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Best Famous Prehensile Poems

Here is a collection of the all-time best famous Prehensile poems. This is a select list of the best famous Prehensile poetry. Reading, writing, and enjoying famous Prehensile poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of prehensile poems.

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Written by Thomas Hood | Create an image from this poem

The Haunted House

 Oh, very gloomy is the house of woe,
Where tears are falling while the bell is knelling,
With all the dark solemnities that show
That Death is in the dwelling!

Oh, very, very dreary is the room
Where Love, domestic Love, no longer nestles,
But smitten by the common stroke of doom,
The corpse lies on the trestles!

But house of woe, and hearse, and sable pall,
The narrow home of the departed mortal,
Ne’er looked so gloomy as that Ghostly Hall,
With its deserted portal!

The centipede along the threshold crept,
The cobweb hung across in mazy tangle,
And in its winding sheet the maggot slept
At every nook and angle.
The keyhole lodged the earwig and her brood, The emmets of the steps has old possession, And marched in search of their diurnal food In undisturbed procession.
As undisturbed as the prehensile cell Of moth or maggot, or the spider’s tissue, For never foot upon that threshold fell, To enter or to issue.
O’er all there hung the shadow of a fear, A sense of mystery the spirit daunted, And said, as plain as whisper in the ear, The place is haunted.
Howbeit, the door I pushed—or so I dreamed-- Which slowly, slowly gaped, the hinges creaking With such a rusty eloquence, it seemed That Time himself was speaking.
But Time was dumb within that mansion old, Or left his tale to the heraldic banners That hung from the corroded walls, and told Of former men and manners.
Those tattered flags, that with the opened door, Seemed the old wave of battle to remember, While fallen fragments danced upon the floor Like dead leaves in December.
The startled bats flew out, bird after bird, The screech-owl overhead began to flutter, And seemed to mock the cry that she had heard Some dying victim utter! A shriek that echoed from the joisted roof, And up the stair, and further still and further, Till in some ringing chamber far aloof In ceased its tale of murther! Meanwhile the rusty armor rattled round, The banner shuddered, and the ragged streamer; All things the horrid tenor of the sound Acknowledged with a tremor.
The antlers where the helmet hung, and belt, Stirred as the tempest stirs the forest branches, Or as the stag had trembled when he felt The bloodhound at his haunches.
The window jingled in its crumbled frame, And through its many gaps of destitution Dolorous moans and hollow sighings came, Like those of dissolution.
The wood-louse dropped, and rolled into a ball, Touched by some impulse occult or mechanic; And nameless beetles ran along the wall In universal panic.
The subtle spider, that, from overhead, Hung like a spy on human guilt and error, Suddenly turned, and up its slender thread Ran with a nimble terror.
The very stains and fractures on the wall, Assuming features solemn and terrific, Hinted some tragedy of that old hall, Locked up in hieroglyphic.
Some tale that might, perchance, have solved the doubt, Wherefore, among those flags so dull and livid, The banner of the bloody hand shone out So ominously vivid.
Some key to that inscrutable appeal Which made the very frame of Nature quiver, And every thrilling nerve and fiber feel So ague-like a shiver.
For over all there hung a cloud of fear, A sense of mystery the spirit daunted, And said, as plain as whisper in the ear, The place is haunted! Prophetic hints that filled the soul with dread, But through one gloomy entrance pointing mostly, The while some secret inspiration said, “That chamber is the ghostly!” Across the door no gossamer festoon Swung pendulous, --no web, no dusty fringes, No silky chrysalis or white cocoon, About its nooks and hinges.
The spider shunned the interdicted room, The moth, the beetle, and the fly were banished, And when the sunbeam fell athwart the gloom, The very midge had vanished.
One lonely ray that glanced upon a bed, As if with awful aim direct and certain, To show the Bloody Hand, in burning red, Embroidered on the curtain.


Written by Robert Creeley | Create an image from this poem

Clementes Images

 1)

Sleeping birds, lead me,
soft birds, be me

inside this black room,
back of the white moon.
In the dark night sight frightens me.
2) Who is it nuzzles there with furred, round headed stare? Who, perched on the skin, body's float, is holding on? What other one stares still, plays still, on and on? 3) Stand upright, prehensile, squat, determined, small guardians of the painful outside coming in -- in stuck in vials with needles, bleeding life in, particular, heedless.
4) Matrix of world upon a turtle's broad back, carried on like that, eggs as pearls, flesh and blood and bone all borne along.
5) I'll tell you what you want, to say a word, to know the letters in yourself, a skin falls off, a big eared head appears, an eye and mouth.
6) Under watery here, under breath, under duress, understand a pain has threaded a needle with a little man -- gone fishing.
And fish appear.
7) If small were big, if then were now, if here were there, if find were found, if mind were all there was, would the animals still save us? 8) A head was put upon the shelf got took by animal's hand and stuck upon a vacant corpse who, blurred, could nonetheless not ever be the quietly standing bird it watched.
9) Not lost, not better or worse, much must of necessity depend on resources, the pipes and bags brought with us inside, all the sacks and how and to what they are or were attached.
10) Everybody's child walks the same winding road, laughs and cries, dies.
That's "everybody's child," the one who's in between the others who have come and gone.
11) Turn as one will, the sky will always be far up above the place he thinks to dream as earth.
There float the heavenly archaic persons of primordial birth, held in the scan of ancient serpent's tooth, locked in the mind as when it first began.
12) Inside I am the other of a self, who feels a presence always close at hand, one side or the other, knows another one unlocks the door and quickly enters in.
Either as or, we live a common person.
Two is still one.
It cannot live apart.
13) Oh, weep for me -- all from whom life has stolen hopes of a happiness stored in gold's ubiquitous pattern, in tinkle of commodious, enduring money, else the bee's industry in hives of golden honey.
14) He is safely put in a container, head to foot, and there, on his upper part, wears still remnants of a life he lived at will -- but, lower down, he probes at that doubled sack holds all his random virtues in a mindless fact.
15) The forms wait, swan, elephant, crab, rabbit, horse, monkey, cow, squirrel and crocodile.
From the one sits in empty consciousness, all seemingly has come and now it goes, to regather, to tell another story to its patient mother.
16) Reflection reforms, each man's a life, makes its stumbling way from mother to wife -- cast as a gesture from ignorant flesh, here writes in fumbling words to touch, say, how can I be, when she is all that was ever me? 17) Around and in -- And up and down again, and far and near -- and here and there, in the middle is a great round nothingness.
18) Not metaphoric, flesh is literal earth.
turns to dust as all the body must, becomes the ground wherein the seed's passed on.
19) Entries, each foot feels its own way, echoes passage in persons, holds the body upright, the secret of thresholds, lintels, opening body above it, looks up, looks down, moves forward.
20) Necessity, the mother of invention, father of intention, sister to brother to sister, to innumerable others, all one as the time comes, death's appointment, in the echoing head, in the breaking heart.
21) In self one's place defined, in heart the other find.
In mind discover I, in body find the sky.
Sleep in the dream as one, wake to the others there found.
22) Emptying out each complicating part, each little twist of mind inside, each clenched fist, each locked, particularizing thought, forgotten, emptying out.
23) What did it feel like to be one at a time -- to be caught in a mind in the body you'd found in yourself alone -- in each other one? 24) Broken hearts, a curious round of echoes -- and there behind them the old garden with its faded, familiar flowers, where all was seemingly laced together -- a trueness of true, a blueness of blue.
25) The truth is in a container of no size or situation.
It has nothing inside.
Worship -- Warship.
Sail away.

Book: Shattered Sighs