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Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.
His senses are too gross; and he'll contrive A sixth, to contradict the other five; And before certain instinct will prefer Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind, Which leaving light of nature, sense, behind, Pathless and dangerous wand'ring ways it takes, Through Error's fenny bogs and thorny brakes; Whilst the misguided follower climbs with pain Mountains of whimsey's, heaped in his own brain; Stumbling from thought to thought, falls headlong down, Into Doubt's boundless sea where, like to drown, Books bear him up awhile, and make him try To swim with bladders of Philosophy; In hopes still to o'ertake the escaping light; The vapour dances, in his dancing sight, Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand, Lead him to death, make him to understand, After a search so painful, and so long, That all his life he has been in the wrong: Huddled In dirt the reasoning engine lies, Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch, And made him venture; to be made a wretch.
His wisdom did has happiness destroy, Aiming to know that world he should enjoy; And Wit was his vain, frivolous pretence Of pleasing others, at his own expense.
For wits are treated just like common whores, First they're enjoyed, and then kicked out of doors; The pleasure past, a threatening doubt remains, That frights th' enjoyer with succeeding pains: Women and men of wit are dangerous tools, And ever fatal to admiring fools.
Pleasure allures, and when the fops escape, 'Tis not that they're beloved, but fortunate, And therefore what they fear, at heart they hate: But now, methinks some formal band and beard Takes me to task; come on sir, I'm prepared: "Then by your Favour, anything that's writ Against this jibing, jingling knack called Wit Likes me abundantly: but you take care Upon this point not to be too severe.
Perhaps my Muse were fitter for this part, For I profess I can be very smart On Wit, which I abhor with all my heart; I long to lash it in some sharp essay, But your grand indiscretion bids me stay, And turns my tide of ink another way.
What rage Torments in your degenerate mind, To make you rail at reason, and mankind Blessed glorious man! To whom alone kind heaven An everlasting soul hath freely given; Whom his great maker took such care to make, That from himself he did the image take; And this fair frame in shining reason dressed, To dignify his nature above beast.
Reason, by whose aspiring influence We take a flight beyond material sense, Dive into mysteries, then soaring pierce The flaming limits of the universe, Search heaven and hell, Find out what's acted there, And give the world true grounds of hope and fear.
" Hold mighty man, I cry, all this we know, From the pathetic pen of Ingelo; From Patrlck's Pilgrim, Sibbes' Soliloquies, And 'tis this very reason I despise, This supernatural gift that makes a mite Think he's an image of the infinite; Comparing his short life, void of all rest, To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt, That frames deep mysteries, then finds them out; Filling with frantic crowds of thinking fools The reverend bedlam's, colleges and schools; Borne on whose wings each heavy sot can pierce The limits of the boundless universe; So charming ointments make an old witch fly, And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies In nonsense and impossibilities.
This made a whimsical philosopher Before the spacious world his tub prefer, And we have modern cloistered coxcombs, who Retire to think 'cause they have nought to do.
But thoughts are given for action's government; Where action ceases, thought's impertinent: Our sphere of action is life's happiness, And he that thinks beyond thinks like an ass.
Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey: That reason which distinguishes by sense, And gives us rules of good and ill from thence; That bounds desires.
with a reforming will To keep 'em more in vigour, not to kill.
- Your reason hinders, mine helps to enjoy, Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat, Hunger calls out, my reason bids me eat; Perversely.
yours your appetite does mock: This asks for food, that answers, 'what's o'clock' This plain distinction, sir, your doubt secures, 'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man, I'll ne'er recant, defend him if you can: For all his pride, and his philosophy, 'Tis evident: beasts are in their own degree As wise at least, and better far than he.
Those creatures are the wisest who attain.
- By surest means.
the ends at which they aim.
If therefore Jowler finds and kills the hares, Better than Meres supplies committee chairs; Though one's a statesman, th' other but a hound, Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends; Whose principles are most generous and just, - And to whose morals you would sooner trust: Be judge yourself, I'll bring it to the test, Which is the basest creature, man or beast Birds feed on birds, beasts on each other prey, But savage man alone does man betray: Pressed by necessity; they kill for food, Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt Nature's allowance, to supply their want.
But man, with smiles, embraces.
friendships.
Praise, Inhumanely his fellow's life betrays; With voluntary pains works his distress, Not through necessity, but wantonness.
For hunger or for love they bite, or tear, Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid: From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave, And for the which alone he dares be brave; To which his various projects are designed, Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise, And screws his actions, in a forced disguise; Leads a most tedious life in misery, Under laborious, mean hypocrisy.
Look to the bottom of his vast design, Wherein man's wisdom, power, and glory join: The good he acts.
the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst, For all men would be cowards if they durst.
And honesty's against all common sense, Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair Among known cheats to play upon the square, You'll be undone.
Nor can weak truth your reputation save, The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed, Who dares be less a villain than the rest.
Thus sir, you see what human nature craves, Most men are cowards, all men should be knaves; The difference lies, as far as I can see.
Not in the thing itself, but the degree; And all the subject matter of debate Is only, who's a knave of the first rate All this with indignation have I hurled At the pretending part of the proud world, Who, swollen with selfish vanity, devise, False freedoms, holy cheats, and formal lies, Over their fellow slaves to tyrannise.
But if in Court so just a man there be, (In Court, a just man - yet unknown to me) Who does his needful flattery direct Not to oppress and ruin, but protect: Since flattery, which way soever laid, Is still a tax: on that unhappy trade.
If so upright a statesman you can find, Whose passions bend to his unbiased mind, Who does his arts and policies apply To raise his country, not his family; Nor while his pride owned avarice withstands, Receives close bribes, from friends corrupted hands.
Is there a churchman who on God relies Whose life, his faith and doctrine justifies Not one blown up, with vain prelatic pride, Who for reproofs of sins does man deride; Whose envious heart makes preaching a pretence With his obstreperous, saucy eloquence, To chide at kings, and rail at men of sense; Who from his pulpit vents more peevlsh lies, More bitter railings, scandals, calumnies, Than at a gossiping are thrown about When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives, Whose lust exalted, to that height arrives, They act adultery with their own wives.
And ere a score of years completed be, Can from the loftiest pulpit proudly see, Half a large parish their own progeny.
Nor doting bishop, who would be adored For domineering at the Council board; A greater fop, in business at fourscore, Fonder of serious toys, affected more, Than the gay, glittering fool at twenty proves, With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense, Who preaching peace does practise continence; Whose pious life's a proof he does believe Mysterious truths which no man can conceive.
If upon Earth there dwell such god-like men, I'll here recant my paradox to them, Adores those shrines of virtue, homage pay, And with the rabble world their laws obey.
If such there are, yet grant me this at least, Man differs more from man than man from beast.


Written by Sylvia Plath | Create an image from this poem

Perseus: The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas.
Hercules had a simple time, Rinsing those stables: a baby's tears would do it.
But who'd volunteer to gulp the Laocoon, The Dying Gaul and those innumerable pietas Festering on the dim walls of Europe's chapels, Museums and sepulchers? You.
You Who borrowed feathers for your feet, not lead, Not nails, and a mirror to keep the snaky head In safe perspective, could outface the gorgon-grimace Of human agony: a look to numb Limbs: not a basilisk-blink, nor a double whammy, But all the accumulated last grunts, groans, Cries and heroic couplets concluding the million Enacted tragedies on these blood-soaked boards, And every private twinge a hissing asp To petrify your eyes, and every village Catastrophe a writhing length of cobra, And the decline of empires the thick coil of a vast Anacnoda.
Imagine: the world Fisted to a foetus head, ravined, seamed With suffering from conception upwards, and there You have it in hand.
Grit in the eye or a sore Thumb can make anyone wince, but the whole globe Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow Ponderous and extend despair on earth's Dark face.
So might rigor mortis come to stiffen All creation, were it not for a bigger belly Still than swallows joy.
You enter now, Armed with feathers to tickle as well as fly, And a fun-house mirror that turns the tragic muse To the beheaded head of a sullen doll, one braid, A bedraggled snake, hanging limp as the absurd mouth Hangs in its lugubious pout.
Where are The classic limbs of stubborn Antigone? The red, royal robes of Phedre? The tear-dazzled Sorrows of Malfi's gentle duchess? Gone In the deep convulsion gripping your face, muscles And sinews bunched, victorious, as the cosmic Laugh does away with the unstitching, plaguey wounds Of an eternal sufferer.
To you Perseus, the palm, and may you poise And repoise until time stop, the celestial balance Which weighs our madness with our sanity.
Written by Sylvia Plath | Create an image from this poem

Aftermath

 Compelled by calamity's magnet
They loiter and stare as if the house
Burnt-out were theirs, or as if they thought
Some scandal might any minute ooze
From a smoke-choked closet into light;
No deaths, no prodigious injuries
Glut these hunters after an old meat,
Blood-spoor of the austere tragedies.
Mother Medea in a green smock Moves humbly as any housewife through Her ruined apartments, taking stock Of charred shoes, the sodden upholstery: Cheated of the pyre and the rack, The crowd sucks her last tear and turns away.
Written by Algernon Charles Swinburne | Create an image from this poem

Ave atque Vale (In memory of Charles Baudelaire)

 SHALL I strew on thee rose or rue or laurel, 
 Brother, on this that was the veil of thee? 
 Or quiet sea-flower moulded by the sea, 
Or simplest growth of meadow-sweet or sorrel, 
 Such as the summer-sleepy Dryads weave, 
 Waked up by snow-soft sudden rains at eve? 
Or wilt thou rather, as on earth before, 
 Half-faded fiery blossoms, pale with heat 
 And full of bitter summer, but more sweet 
To thee than gleanings of a northern shore 
 Trod by no tropic feet? 

For always thee the fervid languid glories 
 Allured of heavier suns in mightier skies; 
 Thine ears knew all the wandering watery sighs 
Where the sea sobs round Lesbian promontories, 
 The barren kiss of piteous wave to wave 
 That knows not where is that Leucadian grave 
Which hides too deep the supreme head of song.
Ah, salt and sterile as her kisses were, The wild sea winds her and the green gulfs bear Hither and thither, and vex and work her wrong, Blind gods that cannot spare.
Thou sawest, in thine old singing season, brother, Secrets and sorrows unbeheld of us: Fierce loves, and lovely leaf-buds poisonous, Bare to thy subtler eye, but for none other Blowing by night in some unbreathed-in clime; The hidden harvest of luxurious time, Sin without shape, and pleasure without speech; And where strange dreams in a tumultuous sleep Make the shut eyes of stricken spirits weep; And with each face thou sawest the shadow on each, Seeing as men sow men reap.
O sleepless heart and sombre soul unsleeping, That were athirst for sleep and no more life And no more love, for peace and no more strife! Now the dim gods of death have in their keeping Spirit and body and all the springs of song, Is it well now where love can do no wrong, Where stingless pleasure has no foam or fang Behind the unopening closure of her lips? Is it not well where soul from body slips And flesh from bone divides without a pang As dew from flower-bell drips? It is enough; the end and the beginning Are one thing to thee, who art past the end.
O hand unclasp'd of unbeholden friend, For thee no fruits to pluck, no palms for winning, No triumph and no labour and no lust, Only dead yew-leaves and a little dust.
O quiet eyes wherein the light saith naught, Whereto the day is dumb, nor any night With obscure finger silences your sight, Nor in your speech the sudden soul speaks thought, Sleep, and have sleep for light.
Now all strange hours and all strange loves are over, Dreams and desires and sombre songs and sweet, Hast thou found place at the great knees and feet Of some pale Titan-woman like a lover, Such as thy vision here solicited, Under the shadow of her fair vast head, The deep division of prodigious breasts, The solemn slope of mighty limbs asleep, The weight of awful tresses that still keep The savour and shade of old-world pine-forests Where the wet hill-winds weep? Hast thou found any likeness for thy vision? O gardener of strange flowers, what bud, what bloom, Hast thou found sown, what gather'd in the gloom? What of despair, of rapture, of derision, What of life is there, what of ill or good? Are the fruits gray like dust or bright like blood? Does the dim ground grow any seed of ours, The faint fields quicken any terrene root, In low lands where the sun and moon are mute And all the stars keep silence? Are there flowers At all, or any fruit? Alas, but though my flying song flies after, O sweet strange elder singer, thy more fleet Singing, and footprints of thy fleeter feet, Some dim derision of mysterious laughter From the blind tongueless warders of the dead, Some gainless glimpse of Proserpine's veil'd head, Some little sound of unregarded tears Wept by effaced unprofitable eyes, And from pale mouths some cadence of dead sighs-- These only, these the hearkening spirit hears, Sees only such things rise.
Thou art far too far for wings of words to follow, Far too far off for thought or any prayer.
What ails us with thee, who art wind and air? What ails us gazing where all seen is hollow? Yet with some fancy, yet with some desire, Dreams pursue death as winds a flying fire, Our dreams pursue our dead and do not find.
Still, and more swift than they, the thin flame flies, The low light fails us in elusive skies, Still the foil'd earnest ear is deaf, and blind Are still the eluded eyes.
Not thee, O never thee, in all time's changes, Not thee, but this the sound of thy sad soul, The shadow of thy swift spirit, this shut scroll I lay my hand on, and not death estranges My spirit from communion of thy song-- These memories and these melodies that throng Veil'd porches of a Muse funereal-- These I salute, these touch, these clasp and fold As though a hand were in my hand to hold, Or through mine ears a mourning musical Of many mourners roll'd.
I among these, I also, in such station As when the pyre was charr'd, and piled the sods.
And offering to the dead made, and their gods, The old mourners had, standing to make libation, I stand, and to the Gods and to the dead Do reverence without prayer or praise, and shed Offering to these unknown, the gods of gloom, And what of honey and spice my seed-lands bear, And what I may of fruits in this chill'd air, And lay, Orestes-like, across the tomb A curl of sever'd hair.
But by no hand nor any treason stricken, Not like the low-lying head of Him, the King, The flame that made of Troy a ruinous thing, Thou liest and on this dust no tears could quicken.
There fall no tears like theirs that all men hear Fall tear by sweet imperishable tear Down the opening leaves of holy poets' pages.
Thee not Orestes, not Electra mourns; But bending us-ward with memorial urns The most high Muses that fulfil all ages Weep, and our God's heart yearns.
For, sparing of his sacred strength, not often Among us darkling here the lord of light Makes manifest his music and his might In hearts that open and in lips that soften With the soft flame and heat of songs that shine.
Thy lips indeed he touch'd with bitter wine, And nourish'd them indeed with bitter bread; Yet surely from his hand thy soul's food came, The fire that scarr'd thy spirit at his flame Was lighted, and thine hungering heart he fed Who feeds our hearts with fame.
Therefore he too now at thy soul's sunsetting, God of all suns and songs, he too bends down To mix his laurel with thy cypress crown, And save thy dust from blame and from forgetting.
Therefore he too, seeing all thou wert and art, Compassionate, with sad and sacred heart, Mourns thee of many his children the last dead, And hollows with strange tears and alien sighs Thine unmelodious mouth and sunless eyes, And over thine irrevocable head Sheds light from the under skies.
And one weeps with him in the ways Lethean, And stains with tears her changing bosom chill; That obscure Venus of the hollow hill, That thing transform'd which was the Cytherean, With lips that lost their Grecian laugh divine Long since, and face no more call'd Erycine-- A ghost, a bitter and luxurious god.
Thee also with fair flesh and singing spell Did she, a sad and second prey, compel Into the footless places once more trod, And shadows hot from hell.
And now no sacred staff shall break in blossom, No choral salutation lure to light A spirit sick with perfume and sweet night And love's tired eyes and hands and barren bosom.
There is no help for these things; none to mend, And none to mar; not all our songs, O friend, Will make death clear or make life durable.
Howbeit with rose and ivy and wild vine And with wild notes about this dust of thine At least I fill the place where white dreams dwell And wreathe an unseen shrine.
Sleep; and if life was bitter to thee, pardon, If sweet, give thanks; thou hast no more to live; And to give thanks is good, and to forgive.
Out of the mystic and the mournful garden Where all day through thine hands in barren braid Wove the sick flowers of secrecy and shade, Green buds of sorrow and sin, and remnants gray, Sweet-smelling, pale with poison, sanguine-hearted, Passions that sprang from sleep and thoughts that started, Shall death not bring us all as thee one day Among the days departed? For thee, O now a silent soul, my brother, Take at my hands this garland, and farewell.
Thin is the leaf, and chill the wintry smell, And chill the solemn earth, a fatal mother, With sadder than the Niobean womb, And in the hollow of her breasts a tomb.
Content thee, howsoe'er, whose days are done; There lies not any troublous thing before, Nor sight nor sound to war against thee more, For whom all winds are quiet as the sun, All waters as the shore.
Written by James Tate | Create an image from this poem

Days of Pie and Coffee

 A motorist once said to me, 
and this was in the country, 
on a county lane, a motorist 
slowed his vehicle as I was 
walking my dear old collie,
Sithney, by the side of the road, 
and the motorist came to a halt 
mildly alarming both Sithney and myself, 
not yet accustomed to automobiles, 
and this particular motorist 
sent a little spasm of fright up our spines, 
which in turn panicked the driver a bit 
and it seemed as if we were off to a bad start, 
and that's when Sithney began to bark 
and the man could not be heard, that is, 
if he was speaking or trying to speak 
because I was commanding Sithnewy to be silent, 
though, indeed I was sympathetic 
to his emotional excitement.
It was, as I recall, a day of prodigious beauty.
April 21, 1932--clouds like the inside of your head explained.
Bluebirds, too numerous to mention.
The clover calling you by name.
And fields oozing green.
And this motorist from nowhere moving his lips like the wings of a butterfly and nothing coming out, and Sithney silent now.
He was no longer looking at us, but straight ahead where his election was in doubt.
"That's a fine dog," he said.
"Collies are made in heaven.
" Well, if I were a voting man I'd vote for you, I said.
"A bedoozling day to be lost in the country, I say.
Leastways, I am a misplaced individual.
" We introduced ourselves and swapped a few stories.
He was a veteran and a salesmen who didn't believe in his product-- I've forgotten what it was--hair restorer, parrot feed--and he enjoyed nothing more then a a day spent meandering the back roads in his jalopy.
I gave him directions to the Denton farm, but I doubt that he followed them, he didn't seem to be listening, and it was getting late and Sithney had an idea of his own and I don't know why I am remembering this now, just that he summed himself up by saying "I've missed too many boats" and all these years later I keep thinking that was a man who loved to miss boats, but he didn't miss them that much.


Written by Edwin Arlington Robinson | Create an image from this poem

John Brown

 Though for your sake I would not have you now 
So near to me tonight as now you are, 
God knows how much a stranger to my heart 
Was any cold word that I may have written; 
And you, poor woman that I made my wife,
You have had more of loneliness, I fear, 
Than I—though I have been the most alone, 
Even when the most attended.
So it was God set the mark of his inscrutable Necessity on one that was to grope, And serve, and suffer, and withal be glad For what was his, and is, and is to be, When his old bones, that are a burden now, Are saying what the man who carried them Had not the power to say.
Bones in a grave, Cover them as they will with choking earth, May shout the truth to men who put them there, More than all orators.
And so, my dear, Since you have cheated wisdom for the sake Of sorrow, let your sorrow be for you, This last of nights before the last of days, The lying ghost of what there is of me That is the most alive.
There is no death For me in what they do.
Their death it is They should heed most when the sun comes again To make them solemn.
There are some I know Whose eyes will hardly see their occupation, For tears in them—and all for one old man; For some of them will pity this old man, Who took upon himself the work of God Because he pitied millions.
That will be For them, I fancy, their compassionate Best way of saying what is best in them To say; for they can say no more than that, And they can do no more than what the dawn Of one more day shall give them light enough To do.
But there are many days to be, And there are many men to give their blood, As I gave mine for them.
May they come soon! May they come soon, I say.
And when they come, May all that I have said unheard be heard, Proving at last, or maybe not—no matter— What sort of madness was the part of me That made me strike, whether I found the mark Or missed it.
Meanwhile, I’ve a strange content, A patience, and a vast indifference To what men say of me and what men fear To say.
There was a work to be begun, And when the Voice, that I have heard so long, Announced as in a thousand silences An end of preparation, I began The coming work of death which is to be, That life may be.
There is no other way Than the old way of war for a new land That will not know itself and is tonight A stranger to itself, and to the world A more prodigious upstart among states Than I was among men, and so shall be Till they are told and told, and told again; For men are children, waiting to be told, And most of them are children all their lives.
The good God in his wisdom had them so, That now and then a madman or a seer May shake them out of their complacency And shame them into deeds.
The major file See only what their fathers may have seen, Or may have said they saw when they saw nothing.
I do not say it matters what they saw.
Now and again to some lone soul or other God speaks, and there is hanging to be done,— As once there was a burning of our bodies Alive, albeit our souls were sorry fuel.
But now the fires are few, and we are poised Accordingly, for the state’s benefit, A few still minutes between heaven and earth.
The purpose is, when they have seen enough Of what it is that they are not to see, To pluck me as an unripe fruit of treason, And then to fling me back to the same earth Of which they are, as I suppose, the flower— Not given to know the riper fruit that waits For a more comprehensive harvesting.
Yes, may they come, and soon.
Again I say, May they come soon!—before too many of them Shall be the bloody cost of our defection.
When hell waits on the dawn of a new state, Better it were that hell should not wait long,— Or so it is I see it who should see As far or farther into time tonight Than they who talk and tremble for me now, Or wish me to those everlasting fires That are for me no fear.
Too many fires Have sought me out and seared me to the bone— Thereby, for all I know, to temper me For what was mine to do.
If I did ill What I did well, let men say I was mad; Or let my name for ever be a question That will not sleep in history.
What men say I was will cool no cannon, dull no sword, Invalidate no truth.
Meanwhile, I was; And the long train is lighted that shall burn, Though floods of wrath may drench it, and hot feet May stamp it for a slight time into smoke That shall blaze up again with growing speed, Until at last a fiery crash will come To cleanse and shake a wounded hemisphere, And heal it of a long malignity That angry time discredits and disowns.
Tonight there are men saying many things; And some who see life in the last of me Will answer first the coming call to death; For death is what is coming, and then life.
I do not say again for the dull sake Of speech what you have heard me say before, But rather for the sake of all I am, And all God made of me.
A man to die As I do must have done some other work Than man’s alone.
I was not after glory, But there was glory with me, like a friend, Throughout those crippling years when friends were few, And fearful to be known by their own names When mine was vilified for their approval.
Yet friends they are, and they did what was given Their will to do; they could have done no more.
I was the one man mad enough, it seems, To do my work; and now my work is over.
And you, my dear, are not to mourn for me, Or for your sons, more than a soul should mourn In Paradise, done with evil and with earth.
There is not much of earth in what remains For you; and what there may be left of it For your endurance you shall have at last In peace, without the twinge of any fear For my condition; for I shall be done With plans and actions that have heretofore Made your days long and your nights ominous With darkness and the many distances That were between us.
When the silence comes, I shall in faith be nearer to you then Than I am now in fact.
What you see now Is only the outside of an old man, Older than years have made him.
Let him die, And let him be a thing for little grief.
There was a time for service and he served; And there is no more time for anything But a short gratefulness to those who gave Their scared allegiance to an enterprise That has the name of treason—which will serve As well as any other for the present.
There are some deeds of men that have no names, And mine may like as not be one of them.
I am not looking far for names tonight.
The King of Glory was without a name Until men gave Him one; yet there He was, Before we found Him and affronted Him With numerous ingenuities of evil, Of which one, with His aid, is to be swept And washed out of the world with fire and blood.
Once I believed it might have come to pass With a small cost of blood; but I was dreaming— Dreaming that I believed.
The Voice I heard When I left you behind me in the north,— To wait there and to wonder and grow old Of loneliness,—told only what was best, And with a saving vagueness, I should know Till I knew more.
And had I known even then— After grim years of search and suffering, So many of them to end as they began— After my sickening doubts and estimations Of plans abandoned and of new plans vain— After a weary delving everywhere For men with every virtue but the Vision— Could I have known, I say, before I left you That summer morning, all there was to know— Even unto the last consuming word That would have blasted every mortal answer As lightning would annihilate a leaf, I might have trembled on that summer morning; I might have wavered; and I might have failed.
And there are many among men today To say of me that I had best have wavered.
So has it been, so shall it always be, For those of us who give ourselves to die Before we are so parcelled and approved As to be slaughtered by authority.
We do not make so much of what they say As they of what our folly says of us; They give us hardly time enough for that, And thereby we gain much by losing little.
Few are alive to-day with less to lose.
Than I who tell you this, or more to gain; And whether I speak as one to be destroyed For no good end outside his own destruction, Time shall have more to say than men shall hear Between now and the coming of that harvest Which is to come.
Before it comes, I go— By the short road that mystery makes long For man’s endurance of accomplishment.
I shall have more to say when I am dead.
Written by Robert Graves | Create an image from this poem

Letter to S.S. from Mametz Wood

 I never dreamed we’d meet that day 
In our old haunts down Fricourt way, 
Plotting such marvellous journeys there 
For jolly old “Apr?s-la-guerre.
” Well, when it’s over, first we’ll meet At Gweithdy Bach, my country seat In Wales, a curious little shop With two rooms and a roof on top, A sort of Morlancourt-ish billet That never needs a crowd to fill it.
But oh, the country round about! The sort of view that makes you shout For want of any better way Of praising God: there’s a blue bay Shining in front, and on the right Snowden and Hebog capped with white, And lots of other jolly peaks That you could wonder at for weeks, With jag and spur and hump and cleft.
There’s a grey castle on the left, And back in the high Hinterland You’ll see the grave of Shawn Knarlbrand, Who slew the savage Buffaloon By the Nant-col one night in June, And won his surname from the horn Of this prodigious unicorn.
Beyond, where the two Rhinogs tower, Rhinog Fach and Rhinog Fawr, Close there after a four years’ chase From Thessaly and the woods of Thrace, The beaten Dog-cat stood at bay And growled and fought and passed away.
You’ll see where mountain conies grapple With prayer and creed in their rock chapel Which Ben and Claire once built for them; They call it S?ar Bethlehem.
You’ll see where in old Roman days, Before Revivals changed our ways, The Virgin ’scaped the Devil’s grab, Printing her foot on a stone slab With five clear toe-marks; and you’ll find The fiendish thumbprint close behind.
You’ll see where Math, Mathonwy’s son, Spoke with the wizard Gwydion And bad him from South Wales set out To steal that creature with the snout, That new-discovered grunting beast Divinely flavoured for the feast.
No traveller yet has hit upon A wilder land than Meirion, For desolate hills and tumbling stones, Bogland and melody and old bones.
Fairies and ghosts are here galore, And poetry most splendid, more Than can be written with the pen Or understood by common men.
In Gweithdy Bach we’ll rest awhile, We’ll dress our wounds and learn to smile With easier lips; we’ll stretch our legs, And live on bilberry tart and eggs, And store up solar energy, Basking in sunshine by the sea, Until we feel a match once more For anything but another war.
So then we’ll kiss our families, And sail across the seas (The God of Song protecting us) To the great hills of Caucasus.
Robert will learn the local bat For billeting and things like that, If Siegfried learns the piccolo To charm the people as we go.
The jolly peasants clad in furs Will greet the Welch-ski officers With open arms, and ere we pass Will make us vocal with Kavasse.
In old Bagdad we’ll call a halt At the S?shuns’ ancestral vault; We’ll catch the Persian rose-flowers’ scent, And understand what Omar meant.
Bitlis and Mush will know our faces, Tiflis and Tomsk, and all such places.
Perhaps eventually we’ll get Among the Tartars of Thibet.
Hobnobbing with the Chungs and Mings, And doing wild, tremendous things In free adventure, quest and fight, And God! what poetry we’ll write!
Written by Eugene Field | Create an image from this poem

The peter-bird

 Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened, And, when the story is told, let us pay heed to the lesson.
Once on a time, long ago, lived in the State of Kentucky One that was reckoned a witch--full of strange spells and devices; Nightly she wandered the woods, searching for charms voodooistic-- Scorpions, lizards, and herbs, dormice, chameleons, and plantains! Serpents and caw-caws and bats, screech-owls and crickets and adders-- These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning Ambled that hussy to brew spells of unspeakable evil; And, when the people awoke, seeing that hillside and valley Sweltered in swathes as of mist--"Look!" they would whisper in terror-- "Look! the old witch is at work brewing her spells of great evil!" Then would they pray till the sun, darting his rays through the vapor, Lifted the smoke from the earth and baffled the witch's intentions.
One of the boys at that time was a certain young person named Peter, Given too little to work, given too largely to dreaming; Fonder of books than of chores, you can imagine that Peter Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!" "Peter!" his father would cry, "go grub at the weeds in the garden!" So it was "Peter!" all day--calling, reminding, and chiding-- Peter neglected his work; therefore that nagging at Peter! Peter got hold of some books--how, I'm unable to tell you; Some have suspected the witch--this is no place for suspicions! It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes; What thing soever it was--done with a pen and a pencil, Wrought with a brain, not a hoe--surely 't was hostile to farming! "Fudge on all readin'!" they quoth; or "that's what's the ruin of Peter!" So, when the mornings were hot, under the beech or the maple, Cushioned in grass that was blue, breathing the breath of the blossoms, Lulled by the hum of the bees, the coo of the ring-doves a-mating, Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!" "Peter!" his father would cry, "go grub at the weeds in the garden!" "Peter!" and "Peter!" all day--calling, reminding, and chiding-- Peter neglected his chores; therefore that outcry for Peter; Therefore the neighbors allowed evil would surely befall him-- Yes, on account of these things, ruin would come upon Peter! Surely enough, on a time, reading and lazing and dreaming Wrought the calamitous ill all had predicted for Peter; For, of a morning in spring when lay the mist in the valleys-- "See," quoth the folk, "how the witch breweth her evil decoctions! See how the smoke from her fire broodeth on woodland and meadow! Grant that the sun cometh out to smother the smudge of her caldron! She hath been forth in the night, full of her spells and devices, Roaming the marshes and dells for heathenish magical nostrums; Digging in leaves and at stumps for centipedes, pismires, and spiders, Grubbing in poisonous pools for hot salamanders and toadstools; Charming the bats from the flues, snaring the lizards by twilight, Sucking the scorpion's egg and milking the breast of the adder!" Peter derided these things held in such faith by the farmer, Scouted at magic and charms, hooted at Jonahs and hoodoos-- Thinking and reading of books must have unsettled his reason! "There ain't no witches," he cried; "it isn't smoky, but foggy! I will go out in the wet--you all can't hender me, nuther!" Surely enough he went out into the damp of the morning, Into the smudge that the witch spread over woodland and meadow, Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor; Just as he said he would do, just as he bantered and threatened, Ere they could fasten the door, Peter had done gone and done it! Wasting his time over books, you see, had unsettled his reason-- Soddened his callow young brain with semi-pubescent paresis, And his neglect of his chores hastened this evil condition.
Out of the woods by the creek cometh a calling for Peter And from the orchard a voice echoes and echoes it over; Down in the pasture the sheep hear that shrill crying for Peter, Up from the spring house the wail stealeth anon like a whisper, Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter Decades and decades ago down in the State of Kentucky-- Such are the voices that cry now from the woodland and meadow, "Peter--O Peter!" all day, calling, reminding, and chiding-- Taking us back to the time when Peter he done gone and done it! These are the voices of those left by the boy in the farmhouse When, with his laughter and scorn, hatless and bootless and sockless, Clothed in his jeans and his pride, Peter sailed out in the weather, Broke from the warmth of his home into that fog of the devil, Into the smoke of that witch brewing her damnable porridge! Lo, when he vanished from sight, knowing the evil that threatened, Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"-- Ran from the house to the barn, ran from the barn to the garden, Ran to the corn-crib anon, then to the smoke-house proceeded; Henhouse and woodpile they passed, calling and wailing and weeping, Through the front gate to the road, braving the hideous vapor-- Sought him in lane and on pike, called him in orchard and meadow, Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins, Venting unspeakable fears in pitiful wailing for Peter! And from the neighboring farms gathered the men and the women, Who, upon hearing the news, swelled the loud chorus for Peter.
Farmers and hussifs and maids, bosses and field-hands and niggers, Colonels and jedges galore from cornfields and mint-beds and thickets, All that had voices to voice, all to those parts appertaining, Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the Logans, The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans; The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and Hardins, The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and Slaughters-- All, famed in Kentucky of old for prowess prodigious at farming, Now surged from their prosperous homes to join in that hunt for the truant, To ascertain where he was at, to help out the chorus for Peter.
Still on those prosperous farms where heirs and assigns of the people Specified hereinabove and proved by the records of probate-- Still on those farms shall you hear (and still on the turnpikes adjacent) That pitiful, petulant call, that pleading, expostulant wailing, That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people; That, wakened from slumber that day by the calling and bawling for Peter, She out of her cave in a thrice, and, waving the foot of a rabbit (Crossed with the caul of a coon and smeared with the blood of a chicken), She changed all those folk into birds and shrieked with demoniac venom: "Fly away over the land, moaning your Peter forever, Croaking of Peter, the boy who didn't believe there were hoodoos, Crooning of Peter, the fool who scouted at stories of witches, Crying of Peter for aye, forever outcalling for Peter!" This is the story they tell; so in good sooth saith the legend; As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning Come the shrill voices of birds calling and calling for Peter; Out of the maple and beech glitter the eyes of the wailers, Peeping and peering for him who formerly lived in these places-- Peter, the heretic lad, lazy and careless and dreaming, Sorely afflicted with books and with pubescent paresis, Hating the things of the farm, care of the barn and the garden, Always neglecting his chores--given to books and to reading, Which, as all people allow, turn the young person to mischief, Harden his heart against toil, wean his affections from tillage.
This is the legend of yore told in the state of Kentucky When in the springtime the birds call from the beeches and maples, Call from the petulant thorn, call from the acrid persimmon; When from the woods by the creek and from the pastures and meadows, When from the spring house and lane and from the mint-bed and orchard, When from the redbud and gum and from the redolent lilac, When from the dirt roads and pikes cometh that calling for Peter; Cometh the dolorous cry, cometh that weird iteration Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever! This is the legend of old, told in the tum-titty meter Which the great poets prefer, being less labor than rhyming (My first attempt at the same, my last attempt, too, I reckon!); Nor have I further to say, for the sad story is ended.
Written by Ben Jonson | Create an image from this poem

A Pindaric Ode

 THE TURN
Brave infant of Saguntum, clear
Thy coming forth in that great year,
When the prodigious Hannibal did crown
His rage with razing your immortal town.
Thou looking then about, Ere thou wert half got out, Wise child, didst hastily return, And mad'st thy mother's womb thine urn.
How summ'd a circle didst thou leave mankind Of deepest lore, could we the centre find! THE COUNTER-TURN Did wiser nature draw thee back, From out the horror of that sack; Where shame, faith, honour, and regard of right, Lay trampled on? The deeds of death and night Urg'd, hurried forth, and hurl'd Upon th' affrighted world; Sword, fire and famine with fell fury met, And all on utmost ruin set: As, could they but life's miseries foresee, No doubt all infants would return like thee.
THE STAND For what is life, if measur'd by the space, Not by the act? Or masked man, if valu'd by his face, Above his fact? Here's one outliv'd his peers And told forth fourscore years: He vexed time, and busied the whole state; Troubled both foes and friends; But ever to no ends: What did this stirrer but die late? How well at twenty had he fall'n or stood! For three of his four score he did no good.
THE TURN He enter'd well, by virtuous parts Got up, and thriv'd with honest arts; He purchas'd friends, and fame, and honours then, And had his noble name advanc'd with men; But weary of that flight, He stoop'd in all men's sight To sordid flatteries, acts of strife, And sunk in that dead sea of life, So deep, as he did then death's waters sup, But that the cork of title buoy'd him up.
THE COUNTER-TURN Alas, but Morison fell young! He never fell,--thou fall'st, my tongue.
He stood, a soldier to the last right end, A perfect patriot and a noble friend; But most, a virtuous son.
All offices were done By him, so ample, full, and round, In weight, in measure, number, sound, As, though his age imperfect might appear, His life was of humanity the sphere.
THE STAND Go now, and tell out days summ'd up with fears, And make them years; Produce thy mass of miseries on the stage, To swell thine age; Repeat of things a throng, To show thou hast been long, Not liv'd; for life doth her great actions spell, By what was done and wrought In season, and so brought To light: her measures are, how well Each syllabe answer'd, and was form'd, how fair; These make the lines of life, and that's her air.
THE TURN It is not growing like a tree In bulk, doth make men better be; Or standing long an oak, three hundred year, To fall a log at last, dry, bald, and sear: A lily of a day Is fairer far, in May, Although it fall and die that night, It was the plant and flower of light.
In small proportions we just beauties see; And in short measures life may perfect be.
THE COUNTER-TURN Call, noble Lucius, then, for wine, And let thy looks with gladness shine; Accept this garland, plant it on thy head, And think, nay know, thy Morison's not dead.
He leap'd the present age, Possest with holy rage, To see that bright eternal day; Of which we priests and poets say Such truths as we expect for happy men; And there he lives with memory, and Ben THE STAND Jonson, who sung this of him, ere he went Himself, to rest, Or taste a part of that full joy he meant To have exprest, In this bright asterism, Where it were friendship's schism, Were not his Lucius long with us to tarry, To separate these twi{-} Lights, the Dioscuri, And keep the one half from his Harry.
But fate doth so alternate the design, Whilst that in heav'n, this light on earth must shine.
THE TURN And shine as you exalted are; Two names of friendship, but one star: Of hearts the union, and those not by chance Made, or indenture, or leas'd out t' advance The profits for a time.
No pleasures vain did chime, Of rhymes, or riots, at your feasts, Orgies of drink, or feign'd protests; But simple love of greatness and of good, That knits brave minds and manners more than blood.
THE COUNTER-TURN This made you first to know the why You lik'd, then after, to apply That liking; and approach so one the t'other Till either grew a portion of the other; Each styled by his end, The copy of his friend.
You liv'd to be the great surnames And titles by which all made claims Unto the virtue: nothing perfect done, But as a Cary or a Morison.
THE STAND And such a force the fair example had, As they that saw The good and durst not practise it, were glad That such a law Was left yet to mankind; Where they might read and find Friendship, indeed, was written not in words: And with the heart, not pen, Of two so early men, Whose lines her rolls were, and records; Who, ere the first down bloomed on the chin, Had sow'd these fruits, and got the harvest in.
Written by Edward Taylor | Create an image from this poem

Days of Pie and Coffee

 A motorist once said to me, 
and this was in the country, 
on a county lane, a motorist 
slowed his vehicle as I was 
walking my dear old collie,
Sithney, by the side of the road, 
and the motorist came to a halt 
mildly alarming both Sithney and myself, 
not yet accustomed to automobiles, 
and this particular motorist 
sent a little spasm of fright up our spines, 
which in turn panicked the driver a bit 
and it seemed as if we were off to a bad start, 
and that's when Sithney began to bark 
and the man could not be heard, that is, 
if he was speaking or trying to speak 
because I was commanding Sithnewy to be silent, 
though, indeed I was sympathetic 
to his emotional excitement.
It was, as I recall, a day of prodigious beauty.
April 21, 1932--clouds like the inside of your head explained.
Bluebirds, too numerous to mention.
The clover calling you by name.
And fields oozing green.
And this motorist from nowhere moving his lips like the wings of a butterfly and nothing coming out, and Sithney silent now.
He was no longer looking at us, but straight ahead where his election was in doubt.
"That's a fine dog," he said.
"Collies are made in heaven.
" Well, if I were a voting man I'd vote for you, I said.
"A bedoozling day to be lost in the country, I say.
Leastways, I am a misplaced individual.
" We introduced ourselves and swapped a few stories.
He was a veteran and a salesmen who didn't believe in his product-- I've forgotten what it was--hair restorer, parrot feed--and he enjoyed nothing more then a a day spent meandering the back roads in his jalopy.
I gave him directions to the Denton farm, but I doubt that he followed them, he didn't seem to be listening, and it was getting late and Sithney had an idea of his own and I don't know why I am remembering this now, just that he summed himself up by saying "I've missed too many boats" and all these years later I keep thinking that was a man who loved to miss boats, but he didn't miss them that much.

Book: Shattered Sighs