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Best Famous Position Poems

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Written by Kahlil Gibran | Create an image from this poem

Laughter and Tears IX

 As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley. 

When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass. I took heed and saw a young couple approaching my arbor. The say under a tree where I could see them without being seen. 

After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us. 

"My soul is warning me of the doubt in your heart, for doubt in love is a sin. "Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands. 

"Smile, my beloved, like the gold smiles from my father's coffers. 

"My heart refuses to deny you its secret. Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes. 

"All these things I will do for you; will you be satisfied?" 

In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor. As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart. 

Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age! 

I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place. 

After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience. Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation. I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life. 

"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude. Good-bye, my beloved; I must leave before the heartening moon vanishes." 

A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved." 

They separated, and the elegy to their union was smothered by the wails of my crying heart. 

I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase. Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy. 

It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.


Written by Robert Frost | Create an image from this poem

Devotion

 The heart can think of no devotion
Greater than being shore to the ocean--
Holding the curve of one position,
Counting an endless repetition.
Written by Tupac Shakur | Create an image from this poem

Untitled 2

With all this extra stressing the question I wonder is after death
After my last breath
When will I finally get to rest from this oppression?
They punish the people that's asking questions
And those that possess steal from the ones without possessions
The message I stress
To make you stop study your lessons
Don't settle for less
Even the genius asks his questions
Be grateful for blessings
Don't ever change, keep your essense
The power is in the people and politics we address
Always do your best
Don't let the pressure make you panic
And when you get stranded and things don't go the way you planned it
Dreaming of riches in the position of making a difference
Politicians is hypocrites
They don't want to listen
If I'm insane it's the fame
I ain't about to change
It ain't nothing like the game
It's just me against the world 
Written by William Wordsworth | Create an image from this poem

The Complaint Of A Forsaken Indian Woman

[When a Northern Indian, from sickness, is unable to continue his journey with his companions; he is left behind, covered over with Deer-skins, and is supplied with water, food, and fuel if the situation of the place will afford it. He is informed of the track which his companions intend to pursue, and if he is unable to follow, or overtake them, he perishes alone in the Desart; unless he should have the good fortune to fall in with some other Tribes of Indians. It is unnecessary to add that the females are equally, or still more, exposed to the same fate. See that very interesting work, Hearne's Journey from Hudson's Bay to the Northern Ocean. In the high Northern Latititudes, as the same writer informs us, when the Northern Lights vary their position in the air, they make a rustling and a crackling noise. This circumstance is alluded to in the first stanza of the following poem.]

THE COMPLAINT, etc.

  Before I see another day,  Oh let my body die away!  In sleep I heard the northern gleams;  The stars they were among my dreams;  In sleep did I behold the skies,  I saw the crackling flashes drive;  And yet they are upon my eyes,  And yet I am alive.  Before I see another day,  Oh let my body die away!

  My fire is dead: it knew no pain;  Yet is it dead, and I remain.  All stiff with ice the ashes lie;  And they are dead, and I will die.  When I was well, I wished to live,  For clothes, for warmth, for food, and fire;  But they to me no joy can give,  No pleasure now, and no desire.  Then here contented will I lie;  Alone I cannot fear to die.

  Alas! you might have dragged me on  Another day, a single one!  Too soon despair o'er me prevailed;  Too soon my heartless spirit failed;  When you were gone my limbs were stronger,  And Oh how grievously I rue,  That, afterwards, a little longer,  My friends, I did not follow you!  For strong and without pain I lay,  My friends, when you were gone away.

  My child! they gave thee to another,  A woman who was not thy mother.  When from my arms my babe they took,  On me how strangely did he look!  Through his whole body something ran,  A most strange something did I see;  —As if he strove to be a man,  That he might pull the sledge for me.  And then he stretched his arms, how wild!  Oh mercy! like a little child.

  My little joy! my little pride!  In two days more I must have died.  Then do not weep and grieve for me;  I feel I must have died with thee.  Oh wind that o'er my head art flying,  The way my friends their course did bend,  I should not feel the pain of dying,  Could I with thee a message send.  Too soon, my friends, you went away;  For I had many things to say.

  I'll follow you across the snow,  You travel heavily and slow:  In spite of all my weary pain,  I'll look upon your tents again.  My fire is dead, and snowy white  The water which beside it stood;  The wolf has come to me to-night,  And he has stolen away my food.  For ever left alone am I,  Then wherefore should I fear to die?

  My journey will be shortly run,  I shall not see another sun,  I cannot lift my limbs to know  If they have any life or no.  My poor forsaken child! if I  For once could have thee close to me,  With happy heart I then should die,  And my last thoughts would happy be.  I feel my body die away,  I shall not see another day.

Written by Sylvia Plath | Create an image from this poem

In Plaster

 I shall never get out of this! There are two of me now:
This new absolutely white person and the old yellow one,
And the white person is certainly the superior one.
She doesn't need food, she is one of the real saints.
At the beginning I hated her, she had no personality --
She lay in bed with me like a dead body
And I was scared, because she was shaped just the way I was

Only much whiter and unbreakable and with no complaints.
I couldn't sleep for a week, she was so cold.
I blamed her for everything, but she didn't answer.
I couldn't understand her stupid behavior!
When I hit her she held still, like a true pacifist.
Then I realized what she wanted was for me to love her:
She began to warm up, and I saw her advantages.

Without me, she wouldn't exist, so of course she was grateful.
I gave her a soul, I bloomed out of her as a rose
Blooms out of a vase of not very valuable porcelain,
And it was I who attracted everybody's attention,
Not her whiteness and beauty, as I had at first supposed.
I patronized her a little, and she lapped it up --
You could tell almost at once she had a slave mentality.

I didn't mind her waiting on me, and she adored it.
In the morning she woke me early, reflecting the sun
From her amazingly white torso, and I couldn't help but notice
Her tidiness and her calmness and her patience:
She humored my weakness like the best of nurses,
Holding my bones in place so they would mend properly.
In time our relationship grew more intense.

She stopped fitting me so closely and seemed offish.
I felt her criticizing me in spite of herself,
As if my habits offended her in some way.
She let in the drafts and became more and more absent-minded.
And my skin itched and flaked away in soft pieces
Simply because she looked after me so badly.
Then I saw what the trouble was: she thought she was immortal.

She wanted to leave me, she thought she was superior,
And I'd been keeping her in the dark, and she was resentful --
Wasting her days waiting on a half-corpse!
And secretly she began to hope I'd die.
Then she could cover my mouth and eyes, cover me entirely,
And wear my painted face the way a mummy-case
Wears the face of a pharaoh, though it's made of mud and water.

I wasn't in any position to get rid of her.
She'd supported me for so long I was quite limp --
I had forgotten how to walk or sit,
So I was careful not to upset her in any way
Or brag ahead of time how I'd avenge myself.
Living with her was like living with my own coffin:
Yet I still depended on her, though I did it regretfully.

I used to think we might make a go of it together --
After all, it was a kind of marriage, being so close.
Now I see it must be one or the other of us.
She may be a saint, and I may be ugly and hairy,
But she'll soon find out that that doesn't matter a bit.
I'm collecting my strength; one day I shall manage without her,
And she'll perish with emptiness then, and begin to miss me.


Written by Robert Frost | Create an image from this poem

An Encounter

 ONCE on the kind of day called “weather breeder,”
When the heat slowly hazes and the sun
By its own power seems to be undone,
I was half boring through, half climbing through
A swamp of cedar. Choked with oil of cedar
And scurf of plants, and weary and over-heated,
And sorry I ever left the road I knew,
I paused and rested on a sort of hook
That had me by the coat as good as seated,
And since there was no other way to look,
Looked up toward heaven, and there against the blue,
Stood over me a resurrected tree,
A tree that had been down and raised again—
A barkless spectre. He had halted too,
As if for fear of treading upon me.
I saw the strange position of his hands—
Up at his shoulders, dragging yellow strands
Of wire with something in it from men to men.
“You here?” I said. “Where aren’t you nowadays
And what’s the news you carry—if you know?
And tell me where you’re off for—Montreal?
Me? I’m not off for anywhere at all.
Sometimes I wander out of beaten ways
Half looking for the orchid Calypso.”
Written by Rudyard Kipling | Create an image from this poem

The Man Who Could Write

 Boanerges Blitzen, servant of the Queen,
Is a dismal failure -- is a Might-have-been.
In a luckless moment he discovered men
Rise to high position through a ready pen.

Boanerges Blitzen argued therefore -- "I,
With the selfsame weapon, can attain as high."
Only he did not possess when he made the trial,
Wicked wit of C-lv-n, irony of L--l.

[Men who spar with Government need, to back their blows,
Something more than ordinary journalistic prose.]

Never young Civilian's prospects were so bright,
Till an Indian paper found that he could write:
Never young Civilian's prospects were so dark,
When the wretched Blitzen wrote to make his mark.

Certainly he scored it, bold, and black, and firm,
In that Indian paper -- made his seniors squirm,
Quated office scandals, wrote the tactless truth --
Was there ever known a more misguided youth?

When the Rag he wrote for praised his plucky game,
Boanerges Blitzen felt that this was Fame;
When the men he wrote of shook their heads and swore,
Boanerges Blitzen only wrote the more:

Posed as Young Ithuriel, resolute and grim,
Till he found promotion didn't come to him;
Till he found that reprimands weekly were his lot,
And his many Districts curiously hot.

Till he found his furlough strangely hard to win,
Boanerges Blitzen didn't care to pin:
Then it seemed to dawn on him something wasn't right --
Boanerges Blitzen put it down to "spite";

Languished in a District desolate and dry;
Watched the Local Government yearly pass him by;
Wondered where the hitch was; called it most unfair.
 . . . . .
That was seven years ago -- and he still is there!
Written by Robert Frost | Create an image from this poem

A Passing Glimpse

 To Ridgely Torrence
On Last Looking into His 'Hesperides'



I often see flowers from a passing car
That are gone before I can tell what they are.

I want to get out of the train and go back
To see what they were beside the track.

I name all the flowers I am sure they weren't;
Not fireweed loving where woods have burnt--

Not bluebells gracing a tunnel mouth--
Not lupine living on sand and drouth.

Was something brushed across my mind
That no one on earth will ever find?

Heaven gives it glimpses only to those
Not in position to look too close.
Written by Amy Lowell | Create an image from this poem

Number 3 on the Docket

 The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him. 'Twarn't me!
Somethin' got aholt o' me. I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I -- I --
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it?
It's cruel! Cruel!
I killed him because o' th' silence.
The long, long silence,
That watched all around me,
And he wouldn't break it.
I tried to make him,
Time an' agin,
But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to,
An' then he'd only say "yes" and "no".
You can't even guess what that silence was.
I'd hear it whisperin' in my ears,
An' I got frightened, 'twas so thick,
An' al'ays comin' back.
Ef Ed would ha' talked sometimes
It would ha' driven it away;
But he never would.
He didn't hear it same as I did.
You see, Sir,
Our farm was off'n the main road,
And set away back under the mountain;
And the village was seven mile off,
Measurin' after you'd got out o' our lane.
We didn't have no hired man,
'Cept in hayin' time;
An' Dane's place,
That was the nearest,
Was clear way 'tother side the mountain.
They used Marley post-office
An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer,
An' it warn't above two mile that way,
But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin';
Winter'd come so quick after that.
You don't know what snow's like when yer with it
Day in an' day out.
Ed would be out all day loggin',
An' I set at home and look at the snow
Layin' over everythin';
It 'ud dazzle me blind,
Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears
Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor
Jest to hear it clatter.
I was most frantic when dinner-time come
An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him
Did he like the raised biscuits or whatever,
An' then sometimes he'd jest nod his answer.
Then he'd go out agin,
An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him
An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer,
Every day a little nearer,
Closin' up round the house.
I never went in t' th' woods Winters,
Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin',
An' every day his father fetched him to school in the pung
An' brought him back agin.
We scraped an' scraped fer Neddy,
We wanted him to have a education.
We sent him to High School,
An' then he went up to Boston to Technology.
He was a minin' engineer,
An' doin' real well,
A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad!
He ain't here to see me now.
Neddy! Neddy!
I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it. I can't! I can't!
What did you say?
Oh, yes, Sir.
I'm here.
I'm very sorry,
I don't know what I'm sayin'.
No, Sir,
Not till after Neddy died.
'Twas the next Winter the silence come,
I don't remember noticin' it afore.
That was five year ago,
An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on
I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy
We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others;
We had a terrible spell o' stormy weather,
An' the snow lay so thick
You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand,
Ther warn't a hump or a holler
Fer as you could see.
It was so quiet
The snappin' o' the branches back in the wood-lot
Sounded like pistol shots.
Ed was out all day
Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice,
An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton
Fer some oats.
I'd oughter ha' gone with him,
But 'twas washin' day
An' I was afeared the fine weather'd break,
An' I couldn't do my dryin'.
All my life I'd done my work punctual,
An' I couldn't fix my conscience
To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged,
Fer ther warn't no Ed ter break it in the middle
Fer dinner.
Every time I stopped stirrin' the water
I heerd the whisperin' all about me.
I stopped oftener'n I should
To see ef 'twas still ther,
An' it al'ays was.
An' gittin' louder
It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin'
I closed it quick
An' started to mangle's hard's I could,
The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road,
An' I run out through the shed inter th' barn
To meet him quicker.
I hollered out, `Hullo!'
But he didn't say nothin',
He jest drove right in
An' climbed out o' th' sleigh
An' commenced unharnessin'.
I asked him a heap o' questions;
Who he'd seed
An' what he'd done.
Once in a while he'd nod or shake,
But most o' th' time he didn't do nothin'.
'Twas gittin' dark then,
An' I was in a state,
With the loneliness
An' Ed payin' no attention
Like somethin' warn't livin'.
All of a sudden it come,
I don't know what,
But I jest couldn't stand no more.
It didn't seem 's though that was Ed,
An' it didn't seem as though I was me.
I had to break a way out somehow,
Somethin' was closin' in
An' I was stiflin'.
Ed's loggin' axe was ther,
An' I took it.
Oh, my God!
I can't see nothin' else afore me all the time.
I run out inter th' woods,
Seemed as ef they was pullin' me;
An' all the time I was wadin' through the snow
I seed Ed in front of me
Where I'd laid him.
An' I see him now.
There! There!
What you holdin' me fer?
I want ter go to Ed,
He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired!
(Faints)
Written by Kahlil Gibran | Create an image from this poem

The Criminal V

 A young man of strong body, weakened by hunger, sat on the walker's portion of the street stretching his hand toward all who passed, begging and repeating his hand toward all who passed, begging and repeating the sad song of his defeat in life, while suffering from hunger and from humiliation. 

When night came, his lips and tongue were parched, while his hand was still as empty as his stomach. 

He gathered himself and went out from the city, where he sat under a tree and wept bitterly. Then he lifted his puzzled eyes to heaven while hunger was eating his inside, and he said, "Oh Lord, I went to the rich man and asked for employment, but he turned me away because of my shabbiness; I knocked at the school door, but was forbidden solace because I was empty- handed; I sought any occupation that would give me bread, but all to no avail. In desperation I asked alms, but They worshippers saw me and said "He is strong and lazy, and he should not beg." 

"Oh Lord, it is Thy will that my mother gave birth unto me, and now the earth offers me back to You before the Ending." 

His expression then changed. He arose and his eyes now glittered in determination. He fashioned a thick and heavy stick from the branch of the tree, and pointed it toward the city, shouting, "I asked for bread with all the strength of my voice, and was refused. Not I shall obtain it by the strength of my muscles! I asked for bread in the name of mercy and love, but humanity did not heed. I shall take it now in the name of evil!" 

The passing years rendered the youth a robber, killer and destroyer of souls; he crushed all who opposed him; he amassed fabulous wealth with which he won himself over to those in power. He was admired by colleagues, envied by other thieves, and feared by the multitudes. 

His riches and false position prevailed upon the Emir to appoint him deputy in that city - the sad process pursued by unwise governors. Thefts were then legalized; oppression was supported by authority; crushing of the weak became commonplace; the throngs curried and praised. 

Thus does the first touch of humanity's selfishness make criminals of the humble, and make killers of the sons of peace; thus does the early greed of humanity grow and strike back at humanity a thousand fold!

Book: Reflection on the Important Things