Written by
Billy Collins |
The way the dog trots out the front door
every morning
without a hat or an umbrella,
without any money
or the keys to her doghouse
never fails to fill the saucer of my heart
with milky admiration.
Who provides a finer example
of a life without encumbrance—
Thoreau in his curtainless hut
with a single plate, a single spoon?
Gandhi with his staff and his holy diapers?
Off she goes into the material world
with nothing but her brown coat
and her modest blue collar,
following only her wet nose,
the twin portals of her steady breathing,
followed only by the plume of her tail.
If only she did not shove the cat aside
every morning
and eat all his food
what a model of self-containment she
would be,
what a paragon of earthly detachment.
If only she were not so eager
for a rub behind the ears,
so acrobatic in her welcomes,
if only I were not her god.
|
Written by
Jorie Graham |
I have put on my great coat it is cold.
It is an outer garment.
Coarse, woolen.
Of unknown origin.
*
It has a fine inner lining but it is
as an exterior that you see it — a grace.
*
I have a coat I am wearing.
It is a fine admixture.
The woman who threw the threads in the two directions
has made, skillfully, something dark-true,
as the evening calls the bird up into
the branches of the shaven hedgerows,
to twitter bodily
a makeshift coat — the boxelder cut back stringently by the owner
that more might grow next year, and thicker, you know —
the birds tucked gestures on the inner branches —
and space in the heart,
not shade-giving, not
chronological.
.
.
Oh transformer, logic, where are you here in this fold,
my name being called-out now but back, behind,
in the upper world.
.
.
.
*
I have a coat I am wearing I was told to wear it.
Someone knelt down each morning to button it up.
I looked at their face, down low, near me.
What is longing? what is a star?
Watched each button a peapod getting tucked back in.
Watched harm with its planeloads folded up in the sleeves.
Watched grappling hooks trawl through the late-night waters.
Watched bands of stations scan unable to ascertain.
There are fingers, friend, that never grow sluggish.
They crawl up the coat and don't miss an eyehole.
Glinting in kitchenlight.
Supervised by the traffic god.
Hissed at by grassblades that wire-up outside
their stirring rhetoric — this is your land, this is my my —
*
You do understanding, don't you, by looking?
The coat, which is itself a ramification, a city,
floats vulnerably above another city, ours,
the city on the hill (only with hill gone),
floats in illustration
of what once was believed, and thus was visible —
(all things believed are visible) —
floats a Jacob's ladder with hovering empty arms, an open throat,
a place where a heart might beat if it wishes,
pockets that hang awaiting the sandy whirr of a small secret,
folds where the legs could be, with their kneeling mechanism,
the floating fatigue of an after-dinner herald,
not guilty of any treason towards life except fatigue,
a skillfully cut coat, without chronology,
filled with the sensation of being suddenly completed —
as then it is, abruptly, the last stitch laid in, the knot bit off —
hung there in Gravity, as if its innermost desire,
numberless the awaitings flickering around it,
the other created things also floating but not of the same order, no,
not like this form, built so perfectly to mantle the body,
the neck like a vase awaiting its cut flower,
a skirting barely visible where the tucks indicate
the mild loss of bearing in the small of the back,
the grammar, so strict, of the two exact shoulders —
and the law of the shouldering —
and the chill allowed to skitter up through,
and those crucial spots where the fit cannot be perfect —
oh skirted loosening aswarm with lessenings,
with the mild pallors of unaccomplishment,
flaps night-air collects in,
folds.
.
.
But the night does not annul its belief in,
the night preserves its love for, this one narrowing of infinity,
that floats up into the royal starpocked blue its ripped, distracted supervisor —
this coat awaiting recollection,
this coat awaiting the fleeting moment, the true moment, the hill,the vision of the hill,
and then the moment when the prize is lost, and the erotic tinglings of the dream of reason
are left to linger mildly in the weave of the fabric according to the rules,
the wool gabardine mix, with its grammatical weave,
never never destined to lose its elasticity,
its openness to abandonment,
its willingness to be disturbed.
*
July 11 .
.
.
Oaks: the organization of this tree is difficult.
Speaking generally
no doubt the determining planes are concentric, a system of brief contiguous and
continuous tangents, whereas those of the cedar wd.
roughly be called horizontals
and those of the beech radiating but modified by droop and by a screw-set towards
jutting points.
But beyond this since the normal growth of the boughs is radiating
there is a system of spoke-wise clubs of green — sleeve-pieces.
And since the
end shoots curl and carry young scanty leaf-stars these clubs are tapered, and I
have seen also pieces in profile with chiseled outlines, the blocks thus made
detached and lessening towards the end.
However the knot-star is the chief thing:
it is whorled, worked round, and this is what keeps up the illusion of the tree.
Oaks differ much, and much turns on the broadness of the leaves, the narrower
giving the crisped and starry and catharine-wheel forms, the broader the flat-pieced
mailed or chard-covered ones, in wh.
it is possible to see composition in dips, etc.
But I shall study them further.
It was this night I believe but possibly the next
that I saw clearly the impossibility of staying in the Church of England.
*
How many coats do you think it will take?
The coat was a great-coat.
The Emperor's coat was.
How many coats do you think it will take?
The undercoat is dry.
What we now want is?
The sky can analyse the coat because of the rips in it.
The sky shivers through the coat because of the rips in it.
The rips in the sky ripen through the rips in the coat.
There is no quarrel.
*
I take off my coat and carry it.
*
There is no emergency.
*
I only made that up.
*
Behind everything the sound of something dripping
The sound of something: I will vanish, others will come here, what is that?
The canvas flapping in the wind like the first notes of our absence
An origin is not an action though it occurs at the very start
Desire goes travelling into the total dark of another's soul
looking for where it breaks off
I was a hard thing to undo
*
The life of a customer
What came on the paper plate
overheard nearby
an impermanence of structure
watching the lip-reading
had loved but couldn't now recognize
*
What are the objects, then, that man should consider most important?
What sort of a question is that he asks them.
The eye only discovers the visible slowly.
It floats before us asking to be worn,
offering "we must think about objects at the very moment
when all their meaning is abandoning them"
and "the title provides a protection from significance"
and "we are responsible for the universe.
"
*
I have put on my doubting, my wager, it is cold.
It is an outer garment, or, conversely a natural covering,
so coarse and woolen, also of unknown origin,
a barely apprehensible dilution of evening into
an outer garment, or, conversely a natural covering,
to twitter bodily a makeshift coat,
that more might grow next year, and thicker, you know,
not shade-giving, not chronological,
my name being called out now but from out back, behind,
an outer garment, so coarse and woolen,
also of unknown origin, not shade-giving, not chronological,
each harm with its planeloads folded up in the sleeves,
you do understand, don't you, by looking?
the jacob's ladder with its floating arms its open throat,
that more might grow next year, and thicker, you know,
filled with the sensation of being suddenly completed,
the other created things also floating but not of the same order,
not shade-giving, not chronological,
you do understand, don't you, by looking?
a neck like a vase awaiting its cut flower,
filled with the sensation of being suddenly completed,
the moment the prize is lost, the erotic tingling,
the wool-gabardine mix, its grammatical weave
— you do understand, don't you, by looking? —
never never destined to lose its elasticity,
it was this night I believe but possibly the next
I saw clearly the impossibility of staying
filled with the sensation of being suddenly completed,
also of unknown origin, not shade-giving, not chronological
since the normal growth of boughs is radiating
a system of spoke-wise clubs of green — sleeve pieces —
never never destined to lose its elasticity
my name being called out now but back, behind,
hissing how many coats do you think it will take
"or try with eyesight to divide" (there is no quarrel)
behind everything the sound of something dripping
a system of spoke-wise clubs of green — sleeve pieces
filled with the sensation of suddenly being completed
the wool gabardine mix, the grammatical weave,
the never-never-to-lose-its-elasticity: my name
flapping in the wind like the first note of my absence
hissing how many coats do you think it will take
are you a test case is it an emergency
flapping in the wind the first note of something
overheard nearby an impermanence of structure
watching the lip-reading, there is no quarrel,
I will vanish, others will come here, what is that,
never never to lose the sensation of suddenly being
completed in the wind — the first note of our quarrel —
it was this night I believe or possibly the next
filled with the sensation of being suddenly completed,
I will vanish, others will come here, what is that now
floating in the air before us with stars a test case
that I saw clearly the impossibility of staying
|
Written by
Delmore Schwartz |
Calmly we walk through this April's day,
Metropolitan poetry here and there,
In the park sit pauper and rentier,
The screaming children, the motor-car
Fugitive about us, running away,
Between the worker and the millionaire
Number provides all distances,
It is Nineteen Thirty-Seven now,
Many great dears are taken away,
What will become of you and me
(This is the school in which we learn.
.
.
)
Besides the photo and the memory?
(.
.
.
that time is the fire in which we burn.
)
(This is the school in which we learn.
.
.
)
What is the self amid this blaze?
What am I now that I was then
Which I shall suffer and act again,
The theodicy I wrote in my high school days
Restored all life from infancy,
The children shouting are bright as they run
(This is the school in which they learn .
.
.
)
Ravished entirely in their passing play!
(.
.
.
that time is the fire in which they burn.
)
Avid its rush, that reeling blaze!
Where is my father and Eleanor?
Not where are they now, dead seven years,
But what they were then?
No more? No more?
From Nineteen-Fourteen to the present day,
Bert Spira and Rhoda consume, consume
Not where they are now (where are they now?)
But what they were then, both beautiful;
Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.
|
Written by
Delmore Schwartz |
"I have been one acquainted with the night" - Robert Frost
Rode in the train all night, in the sick light.
A bird
Flew parallel with a singular will.
In daydream's moods and
attitudes
The other passengers slumped, dozed, slept, read,
Waiting, and waiting for place to be displaced
On the exact track of safety or the rack of accident.
Looked out at the night, unable to distinguish
Lights in the towns of passage from the yellow lights
Numb on the ceiling.
And the bird flew parallel and still
As the train shot forth the straight line of its whistle,
Forward on the taut tracks, piercing empty, familiar --
The bored center of this vision and condition looked and
looked
Down through the slick pages of the magazine (seeking
The seen and the unseen) and his gaze fell down the well
Of the great darkness under the slick glitter,
And he was only one among eight million riders and
readers.
And all the while under his empty smile the shaking drum
Of the long determined passage passed through him
By his body mimicked and echoed.
And then the train
Like a suddenly storming rain, began to rush and thresh--
The silent or passive night, pressing and impressing
The patients' foreheads with a tightening-like image
Of the rushing engine proceeded by a shaft of light
Piercing the dark, changing and transforming the silence
Into a violence of foam, sound, smoke and succession.
A bored child went to get a cup of water,
And crushed the cup because the water too was
Boring and merely boredom's struggle.
The child, returning, looked over the shoulder
Of a man reading until he annoyed the shoulder.
A fat woman yawned and felt the liquid drops
Drip down the fleece of many dinners.
And the bird flew parallel and parallel flew
The black pencil lines of telephone posts, crucified,
At regular intervals, post after post
Of thrice crossed, blue-belled, anonymous trees.
And then the bird cried as if to all of us:
0 your life, your lonely life
What have you ever done with it,
And done with the great gift of consciousness?
What will you ever do with your life before death's
knife
Provides the answer ultimate and appropriate?
As I for my part felt in my heart as one who falls,
Falls in a parachute, falls endlessly, and feel the vast
Draft of the abyss sucking him down and down,
An endlessly helplessly falling and appalled clown:
This is the way that night passes by, this
Is the overnight endless trip to the famous unfathomable
abyss.
|
Written by
Anne Kingsmill Finch |
A Greedy Heir long waited to fulfill,
As his Executor, a Kinsman's Will;
And to himself his Age repeated o'er,
To his Infirmities still adding more;
And nicely kept th' Account of the expected Store:
When Death, at last, to either gave Release,
Making One's Pains, the Other's Longings cease:
Who to the Grave must decently convey,
Ere he Possession takes the kindred Clay,
Which in a Coach was plac'd, wherein he rides,
And so no Hearse, or following Train provides;
Rejecting Russel, who wou'd make the Charge
Of one dull tedious Day, so vastly Large.
When, at his Death, the humble Man declar'd,
He wished thus privately to be Interr'd.
And now, the Luggage moves in solemn State,
And what it wants in Number, gains in Weight.
The happy Heir can scarce contain his Joy,
Whilst sundry Musings do his Thoughts employ,
How he shalt act, now Every thing's his Own,
Where his Revenge, or Favour shall be shown;
Then recollecting, draws a counterfeited Groan.
The Avenues, and Gardens shall be chang'd,
Already he the Furniture has ranged.
To ransack secret Draw'rs his Phancy flies,
Nor can th' appearing Wealth his Mind suffice.
Thus he an Age runs o'er betwixt the Porch
Of his Friend's House, and the adjacent Church:
Whilst the slow Driver, who no reck'ning kept
Of what was left, indulging Nature, slept;
Till on a Bank, so high, the Wheel was borne
That in a Moment All must overturn:
Whilst the rich Heir now finds the giving Dead
Less weighty in his Gold, than in his Lead;
Which falling just on his contriving Breast,
Expell'd the Soul, leaving the corpse to rest
In the same Grave, intended for his Friend.
Then why shou'd We our Days in Wishes spend,
Which, e'er we see fulfill'd, are often at an End?
|
Written by
Walt Whitman |
I NEED no assurances—I am a man who is preoccupied, of his own Soul;
I do not doubt that from under the feet, and beside the hands and face I am cognizant of,
are
now looking faces I am not cognizant of—calm and actual faces;
I do not doubt but the majesty and beauty of the world are latent in any iota of the
world;
I do not doubt I am limitless, and that the universes are limitless—in vain I try to
think
how limitless;
I do not doubt that the orbs, and the systems of orbs, play their swift sports through the
air
on purpose—and that I shall one day be eligible to do as much as they, and more than
they;
I do not doubt that temporary affairs keep on and on, millions of years;
I do not doubt interiors have their interiors, and exteriors have their exteriors—and
that
the eye-sight has another eye-sight, and the hearing another hearing, and the voice
another
voice;
I do not doubt that the passionately-wept deaths of young men are provided for—and
that
the deaths of young women, and the deaths of little children, are provided for;
(Did you think Life was so well provided for—and Death, the purport of all Life, is
not
well provided for?)
I do not doubt that wrecks at sea, no matter what the horrors of them—no matter whose
wife, child, husband, father, lover, has gone down, are provided for, to the minutest
points;
I do not doubt that whatever can possibly happen, any where, at any time, is provided for,
in
the inherences of things;
I do not think Life provides for all, and for Time and Space—but I believe Heavenly
Death
provides for all.
|
Written by
William Blake |
In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich, ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.
A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock; but of wisdom, no clock can measure.
All wholesome food is caught without a net or a trap.
Bring out number, weight and measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloak of knavery.
Shame is Pride's cloke.
Prisons are built with stones of law, brothels with bricks of religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs.
Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword, are portions of eternity, too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate.
Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish, smiling fool, and the sullen, frowning fool shall be both thought wise, that they may be a rod.
What is now proved was once only imagin'd.
The rat, the mouse, the fox, the rabbit watch the roots; the lion, the tyger, the horse, the elephant watch the fruits.
The cistern contains: the fountain overflows.
One thought fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time as when he submitted to learn of the crow.
The fox provides for himself, but God provides for the lion.
Think in the morning.
Act in the noon.
Eat in the evening.
Sleep in the night.
He who has suffer'd you to impose on him, knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fool's reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow; nor the lion, the horse, how he shall take his prey.
The thankful receiver bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight can never be defil'd.
When thou seest an eagle, thou seest a portion of genius; lift up thy head!
As the caterpiller chooses the fairest leaves to lay her eggs on, so the priest lays his curse on the fairest joys.
To create a little flower is the labour of ages.
Damn braces.
Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!
The head Sublime, the heart Pathos, the genitals Beauty, the hands and feet Proportion.
As the air to a bird or the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads; but the crooked roads without improvement are roads of genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not, nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or too much.
|
Written by
Andrew Barton Paterson |
Oh, it's dreadful to think in a country like this
With its chances for work - and enjoyment
That a man like McGuinness was certain to miss
Whenever he tried for employment.
He wrote to employers from Bondi to Bourke,
From Woolloomooloo to Glen Innes,
But he found - though his wife could get plenty of work -
There was never a job for McGuinness.
But perhaps - later on - when the Chow and the Jap
Begin to drift down from the tropics,
When a big yellow stain spreading over the map
Provides some disquieting topics,
Oh, it's then when they're wanting a man that will stand
In the trench where his own kith and kin is,
With a frown on his face and a gun in his hand -
Then there might be a job for McGuinness!
|
Written by
Robert Penn Warren |
Here is the shadow of truth, for only the shadow is true.
And the line where the incoming swell from the sunset Pacific
First leans and staggers to break will tell all you need to know
About submarine geography, and your father's death rattle
Provides all biographical data required for the Who's Who of the dead.
I cannot recall what I started to tell you, but at least
I can say how night-long I have lain under the stars and
Heard mountains moan in their sleep.
By daylight,
They remember nothing, and go about their lawful occasions
Of not going anywhere except in slow disintegration.
At night
They remember, however, that there is something they cannot remember.
So moan.
Theirs is the perfected pain of conscience that
Of forgetting the crime, and I hope you have not suffered it.
I have.
I do not recall what had burdened my tongue, but urge you
To think on the slug's white belly, how sick-slick and soft,
On the hairiness of stars, silver, silver, while the silence
Blows like wind by, and on the sea's virgin bosom unveiled
To give suck to the wavering serpent of the moon; and,
In the distance, in plaza, piazza, place, platz, and square,
Boot heels, like history being born, on cobbles bang.
Everything seems an echo of something else.
And when, by the hair, the headsman held up the head
Of Mary of Scots, the lips kept on moving,
But without sound.
The lips,
They were trying to say something very important.
But I had forgotten to mention an upland
Of wind-tortured stone white in darkness, and tall, but when
No wind, mist gathers, and once on the Sarré at midnight,
I watched the sheep huddling.
Their eyes
Stared into nothingness.
In that mist-diffused light their eyes
Were stupid and round like the eyes of fat fish in muddy water,
Or of a scholar who has lost faith in his calling.
Their jaws did not move.
Shreds
Of dry grass, gray in the gray mist-light, hung
From the side of a jaw, unmoving.
You would think that nothing would ever again happen.
That may be a way to love God.
|
Written by
William Blake |
In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich, ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.
A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock; but of wisdom, no clock can measure.
All wholesome food is caught without a net or a trap.
Bring out number, weight and measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloak of knavery.
Shame is Pride's cloke.
Prisons are built with stones of law, brothels with bricks of religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs.
Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword, are portions of
eternity, too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate.
Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish, smiling fool, and the sullen, frowning fool shall be both thought wise, that they may be a rod.
What is now proved was once only imagin'd.
The rat, the mouse, the fox, the rabbit watch the roots; the lion, the tyger, the horse, the elephant watch the fruits.
The cistern contains: the fountain overflows.
One thought fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time as when he submitted to learn of the crow.
The fox provides for himself, but God provides for the lion.
Think in the morning.
Act in the noon.
Eat in the evening.
Sleep in the night.
He who has suffer'd you to impose on him, knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fool's reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow; nor the lion, the horse, how he shall take his prey.
The thankful receiver bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight can never be defil'd.
When thou seest an eagle, thou seest a portion of genius; lift up thy head!
As the caterpiller chooses the fairest leaves to lay her eggs on, so the priest lays his curse on the fairest joys.
To create a little flower is the labour of ages.
Damn braces.
Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!
The head Sublime, the heart Pathos, the genitals Beauty, the hands and feet Proportion.
As the air to a bird or the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads; but the crooked roads without improvement are roads of genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not, nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or too much.
|