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Best Famous Preferred Poems

Here is a collection of the all-time best famous Preferred poems. This is a select list of the best famous Preferred poetry. Reading, writing, and enjoying famous Preferred poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of preferred poems.

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Written by William Butler Yeats | Create an image from this poem

All Souls Night

 Epilogue to "A Vision'

MIDNIGHT has come, and the great Christ Church Bell
And may a lesser bell sound through the room;
And it is All Souls' Night,
And two long glasses brimmed with muscatel
Bubble upon the table.
A ghost may come; For it is a ghost's right, His element is so fine Being sharpened by his death, To drink from the wine-breath While our gross palates drink from the whole wine.
I need some mind that, if the cannon sound From every quarter of the world, can stay Wound in mind's pondering As mummies in the mummy-cloth are wound; Because I have a marvellous thing to say, A certain marvellous thing None but the living mock, Though not for sober ear; It may be all that hear Should laugh and weep an hour upon the clock.
Horton's the first I call.
He loved strange thought And knew that sweet extremity of pride That's called platonic love, And that to such a pitch of passion wrought Nothing could bring him, when his lady died, Anodyne for his love.
Words were but wasted breath; One dear hope had he: The inclemency Of that or the next winter would be death.
Two thoughts were so mixed up I could not tell Whether of her or God he thought the most, But think that his mind's eye, When upward turned, on one sole image fell; And that a slight companionable ghost, Wild with divinity, Had so lit up the whole Immense miraculous house The Bible promised us, It seemed a gold-fish swimming in a bowl.
On Florence Emery I call the next, Who finding the first wrinkles on a face Admired and beautiful, And knowing that the future would be vexed With 'minished beauty, multiplied commonplace, preferred to teach a school Away from neighbour or friend, Among dark skins, and there permit foul years to wear Hidden from eyesight to the unnoticed end.
Before that end much had she ravelled out From a discourse in figurative speech By some learned Indian On the soul's journey.
How it is whirled about, Wherever the orbit of the moon can reach, Until it plunge into the sun; And there, free and yet fast, Being both Chance and Choice, Forget its broken toys And sink into its own delight at last.
And I call up MacGregor from the grave, For in my first hard springtime we were friends.
Although of late estranged.
I thought him half a lunatic, half knave, And told him so, but friendship never ends; And what if mind seem changed, And it seem changed with the mind, When thoughts rise up unbid On generous things that he did And I grow half contented to be blind! He had much industry at setting out, Much boisterous courage, before loneliness Had driven him crazed; For meditations upon unknown thought Make human intercourse grow less and less; They are neither paid nor praised.
but he d object to the host, The glass because my glass; A ghost-lover he was And may have grown more arrogant being a ghost.
But names are nothing.
What matter who it be, So that his elements have grown so fine The fume of muscatel Can give his sharpened palate ecstasy No living man can drink from the whole wine.
I have mummy truths to tell Whereat the living mock, Though not for sober ear, For maybe all that hear Should laugh and weep an hour upon the clock.
Such thought -- such thought have I that hold it tight Till meditation master all its parts, Nothing can stay my glance Until that glance run in the world's despite To where the damned have howled away their hearts, And where the blessed dance; Such thought, that in it bound I need no other thing, Wound in mind's wandering As mummies in the mummy-cloth are wound.
Oxford, Autumn 1920


Written by Kenneth Koch | Create an image from this poem

One Train May Hide Another

 (sign at a railroad crossing in Kenya)

In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross The tracks, wait to do it for one moment at Least after the first train is gone.
And so when you read Wait until you have read the next line— Then it is safe to go on reading.
In a family one sister may conceal another, So, when you are courting, it's best to have them all in view Otherwise in coming to find one you may love another.
One father or one brother may hide the man, If you are a woman, whom you have been waiting to love.
So always standing in front of something the other As words stand in front of objects, feelings, and ideas.
One wish may hide another.
And one person's reputation may hide The reputation of another.
One dog may conceal another On a lawn, so if you escape the first one you're not necessarily safe; One lilac may hide another and then a lot of lilacs and on the Appia Antica one tomb May hide a number of other tombs.
In love, one reproach may hide another, One small complaint may hide a great one.
One injustice may hide another—one colonial may hide another, One blaring red uniform another, and another, a whole column.
One bath may hide another bath As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple Hide Life is incredibly complex, as in the prose of Gertrude Stein One sentence hides another and is another as well.
And in the laboratory One invention may hide another invention, One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple—this is a painting By someone after Matisse.
One waits at the tracks until they pass, These hidden doubles or, sometimes, likenesses.
One identical twin May hide the other.
And there may be even more in there! The obstetrician Gazes at the Valley of the Var.
We used to live there, my wife and I, but One life hid another life.
And now she is gone and I am here.
A vivacious mother hides a gawky daughter.
The daughter hides Her own vivacious daughter in turn.
They are in A railway station and the daughter is holding a bag Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by the mother's And has to carry that one, too.
So one hitchhiker May deliberately hide another and one cup of coffee Another, too, until one is over-excited.
One love may hide another love or the same love As when "I love you" suddenly rings false and one discovers The better love lingering behind, as when "I'm full of doubts" Hides "I'm certain about something and it is that" And one dream may hide another as is well known, always, too.
In the Garden of Eden Adam and Eve may hide the real Adam and Eve.
Jerusalem may hide another Jerusalem.
When you come to something, stop to let it pass So you can see what else is there.
At home, no matter where, Internal tracks pose dangers, too: one memory Certainly hides another, that being what memory is all about, The eternal reverse succession of contemplated entities.
Reading A Sentimental Journey look around When you have finished, for Tristram Shandy, to see If it is standing there, it should be, stronger And more profound and theretofore hidden as Santa Maria Maggiore May be hidden by similar churches inside Rome.
One sidewalk May hide another, as when you're asleep there, and One song hide another song; a pounding upstairs Hide the beating of drums.
One friend may hide another, you sit at the foot of a tree With one and when you get up to leave there is another Whom you'd have preferred to talk to all along.
One teacher, One doctor, one ecstasy, one illness, one woman, one man May hide another.
Pause to let the first one pass.
You think, Now it is safe to cross and you are hit by the next one.
It can be important To have waited at least a moment to see what was already there.
Written by Ralph Waldo Emerson | Create an image from this poem

Celestial Love

 Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Dæmon film,
Thou must mount for love,—
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot Triple blossoms from one root Substances at base divided In their summits are united, There the holy Essence rolls, One through separated souls, And the sunny &Aelig;on sleeps Folding nature in its deeps, And every fair and every good Known in part or known impure To men below, In their archetypes endure.
The race of gods, Or those we erring own, Are shadows flitting up and down In the still abodes.
The circles of that sea are laws, Which publish and which hide the Cause.
Pray for a beam Out of that sphere Thee to guide and to redeem.
O what a load Of care and toil By lying Use bestowed, From his shoulders falls, who sees The true astronomy, The period of peace! Counsel which the ages kept, Shall the well-born soul accept.
As the overhanging trees Fill the lake with images, As garment draws the garment's hem Men their fortunes bring with them; By right or wrong, Lands and goods go to the strong; Property will brutely draw Still to the proprietor, Silver to silver creep and wind, And kind to kind, Nor less the eternal poles Of tendency distribute souls.
There need no vows to bind Whom not each other seek but find.
They give and take no pledge or oath, Nature is the bond of both.
No prayer persuades, no flattery fawns, Their noble meanings are their pawns.
Plain and cold is their address, Power have they for tenderness, And so thoroughly is known Each others' purpose by his own, They can parley without meeting, Need is none of forms of greeting, They can well communicate In their innermost estate; When each the other shall avoid, Shall each by each be most enjoyed.
Not with scarfs or perfumed gloves Do these celebrate their loves, Not by jewels, feasts, and savors, Not by ribbons or by favors, But by the sun-spark on the sea, And the cloud-shadow on the lea, The soothing lapse of morn to mirk, And the cheerful round of work.
Their cords of love so public are, They intertwine the farthest star.
The throbbing sea, the quaking earth, Yield sympathy and signs of mirth; Is none so high, so mean is none, But feels and seals this union.
Even the tell Furies are appeased, The good applaud, the lost are eased.
Love's hearts are faithful, but not fond, Bound for the just, but not beyond; Not glad, as the low-loving herd, Of self in others still preferred, But they have heartily designed The benefit of broad mankind.
And they serve men austerely, After their own genius, clearly, Without a false humility; For this is love's nobility, Not to scatter bread and gold, Goods and raiment bought and sold, But to hold fast his simple sense, And speak the speech of innocence, And with hand, and body, and blood, To make his bosom-counsel good: For he that feeds men, serveth few, He serves all, who dares be true.
Written by David Lehman | Create an image from this poem

Wittgensteins Ladder

 "My propositions serve as elucidations in the following way: 
 anyone who understands them eventually recognizes them as 
 nonsensical, when he has used them -- as steps -- to climb 
 up beyond them.
(He must, so to speak, throw away the ladder after he has climbed up it.
)" -- Ludwig Wittgenstein, Tractatus 1.
The first time I met Wittgenstein, I was late.
"The traffic was murder," I explained.
He spent the next forty-five minutes analyzing this sentence.
Then he was silent.
I wondered why he had chosen a water tower for our meeting.
I also wondered how I would leave, since the ladder I had used to climb up here had fallen to the ground.
2.
Wittgenstein served as a machine-gunner in the Austrian Army in World War I.
Before the war he studied logic in Cambridge with Bertrand Russell.
Having inherited his father's fortune (iron and steel), he gave away his money, not to the poor, whom it would corrupt, but to relations so rich it would not thus affect them.
3.
On leave in Vienna in August 1918 he assembled his notebook entries into the Tractatus, Since it provided the definitive solution to all the problems of philosophy, he decided to broaden his interests.
He became a schoolteacher, then a gardener's assistant at a monastery near Vienna.
He dabbled in architecture.
4.
He returned to Cambridge in 1929, receiving his doctorate for the Tractatus, "a work of genius," in G.
E.
Moore's opinion.
Starting in 1930 he gave a weekly lecture and led a weekly discussion group.
He spoke without notes amid long periods of silence.
Afterwards, exhausted, he went to the movies and sat in the front row.
He liked Carmen Miranda.
5.
He would visit Russell's rooms at midnight and pace back and forth "like a caged tiger.
On arrival, he would announce that when he left he would commit suicide.
So, in spite of getting sleepy, I did not like to turn him out.
" On such a night, after hours of dead silence, Russell said, "Wittgenstein, are you thinking about logic or about yours sins?" "Both," he said, and resumed his silence.
6.
Philosophy was an activity, not a doctrine.
"Solipsism, when its implications are followed out strictly, coincides with pure realism," he wrote.
Dozens of dons wondered what he meant.
Asked how he knew that "this color is red," he smiled and said, "because I have learnt English.
" There were no other questions.
Wittgenstein let the silence gather.
Then he said, "this itself is the answer.
" 7.
Religion went beyond the boundaries of language, yet the impulse to run against "the walls of our cage," though "perfectly, absolutely useless," was not to be dismissed.
A.
J.
Ayer, one of Oxford's ablest minds, was puzzled.
If logic cannot prove a nonsensical conclusion, why didn't Wittgenstein abandon it, "along with the rest of metaphysics, as not worth serious attention, except perhaps for sociologists"? 8.
Because God does not reveal himself in this world, and "the value of this work," Wittgenstein wrote, "is that it shows how little is achieved when these problems are solved.
" When I quoted Gertrude Stein's line about Oakland, "there's no there there," he nodded.
Was there a there, I persisted.
His answer: Yes and No.
It was as impossible to feel another's person's pain as to suffer another person's toothache.
9.
At Cambridge the dons quoted him reverently.
I asked them what they thought was his biggest contribution to philosophy.
"Whereof one cannot speak, thereof one must be silent," one said.
Others spoke of his conception of important nonsense.
But I liked best the answer John Wisdom gave: "His asking of the question `Can one play chess without the queen?'" 10.
Wittgenstein preferred American detective stories to British philosophy.
He liked lunch and didn't care what it was, "so long as it was always the same," noted Professor Malcolm of Cornell, a former student, in whose house in Ithaca Wittgenstein spent hours doing handyman chores.
He was happy then.
There was no need to say a word.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Journey Of The Magi

 'A cold coming we had of it,
Just the worst time of the year
For a journey, and such a journey:
The ways deep and the weather sharp,
The very dead of winter.
' And the camels galled, sore-footed, refractory, Lying down in the melting snow.
There were times we regretted The summer palaces on slopes, the terraces, And the silken girls bringing sherbet.
Then the camel men cursing and grumbling And running away, and wanting their liquor and women, And the night-fires going out, and the lack of shelters, And the cities hostile and the towns unfriendly And the villages dirty and charging high prices: A hard time we had of it.
At the end we preferred to travel all night, Sleeping in snatches, With the voices singing in our ears, saying That this was all folly.
Then at dawn we came down to a temperate valley, Wet, below the snow line, smelling of vegetation; With a running stream and a water-mill beating the darkness, And three trees on the low sky, And an old white horse galloped in away in the meadow.
Then we came to a tavern with vine-leaves over the lintel, Six hands at an open door dicing for pieces of silver, And feet kicking the empty wine-skins.
But there was no imformation, and so we continued And arrived at evening, not a moment too soon Finding the place; it was (you may say) satisfactory.
All this was a long time ago, I remember, And I would do it again, but set down This set down This: were we led all that way for Birth or Death? There was a Birth, certainly, We had evidence and no doubt.
I had seen birth and death, But had thought they were different; this Birth was Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms, But no longer at ease here, in the old dispensation, With an alien people clutching their gods.
I should be glad of another death.


Written by Margaret Atwood | Create an image from this poem

Sekhmet the Lion-headed Goddess of War

 He was the sort of man
who wouldn't hurt a fly.
Many flies are now alive while he is not.
He was not my patron.
He preferred full granaries, I battle.
My roar meant slaughter.
Yet here we are together in the same museum.
That's not what I see, though, the fitful crowds of staring children learning the lesson of multi- cultural obliteration, sic transit and so on.
I see the temple where I was born or built, where I held power.
I see the desert beyond, where the hot conical tombs, that look from a distance, frankly, like dunces' hats, hide my jokes: the dried-out flesh and bones, the wooden boats in which the dead sail endlessly in no direction.
What did you expect from gods with animal heads? Though come to think of it the ones made later, who were fully human were not such good news either.
Favour me and give me riches, destroy my enemies.
That seems to be the gist.
Oh yes: And save me from death.
In return we're given blood and bread, flowers and prayer, and lip service.
Maybe there's something in all of this I missed.
But if it's selfless love you're looking for, you've got the wrong goddess.
I just sit where I'm put, composed of stone and wishful thinking: that the deity who kills for pleasure will also heal, that in the midst of your nightmare, the final one, a kind lion will come with bandages in her mouth and the soft body of a woman, and lick you clean of fever, and pick your soul up gently by the nape of the neck and caress you into darkness and paradise.
Written by Denise Duhamel | Create an image from this poem

Snow Whites Acne

 At first she was sure it was just a bit of dried strawberry juice,
or a fleck of her mother's red nail polish that had flaked off
when she'd patted her daughter to sleep the night before.
But as she scrubbed, Snow felt a bump, something festering under the surface, like a tapeworm curled up and living in her left cheek.
Doc the Dwarf was no dermatologist and besides Snow doesn't get to meet him in this version because the mint leaves the tall doctor puts over her face only make matters worse.
Snow and the Queen hope against hope for chicken pox, measles, something that would be gone quickly and not plague Snow's whole adolescence.
If only freckles were red, she cried, if only concealer really worked.
Soon came the pus, the yellow dots, multiplying like pins in a pin cushion.
Soon came the greasy hair.
The Queen gave her daughter a razor for her legs and a stick of underarm deodorant.
Snow doodled through her teenage years—"Snow + ?" in Magic Markered hearts all over her notebooks.
She was an average student, a daydreamer who might have been a scholar if she'd only applied herself.
She liked sappy music and romance novels.
She liked pies and cake instead of fruit.
The Queen remained the fairest in the land.
It was hard on Snow, having such a glamorous mom.
She rebelled by wearing torn shawls and baggy gowns.
Her mother would sometimes say, "Snow darling, why don't you pull back your hair? Show those pretty eyes?" or "Come on, I'll take you shopping.
" Snow preferred staying in her safe room, looking out of her window at the deer leaping across the lawn.
Or she'd practice her dance moves with invisible princes.
And the Queen, busy being Queen, didn't like to push it.
Written by Robert Lowell | Create an image from this poem

Memories of West Street and Lepke

Only teaching on Tuesdays, book-worming
in pajamas fresh from the washer each morning,
I hog a whole house on Boston's 
"hardly passionate Marlborough Street,"
where even the man
scavenging filth in the back alley trash cans,
has two children, a beach wagon, a helpmate,
and is "a young Republican.
" I have a nine months' daughter, young enough to be my granddaughter.
Like the sun she rises in her flame-flamingo infants' wear.
These are the tranquilized Fifties, and I am forty.
Ought I to regret my seedtime? I was a fire-breathing Catholic C.
O.
, and made my manic statement, telling off the state and president, and then sat waiting sentence in the bull pen beside a ***** boy with curlicues of marijuana in his hair.
Given a year, I walked on the roof of the West Street Jail, a short enclosure like my school soccer court, and saw the Hudson River once a day through sooty clothesline entanglements and bleaching khaki tenements.
Strolling, I yammered metaphysics with Abramowitz, a jaundice-yellow ("it's really tan") and fly-weight pacifist, so vegetarian, he wore rope shoes and preferred fallen fruit.
He tried to convert Bioff and Brown, the Hollywood pimps, to his diet.
Hairy, muscular, suburban, wearing chocolate double-breasted suits, they blew their tops and beat him black and blue.
I was so out of things, I'd never heard of the Jehovah's Witnesses.
"Are you a C.
O.
?" I asked a fellow jailbird.
"No," he answered, "I'm a J.
W.
" He taught me the "hospital tuck," and pointed out the T-shirted back of Murder Incorporated's Czar Lepke, there piling towels on a rack, or dawdling off to his little segregated cell full of things forbidden to the common man: a portable radio, a dresser, two toy American flags tied together with a ribbon of Easter palm.
Flabby, bald, lobotomized, he drifted in a sheepish calm, where no agonizing reappraisal jarred his concentration on the electric chair hanging like an oasis in his air of lost connections.
.
.
.
Written by Charles Bukowski | Create an image from this poem

Young In New Orleans

 starving there, sitting around the bars,
and at night walking the streets for hours,
the moonlight always seemed fake
to me, mabye it was,
and in the French Quarter I watched
the horses and buggies going by,
everybody sitting high in the open
carriages, the black driver, and in
back the man and the woman,
usually young and always white.
and I was always white.
and hardly charmed by the world.
New Orleans was a place to hide.
I could piss away my life, unmolested.
except for the rats.
the rats in my small dark room very much resented sharing it with me.
they were large and fearless and stared at me with eyes that spoke an unblinking death.
women were beyond me.
they saw something depraved.
there was one waitress a little older than I, she rather smiled, lingered when she brought my coffee.
that was plenty for me, that was enough.
there was something about that city, though: it didn't let me feel guilty that I had no feeling for the things so many others needed.
it let me alone.
sitting up in my bed the lights out, hearing the outside sounds, lifting my cheap bottle of wine, letting the warmth of the grape enter ]me as I heard the rats moving about the room, I preferred them to humans.
being lost, being crazy mabye is not so bad if you can be that way: undisturbed.
New Orleans gave me that.
nobody ever called my name.
no telephone, no car, no job, no anything.
me and the rats and my youth, one time, that time I knew even through the nothingness, it was a celebration of something not to do but only know.
Written by Lewis Carroll | Create an image from this poem

Fit the First: ( Hunting of the Snark )

 The Landing 

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice: That alone should encourage the crew.
Just the place for a Snark! I have said it thrice: What I tell you three times is true.
" The crew was complete: it included a Boots-- A maker of Bonnets and Hoods-- A Barrister, brought to arrange their disputes-- And a Broker, to value their goods.
A Billiard-marker, whose skill was immense, Might perhaps have won more than his share-- But a Banker, engaged at enormous expense, Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck, Or would sit making lace in the bow: And had often (the Bellman said) saved them from wreck Though none of the sailors knew how.
There was one who was famed for the number of things He forgot when he entered the ship: His umbrella, his watch, all his jewels and rings, And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed, With his name painted clearly on each: But, since he omitted to mention the fact, They were all left behind on the beach.
The loss of his clothes hardly mattered, because He had seven coats on when he came, With three pair of boots--but the worst of is was, He had wholly forgotten his name.
He would answer to "Hi!" or to any loud cry, Such as "Fry me!" or "Fritter my wig!" To "What-you-may-call-um!" or "What-was-his-name!" But especially "Thing-um-a-jig!" While, for those who preferred a more forcible word, He had different names from these: His intimate friends called him "Candle-ends", And his enemies "Toasted-cheese" "His form is ungainly--his intellect small--" (So the Bellman would often remark)-- "But his courage is perfect! And that, after all, Is the thing that one needs with a Snark.
" He would joke with hyaenas, returning their stare With an impudent wag of the head: And he once went a walk, paw-in-paw, with a bear, "Just to keep up its spirits," he said.
He came as a Baker: but owned, when too late-- And it drove the poor Bellman half-mad-- He could only bake Bridecake--for which, I may state, No materials were to be had.
The last of the crew needs especial remark, Though he looked an incredible dunce: He had just one idea--but, that one being "Snark", The good Bellman engaged him at once.
He came as a Butcher: but gravely declared, When the ship had been sailing a week, He could only kill Beavers.
The Bellman looked scared, And was almost too frightened to speak: But at length he explained, in a tremulous tone, There was only one Beaver on board; And that was a tame one he had of his own, Whose death would be deeply deplored.
The Beaver, who happened to hear the remark, Protested, with tears in its eyes, That not even the rapture of hunting the Snark Could atone for that dismal surprise! It strongly advised that the Butcher should be Conveyed in a separate ship: But the Bellman declared that would never agree With the plans he had made for the trip: Navigation was always a difficult art, Though with only one ship and one bell: And he feared he must really decline, for his part, Undertaking another as well.
The Beaver's best course was, no doubt, to procure A second-hand dagger-proof coat-- So the baker advised it--and next, to insure Its life in some Office of note: This the Baker suggested, and offered for hire (On moderate terms), or for sale, Two excellent Policies, one Against Fire And one Against Damage From Hail.
Yet still, ever after that sorrowful day, Whenever the Butcher was by, The Beaver kept looking the opposite way, And appeared unaccountably shy.

Book: Shattered Sighs