lines,
For other wars, where he a hero shines:
The hopeful youth, in Scottish senate bred,
Who owns a Bushby’s heart without the head,
Comes ’mid a string of coxcombs, to display
That veni, vidi, vici, is his way:
The shrinking Bard adown the alley skulks,
And dreads a meeting worse than Woolwich hulks:
Though there, his heresies in Church and State
Might well award him Muir and Palmer’s fate:
Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
What scandal called Maria’s jaunty stagger
The ricket reeling of a crooked swagger?
Whose spleen (e’en worse than Burns’ venom, when
He dips in gall unmix’d his eager pen,
And pours his vengeance in the burning line,)—
Who christen’d thus Maria’s lyre-divine
The idiot strum of Vanity bemus’d,
And even the abuse of Poesy abus’d?—
Who called her verse a Parish Workhouse, made
For motley foundling Fancies, stolen or strayed?
A Workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack’d repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin’d gipsies litter’d heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,
And make a vast monopoly of hell?
Thou know’st the Virtues cannot hate thee worse;
The Vices also, must they club their curse?
Or must no tiny sin to others fall,
Because thy guilt’s supreme enough for all?
Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one Satire’s vengeance hurls—
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit!
Who says that fool alone is not thy due,
And quotes thy treacheries to prove it true!
Our force united on thy foes we’ll turn,
And dare the war with all of woman born:
For who can write and speak as thou and I?
My periods that deciphering defy,
And thy still matchless tongue that conquers all reply!
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Written by
John Gould Fletcher |
I
Like a gaunt, scraggly pine
Which lifts its head above the mournful sandhills;
And patiently, through dull years of bitter silence,
Untended and uncared for, starts to grow.
Ungainly, labouring, huge,
The wind of the north has twisted and gnarled its branches;
Yet in the heat of midsummer days, when thunderclouds ring the horizon,
A nation of men shall rest beneath its shade.
And it shall protect them all,
Hold everyone safe there, watching aloof in silence;
Until at last one mad stray bolt from the zenith
Shall strike it in an instant down to earth.
II
There was a darkness in this man; an immense and hollow darkness,
Of which we may not speak, nor share with him, nor enter;
A darkness through which strong roots stretched downwards into the earth
Towards old things:
Towards the herdman-kings who walked the earth and spoke with God,
Towards the wanderers who sought for they knew not what, and found their goal
at last;
Towards the men who waited, only waited patiently when all seemed lost,
Many bitter winters of defeat;
Down to the granite of patience
These roots swept, knotted fibrous roots, prying, piercing, seeking,
And drew from the living rock and the living waters about it
The red sap to carry upwards to the sun.
Not proud, but humble,
Only to serve and pass on, to endure to the end through service;
For the ax is laid at the roots of the trees, and all that bring not forth
good fruit
Shall be cut down on the day to come and cast into the fire.
III
There is a silence abroad in the land to-day,
And in the hearts of men, a deep and anxious silence;
And, because we are still at last, those bronze lips slowly open,
Those hollow and weary eyes take on a gleam of light.
Slowly a patient, firm-syllabled voice cuts through the endless silence
Like labouring oxen that drag a plow through the chaos of rude clay-fields:
"I went forward as the light goes forward in early spring,
But there were also many things which I left behind.
"Tombs that were quiet;
One, of a mother, whose brief light went out in the darkness,
One, of a loved one, the snow on whose grave is long falling,
One, only of a child, but it was mine.
"Have you forgot your graves? Go, question them in anguish,
Listen long to their unstirred lips.
From your hostages to silence,
Learn there is no life without death, no dawn without sun-setting,
No victory but to him who has given all.
"
IV
The clamour of cannon dies down, the furnace-mouth of the battle is silent.
The midwinter sun dips and descends, the earth takes on afresh
its bright colours.
But he whom we mocked and obeyed not, he whom we scorned and mistrusted,
He has descended, like a god, to his rest.
Over the uproar of cities,
Over the million intricate threads of life wavering and crossing,
In the midst of problems we know not, tangling, perplexing, ensnaring,
Rises one white tomb alone.
Beam over it, stars,
Wrap it round, stripes -- stripes red for the pain that he bore for you --
Enfold it forever, O flag, rent, soiled, but repaired through your anguish;
Long as you keep him there safe, the nations shall bow to your law.
Strew over him flowers:
Blue forget-me-nots from the north, and the bright pink arbutus
From the east, and from the west rich orange blossom,
And from the heart of the land take the passion-flower;
Rayed, violet, dim,
With the nails that pierced, the cross that he bore and the circlet,
And beside it there lay also one lonely snow-white magnolia,
Bitter for remembrance of the healing which has passed.
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