Written by
Oliver Wendell Holmes |
I WROTE some lines once on a time
In wondrous merry mood,
And thought, as usual, men would say
They were exceeding good.
They were so *****, so very *****,
I laughed as I would die;
Albeit, in the general way,
A sober man am I.
I called my servant, and he came;
How kind it was of him
To mind a slender man like me,
He of the mighty limb.
"These to the printer," I exclaimed,
And, in my humorous way,
I added, (as a trifling jest,)
"There'll be the devil to pay."
He took the paper, and I watched,
And saw him peep within;
At the first line he read, his face
Was all upon the grin.
He read the next; the grin grew broad,
And shot from ear to ear;
He read the third; a chuckling noise
I now began to hear.
The fourth; he broke into a roar;
The fifth; his waistband split;
The sixth; he burst five buttons off,
And tumbled in a fit.
Ten days and nights, with sleepless eye,
I watched that wretched man,
And since, I never dare to write
As funny as I can.
|
Written by
Elizabeth Bishop |
Land lies in water; it is shadowed green.
Shadows, or are they shallows, at its edges
showing the line of long sea-weeded ledges
where weeds hang to the simple blue from green.
Or does the land lean down to lift the sea from under,
drawing it unperturbed around itself?
Along the fine tan sandy shelf
is the land tugging at the sea from under?
The shadow of Newfoundland lies flat and still.
Labrador's yellow, where the moony Eskimo
has oiled it. We can stroke these lovely bays,
under a glass as if they were expected to blossom,
or as if to provide a clean cage for invisible fish.
The names of seashore towns run out to sea,
the names of cities cross the neighboring mountains
--the printer here experiencing the same excitement
as when emotion too far exceeds its cause.
These peninsulas take the water between thumb and finger
like women feeling for the smoothness of yard-goods.
Mapped waters are more quiet than the land is,
lending the land their waves' own conformation:
and Norway's hare runs south in agitation,
profiles investigate the sea, where land is.
Are they assigned, or can the countries pick their colors?
--What suits the character or the native waters best.
Topography displays no favorites; North's as near as West.
More delicate than the historians' are the map-makers' colors.
|
Written by
Vachel Lindsay |
The whole world on a raft! A King is here,
The record of his grandeur but a smear.
Is it his deacon-beard, or old bald pate
That makes the band upon his whims to wait?
Loot and mud-honey have his soul defiled.
Quack, pig, and priest, he drives camp-meetings wild
Until they shower their pennies like spring rain
That he may preach upon the Spanish main.
What landlord, lawyer, voodoo-man has yet
A better native right to make men sweat?
The whole world on a raft! A Duke is here
At sight of whose lank jaw the muses leer.
Journeyman-printer, lamb with ferret eyes,
In life's skullduggery he takes the prize —
Yet stands at twilight wrapped in Hamlet dreams.
Into his eyes the Mississippi gleams.
The sandbar sings in moonlit veils of foam.
A candle shines from one lone cabin home.
The waves reflect it like a drunken star.
A banjo and a hymn are heard afar.
No solace on the lazy shore excels
The Duke's blue castle with its steamer-bells.
The floor is running water, and the roof
The stars' brocade with cloudy warp and woof.
And on past sorghum fields the current swings.
To Christian Jim the Mississippi sings.
This prankish wave-swept barque has won its place,
A ship of jesting for the human race.
But do you laugh when Jim bows down forlorn
His babe, his deaf Elizabeth to mourn?
And do you laugh, when Jim, from Huck apart
Gropes through the rain and night with breaking heart?
But now that imp is here and we can smile,
Jim's child and guardian this long-drawn while.
With knife and heavy gun, a hunter keen,
He stops for squirrel-meat in islands green.
The eternal gamin, sleeping half the day,
Then stripped and sleek, a river-fish at play.
And then well-dressed, ashore, he sees life spilt.
The river-bank is one bright crazy-quilt
Of patch-work dream, of wrath more red than lust,
Where long-haired feudist Hotspurs bite the dust...
This Huckleberry Finn is but the race,
America, still lovely in disgrace,
New childhood of the world, that blunders on
And wonders at the darkness and the dawn,
The poor damned human race, still unimpressed
With its damnation, all its gamin breast
Chorteling at dukes and kings with ****** Jim,
Then plotting for their fall, with jestings grim.
Behold a Republic
Where a river speaks to men
And cries to those that love its ways,
Answering again
When in the heart's extravagance
The rascals bend to say
"O singing Mississippi
Shine, sing for us today."
But who is this in sweeping Oxford gown
Who steers the raft, or ambles up and down,
Or throws his gown aside, and there in white
Stands gleaming like a pillar of the night?
The lion of high courts, with hoary mane,
Fierce jester that this boyish court will gain —
Mark Twain!
The bad world's idol:
Old Mark Twain!
He takes his turn as watchman with the rest,
With secret transports to the stars addressed,
With nightlong broodings upon cosmic law,
With daylong laughter at this world so raw.
All praise to Emerson and Whitman, yet
The best they have to say, their sons forget.
But who can dodge this genius of the stream,
The Mississippi Valley's laughing dream?
He is the artery that finds the sea
In this the land of slaves, and boys still free.
He is the river, and they one and all
Sail on his breast, and to each other call.
Come let us disgrace ourselves,
Knock the stuffed gods from their shelves,
And cinders at the schoolhouse fling.
Come let us disgrace ourselves,
And live on a raft with gray Mark Twain
And Huck and Jim
And the Duke and the King.
|
Written by
Robert Louis Stevenson |
1
Some day soon this rhyming volume, if you learn with proper speed,
Little Louis Sanchez, will be given you to read.
Then you shall discover, that your name was printed down
By the English printers, long before, in London town.
In the great and busy city where the East and West are met,
All the little letters did the English printer set;
While you thought of nothing, and were still too young to play,
Foreign people thought of you in places far away.
Ay, and when you slept, a baby, over all the English lands
Other little children took the volume in their hands;
Other children questioned, in their homes across the seas:
Who was little Louis, won't you tell us, mother, please?
2
Now that you have spelt your lesson, lay it down and go and play,
Seeking shells and seaweed on the sands of Monterey,
Watching all the mighty whalebones, lying buried by the breeze,
Tiny sandpipers, and the huge Pacific seas.
And remember in your playing, as the sea-fog rolls to you,
Long ere you could read it, how I told you what to do;
And that while you thought of no one, nearly half the world away
Some one thought of Louis on the beach of Monterey!
|
Written by
Robert William Service |
I do not write for love of pelf,
Nor lust for phantom fame;
I do not rhyme to please myself,
Nor yet to win acclaim:
No, strange to say it is my plan,
What gifts I have, to lavish
Upon a simple working man
MACTAVISH.
For that's the rather smeary name,
Of dreary toil a hinter,
That heads the galley proofs that came
This morning from my printer;
My patient pencil much they need,
Yet how my eyes they ravish,
As at the top of each I read:
MACTAVISH.
Who is the meek and modest man,
Who puffs no doubt a pipe,
And has my manuscript to scan,
And put in magic type?
Somehow I'm glad that he is not
Iberian or Slavish -
I hail him as a brother Scot,
MACTAVISH.
I do not want to bore him with
My work, I make it snappy;
For even though his name were Smith,
I'd like him to be happy.
I hope, because I'm stumped for rhyme,
He will not think me knavish,
If I should call him just this time:
MACTAVISH.
Forgive me, Friend Mactavish. I
No doubt have cost you curses;
I'm sorry for you as you try
To put my type in verses;
And though new names I know you by,
When of new books creator,
I'll always look on you as my
COLLABORATOR.
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