Written by
George (Lord) Byron |
Titan! to whose immortal eyes
The sufferings of mortality,
Seen in their sad reality,
Were not as things that gods despise;
What was thy pity's recompense?
A silent suffering, and intense;
The rock, the vulture, and the chain,
All that the proud can feel of pain,
The agony they do not show,
The suffocating sense of woe,
Which speaks but in its loneliness,
And then is jealous lest the sky
Should have a listener, nor will sigh
Until its voice is echoless.
Titan! to thee the strife was given
Between the suffering and the will,
Which torture where they cannot kill;
And the inexorable Heaven,
And the deaf tyranny of Fate,
The ruling principle of Hate,
Which for its pleasure doth create
The things it may annihilate,
Refus'd thee even the boon to die:
The wretched gift Eternity
Was thine--and thou hast borne it well.
All that the Thunderer wrung from thee
Was but the menace which flung back
On him the torments of thy rack;
The fate thou didst so well foresee,
But would not to appease him tell;
And in thy Silence was his Sentence,
And in his Soul a vain repentance,
And evil dread so ill dissembled,
That in his hand the lightnings trembled.
Thy Godlike crime was to be kind,
To render with thy precepts less
The sum of human wretchedness,
And strengthen Man with his own mind;
But baffled as thou wert from high,
Still in thy patient energy,
In the endurance, and repulse
Of thine impenetrable Spirit,
Which Earth and Heaven could not convulse,
A mighty lesson we inherit:
Thou art a symbol and a sign
To Mortals of their fate and force;
Like thee, Man is in part divine,
A troubled stream from a pure source;
And Man in portions can foresee
His own funereal destiny;
His wretchedness, and his resistance,
And his sad unallied existence:
To which his Spirit may oppose
Itself--and equal to all woes,
And a firm will, and a deep sense,
Which even in torture can descry
Its own concenter'd recompense,
Triumphant where it dares defy,
And making Death a Victory.
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Written by
Johann Wolfgang von Goethe |
THESE are the most singular of all the Poems
of Goethe, and to many will appear so wild and fantastic, as to
leave anything but a pleasing impression. Those at the beginning,
addressed to his friend Behrisch, were written at the age of eighteen,
and most of the remainder were composed while he was still quite
young. Despite, however, the extravagance of some of them, such
as the Winter Journey over the Hartz Mountains, and the Wanderer's
Storm-Song, nothing can be finer than the noble one entitled Mahomet's
Song, and others, such as the Spirit Song' over the Waters, The
God-like, and, above all, the magnificent sketch of Prometheus,
which forms part of an unfinished piece bearing the same name, and
called by Goethe a 'Dramatic Fragment.'
TO MY FRIEND.
[These three Odes are addressed to a certain
Behrisch, who was tutor to Count Lindenau, and of whom Goethe gives
an odd account at the end of the Seventh Book of his Autobiography.]
FIRST ODE.
TRANSPLANT the beauteous tree!
Gardener, it gives me pain;
A happier resting-place
Its trunk deserved.
Yet the strength of its nature
To Earth's exhausting avarice,
To Air's destructive inroads,
An antidote opposed.
See how it in springtime
Coins its pale green leaves!
Their orange-fragrance
Poisons each flyblow straight.
The caterpillar's tooth
Is blunted by them;
With silv'ry hues they gleam
In the bright sunshine,
Its twigs the maiden
Fain would twine in
Her bridal-garland;
Youths its fruit are seeking.
See, the autumn cometh!
The caterpillar
Sighs to the crafty spider,--
Sighs that the tree will not fade.
Hov'ring thither
From out her yew-tree dwelling,
The gaudy foe advances
Against the kindly tree,
And cannot hurt it,
But the more artful one
Defiles with nauseous venom
Its silver leaves;
And sees with triumph
How the maiden shudders,
The youth, how mourns he,
On passing by.
Transplant the beauteous tree!
Gardener, it gives me pain;
Tree, thank the gardener
Who moves thee hence!
1767.
SECOND ODE.
THOU go'st! I murmur--
Go! let me murmur.
Oh, worthy man,
Fly from this land!
Deadly marshes,
Steaming mists of October
Here interweave their currents,
Blending for ever.
Noisome insects
Here are engender'd;
Fatal darkness
Veils their malice.
The fiery-tongued serpent,
Hard by the sedgy bank,
Stretches his pamper'd body,
Caress'd by the sun's bright beams.
Tempt no gentle night-rambles
Under the moon's cold twilight!
Loathsome toads hold their meetings
Yonder at every crossway.
Injuring not,
Fear will they cause thee.
Oh, worthy man,
Fly from this land!
1767.
THIRD ODE.
BE void of feeling!
A heart that soon is stirr'd,
Is a possession sad
Upon this changing earth.
Behrisch, let spring's sweet smile
Never gladden thy brow!
Then winter's gloomy tempests
Never will shadow it o'er.
Lean thyself ne'er on a maiden's
Sorrow-engendering breast.
Ne'er on the arm,
Misery-fraught, of a friend.
Already envy
From out his rocky ambush
Upon thee turns
The force of his lynx-like eyes,
Stretches his talons,
On thee falls,
In thy shoulders
Cunningly plants them.
Strong are his skinny arms,
As panther-claws;
He shaketh thee,
And rends thy frame.
Death 'tis to part,
'Tis threefold death
To part, not hoping
Ever to meet again.
Thou wouldst rejoice to leave
This hated land behind,
Wert thou not chain'd to me
With friendships flowery chains.
Burst them! I'll not repine.
No noble friend
Would stay his fellow-captive,
If means of flight appear.
The remembrance
Of his dear friend's freedom
Gives him freedom
In his dungeon.
Thou go'st,--I'm left.
But e'en already
The last year's winged spokes
Whirl round the smoking axle.
I number the turns
Of the thundering wheel;
The last one I bless.--
Each bar then is broken, I'm free then as thou!
1767.
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Written by
Amy Levy |
"What should such fellows as I do,
Crawling between earth and heaven?"
Here is the phial; here I turn the key
Sharp in the lock. Click!--there's no doubt it turned.
This is the third time; there is luck in threes--
Queen Luck, that rules the world, befriend me now
And freely I'll forgive you many wrongs!
Just as the draught began to work, first time,
Tom Leigh, my friend (as friends go in the world),
Burst in, and drew the phial from my hand,
(Ah, Tom! ah, Tom! that was a sorry turn!)
And lectured me a lecture, all compact
Of neatest, newest phrases, freshly culled
From works of newest culture: "common good ;"
"The world's great harmonies;""must be content
With knowing God works all things for the best,
And Nature never stumbles." Then again,
"The common good," and still, "the common, good;"
And what a small thing was our joy or grief
When weigh'd with that of thousands. Gentle Tom,
But you might wag your philosophic tongue
From morn till eve, and still the thing's the same:
I am myself, as each man is himself--
Feels his own pain, joys his own joy, and loves
With his own love, no other's. Friend, the world
Is but one man; one man is but the world.
And I am I, and you are Tom, that bleeds
When needles prick your flesh (mark, yours, not mine).
I must confess it; I can feel the pulse
A-beating at my heart, yet never knew
The throb of cosmic pulses. I lament
The death of youth's ideal in my heart;
And, to be honest, never yet rejoiced
In the world's progress--scarce, indeed, discerned;
(For still it seems that God's a Sisyphus
With the world for stone).
You shake your head. I'm base,
Ignoble? Who is noble--you or I?
I was not once thus? Ah, my friend, we are
As the Fates make us.
This time is the third;
The second time the flask fell from my hand,
Its drowsy juices spilt upon the board;
And there my face fell flat, and all the life
Crept from my limbs, and hand and foot were bound
With mighty chains, subtle, intangible;
While still the mind held to its wonted use,
Or rather grew intense and keen with dread,
An awful dread--I thought I was in Hell.
In Hell, in Hell ! Was ever Hell conceived
By mortal brain, by brain Divine devised,
Darker, more fraught with torment, than the world
For such as I? A creature maimed and marr'd
From very birth. A blot, a blur, a note
All out of tune in this world's instrument.
A base thing, yet not knowing to fulfil
Base functions. A high thing, yet all unmeet
For work that's high. A dweller on the earth,
Yet not content to dig with other men
Because of certain sudden sights and sounds
(Bars of broke music; furtive, fleeting glimpse
Of angel faces 'thwart the grating seen)
Perceived in Heaven. Yet when I approach
To catch the sound's completeness, to absorb
The faces' full perfection, Heaven's gate,
Which then had stood ajar, sudden falls to,
And I, a-shiver in the dark and cold,
Scarce hear afar the mocking tones of men:
"He would not dig, forsooth ; but he must strive
For higher fruits than what our tillage yields;
Behold what comes, my brothers, of vain pride!"
Why play with figures? trifle prettily
With this my grief which very simply's said,
"There is no place for me in all the world"?
The world's a rock, and I will beat no more
A breast of flesh and blood against a rock. . .
A stride across the planks for old time's sake.
Ah, bare, small room that I have sorrowed in;
Ay, and on sunny days, haply, rejoiced;
We know some things together, you and I!
Hold there, you rangèd row of books ! In vain
You beckon from your shelf. You've stood my friends
Where all things else were foes; yet now I'll turn
My back upon you, even as the world
Turns it on me. And yet--farewell, farewell!
You, lofty Shakespere, with the tattered leaves
And fathomless great heart, your binding's bruised
Yet did I love you less? Goethe, farewell;
Farewell, triumphant smile and tragic eyes,
And pitiless world-wisdom!
For all men
These two. And 'tis farewell with you, my friends,
More dear because more near: Theokritus;
Heine that stings and smiles; Prometheus' bard;
(I've grown too coarse for Shelley latterly:)
And one wild singer of to-day, whose song
Is all aflame with passionate bard's blood
Lash'd into foam by pain and the world's wrong.
At least, he has a voice to cry his pain;
For him, no silent writhing in the dark,
No muttering of mute lips, no straining out
Of a weak throat a-choke with pent-up sound,
A-throb with pent-up passion. . .
Ah, my sun!
That's you, then, at the window, looking in
To beam farewell on one who's loved you long
And very truly. Up, you creaking thing,
You squinting, cobwebbed casement!
So, at last,
I can drink in the sunlight. How it falls.
Across that endless sea of London roofs,
Weaving such golden wonders on the grey,
That almost, for the moment, we forget
The world of woe beneath them.
Underneath,
For all the sunset glory, Pain is king.
Yet, the sun's there, and very sweet withal;
And I'll not grumble that it's only sun,
But open wide my lips--thus--drink it in;
Turn up my face to the sweet evening sky
(What royal wealth of scarlet on the blue
So tender toned, you'd almost think it green)
And stretch my hands out--so--to grasp it tight.
Ha, ha! 'tis sweet awhile to cheat the Fates,
And be as happy as another man.
The sun works in my veins like wine, like wine!
'Tis a fair world: if dark, indeed, with woe,
Yet having hope and hint of such a joy,
That a man, winning, well might turn aside,
Careless of Heaven . . .
O enough; I turn
From the sun's light, or haply I shall hope.
I have hoped enough; I would not hope again:
'Tis hope that is most cruel.
Tom, my friend,
You very sorry philosophic fool;
'Tis you, I think, that bid me be resign'd,
Trust, and be thankful.
Out on you! Resign'd?
I'm not resign'd, not patient, not school'd in
To take my starveling's portion and pretend
I'm grateful for it. I want all, all, all;
I've appetite for all. I want the best:
Love, beauty, sunlight, nameless joy of life.
There's too much patience in the world, I think.
We have grown base with crooking of the knee.
Mankind--say--God has bidden to a feast;
The board is spread, and groans with cates and drinks;
In troop the guests; each man with appetite
Keen-whetted with expectance.
In they troop,
Struggle for seats, jostle and push and seize.
What's this? what's this? There are not seats for all!
Some men must stand without the gates; and some
Must linger by the table, ill-supplied
With broken meats. One man gets meat for two,
The while another hungers. If I stand
Without the portals, seeing others eat
Where I had thought to satiate the pangs
Of mine own hunger; shall I then come forth
When all is done, and drink my Lord's good health
In my Lord's water? Shall I not rather turn
And curse him, curse him for a niggard host?
O, I have hungered, hungered, through the years,
Till appetite grows craving, then disease;
I am starved, wither'd, shrivelled.
Peace, O peace!
This rage is idle; what avails to curse
The nameless forces, the vast silences
That work in all things.
This time is the third,
I wrought before in heat, stung mad with pain,
Blind, scarcely understanding; now I know
What thing I do.
There was a woman once;
Deep eyes she had, white hands, a subtle smile,
Soft speaking tones: she did not break my heart,
Yet haply had her heart been otherwise
Mine had not now been broken. Yet, who knows?
My life was jarring discord from the first:
Tho' here and there brief hints of melody,
Of melody unutterable, clove the air.
From this bleak world, into the heart of night,
The dim, deep bosom of the universe,
I cast myself. I only crave for rest;
Too heavy is the load. I fling it down.
EPILOGUE.
We knocked and knocked; at last, burst in the door,
And found him as you know--the outstretched arms
Propping the hidden face. The sun had set,
And all the place was dim with lurking shade.
There was no written word to say farewell,
Or make more clear the deed.
I search'd and search'd;
The room held little: just a row of books
Much scrawl'd and noted; sketches on the wall,
Done rough in charcoal; the old instrument
(A violin, no Stradivarius)
He played so ill on; in the table drawer
Large schemes of undone work. Poems half-writ;
Wild drafts of symphonies; big plans of fugues;
Some scraps of writing in a woman's hand:
No more--the scattered pages of a tale,
A sorry tale that no man cared to read.
Alas, my friend, I lov'd him well, tho' he
Held me a cold and stagnant-blooded fool,
Because I am content to watch, and wait
With a calm mind the issue of all things.
Certain it is my blood's no turbid stream;
Yet, for all that, haply I understood
More than he ever deem'd; nor held so light
The poet in him. Nay, I sometimes doubt
If they have not, indeed, the better part--
These poets, who get drunk with sun, and weep
Because the night or a woman's face is fair.
Meantime there is much talk about my friend.
The women say, of course, he died for love;
The men, for lack of gold, or cavilling
Of carping critics. I, Tom Leigh, his friend
I have no word at all to say of this.
Nay, I had deem'd him more philosopher;
For did he think by this one paltry deed
To cut the knot of circumstance, and snap
The chain which binds all being?
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