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Best Famous Primordial Poems

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Written by C S Lewis | Create an image from this poem

On Being Human

 Angelic minds, they say, by simple intelligence 
Behold the Forms of nature.
They discern Unerringly the Archtypes, all the verities Which mortals lack or indirectly learn.
Transparent in primordial truth, unvarying, Pure Earthness and right Stonehood from their clear, High eminence are seen; unveiled, the seminal Huge Principles appear.
The Tree-ness of the tree they know-the meaning of Arboreal life, how from earth's salty lap The solar beam uplifts it; all the holiness Enacted by leaves' fall and rising sap; But never an angel knows the knife-edged severance Of sun from shadow where the trees begin, The blessed cool at every pore caressing us -An angel has no skin.
They see the Form of Air; but mortals breathing it Drink the whole summer down into the breast.
The lavish pinks, the field new-mown, the ravishing Sea-smells, the wood-fire smoke that whispers Rest.
The tremor on the rippled pool of memory That from each smell in widening circles goes, The pleasure and the pang --can angels measure it? An angel has no nose.
The nourishing of life, and how it flourishes On death, and why, they utterly know; but not The hill-born, earthy spring, the dark cold bilberries.
The ripe peach from the southern wall still hot Full-bellied tankards foamy-topped, the delicate Half-lyric lamb, a new loaf's billowy curves, Nor porridge, nor the tingling taste of oranges.
—An angel has no nerves.
Far richer they! I know the senses' witchery Guards us like air, from heavens too big to see; Imminent death to man that barb'd sublimity And dazzling edge of beauty unsheathed would be.
Yet here, within this tiny, charmed interior, This parlour of the brain, their Maker shares With living men some secrets in a privacy Forever ours, not theirs.


Written by Vachel Lindsay | Create an image from this poem

The Tale of the Tiger-Tree

 A Fantasy, dedicated to the little poet Alice Oliver Henderson, ten years old.
The Fantasy shows how tiger-hearts are the cause of war in all ages.
It shows how the mammoth forces may be either friends or enemies of the struggle for peace.
It shows how the dream of peace is unconquerable and eternal.
I Peace-of-the-Heart, my own for long, Whose shining hair the May-winds fan, Making it tangled as they can, A mystery still, star-shining yet, Through ancient ages known to me And now once more reborn with me: — This is the tale of the Tiger Tree A hundred times the height of a man, Lord of the race since the world began.
This is my city Springfield, My home on the breast of the plain.
The state house towers to heaven, By an arsenal gray as the rain.
.
.
And suddenly all is mist, And I walk in a world apart, In the forest-age when I first knelt down At your feet, O Peace-of-the-Heart.
This is the wonder of twilight: Three times as high as the dome Tiger-striped trees encircle the town, Golden geysers of foam.
While giant white parrots sail past in their pride.
The roofs now are clouds and storms that they ride.
And there with the huntsmen of mound-builder days Through jungle and meadow I stride.
And the Tiger Tree leaf is falling around As it fell when the world began: Like a monstrous tiger-skin, stretched on the ground, Or the cloak of a medicine man.
A deep-crumpled gossamer web, Fringed with the fangs of a snake.
The wind swirls it down from the leperous boughs.
It shimmers on clay-hill and lake, With the gleam of great bubbles of blood, Or coiled like a rainbow shell.
.
.
.
I feast on the stem of the Leaf as I march.
I am burning with Heaven and Hell.
II The gray king died in his hour.
Then we crowned you, the prophetess wise: Peace-of-the-Heart we deeply adored For the witchcraft hid in your eyes.
Gift from the sky, overmastering all, You sent forth your magical parrots to call The plot-hatching prince of the tigers, To your throne by the red-clay wall.
Thus came that genius insane: Spitting and slinking, Sneering and vain, He sprawled to your grassy throne, drunk on The Leaf, The drug that was cunning and splendor and grief.
He had fled from the mammoth by day, He had blasted the mammoth by night, War was his drunkenness, War was his dreaming, War was his love and his play.
And he hissed at your heavenly glory While his councillors snarled in delight, Asking in irony: "What shall we learn From this whisperer, fragile and white?" And had you not been an enchantress They would not have loitered to mock Nor spared your white parrots who walked by their paws With bantering venturesome talk.
You made a white fire of The Leaf.
You sang while the tiger-chiefs hissed.
You chanted of "Peace to the wonderful world.
" And they saw you in dazzling mist.
And their steps were no longer insane, Kindness came down like the rain, They dreamed that like fleet young ponies they feasted On succulent grasses and grain.
Then came the black-mammoth chief: Long-haired and shaggy and great, Proud and sagacious he marshalled his court: (You had sent him your parrots of state.
) His trunk in rebellion upcurled, A curse at the tiger he hurled.
Huge elephants trumpeted there by his side, And mastodon-chiefs of the world.
But higher magic began.
For the turbulent vassals of man.
You harnessed their fever, you conquered their ire, Their hearts turned to flowers through holy desire, For their darling and star you were crowned, And their raging demons were bound.
You rode on the back of the yellow-streaked king, His loose neck was wreathed with a mistletoe ring.
Primordial elephants loomed by your side, And our clay-painted children danced by your path, Chanting the death of the kingdoms of wrath.
You wrought until night with us all.
The fierce brutes fawned at your call, Then slipped to their lairs, song-chained.
And thus you sang sweetly, and reigned: "Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer, And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee, We hew down every Tiger Tree, We send each tiger bound in love and glory to his den, Bound in love.
.
.
and wisdom.
.
.
and glory,.
.
.
to his den.
" III "Beware of the trumpeting swine," Came the howl from the northward that night.
Twice-rebel tigers warning was still If we held not beside them it boded us ill.
From the parrots translating the cry, And the apes in the trees came the whine: "Beware of the trumpeting swine.
Beware of the faith of a mammoth.
" "Beware of the faith of a tiger," Came the roar from the southward that night.
Trumpeting mammoths warning us still If we held not beside them it boded us ill.
The frail apes wailed to us all, The parrots reëchoed the call: "Beware of the faith of a tiger.
" From the heights of the forest the watchers could see The tiger-cats crunching the Leaf of the Tree Lashing themselves, and scattering foam, Killing our huntsmen, hurrying home.
The chiefs of the mammoths our mastery spurned, And eastward restlessly fumed and burned.
The peacocks squalled out the news of their drilling And told how they trampled, maneuvered, and turned.
Ten thousand man-hating tigers Whirling down from the north, like a flood! Ten thousand mammoths oncoming From the south as avengers of blood! Our child-queen was mourning, her magic was dead, The roots of the Tiger Tree reeking with red.
IV This is the tale of the Tiger Tree A hundred times the height of a man, Lord of the race since the world began.
We marched to the mammoths, We pledged them our steel, And scorning you, sang: — "We are men, We are men.
" We mounted their necks, And they stamped a wide reel.
We sang: "We are fighting the hell-cats again, We are mound-builder men, We are elephant men.
" We left you there, lonely, Beauty your power, Wisdom your watchman, To hold the clay tower.
While the black-mammoths boomed — "You are elephant men, Men, Men, Elephant men.
" The dawn-winds prophesied battles untold.
While the Tiger Trees roared of the glories of old, Of the masterful spirits and hard.
The drunken cats came in their joy In the sunrise, a glittering wave.
"We are tigers, are tigers," they yowled.
"Down, Down, Go the swine to the grave.
" But we tramp Tramp Trampled them there, Then charged with our sabres and spears.
The swish of the sabre, The swish of the sabre, Was a marvellous tune in our ears.
We yelled "We are men, We are men.
" As we bled to death in the sun.
.
.
.
Then staunched our horrible wounds With the cry that the battle was won.
.
.
.
And at last, When the black-mammoth legion Split the night with their song: — "Right is braver than wrong, Right is stronger than wrong," The buzzards came taunting: "Down from the north Tiger-nations are sweeping along.
" Then we ate of the ravening Leaf As our savage fathers of old.
No longer our wounds made us weak, No longer our pulses were cold.
Though half of my troops were afoot, (For the great who had borne them were slain) We dreamed we were tigers, and leaped And foamed with that vision insane.
We cried "We are soldiers of doom, Doom, Sabres of glory and doom.
" We wreathed the king of the mammoths In the tiger-leaves' terrible bloom.
We flattered the king of the mammoths, Loud-rattling sabres and spears.
The swish of the sabre, The swish of the sabre, Was a marvellous tune in his ears.
V This was the end of the battle.
The tigers poured by in a tide Over us all with their caterwaul call, "We are the tigers," They cried.
"We are the sabres," They cried.
But we laughed while our blades swept wide, While the dawn-rays stabbed through the gloom.
"We are suns on fire" was our yell — "Suns on fire.
".
.
.
But man-child and mastodon fell, Mammoth and elephant fell.
The fangs of the devil-cats closed on the world, Plunged it to blackness and doom.
The desolate red-clay wall Echoed the parrots' call: — "Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer, And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee, We hew down every Tiger Tree, We send each tiger bound in love and glory to his den, Bound in love.
.
.
and wisdom.
.
.
and glory,.
.
.
to his den.
" A peacock screamed of his beauty On that broken wall by the trees, Chiding his little mate, Spreading his fans in the breeze.
.
.
And you, with eyes of a bride, Knelt on the wall at my side, The deathless song in your mouth.
.
.
A million new tigers swept south.
.
.
As we laughed at the peacock, and died.
This is my vision in Springfield: Three times as high as the dome, Tiger-striped trees encircle the town, Golden geysers of foam; — Though giant white parrots sail past, giving voice, Though I walk with Peace-of-the-Heart and rejoice.
Written by Edwin Arlington Robinson | Create an image from this poem

Octaves

 I 

We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel -- 
We dare not feel it yet -- the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment
Is always and unfailingly at hand.
II Tumultuously void of a clean scheme Whereon to build, whereof to formulate, The legion life that riots in mankind Goes ever plunging upward, up and down, Most like some crazy regiment at arms, Undisciplined of aught but Ignorance, And ever led resourcelessly along To brainless carnage by drunk trumpeters.
III To me the groaning of world-worshippers Rings like a lonely music played in hell By one with art enough to cleave the walls Of heaven with his cadence, but without The wisdom or the will to comprehend The strangeness of his own perversity, And all without the courage to deny The profit and the pride of his defeat.
IV While we are drilled in error, we are lost Alike to truth and usefulness.
We think We are great warriors now, and we can brag Like Titans; but the world is growing young, And we, the fools of time, are growing with it: -- We do not fight to-day, we only die; We are too proud of death, and too ashamed Of God, to know enough to be alive.
V There is one battle-field whereon we fall Triumphant and unconquered; but, alas! We are too fleshly fearful of ourselves To fight there till our days are whirled and blurred By sorrow, and the ministering wheels Of anguish take us eastward, where the clouds Of human gloom are lost against the gleam That shines on Thought's impenetrable mail.
VI When we shall hear no more the cradle-songs Of ages -- when the timeless hymns of Love Defeat them and outsound them -- we shall know The rapture of that large release which all Right science comprehends; and we shall read, With unoppressed and unoffended eyes, That record of All-Soul whereon God writes In everlasting runes the truth of Him.
VII The guerdon of new childhood is repose: -- Once he has read the primer of right thought, A man may claim between two smithy strokes Beatitude enough to realize God's parallel completeness in the vague And incommensurable excellence That equitably uncreates itself And makes a whirlwind of the Universe.
VIII There is no loneliness: -- no matter where We go, nor whence we come, nor what good friends Forsake us in the seeming, we are all At one with a complete companionship; And though forlornly joyless be the ways We travel, the compensate spirit-gleams Of Wisdom shaft the darkness here and there, Like scattered lamps in unfrequented streets.
IX When one that you and I had all but sworn To be the purest thing God ever made Bewilders us until at last it seems An angel has come back restigmatized, -- Faith wavers, and we wonder what there is On earth to make us faithful any more, But never are quite wise enough to know The wisdom that is in that wonderment.
X Where does a dead man go? -- The dead man dies; But the free life that would no longer feed On fagots of outburned and shattered flesh Wakes to a thrilled invisible advance, Unchained (or fettered else) of memory; And when the dead man goes it seems to me 'T were better for us all to do away With weeping, and be glad that he is gone.
XI So through the dusk of dead, blank-legended, And unremunerative years we search To get where life begins, and still we groan Because we do not find the living spark Where no spark ever was; and thus we die, Still searching, like poor old astronomers Who totter off to bed and go to sleep, To dream of untriangulated stars.
XII With conscious eyes not yet sincere enough To pierce the glimmered cloud that fluctuates Between me and the glorifying light That screens itself with knowledge, I discern The searching rays of wisdom that reach through The mist of shame's infirm credulity, And infinitely wonder if hard words Like mine have any message for the dead.
XIII I grant you friendship is a royal thing, But none shall ever know that royalty For what it is till he has realized His best friend in himself.
'T is then, perforce, That man's unfettered faith indemnifies Of its own conscious freedom the old shame, And love's revealed infinitude supplants Of its own wealth and wisdom the old scorn.
XIV Though the sick beast infect us, we are fraught Forever with indissoluble Truth, Wherein redress reveals itself divine, Transitional, transcendent.
Grief and loss, Disease and desolation, are the dreams Of wasted excellence; and every dream Has in it something of an ageless fact That flouts deformity and laughs at years.
XV We lack the courage to be where we are: -- We love too much to travel on old roads, To triumph on old fields; we love too much To consecrate the magic of dead things, And yieldingly to linger by long walls Of ruin, where the ruinous moonlight That sheds a lying glory on old stones Befriends us with a wizard's enmity.
XVI Something as one with eyes that look below The battle-smoke to glimpse the foeman's charge, We through the dust of downward years may scan The onslaught that awaits this idiot world Where blood pays blood for nothing, and where life Pays life to madness, till at last the ports Of gilded helplessness be battered through By the still crash of salvatory steel.
XVII To you that sit with Sorrow like chained slaves, And wonder if the night will ever come, I would say this: The night will never come, And sorrow is not always.
But my words Are not enough; your eyes are not enough; The soul itself must insulate the Real, Or ever you do cherish in this life -- In this life or in any life -- repose.
XVIII Like a white wall whereon forever breaks Unsatisfied the tumult of green seas, Man's unconjectured godliness rebukes With its imperial silence the lost waves Of insufficient grief.
This mortal surge That beats against us now is nothing else Than plangent ignorance.
Truth neither shakes Nor wavers; but the world shakes, and we shriek.
XIX Nor jewelled phrase nor mere mellifluous rhyme Reverberates aright, or ever shall, One cadence of that infinite plain-song Which is itself all music.
Stronger notes Than any that have ever touched the world Must ring to tell it -- ring like hammer-blows, Right-echoed of a chime primordial, On anvils, in the gleaming of God's forge.
XX The prophet of dead words defeats himself: Whoever would acknowledge and include The foregleam and the glory of the real, Must work with something else than pen and ink And painful preparation: he must work With unseen implements that have no names, And he must win withal, to do that work, Good fortitude, clean wisdom, and strong skill.
XXI To curse the chilled insistence of the dawn Because the free gleam lingers; to defraud The constant opportunity that lives Unchallenged in all sorrow; to forget For this large prodigality of gold That larger generosity of thought, -- These are the fleshly clogs of human greed, The fundamental blunders of mankind.
XXII Forebodings are the fiends of Recreance; The master of the moment, the clean seer Of ages, too securely scans what is, Ever to be appalled at what is not; He sees beyond the groaning borough lines Of Hell, God's highways gleaming, and he knows That Love's complete communion is the end Of anguish to the liberated man.
XXIII Here by the windy docks I stand alone, But yet companioned.
There the vessel goes, And there my friend goes with it; but the wake That melts and ebbs between that friend and me Love's earnest is of Life's all-purposeful And all-triumphant sailing, when the ships Of Wisdom loose their fretful chains and swing Forever from the crumbled wharves of Time.
Written by William Butler Yeats | Create an image from this poem

Supernatural Songs

 I.
Ribh at the Tomb of Baile and Aillinn Because you have found me in the pitch-dark night With open book you ask me what I do.
Mark and digest my tale, carry it afar To those that never saw this tonsured head Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak, All know their tale, all know what leaf and twig, What juncture of the apple and the yew, Surmount their bones; but speak what none have heard.
The miracle that gave them such a death Transfigured to pure substance what had once Been bone and sinew; when such bodies join There is no touching here, nor touching there, Nor straining joy, but whole is joined to whole; For the intercourse of angels is a light Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above The trembling of the apple and the yew, Here on the anniversary of their death, The anniversary of their first embrace, Those lovers, purified by tragedy, Hurry into each other's arms; these eyes, By water, herb and solitary prayer Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light Lies in a circle on the grass; therein I turn the pages of my holy book.
II.
Ribh denounces Patrick An abstract Greek absurdity has crazed the man - Recall that masculine Trinity.
Man, woman, child (daughter or son), That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets Godhead, For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind; When the conflagration of their passion sinks, damped by the body or the mind, That juggling nature mounts, her coil in their embraces twined.
The mirror-scaled serpent is multiplicity, But all that run in couples, on earth, in flood or air, share God that is but three, And could beget or bear themselves could they but love as He.
III.
Ribh in Ecstasy What matter that you understood no word! Doubtless I spoke or sang what I had heard In broken sentences.
My soul had found All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot Godhead.
Some shadow fell.
My soul forgot Those amorous cries that out of quiet come And must the common round of day resume.
IV.
There There all the barrel-hoops are knit, There all the serpent-tails are bit, There all the gyres converge in one, There all the planets drop in the Sun.
V.
Ribh considers Christian Love insufficient Why should I seek for love or study it? It is of God and passes human wit.
I study hatred with great diligence, For that's a passion in my own control, A sort of besom that can clear the soul Of everything that is not mind or sense.
Why do I hate man, woman or event? That is a light my jealous soul has sent.
From terror and deception freed it can Discover impurities, can show at last How soul may walk when all such things are past, How soul could walk before such things began.
Then my delivered soul herself shall learn A darker knowledge and in hatred turn From every thought of God mankind has had.
Thought is a garment and the soul's a bride That cannot in that trash and tinsel hide: Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure A bodily or mental furniture.
What can she take until her Master give! Where can she look until He make the show! What can she know until He bid her know! How can she live till in her blood He live! VI.
He and She As the moon sidles up Must she sidle up, As trips the scared moon Away must she trip: 'His light had struck me blind Dared I stop".
She sings as the moon sings: 'I am I, am I; The greater grows my light The further that I fly.
' All creation shivers With that sweet cry.
VII.
What Magic Drum? He holds him from desire, all but stops his breathing lest primordial Motherhood forsake his limbs, the child no longer rest, Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum? Down limb and breast or down that glimmering belly move his mouth and sinewy tongue.
What from the forest came? What beast has licked its young? VIII.
Whence had they come? Eternity is passion, girl or boy Cry at the onset of their sexual joy 'For ever and for ever'; then awake Ignorant what Dramatis personae spake; A passion-driven exultant man sings out Sentences that he has never thought; The Flagellant lashes those submissive loins Ignorant what that dramatist enjoins, What master made the lash.
Whence had they come, The hand and lash that beat down frigid Rome? What sacred drama through her body heaved When world-transforming Charlemagne was conceived? IX.
The Four Ages of Man He with body waged a fight, But body won; it walks upright.
Then he struggled with the heart; Innocence and peace depart.
Then he struggled with the mind; His proud heart he left behind.
Now his wars on God begin; At stroke of midnight God shall win.
X.
Conjunctions If Jupiter and Saturn meet, What a cop of mummy wheat! The sword's a cross; thereon He died: On breast of Mars the goddess sighed.
XI.
A Needle's Eye All the stream that's roaring by Came out of a needle's eye; Things unborn, things that are gone, From needle's eye still goad it on.
XII.
Meru Civilisation is hooped together, brought Under a mle, under the semblance of peace By manifold illusion; but man's life is thought, And he, despite his terror, cannot cease Ravening through century after century, Ravening, raging, and uprooting that he may come Into the desolation of reality: Egypt and Greece, good-bye, and good-bye, Rome! Hermits upon Mount Meru or Everest, Caverned in night under the drifted snow, Or where that snow and winter's dreadful blast Beat down upon their naked bodies, know That day brings round the night, that before dawn His glory and his monuments are gone.
Written by Anne Sexton | Create an image from this poem

The Death Baby

 1.
DREAMS I was an ice baby.
I turned to sky blue.
My tears became two glass beads.
My mouth stiffened into a dumb howl.
They say it was a dream but I remember that hardening.
My sister at six dreamt nightly of my death: "The baby turned to ice.
Someone put her in the refrigerator and she turned as hard as a Popsicle.
" I remember the stink of the liverwurst.
How I was put on a platter and laid between the mayonnaise and the bacon.
The rhythm of the refrigerator had been disturbed.
The milk bottle hissed like a snake.
The tomatoes vomited up their stomachs.
The caviar turned to lave.
The pimentos kissed like cupids.
I moved like a lobster, slower and slower.
The air was tiny.
The air would not do.
* I was at the dogs' party.
I was their bone.
I had been laid out in their kennel like a fresh turkey.
This was my sister's dream but I remember that quartering; I remember the sickbed smell of the sawdust floor, the pink eyes, the pink tongues and the teeth, those nails.
I had been carried out like Moses and hidden by the paws of ten Boston bull terriers, ten angry bulls jumping like enormous roaches.
At first I was lapped, rough as sandpaper.
I became very clean.
Then my arm was missing.
I was coming apart.
They loved me until I was gone.
2.
THE DY-DEE DOLL My Dy-dee doll died twice.
Once when I snapped her head off and let if float in the toilet and once under the sun lamp trying to get warm she melted.
She was a gloom, her face embracing her little bent arms.
She died in all her rubber wisdom.
3.
SEVEN TIMES I died seven times in seven ways letting death give me a sign, letting death place his mark on my forehead, crossed over, crossed over And death took root in that sleep.
In that sleep I held an ice baby and I rocked it and was rocked by it.
Oh Madonna, hold me.
I am a small handful.
4.
MADONNA My mother died unrocked, unrocked.
Weeks at her deathbed seeing her thrust herself against the metal bars, thrashing like a fish on the hook and me low at her high stage, letting the priestess dance alone, wanting to place my head in her lap or even take her in my arms somehow and fondle her twisted gray hair.
But her rocking horse was pain with vomit steaming from her mouth.
Her belly was big with another child, cancer's baby, big as a football.
I could not soothe.
With every hump and crack there was less Madonna until that strange labor took her.
Then the room was bankrupt.
That was the end of her paying.
5.
MAX Max and I two immoderate sisters, two immoderate writers, two burdeners, made a pact.
To beat death down with a stick.
To take over.
To build our death like carpenters.
When she had a broken back, each night we built her sleep.
Talking on the hot line until her eyes pulled down like shades.
And we agreed in those long hushed phone calls that when the moment comes we'll talk turkey, we'll shoot words straight from the hip, we'll play it as it lays.
Yes, when death comes with its hood we won't be polite.
6.
BABY Death, you lie in my arms like a cherub, as heavy as bread dough.
Your milky wings are as still as plastic.
Hair soft as music.
Hair the color of a harp.
And eyes made of glass, as brittle as crystal.
Each time I rock you I think you will break.
I rock.
I rock.
Glass eye, ice eye, primordial eye, lava eye, pin eye, break eye, how you stare back! Like the gaze if small children you know all about me.
You have worn my underwear.
You have read my newspaper.
You have seen my father whip me.
You have seen my stroke my father's whip.
I rock.
I rock.
We plunge back and forth comforting each other.
We are stone.
We are carved, a pietà that swings.
Outside, the world is a chilly army.
Outside, the sea is brought to its knees.
Outside, Pakistan is swallowed in a mouthful.
I rock.
I rock.
You are my stone child with still eyes like marbles.
There is a death baby for each of us.
We own him.
His smell is our smell.
Beware.
Beware.
There is a tenderness.
There is a love for this dumb traveler waiting in his pink covers.
Someday, heavy with cancer or disaster I will look up at Max and say: It is time.
Hand me the death baby and there will be that final rocking.


Written by G K Chesterton | Create an image from this poem

The Towers of Time

 Under what withering leprous light
The very grass as hair is grey,
Grass in the cracks of the paven courts
Of gods we graved but yesterday.
Senate, republic, empire, all We leaned our backs on like a wall And blessed as stron as strong and blamed as stolid-- Can it be these that waver and fall? And what is this like a ghost returning, A dream grown strong in the strong daylight? The all-forsaken, the unforgotten, The ever-behind and out of sight.
We turned our backs and our blind flesh felt it Growing and growing, a tower in height.
Ah, not alone the evil splendour And not the insolent arms alone Break with the ramrod, stiff and brittle, The sceptre of the nordic throne; But things of manlier renown Reel in the wreck of throne and crown, With tyrannous tyranny, tyrannous loyalty Tyrannous liberty, all gone down.
(There is never a crack in the ivory tower Or a hinge to groan in the house of gold Or a leaf of the rose in the wind to wither And she grows young as the world grows old.
A Woman clothed with the sun returning to clothe the sun when the sun is cold.
) Ah, who had guessed that in a moment Great Liberty that loosed the tribes, the Republic of the young men's battles Grew stale and stank of old men's bribes; And where we watched her smile in power A statue like a starry tower the stone face sneers as in a nightmare Down on a world that worms devour.
(Archaic incredible dead dawns breaking Deep in the deserts and waste and wealds, Where the dead cry aloud on Our Lady of Victories, Queen of the Eagles, aloft on the shields, And the sun is gone up on the Thundering Legion On the roads of Rome to the Battlefields.
) Ah, who had known who had not seen How soft and sudden on the fame Of my most noble English ships The sunset light of Carthage came And the thing I never had dreamed could be In the house of my fathers came to me Through the sea-wall cloven, the cloud and dark, A voice divided, a doubtful sea.
(The light is bright on the Tower of David, The evening glows with the morning star In the skies turned back and the days returning She walks so near who had wandered far And in the heart of the swords, the seven times wounded, Was never wearied as our hearts are.
) How swift as with a fall of snow New things grow hoary with the light.
We watch the wrinkles crawl like snakes On the new image in our sight.
The lines that sprang up taut and bold Sag like primordial monsters old, Sink in the bas-reliers of fossil And the slow earth swallows them, fold on fold, But light are the feet on the hills of the morning Of the lambs that leap up to the Bride of the Sun, And swift are the birds as the butterflies flashing And sudden as laughter the rivulets run And sudden for ever as summer lightning the light is bright on the world begun.
Thou wilt not break as we have broken The towers we reared to rival Thee.
More true to England than the English More just to freedom than the free.
O trumpet of the intolerant truth Thou art more full of grace and ruth For the hopes of th world than the world that made them, The world that murdered the loves of our youth.
Thou art more kind to our dreams, Our Mother, Than the wise that wove us the dreams for shade.
God if more good to the gods that mocked Him Than men are good to the gods they made.
Tenderer with toys than a boy grown brutal, Breaking the puppets with which he played.
What are the flowers the garden guards not And how but here should dreams return? And how on hearths made cold with ruin the wide wind-scattered ashes burn-- What is the home of the heart set free, And where is the nesting of liberty, And where from the world shall the world take shelter And man be matter, and not with Thee? Wisdom is set in her throne of thunder, The Mirror of Justice blinds the day-- Where are the towers that are not of the City, Trophies and trumpetings, where are they? Where over the maze of the world returning The bye-ways bend to the King's highway.
Written by Anna Piutti | Create an image from this poem

Clarity

 Was I thinking so loudly?

A heart absorbs the absurd
on a regular basis.
Primordial fears and poisoned skies are stage smoke; but fragrant whispers from your skin are open windows on relief.
And I see, and I laugh: I know nothing.
Copyright ©2006 Anna Piutti.
Written by Aleister Crowley | Create an image from this poem

Happy Dust

 For Margot


Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless lust Ablaze to annihilate Will, to crumble my being to dust, To calcine the dust to an ash, to burn up the ash to an air, To abolish the air with a flash of the final, the fulminant flare.
All this I have done, and dissolved the primordial germ of my thought; I have rolled myself up, and revolved the wheel of my being to Naught.
Is there even the memory left? That I was, that I am? It is lost.
As I utter the Word, I am cleft by the last swift spear of the frost.
Snow! I am nothing at last; I sit, and am utterly still; They are perished, the phantoms, and past; they were born of my weariness-will When I craved, craved being and form, when the con- sciousness-cloud was a mist Precurser of stupor and storm, when I and my shadow had kissed, And brought into life all the shapes that confused the clear space with their marks, Vain spectres whose vapour escapes, a whirlwind of ruinous sparks, No substance have any of these; I have dreamed them in sickness of lust, Delirium born of disease-ah, whence was the master, the "must" Imposed on the All? is it true, then, that something in me Is subject to fate? Are there two, after all, that can be? I have brought all that is to an end; for myself am suffic- ient and sole.
Do I trick myself now? Shall I rend once again this homologous Whole? I have stripped every garment from space; I have strangled the secre of Time, All being is fled from my face, with Motion's inhibited rime.
Stiller and stiller I sit, till even Infinity fades; 'Tis an idol-'tis weakness of wit that breeds, in inanity, shades! Yet the fullness of Naught I become, the deepest and steadiest Naught, Contains in its nature the sum of the functions of being and thought.
Still as I sit, and destroy all possible trace of the past, All germ of the future, nor joy nor knowledge alive at the last, It is vain, for the Silence is dowered with a nature, the seed of a name: Necessity, fearfully flowered with the blossom of possible Aim.
I am Necessity? Scry Necessity mother of Fate! And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare to exist- I have made the Voyage of Thought, the Voyage of Vision, I swam To the heart of the Ocean of Naught from the source of the Spring of I am: I know myself wholly the brother alike of the All and the One; I know that all things are each other, that their sum and their substance is None; But the knowledge itself can excel, its fulness hath broken its bond; All's Truth, and all's falsehood as well, and-what of the region beyond? So, still though I sit, as for ever, I stab to the heart of my spine; I destroy the last seed of endeavour to seal up my soul in the shrine Of Silence, Eternity, Peace; I abandon the Here and the Now; I cease from the effort to cease; I absolve the dead I from its Vow, I am wholly content to be dust, whether that be a mote or a star, To live and to love and to lust, acknowledge what seem for what are, Not to care what I am, if I be, whence I came, whither go, how I thrive, If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough.
I am part of a glorious game.
Am I cast for madness or love? I am cast to esteem them the same.
Am I only a dream in the sleep of some butterfly? Phantom of fright Conceived, who knows how, or how deep, in the measure- less womb of the night? I imagine impossible thought, metaphysical voids that beget Ideas intagible wrought to things less conceivable yet.
It may be.
Little I reck -but, assume the existence of earth.
Am I born to be hanged by the neck, a curse from the hour of my birth? Am I born to abolish man's guilt? His horrible heritage, awe? Or a seed in his wantoness spilt by a jester? I care not a straw, For I understand Do what thou wilt; and that is the whole of the Law.
Written by Edwin Arlington Robinson | Create an image from this poem

An Island

 Take it away, and swallow it yourself.
Ha! Look you, there’s a rat.
Last night there were a dozen on that shelf, And two of them were living in my hat.
Look! Now he goes, but he’ll come back— Ha? But he will, I say … Il reviendra-z-à Pâques, Ou à la Trinité … Be very sure that he’ll return again; For said the Lord: Imprimis, we have rats, And having rats, we have rain.
— So on the seventh day He rested, and made Pain.
—Man, if you love the Lord, and if the Lord Love liars, I will have you at your word And swallow it.
Voilà.
Bah! Where do I say it is That I have lain so long? Where do I count myself among the dead, As once above the living and the strong? And what is this that comes and goes, Fades and swells and overflows, Like music underneath and overhead? What is it in me now that rings and roars Like fever-laden wine? What ruinous tavern-shine Is this that lights me far from worlds and wars And women that were mine? Where do I say it is That Time has made my bed? What lowering outland hostelry is this For one the stars have disinherited? An island, I have said: A peak, where fiery dreams and far desires Are rained on, like old fires: A vermin region by the stars abhorred, Where falls the flaming word By which I consecrate with unsuccess An acreage of God’s forgetfulness, Left here above the foam and long ago Made right for my duress; Where soon the sea, My foaming and long-clamoring enemy, Will have within the cryptic, old embrace Of her triumphant arms—a memory.
Why then, the place? What forage of the sky or of the shore Will make it any more, To me, than my award of what was left Of number, time, and space? And what is on me now that I should heed The durance or the silence or the scorn? I was the gardener who had the seed Which holds within its heart the food and fire That gives to man a glimpse of his desire; And I have tilled, indeed, Much land, where men may say that I have planted Unsparingly my corn— For a world harvest-haunted And for a world unborn.
Meanwhile, am I to view, as at a play, Through smoke the funeral flames of yesterday And think them far away? Am I to doubt and yet be given to know That where my demon guides me, there I go? An island? Be it so.
For islands, after all is said and done, Tell but a wilder game that was begun, When Fate, the mistress of iniquities, The mad Queen-spinner of all discrepancies, Beguiled the dyers of the dawn that day, And even in such a curst and sodden way Made my three colors one.
—So be it, and the way be as of old: So be the weary truth again retold Of great kings overthrown Because they would be kings, and lastly kings alone.
Fling to each dog his bone.
Flags that are vanished, flags that are soiled and furled, Say what will be the word when I am gone: What learned little acrid archive men Will burrow to find me out and burrow again,— But all for naught, unless To find there was another Island.
… Yes, There are too many islands in this world, There are too many rats, and there is too much rain.
So three things are made plain Between the sea and sky: Three separate parts of one thing, which is Pain … Bah, what a way to die!— To leave my Queen still spinning there on high, Still wondering, I dare say, To see me in this way … Madame à sa tour monte Si haut qu’elle peut monter— Like one of our Commissioners… ai! ai! Prometheus and the women have to cry, But no, not I … Faugh, what a way to die! But who are these that come and go Before me, shaking laurel as they pass? Laurel, to make me know For certain what they mean: That now my Fate, my Queen, Having found that she, by way of right reward, Will after madness go remembering, And laurel be as grass,— Remembers the one thing That she has left to bring.
The floor about me now is like a sward Grown royally.
Now it is like a sea That heaves with laurel heavily, Surrendering an outworn enmity For what has come to be.
But not for you, returning with your curled And haggish lips.
And why are you alone? Why do you stay when all the rest are gone? Why do you bring those treacherous eyes that reek With venom and hate the while you seek To make me understand?— Laurel from every land, Laurel, but not the world? Fury, or perjured Fate, or whatsoever, Tell me the bloodshot word that is your name And I will pledge remembrance of the same That shall be crossed out never; Whereby posterity May know, being told, that you have come to me, You and your tongueless train without a sound, With covetous hands and eyes and laurel all around, Foreshowing your endeavor To mirror me the demon of my days, To make me doubt him, loathe him, face to face.
Bowed with unwilling glory from the quest That was ordained and manifest, You shake it off and wish me joy of it? Laurel from every place, Laurel, but not the rest? Such are the words in you that I divine, Such are the words of men.
So be it, and what then? Poor, tottering counterfeit, Are you a thing to tell me what is mine? Grant we the demon sees An inch beyond the line, What comes of mine and thine? A thousand here and there may shriek and freeze, Or they may starve in fine.
The Old Physician has a crimson cure For such as these, And ages after ages will endure The minims of it that are victories.
The wreath may go from brow to brow, The state may flourish, flame, and cease; But through the fury and the flood somehow The demons are acquainted and at ease, And somewhat hard to please.
Mine, I believe, is laughing at me now In his primordial way, Quite as he laughed of old at Hannibal, Or rather at Alexander, let us say.
Therefore, be what you may, Time has no further need Of you, or of your breed.
My demon, irretrievably astray, Has ruined the last chorus of a play That will, so he avers, be played again some day; And you, poor glowering ghost, Have staggered under laurel here to boast Above me, dying, while you lean In triumph awkward and unclean, About some words of his that you have read? Thing, do I not know them all? He tells me how the storied leaves that fall Are tramped on, being dead? They are sometimes: with a storm foul enough They are seized alive and they are blown far off To mould on islands.
—What else have you read? He tells me that great kings look very small When they are put to bed; And this being said, He tells me that the battles I have won Are not my own, But his—howbeit fame will yet atone For all defect, and sheave the mystery: The follies and the slaughters I have done Are mine alone, And so far History.
So be the tale again retold And leaf by clinging leaf unrolled Where I have written in the dawn, With ink that fades anon, Like Cæsar’s, and the way be as of old.
Ho, is it you? I thought you were a ghost.
Is it time for you to poison me again? Well, here’s our friend the rain,— Mironton, mironton, mirontaine.
.
.
Man, I could murder you almost, You with your pills and toast.
Take it away and eat it, and shoot rats.
Ha! there he comes.
Your rat will never fail, My punctual assassin, to prevail— While he has power to crawl, Or teeth to gnaw withal— Where kings are caged.
Why has a king no cats? You say that I’ll achieve it if I try? Swallow it?—No, not I … God, what a way to die!
Written by T Wignesan | Create an image from this poem

Who dares to take this life from me Knows no better

for Eric Mottram

"Nur wenn das Herz erschlossen,

Dann ist die Erde schön.
" Goethe.
I An important thing in living Is to know when to go; He who does not know this Has not far to go, Though death may come and go When you do not know.
Come, give me your hand, Together shoulder and cheek to shoulder We'll go, sour kana in cheeks And in the mornings cherry sticks To gum: the infectious chilli smiles Over touch-me-not thorns, crushing snails From banana leaves, past Clawing outstretched arms of the bougainvilias To stone the salt-bite mangoes.
Tread carefully through this durian kampong For the ripe season has pricked many a sole.
II la la la tham'-pong Let's go running intermittent To the spitting, clucking rubber fruit And bamboo lashes through the silent graves, Fresh sod, red mounds, knee stuck, incensing joss sticks All night long burning, exhuming, expelling the spirit.
Let's scour, hiding behind the lowing boughs of the hibiscus Skirting the school-green parapet thorny fields.
Let us now squawk, piercing the sultry, humid blanket In the shrill wakeful tarzan tones, Paddle high on.
the swings Naked thighs, testicles dry.
Let us now vanish panting on the climbing slopes Bare breasted, steaming rolling with perspiration, Biting with lalang burn.
Let us now go and stand under the school Water tap, thrashing water to and fro.
Then steal through the towkay's Barbed compound to pluck the hairy Eyeing rambutans, blood red, parang in hand, And caoutchouc pungent with peeling.
Now scurrying through the estate glades Crunching, kicking autumnal rubber leavings, Kneading, rolling milky latex balls, Now standing to water by the corner garden post.
III This is the land of the convectional rains Which vie on the monsoon back scrubbing streets This is the land at half-past four The rainbow rubs the chilli face of the afternoon And an evening-morning pervades the dripping, weeping Rain tree, and gushing, tumbling, sewerless rain drains Sub-cutaneously eddy sampan fed, muddy, fingerless rivers Down with crocodile logs to the Malacca Sea.
This is the land of stately dipterocarp, casuarina And coco-palms reeding north easterly over ancient rites Of turtle bound breeding sands.
This is the land of the chignoned swaying bottoms Of sarong-kebaya, sari and cheongsam.
The residual perch of promises That threw the meek in within The legs of the over-eager fledgelings.
The land since the Carnatic conquerors Shovelling at the bottom of the offering mountains The bounceable verdure brought to its bowers The three adventurers.
A land frozen in a thousand Climatic, communal ages Wags its primordial bushy tail to the Himalayas Within a three cornered monsoon sea - In reincarnate churches And cracker carousels.
The stranglehold of boasting strutting pedigrees And infidel hordes of marauding thieves, Where pullulant ideals Long rocketed in other climes Ride flat-foot on flat tyres.
IV Let us go then, hurrying by Second show nights and jogget parks Listening to the distant whinings of wayangs Down the sidewalk frying stalls on Campbell Road Cheong-Kee mee and queh teow plates Sateh, rojak and kachang puteh (rediffusion vigil plates) Let us then dash to the Madras stalls To the five cent lye chee slakes.
la la la step stepping Each in his own inordinate step Shuffling the terang bulan.
Blindly buzzes the bee Criss-crossing Weep, rain tree, weep The grass untrampled with laughter In the noonday sobering shade.
Go Cheena-becha Kling-qui Sakai V Has it not occurred to you how I sat with you dear sister, counting the chicking back of the evening train by the window sill and then got up to wind my way down the snake infested rail to shoo shoo the cows home to brood while you gee geaed the chicks to coop and did we not then plan of a farm a green milking farm to warm the palm then turned to scratch the itch over in our minds lay down on the floors, mat aside our thoughts to cushion heads whilst dug tapioca roots heaped the dream and we lay scrapping the kernel-less fiber shelled coconuts O Bhama, my goatless daughter kid how I nursed you with the callow calves those mutual moments forced in these common lives and then, that day when they sold you the blistering shirtless sun never flinching an eye, defiant I stood caressing your creamy coat and all you could say was a hopeless baaa.
.
a.
.
aa and then, then, that day as we came over the mountains two kids you led to the thorny brush, business bent the eye-balling bharata natyam VI O masters of my fading August dream For should you take this life from me Know you any better Than when children we have joyously romped Down and deep in the August river Washing on the mountain tin.
Now on the growing granite's precipitous face In our vigilant wassail Remember the children downstream playing Where your own little voices are speechless lingering Let it not be simply said that a river flows to flourish a land More than that he who is high at the source take heed: For a river putrid in the cradle is worse than the plunging flooding rain.
And the eclectic monsoons may have come Have gathered and may have gone While the senses still within torrid membranes thap-po-ng thap-pong thap-pong

Book: Shattered Sighs