10 Best Famous Promontory Poems

Here is a collection of the top 10 all-time best famous Promontory poems. This is a select list of the best famous Promontory poetry. Reading, writing, and enjoying famous Promontory poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of promontory poems.

• All Famous Promontory Poems

 No man is an island,
Entire of itself.
Each is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manner of thine own
Or of thine friend's were.
Each man's death diminishes me,
For I am involved in mankind.
Therefore, send not to know
For whom the bell tolls,
It tolls for thee.

 Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set 
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,
four lines of vaguely whittled ornament
over the edges of the boxes
to the ground.
The monument is one-third set against
a sea; two-thirds against a sky.
The view is geared
(that is, the view's perspective)
so low there is no "far away,"
and we are far away within the view.
A sea of narrow, horizontal boards 
lies out behind our lonely monument,
its long grains alternating right and left
like floor-boards--spotted, swarming-still,
and motionless. A sky runs parallel,
and it is palings, coarser than the sea's:
splintery sunlight and long-fibred clouds.
"Why does the strange sea make no sound?
Is it because we're far away?
Where are we? Are we in Asia Minor, 
or in Mongolia?"
 An ancient promontory,
an ancient principality whose artist-prince
might have wanted to build a monument
to mark a tomb or boundary, or make
a melancholy or romantic scene of it...
"But that ***** sea looks made of wood,
half-shining, like a driftwood, sea.
And the sky looks wooden, grained with cloud.
It's like a stage-set; it is all so flat!
Those clouds are full of glistening splinters!
What is that?"
 It is the monument.
"It's piled-up boxes,
outlined with shoddy fret-work, half-fallen off,
cracked and unpainted. It looks old."
--The strong sunlight, the wind from the sea,
all the conditions of its existence,
may have flaked off the paint, if ever it was painted,
and made it homelier than it was.
"Why did you bring me here to see it?
A temple of crates in cramped and crated scenery,
what can it prove?
I am tired of breathing this eroded air,
this dryness in which the monument is cracking."

It is an artifact 
of wood. Wood holds together better
than sea or cloud or and could by itself,
much better than real sea or sand or cloud.
It chose that way to grow and not to move.
The monument's an object, yet those decorations,
carelessly nailed, looking like nothing at all,
give it away as having life, and wishing;
wanting to be a monument, to cherish something.
The crudest scroll-work says "commemorate,"
while once each day the light goes around it
like a prowling animal,
or the rain falls on it, or the wind blows into it.
It may be solid, may be hollow.
The bones of the artist-prince may be inside
or far away on even drier soil.
But roughly but adequately it can shelter
what is within (which after all
cannot have been intended to be seen).
It is the beginning of a painting,
a piece of sculpture, or poem, or monument,
and all of wood. Watch it closely.

 Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick
Our love, and force it new strange shapes to take,
We err, and of a lump a monster make.
Were not a calf a monster that were grown
Faced like a man, though better than his own?
Perfection is in unity: prefer
One woman first, and then one thing in her.
I, when I value gold, may think upon
The ductileness, the application,
The wholsomeness, the ingenuity,
From rust, from soil, from fire ever free;
But if I love it, 'tis because 'tis made
By our new nature (Use) the soul of trade.
All these in women we might think upon
(If women had them) and yet love but one.
Can men more injure women than to say
They love them for that by which they're not they?
Makes virtue woman? Must I cool my blood
Till I both be, and find one, wise and good?
May barren angels love so! But if we
Make love to woman, virtue is not she,
As beauty's not, nor wealth. He that strays thus
From her to hers is more adulterous
Than if he took her maid. Search every sphere
And firmament, our Cupid is not there;
He's an infernal god, and under ground
With Pluto dwells, where gold and fire abound:
Men to such gods their sacrificing coals
Did not in altars lay, but pits and holes.
Although we see celestial bodies move
Above the earth, the earth we till and love:
So we her airs contemplate, words and heart
And virtues, but we love the centric part.
Nor is the soul more worthy, or more fit,
For love than this, as infinite is it.
But in attaining this desired place
How much they err that set out at the face.
The hair a forest is of ambushes,
Of springs, snares, fetters and manacles;
The brow becalms us when 'tis smooth and plain,
And when 'tis wrinkled shipwrecks us again— 
Smooth, 'tis a paradise where we would have
Immortal stay, and wrinkled 'tis our grave.
The nose (like to the first meridian) runs
Not 'twixt an East and West, but 'twixt two suns;
It leaves a cheek, a rosy hemisphere,
On either side, and then directs us where
Upon the Islands Fortunate we fall,
(Not faint Canaries, but Ambrosial)
Her swelling lips; to which when we are come,
We anchor there, and think ourselves at home,
For they seem all: there Sirens' songs, and there
Wise Delphic oracles do fill the ear;
There in a creek where chosen pearls do swell,
The remora, her cleaving tongue doth dwell.
These, and the glorious promontory, her chin,
O'erpassed, and the straight Hellespont between
The Sestos and Abydos of her breasts,
(Not of two lovers, but two loves the nests)
Succeeds a boundless sea, but yet thine eye
Some island moles may scattered there descry;
And sailing towards her India, in that way
Shall at her fair Atlantic navel stay;
Though thence the current be thy pilot made,
Yet ere thou be where thou wouldst be embayed
Thou shalt upon another forest set,
Where many shipwreck and no further get.
When thou art there, consider what this chase
Misspent by thy beginning at the face.
Rather set out below; practise my art.
Some symetry the foot hath with that part
Which thou dost seek, and is thy map for that,
Lovely enough to stop, but not stay at;
Least subject to disguise and change it is— 
Men say the devil never can change his.
It is the emblem that hath figured
Firmness; 'tis the first part that comes to bed.
Civility we see refined; the kiss
Which at the face began, transplanted is,
Since to the hand, since to the imperial knee,
Now at the papal foot delights to be:
If kings think that the nearer way, and do
Rise from the foot, lovers may do so too;
For as free spheres move faster far than can
Birds, whom the air resists, so may that man
Which goes this empty and ethereal way,
Than if at beauty's elements he stay.
Rich nature hath in women wisely made
Two purses, and their mouths aversely laid:
They then which to the lower tribute owe
That way which that exchequer looks must go:
He which doth not, his error is as great
As who by clyster gave the stomach meat.

 While about the shore of Mona those Neronian legionaries
Burnt and broke the grove and altar of the Druid and Druidess,
Far in the East Boadicea, standing loftily charioted,
Mad and maddening all that heard her in her fierce volubility,
Girt by half the tribes of Britain, near the colony Camulodune,
Yell'd and shriek'd between her daughters o'er a wild confederacy. 

`They that scorn the tribes and call us Britain's barbarous populaces,
Did they hear me, would they listen, did they pity me supplicating?
Shall I heed them in their anguish? shall I brook to be supplicated?
Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant!
Must their ever-ravening eagle's beak and talon annihilate us?
Tear the noble hear of Britain, leave it gorily quivering?
Bark an answer, Britain's raven! bark and blacken innumerable,
Blacken round the Roman carrion, make the carcase a skeleton,
Kite and kestrel, wolf and wolfkin, from the wilderness, wallow in it,
Till the face of Bel be brighten'd, Taranis be propitiated.
Lo their colony half-defended! lo their colony, Camulodune!
There the horde of Roman robbers mock at a barbarous adversary.
There the hive of Roman liars worship a gluttonous emperor-idiot.
Such is Rome, and this her deity: hear it, Spirit of Cassivelaun! 

`Hear it, Gods! the Gods have heard it, O Icenian, O Coritanian!
Doubt not ye the Gods have answer'd, Catieuchlanian, Trinobant.
These have told us all their anger in miraculous utterances,
Thunder, a flying fire in heaven, a murmur heard aerially,
Phantom sound of blows descending, moan of an enemy massacred,
Phantom wail of women and children, multitudinous agonies.
Bloodily flow'd the Tamesa rolling phantom bodies of horses and men;
Then a phantom colony smoulder'd on the refluent estuary;
Lastly yonder yester-even, suddenly giddily tottering--
There was one who watch'd and told me--down their statue of Victory fell.
Lo their precious Roman bantling, lo the colony Camulodune,
Shall we teach it a Roman lesson? shall we care to be pitiful?
Shall we deal with it as an infant? shall we dandle it amorously? 

`Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant!
While I roved about the forest, long and bitterly meditating,
There I heard them in the darkness, at the mystical ceremony,
Loosely robed in flying raiment, sang the terrible prophetesses.
"Fear not, isle of blowing woodland, isle of silvery parapets!
Tho' the Roman eagle shadow thee, tho' the gathering enemy narrow thee,
Thou shalt wax and he shall dwindle, thou shalt be the mighty one yet!
Thine the liberty, thine the glory, thine the deeds to be celebrated,
Thine the myriad-rolling ocean, light and shadow illimitable,
Thine the lands of lasting summer, many-blossoming Paradises,
Thine the North and thine the South and thine the battle-thunder of God."
So they chanted: how shall Britain light upon auguries happier?
So they chanted in the darkness, and there cometh a victory now. 

Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant!
Me the wife of rich Prasutagus, me the lover of liberty,
Me they seized and me they tortured, me they lash'd and humiliated,
Me the sport of ribald Veterans, mine of ruffian violators!
See they sit, they hide their faces, miserable in ignominy!
Wherefore in me burns an anger, not by blood to be satiated.
Lo the palaces and the temple, lo the colony Camulodune!
There they ruled, and thence they wasted all the flourishing territory,
Thither at their will they haled the yellow-ringleted Britoness--
Bloodily, bloodily fall the battle-axe, unexhausted, inexorable.
Shout Icenian, Catieuchlanian, shout Coritanian, Trinobant,
Till the victim hear within and yearn to hurry precipitously
Like the leaf in a roaring whirlwind, like the smoke in a hurricane whirl'd.
Lo the colony, there they rioted in the city of Cunobeline!
There they drank in cups of emerald, there at tables of ebony lay,
Rolling on their purple couches in their tender effeminacy.
There they dwelt and there they rioted; there--there--they dwell no more.
Burst the gates, and burn the palaces, break the works of the statuary,
Take the hoary Roman head and shatter it, hold it abominable,
Cut the Roman boy to pieces in his lust and voluptuousness,
Lash the maiden into swooning, me they lash'd and humiliated,
Chop the breasts from off the mother, dash the brains of the little one out,
Up my Britons, on my chariot, on my chargers, trample them under us.' 

So the Queen Boadicea, standing loftily charioted,
Brandishing in her hand a dart and rolling glances lioness-like,
Yell'd and shriek'd between her daughters in her fierce volubility.
Till her people all around the royal chariot agitated,
Madly dash'd the darts together, writhing barbarous lineaments,
Made the noise of frosty woodlands, when they shiver in January,
Roar'd as when the rolling breakers boom and blanch on the precipices,
Yell'd as when the winds of winter tear an oak on a promontory.
So the silent colony hearing her tumultuous adversaries
Clash the darts and on the buckler beat with rapid unanimous hand,
Thought on all her evil tyrannies, all her pitiless avarice,
Till she felt the heart within her fall and flutter tremulously,
Then her pulses at the clamoring of her enemy fainted away.
Out of evil evil flourishes, out of tyranny tyranny buds.
Ran the land with Roman slaughter, multitudinous agonies.
Perish'd many a maid and matron, many a valorous legionary.
Fell the colony, city, and citadel, London, Verulam, Camulodune.

 In this Monody the author bewails a learned Friend, unfortunately
drowned in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy, 
then in their height.


YET once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
 Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
 For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven's descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
 But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o'ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd's ear.
 Where were ye, Nymphs, when the remorseless deep
Closed o'er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
 Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd's trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,"
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed."
 O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune's plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
 Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft," quoth he, Rmy dearest pledge?"
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:--
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies' sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers' feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold 
 A sheep-hook, or have learnt aught else the least
That to the faithful herdman's art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed, 
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more."
 Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf suck the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the pansy freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears, 
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where'er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit'st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep'st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona's hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
 Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed, 
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves, 
Where, other groves and other streams along, 
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move, 
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
 Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.

A noiseless patient spider,
I marked where on a promontory it stood isolated,
Marked how to explore the vacant vast surrounding,
It launched forth filament, filament, filament, out of itself,
Ever unreeling them, ever tirelessly speeding them.

And you O my soul where you stand,
Surrounded, detached, in measureless oceans of space,
Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,
Till the bridge you will need be formed, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my soul.

 A NOISELESS, patient spider, 
I mark’d, where, on a little promontory, it stood, isolated; 
Mark’d how, to explore the vacant, vast surrounding, 
It launch’d forth filament, filament, filament, out of itself; 
Ever unreeling them—ever tirelessly speeding them.

And you, O my Soul, where you stand, 
Surrounded, surrounded, in measureless oceans of space, 
Ceaselessly musing, venturing, throwing,—seeking the spheres, to connect them; 
Till the bridge you will need, be form’d—till the ductile anchor hold; 
Till the gossamer thread you fling, catch somewhere, O my Soul.

 Argument.

To leap from the promontory of LEUCADIA was believed by the Greeks to be
a remedy for hopeless love, if the self-devoted victim escaped with
life. Artemisia lost her life in the dangerous experiment: and Sappho is
said thus to have perished, in attempting to cure her passion for Phaon.


SAPPHO

(Scene the promontory of Leucadia.)

This is the spot:--'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.
Oh 'tis a giddy height! my dizzy head
Swims at the precipice--'tis death to fall!

Lie still, thou coward heart! this is no time
To shake with thy strong throbs the frame convuls'd.
To die,--to be at rest--oh pleasant thought!
Perchance to leap and live; the soul all still,
And the wild tempest of the passions husht
In one deep calm; the heart, no more diseas'd
By the quick ague fits of hope and fear,
Quietly cold!
Presiding Powers look down!
In vain to you I pour'd my earnest prayers,
In vain I sung your praises: chiefly thou
VENUS! ungrateful Goddess, whom my lyre
Hymn'd with such full devotion! Lesbian groves,
Witness how often at the languid hour
Of summer twilight, to the melting song
Ye gave your choral echoes! Grecian Maids
Who hear with downcast look and flushing cheek
That lay of love bear witness! and ye Youths,
Who hang enraptur'd on the empassion'd strain
Gazing with eloquent eye, even till the heart
Sinks in the deep delirium! and ye too
Shall witness, unborn Ages! to that song
Of warmest zeal; ah witness ye, how hard,
Her fate who hymn'd the votive hymn in vain!
Ungrateful Goddess! I have hung my lute
In yonder holy pile: my hand no more
Shall wake the melodies that fail'd to move
The heart of Phaon--yet when Rumour tells
How from Leucadia Sappho hurl'd her down
A self-devoted victim--he may melt
Too late in pity, obstinate to love.

Oh haunt his midnight dreams, black NEMESIS!
Whom, self-conceiving in the inmost depths
Of CHAOS, blackest NIGHT long-labouring bore,
When the stern DESTINIES, her elder brood.
And shapeless DEATH, from that more monstrous birth
Leapt shuddering! haunt his slumbers, Nemesis,
Scorch with the fires of Phlegethon his heart,
Till helpless, hopeless, heaven-abandon'd wretch
He too shall seek beneath the unfathom'd deep
To hide him from thy fury.

How the sea
Far distant glitters as the sun-beams smile,
And gayly wanton o'er its heaving breast
Phoebus shines forth, nor wears one cloud to mourn
His votary's sorrows! God of Day shine on--
By Man despis'd, forsaken by the Gods,
I supplicate no more.

How many a day,
O pleasant Lesbos! in thy secret streams
Delighted have I plung'd, from the hot sun
Screen'd by the o'er-arching groves delightful shade,
And pillowed on the waters: now the waves
Shall chill me to repose.

Tremendous height!
Scarce to the brink will these rebellious limbs
Support me. Hark! how the rude deep below
Roars round the rugged base, as if it called
Its long-reluctant victim! I will come.
One leap, and all is over! The deep rest
Of Death, or tranquil Apathy's dead calm
Welcome alike to me. Away vain fears!
Phaon is cold, and why should Sappho live?
Phaon is cold, or with some fairer one--
Thought worse than death!

(She throws herself from the precipice.)

 I 

 The thick lids of Night closed upon me 
 Alone at the Bill 
 Of the Isle by the Race {1} - 
 Many-caverned, bald, wrinkled of face - 
And with darkness and silence the spirit was on me 
 To brood and be still. 

II 

 No wind fanned the flats of the ocean, 
 Or promontory sides, 
 Or the ooze by the strand, 
 Or the bent-bearded slope of the land, 
Whose base took its rest amid everlong motion 
 Of criss-crossing tides. 

III 

 Soon from out of the Southward seemed nearing 
 A whirr, as of wings 
 Waved by mighty-vanned flies, 
 Or by night-moths of measureless size, 
And in softness and smoothness well-nigh beyond hearing 
 Of corporal things. 

IV 

 And they bore to the bluff, and alighted - 
 A dim-discerned train 
 Of sprites without mould, 
 Frameless souls none might touch or might hold - 
On the ledge by the turreted lantern, farsighted 
 By men of the main. 

V 

 And I heard them say "Home!" and I knew them 
 For souls of the felled 
 On the earth's nether bord 
 Under Capricorn, whither they'd warred, 
And I neared in my awe, and gave heedfulness to them 
 With breathings inheld. 

VI 

 Then, it seemed, there approached from the northward 
 A senior soul-flame 
 Of the like filmy hue: 
 And he met them and spake: "Is it you, 
O my men?" Said they, "Aye! We bear homeward and hearthward 
 To list to our fame!" 

VII 

 "I've flown there before you," he said then: 
 "Your households are well; 
 But--your kin linger less 
 On your glory arid war-mightiness 
Than on dearer things."--"Dearer?" cried these from the dead then, 
 "Of what do they tell?" 

VIII 

 "Some mothers muse sadly, and murmur 
 Your doings as boys - 
 Recall the quaint ways 
 Of your babyhood's innocent days. 
Some pray that, ere dying, your faith had grown firmer, 
 And higher your joys. 

IX 

 "A father broods: 'Would I had set him 
 To some humble trade, 
 And so slacked his high fire, 
 And his passionate martial desire; 
Had told him no stories to woo him and whet him 
 To this due crusade!" 

X 

 "And, General, how hold out our sweethearts, 
 Sworn loyal as doves?" 
 --"Many mourn; many think 
 It is not unattractive to prink 
Them in sables for heroes. Some fickle and fleet hearts 
 Have found them new loves." 

XI 

 "And our wives?" quoth another resignedly, 
 "Dwell they on our deeds?" 
 --"Deeds of home; that live yet 
 Fresh as new--deeds of fondness or fret; 
Ancient words that were kindly expressed or unkindly, 
 These, these have their heeds." 

XII 

 --"Alas! then it seems that our glory 
 Weighs less in their thought 
 Than our old homely acts, 
 And the long-ago commonplace facts 
Of our lives--held by us as scarce part of our story, 
 And rated as nought!" 

XIII 

 Then bitterly some: "Was it wise now 
 To raise the tomb-door 
 For such knowledge? Away!" 
 But the rest: "Fame we prized till to-day; 
Yet that hearts keep us green for old kindness we prize now 
 A thousand times more!" 

XIV 

 Thus speaking, the trooped apparitions 
 Began to disband 
 And resolve them in two: 
 Those whose record was lovely and true 
Bore to northward for home: those of bitter traditions 
 Again left the land, 

XV 

 And, towering to seaward in legions, 
 They paused at a spot 
 Overbending the Race - 
 That engulphing, ghast, sinister place - 
Whither headlong they plunged, to the fathomless regions 
 Of myriads forgot. 

XVI 

 And the spirits of those who were homing 
 Passed on, rushingly, 
 Like the Pentecost Wind; 
 And the whirr of their wayfaring thinned 
And surceased on the sky, and but left in the gloaming 
 Sea-mutterings and me.

 WHEN by Zeus relenting the mandate was revoked, 
 Sentencing to exile the bright Sun-God, 
Mindful were the ploughmen of who the steer had yoked, 
 Who: and what a track show'd the upturn'd sod! 
Mindful were the shepherds, as now the noon severe 
 Bent a burning eyebrow to brown evetide, 
How the rustic flute drew the silver to the sphere, 
 Sister of his own, till her rays fell wide. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 
Chirping none, the scarlet cicalas crouch'd in ranks: 
 Slack the thistle-head piled its down-silk gray: 
Scarce the stony lizard suck'd hollows in his flanks: 
 Thick on spots of umbrage our drowsed flocks lay. 
Sudden bow'd the chestnuts beneath a wind unheard, 
 Lengthen'd ran the grasses, the sky grew slate: 
Then amid a swift flight of wing'd seed white as curd, 
 Clear of limb a Youth smote the master's gate. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Water, first of singers, o'er rocky mount and mead, 
 First of earthly singers, the sun-loved rill, 
Sang of him, and flooded the ripples on the reed, 
 Seeking whom to waken and what ear fill. 
Water, sweetest soother to kiss a wound and cool, 
 Sweetest and divinest, the sky-born brook, 
Chuckled, with a whimper, and made a mirror-pool 
 Round the guest we welcomed, the strange hand shook. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Many swarms of wild bees descended on our fields: 
 Stately stood the wheatstalk with head bent high: 
Big of heart we labour'd at storing mighty yields, 
 Wool and corn, and clusters to make men cry! 
Hand-like rush'd the vintage; we strung the bellied skins 
 Plump, and at the sealing the Youth's voice rose: 
Maidens clung in circle, on little fists their chins; 
 Gentle beasties through push'd a cold long nose. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Foot to fire in snowtime we trimm'd the slender shaft: 
 Often down the pit spied the lean wolf's teeth 
Grin against his will, trapp'd by masterstrokes of craft; 
 Helpless in his froth-wrath as green logs seethe! 
Safe the tender lambs tugg'd the teats, and winter sped 
 Whirl'd before the crocus, the year's new gold. 
Hung the hooky beak up aloft, the arrowhead 
 Redden'd through his feathers for our dear fold. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Tales we drank of giants at war with gods above: 
 Rocks were they to look on, and earth climb'd air! 
Tales of search for simples, and those who sought of love 
 Ease because the creature was all too fair. 
Pleasant ran our thinking that while our work was good. 
 Sure as fruits for sweat would the praise come fast. 
He that wrestled stoutest and tamed the billow-brood 
 Danced in rings with girls, like a sail-flapp'd mast. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Lo, the herb of healing, when once the herb is known, 
 Shines in shady woods bright as new-sprung flame. 
Ere the string was tighten'd we heard the mellow tone, 
 After he had taught how the sweet sounds came. 
Stretch'd about his feet, labour done, 'twas as you see 
 Red pomegranates tumble and burst hard rind. 
So began contention to give delight and be 
 Excellent in things aim'd to make life kind. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

You with shelly horns, rams! and, promontory goats, 
 You whose browsing beards dip in coldest dew! 
Bulls, that walk the pastures in kingly-flashing coats! 
 Laurel, ivy, vine, wreathed for feasts not few! 
You that build the shade-roof, and you that court the rays, 
 You that leap besprinkling the rock stream-rent: 
He has been our fellow, the morning of our days; 
 Us he chose for housemates, and this way went. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

 NOW the North wind ceases, 
 The warm South-west awakes; 
 Swift fly the fleeces, 
 Thick the blossom-flakes. 

Now hill to hill has made the stride, 
And distance waves the without-end: 
Now in the breast a door flings wide; 
Our farthest smiles, our next is friend. 
And song of England's rush of flowers 
Is this full breeze with mellow stops, 
That spins the lark for shine, for showers; 
He drinks his hurried flight, and drops. 
The stir in memory seem these things, 
Which out of moisten'd turf and clay, 
Astrain for light push patient rings, 
Or leap to find the waterway. 
'Tis equal to a wonder done, 
Whatever simple lives renew 
Their tricks beneath the father sun, 
As though they caught a broken clue: 
So hard was earth an eyewink back; 
But now the common life has come, 
The blotting cloud a dappled pack, 
The grasses one vast underhum. 
A City clothed in snow and soot, 
With lamps for day in ghostly rows, 
Breaks to the scene of hosts afoot, 
The river that reflective flows: 
And there did fog down crypts of street 
Play spectre upon eye and mouth:-- 
Their faces are a glass to greet 
This magic of the whirl for South. 
A burly joy each creature swells 
With sound of its own hungry quest; 
Earth has to fill her empty wells, 
And speed the service of the nest; 
The phantom of the snow-wreath melt, 
That haunts the farmer's look abroad, 
Who sees what tomb a white night built, 
Where flocks now bleat and sprouts the clod. 
For iron Winter held her firm; 
Across her sky he laid his hand; 
And bird he starved, he stiffen'd worm; 
A sightless heaven, a shaven land. 
Her shivering Spring feign'd fast asleep, 
The bitten buds dared not unfold: 
We raced on roads and ice to keep 
Thought of the girl we love from cold. 

 But now the North wind ceases, 
 The warm South-west awakes, 
 The heavens are out in fleeces, 
 And earth's green banner shakes.