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Best Famous Populace Poems

Here is a collection of the all-time best famous Populace poems. This is a select list of the best famous Populace poetry. Reading, writing, and enjoying famous Populace poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of populace poems.

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Written by Robert Frost | Create an image from this poem

But Outer Space

 But outer Space,
At least this far,
For all the fuss
Of the populace
Stays more popular
Than populous


Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
Written by Robert Burns | Create an image from this poem

83. The Cotter's Saturday Night

 MY lov’d, my honour’d, much respected friend!
 No mercenary bard his homage pays;
With honest pride, I scorn each selfish end,
 My dearest meed, a friend’s esteem and praise:
 To you I sing, in simple Scottish lays,
The lowly train in life’s sequester’d scene,
 The native feelings strong, the guileless ways,
What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there I ween!


November chill blaws loud wi’ angry sugh;
 The short’ning winter-day is near a close;
The miry beasts retreating frae the pleugh;
 The black’ning trains o’ craws to their repose:
 The toil-worn Cotter frae his labour goes,—
This night his weekly moil is at an end,
 Collects his spades, his mattocks, and his hoes,
Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.


At length his lonely cot appears in view,
 Beneath the shelter of an aged tree;
Th’ expectant wee-things, toddlin, stacher through
 To meet their dead, wi’ flichterin noise and glee.
 His wee bit ingle, blinkin bonilie,
His clean hearth-stane, his thrifty wifie’s smile,
 The lisping infant, prattling on his knee,
Does a’ his weary kiaugh and care beguile,
And makes him quite forget his labour and his toil.


Belyve, the elder bairns come drapping in,
 At service out, amang the farmers roun’;
Some ca’ the pleugh, some herd, some tentie rin
 A cannie errand to a neibor town:
 Their eldest hope, their Jenny, woman-grown,
In youthfu’ bloom-love sparkling in her e’e—
 Comes hame, perhaps to shew a braw new gown,
Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.


With joy unfeign’d, brothers and sisters meet,
 And each for other’s weelfare kindly speirs:
The social hours, swift-wing’d, unnotic’d fleet:
 Each tells the uncos that he sees or hears.
 The parents, partial, eye their hopeful years;
Anticipation forward points the view;
 The mother, wi’ her needle and her shears,
Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.


Their master’s and their mistress’ command,
 The younkers a’ are warned to obey;
And mind their labours wi’ an eydent hand,
 And ne’er, tho’ out o’ sight, to jauk or play;
 “And O! be sure to fear the Lord alway,
And mind your duty, duly, morn and night;
 Lest in temptation’s path ye gang astray,
Implore His counsel and assisting might:
They never sought in vain that sought the Lord aright.”


But hark! a rap comes gently to the door;
 Jenny, wha kens the meaning o’ the same,
Tells how a neibor lad came o’er the moor,
 To do some errands, and convoy her hame.
 The wily mother sees the conscious flame
Sparkle in Jenny’s e’e, and flush her cheek;
 With heart-struck anxious care, enquires his name,
While Jenny hafflins is afraid to speak;
Weel-pleased the mother hears, it’s nae wild, worthless rake.


Wi’ kindly welcome, Jenny brings him ben;
 A strappin youth, he takes the mother’s eye;
Blythe Jenny sees the visit’s no ill ta’en;
 The father cracks of horses, pleughs, and kye.
 The youngster’s artless heart o’erflows wi’ joy,
But blate an’ laithfu’, scarce can weel behave;
 The mother, wi’ a woman’s wiles, can spy
What makes the youth sae bashfu’ and sae grave,
Weel-pleas’d to think her bairn’s respected like the lave.


O happy love! where love like this is found:
 O heart-felt raptures! bliss beyond compare!
I’ve paced much this weary, mortal round,
 And sage experience bids me this declare,—
 “If Heaven a draught of heavenly pleasure spare—
One cordial in this melancholy vale,
 ’Tis when a youthful, loving, modest pair
In other’sarms, breathe out the tender tale,
Beneath the milk-white thorn that scents the evening gale.”


Is there, in human form, that bears a heart,
 A wretch! a villain! lost to love and truth!
That can, with studied, sly, ensnaring art,
 Betray sweet Jenny’s unsuspecting youth?
 Curse on his perjur’d arts! dissembling smooth!
Are honour, virtue, conscience, all exil’d?
 Is there no pity, no relenting ruth,
Points to the parents fondling o’er their child?
Then paints the ruin’d maid, and their distraction wild?


But now the supper crowns their simple board,
 The halesome parritch, chief of Scotia’s food;
The sowp their only hawkie does afford,
 That, ’yont the hallan snugly chows her cood:
 The dame brings forth, in complimental mood,
To grace the lad, her weel-hain’d kebbuck, fell;
 And aft he’s prest, and aft he ca’s it guid:
The frugal wifie, garrulous, will tell
How t’was a towmond auld, sin’ lint was i’ the bell.


The cheerfu’ supper done, wi’ serious face,
 They, round the ingle, form a circle wide;
The sire turns o’er, with patriarchal grace,
 The big ha’bible, ance his father’s pride:
 His bonnet rev’rently is laid aside,
His lyart haffets wearing thin and bare;
 Those strains that once did sweet in Zion glide,
He wales a portion with judicious care;
And “Let us worship God!” he says with solemn air.


They chant their artless notes in simple guise,
 They tune their hearts, by far the noblest aim;
Perhaps Dundee’s wild-warbling measures rise;
 Or plaintive Martyrs, worthy of the name;
 Or noble Elgin beets the heaven-ward flame;
The sweetest far of Scotia’s holy lays:
 Compar’d with these, Italian trills are tame;
The tickl’d ears no heart-felt raptures raise;
Nae unison hae they with our Creator’s praise.


The priest-like father reads the sacred page,
 How Abram was the friend of God on high;
Or Moses bade eternal warfare wage
 With Amalek’s ungracious progeny;
 Or how the royal bard did groaning lie
Beneath the stroke of Heaven’s avenging ire;
 Or Job’s pathetic plaint, and wailing cry;
Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.


Perhaps the Christian volume is the theme,
 How guiltless blood for guilty man was shed;
How He, who bore in Heaven the second name,
 Had not on earth whereon to lay His head:
 How His first followers and servants sped;
The precepts sage they wrote to many a land:
 How he, who lone in Patmos banished,
Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.


Then, kneeling down to Heaven’s Eternal King,
 The saint, the father, and the husband prays:
Hope “springs exulting on triumphant wing,” 1
 That thus they all shall meet in future days,
 There, ever bask in uncreated rays,
No more to sigh, or shed the bitter tear,
 Together hymning their Creator’s praise,
In such society, yet still more dear;
While circling Time moves round in an eternal sphere


Compar’d with this, how poor Religion’s pride,
 In all the pomp of method, and of art;
When men display to congregations wide
 Devotion’s ev’ry grace, except the heart!
 The Power, incens’d, the pageant will desert,
The pompous strain, the sacerdotal stole;
 But haply, in some cottage far apart,
May hear, well-pleas’d, the language of the soul;
And in His Book of Life the inmates poor enroll.


Then homeward all take off their sev’ral way;
 The youngling cottagers retire to rest:
The parent-pair their secret homage pay,
 And proffer up to Heaven the warm request,
 That he who stills the raven’s clam’rous nest,
And decks the lily fair in flow’ry pride,
 Would, in the way His wisdom sees the best,
For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.


From scenes like these, old Scotia’s grandeur springs,
 That makes her lov’d at home, rever’d abroad:
Princes and lords are but the breath of kings,
 “An honest man’s the noblest work of God;”
 And certes, in fair virtue’s heavenly road,
The cottage leaves the palace far behind;
 What is a lordling’s pomp? a cumbrous load,
Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!


O Scotia! my dear, my native soil!
 For whom my warmest wish to Heaven is sent,
Long may thy hardy sons of rustic toil
 Be blest with health, and peace, and sweet content!
 And O! may Heaven their simple lives prevent
From luxury’s contagion, weak and vile!
 Then howe’er crowns and coronets be rent,
A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.


O Thou! who pour’d the patriotic tide,
 That stream’d thro’ Wallace’s undaunted heart,
Who dar’d to nobly stem tyrannic pride,
 Or nobly die, the second glorious part:
 (The patriot’s God peculiarly thou art,
His friend, inspirer, guardian, and reward!)
 O never, never Scotia’s realm desert;
But still the patriot, and the patriot-bard
In bright succession raise, her ornament and guard!


 Note 1. Pope’s “Windsor Forest.”—R. B. [back]
Written by James Joyce | Create an image from this poem

The Ballad of Persse OReilly

 Have you heard of one Humpty Dumpty
How he fell with a roll and a rumble
And curled up like Lord Olofa Crumple
By the butt of the Magazine Wall,
 (Chorus) Of the Magazine Wall,
 Hump, helmet and all?

He was one time our King of the Castle
Now he's kicked about like a rotten old parsnip.
And from Green street he'll be sent by order of His Worship
To the penal jail of Mountjoy
 (Chorus) To the jail of Mountjoy!
 Jail him and joy.

He was fafafather of all schemes for to bother us
Slow coaches and immaculate contraceptives for the populace,
Mare's milk for the sick, seven dry Sundays a week,
Openair love and religion's reform,
 (Chorus) And religious reform,
 Hideous in form.

Arrah, why, says you, couldn't he manage it?
I'll go bail, my fine dairyman darling,
Like the bumping bull of the Cassidys
All your butter is in your horns.
 (Chorus) His butter is in his horns.
 Butter his horns!

(Repeat) Hurrah there, Hosty, frosty Hosty, change that shirt
 on ye,
Rhyme the rann, the king of all ranns!


Balbaccio, balbuccio!

We had chaw chaw chops, chairs, chewing gum, the chicken-pox
 and china chambers
Universally provided by this soffsoaping salesman.
Small wonder He'll Cheat E'erawan our local lads nicknamed him.
When Chimpden first took the floor
 (Chorus) With his bucketshop store
 Down Bargainweg, Lower.

So snug he was in his hotel premises sumptuous
But soon we'll bonfire all his trash, tricks and trumpery
And 'tis short till sheriff Clancy'll be winding up his unlimited
 company
With the bailiff's bom at the door,
 (Chorus) Bimbam at the door.
 Then he'll bum no more.

Sweet bad luck on the waves washed to our island
The hooker of that hammerfast viking
And Gall's curse on the day when Eblana bay
Saw his black and tan man-o'-war.
 (Chorus) Saw his man-o'-war
 On the harbour bar.

Where from? roars Poolbeg. Cookingha'pence, he bawls
 Donnez-moi scampitle, wick an wipin'fampiny
Fingal Mac Oscar Onesine Bargearse Boniface
Thok's min gammelhole Norveegickers moniker
Og as ay are at gammelhore Norveegickers cod.
 (Chorus) A Norwegian camel old cod.
 He is, begod.


Lift it, Hosty, lift it, ye devil, ye! up with the rann,
 the rhyming rann!

It was during some fresh water garden pumping
Or, according to the Nursing Mirror, while admiring the monkeys
That our heavyweight heathen Humpharey
Made bold a maid to woo
 (Chorus) Woohoo, what'll she doo!
 The general lost her maidenloo!

He ought to blush for himself, the old hayheaded philosopher,
For to go and shove himself that way on top of her.
Begob, he's the crux of the catalogue
Of our antediluvial zoo,
 (Chorus) Messrs Billing and Coo.
 Noah's larks, good as noo.

He was joulting by Wellinton's monument
Our rotorious hippopopotamuns
When some bugger let down the backtrap of the omnibus
And he caught his death of fusiliers,
 (Chorus) With his rent in his rears.
 Give him six years.

'Tis sore pity for his innocent poor children
But look out for his missus legitimate!
When that frew gets a grip of old Earwicker
Won't there be earwigs on the green?
 (Chorus) Big earwigs on the green,
 The largest ever you seen.

 Suffoclose! Shikespower! Seudodanto! Anonymoses!

Then we'll have a free trade Gael's band and mass meeting
For to sod him the brave son of Scandiknavery.
And we'll bury him down in Oxmanstown
Along with the devil and the Danes,
 (Chorus) With the deaf and dumb Danes,
 And all their remains.

And not all the king's men nor his horses
Will resurrect his corpus
For there's no true spell in Connacht or hell
 (bis) That's able to raise a Cain.
Written by Elizabeth Bishop | Create an image from this poem

The Burglar Of Babylon

 On the fair green hills of Rio
 There grows a fearful stain:
The poor who come to Rio
 And can't go home again.

On the hills a million people,
 A million sparrows, nest,
Like a confused migration
 That's had to light and rest,

Building its nests, or houses,
 Out of nothing at all, or air.
You'd think a breath would end them,
 They perch so lightly there.

But they cling and spread like lichen,
 And people come and come.
There's one hill called the Chicken,
 And one called Catacomb;

There's the hill of Kerosene,
 And the hill of Skeleton,
The hill of Astonishment,
 And the hill of Babylon.

Micuçú was a burglar and killer,
 An enemy of society.
He had escaped three times
 From the worst penitentiary.

They don't know how many he murdered
 (Though they say he never raped),
And he wounded two policemen
 This last time he escaped.

They said, "He'll go to his auntie,
 Who raised him like a son.
She has a little drink shop
 On the hill of Babylon."

He did go straight to his auntie,
 And he drank a final beer.
He told her, "The soldiers are coming,
 And I've got to disappear."

"Ninety years they gave me.
 Who wants to live that long?
I'll settle for ninety hours,
 On the hill of Babylon.

"Don't tell anyone you saw me.
 I'll run as long as I can.
You were good to me, and I love you,
 But I'm a doomed man."

Going out, he met a mulata
 Carrying water on her head.
"If you say you saw me, daughter,
 You're as good as dead."

There are caves up there, and hideouts,
 And an old fort, falling down.
They used to watch for Frenchmen
 From the hill of Babylon.

Below him was the ocean.
 It reached far up the sky,
Flat as a wall, and on it
 Were freighters passing by,

Or climbing the wall, and climbing
 Till each looked like a fly,
And then fell over and vanished;
 And he knew he was going to die.

He could hear the goats baa-baa-ing.
 He could hear the babies cry;
Fluttering kites strained upward;
 And he knew he was going to die.

A buzzard flapped so near him
 He could see its naked neck.
He waved his arms and shouted,
 "Not yet, my son, not yet!"

An Army helicopter
 Came nosing around and in.
He could see two men inside it,
 but they never spotted him.

The soldiers were all over,
 On all sides of the hill,
And right against the skyline
 A row of them, small and still.

Children peeked out of windows,
 And men in the drink shop swore,
And spat a little cachaça
 At the light cracks in the floor.

But the soldiers were nervous, even
 with tommy guns in hand,
And one of them, in a panic,
 Shot the officer in command.

He hit him in three places;
 The other shots went wild.
The soldier had hysterics
 And sobbed like a little child.

The dying man said, "Finish
 The job we came here for."
he committed his soul to God
 And his sons to the Governor.

They ran and got a priest,
 And he died in hope of Heaven
--A man from Pernambuco,
 The youngest of eleven.

They wanted to stop the search,
 but the Army said, "No, go on,"
So the soldiers swarmed again
 Up the hill of Babylon.

Rich people in apartments
 Watched through binoculars
As long as the daylight lasted.
 And all night, under the stars,

Micuçú hid in the grasses
 Or sat in a little tree,
Listening for sounds, and staring
 At the lighthouse out at sea.

And the lighthouse stared back at him,
 til finally it was dawn.
He was soaked with dew, and hungry,
 On the hill of Babylon.

The yellow sun was ugly,
 Like a raw egg on a plate--
Slick from the sea. He cursed it,
 For he knew it sealed his fate.

He saw the long white beaches
 And people going to swim,
With towels and beach umbrellas,
 But the soldiers were after him.

Far, far below, the people
 Were little colored spots,
And the heads of those in swimming
 Were floating coconuts.

He heard the peanut vendor
 Go peep-peep on his whistle,
And the man that sells umbrellas
 Swinging his watchman's rattle.

Women with market baskets
 Stood on the corners and talked,
Then went on their way to market,
 Gazing up as they walked.

The rich with their binoculars
 Were back again, and many
Were standing on the rooftops,
 Among TV antennae.

It was early, eight or eight-thirty.
 He saw a soldier climb,
Looking right at him. He fired,
 And missed for the last time.

He could hear the soldier panting,
 Though he never got very near.
Micuçú dashed for shelter.
 But he got it, behind the ear.

He heard the babies crying
 Far, far away in his head,
And the mongrels barking and barking.
 Then Micuçú was dead.

He had a Taurus revolver,
 And just the clothes he had on,
With two contos in the pockets,
 On the hill of Babylon.

The police and the populace
 Heaved a sigh of relief,
But behind the counter his auntie
 Wiped her eyes in grief.

"We have always been respected.
 My shop is honest and clean.
I loved him, but from a baby
 Micuçú was mean.

"We have always been respected.
 His sister has a job.
Both of us gave him money.
 Why did he have to rob?

"I raised him to be honest,
 Even here, in Babylon slum."
The customers had another,
 Looking serious and glum.

But one of them said to another,
 When he got outside the door,
"He wasn't much of a burglar,
 He got caught six times--or more."

This morning the little soldiers
 are on Babylon hill again;
Their gun barrels and helmets
 Shine in a gentle rain.

Micuçú is buried already.
 They're after another two,
But they say they aren't as dangerous
 As the poor Micuçú.


On the green hills of Rio
 There grows a fearful stain:
The poor who come to Rio
 And can't go home again.

There's the hill of Kerosene,
 And the hill of the Skeleton,
The hill of Astonishment,
 And the hill of Babylon.


Written by Andrew Barton Paterson | Create an image from this poem

Tar and Feathers

 Oh! the circus swooped down 
On the Narrabri town, 
For the Narrabri populace moneyed are; 
And the showman he smiled 
At the folk he beguiled 
To come all the distance from Gunnedah. 
But a juvenile smart, 
Who objected to "part", 
Went in on the nod, and to do it he 
Crawled in through a crack 
In the tent at the back, 
For the boy had no slight ingenuity. 

And says he with a grin, 
"That's the way to get in; 
But I reckon I'd better be quiet or 
They'll spiflicate me," 
And he chuckled, for he 
Had the loan of the circus proprietor. 

But the showman astute 
On that wily galoot 
Soon dropped -- you'll be thinking he leathered him -- 
Not he; with a grim 
Sort of humourous whim, 
He took him and tarred him and feathered him. 

Says he, "You can go 
Round the world with a show, 
And knock every Injun and Arab wry; 
With your name and your trade 
On the posters displayed, 
The feathered what-is-it from Narrabri. 

Next day for his freak 
By a Narrabri Beak, 
He was jawed with a deal of verbosity; 
For his only appeal 
Was "professional zeal" -- 
He wanted another monstrosity. 

Said his Worship, "Begob! 
You are fined forty bob, 
And six shillin's costs to the clurk!" he says. 
And the Narrabri joy, 
Half bird and half boy. 
Has a "down" on himself and on circuses.
Written by Rg Gregory | Create an image from this poem

Transformations

 WHAT miracle was it that made this grey Rathgar
Seem holy earth, a leaping-place from star to star?
I know I strode along grey streets disconsolate,
Seeing nowhere a glimmer of the Glittering Gate,
My vision baffled amid many dreams, for still
The airy walls rose up in fabulous hill on hill.
The stars were fortresses upon the dizzy slope
And one and all were unassailable by hope.
And then I turned and looked beyond high Terenure
Where the last jewel breath of twilight floated pure,
As if god Angus there, with his enchanted lyre,
Sat swaying his bright body and hair of misty fire,
And smote the slumber-string within the heavenly house
That eve might lay upon the earth her tender brows,
Her moth-dim tresses, and lip’s invisible bloom,
And eye’s light shadowed under eyelids of the gloom,
Till all that dark divine pure being, breast to breast,
Lay cool upon the sleepy isle from east to west.
Then I took thought remembering many a famous tale
Told of those heavenly adventurers the Gael,
Ere to a far-brought alien worship they inclined,
And that its sorceries had left them shorn and blind,
Crownless and sceptreless, while yet their magic might
Could bow the lordly pillars of the day and night,
And topple in one golden wreckage stars and sun,
And mix their precious fires till heaven and earth were one.
Then god and hero mingled, and the veil was rent
That hid the fairy turrets in the firmament,
The lofty god-uplifted cities that flash on high
Dense with the silver-radiant deities of sky,
And the gay populace that under ocean bide
Unknowing of the flowing of the ponderous tide,
And worlds where Time is full, where all with one accord
Turn the flushed beauty of their faces to the Lord,
Where the last ecstasy lights up each hill and glade
And love is not remembered between man and maid,
For lips laugh there at beauty the heart imagineth,
And feet dance there at the holy Bridal of Love and Death.
And as, with heart upborne and speedier footsteps, I
Strode on my way, that twilight-burnished sky
Seemed to heave up as from a mystic fountain thrown.
And world on world those magic voyagers had known
Glowed in the vast with burning hill and glittering stream,
And all their shining folk, till earth was as a dream,
A memory fleeting moth-like in the light to be
Scorched by the fiery Dreamer of Eternity.
And the bright host swept by me like a blazing wind
O’er the dark churches where the blind mislead the blind.

Book: Radiant Verses: A Journey Through Inspiring Poetry