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Best Famous Pomegranates Poems

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Written by Billy Collins | Create an image from this poem

Nostalgia

 Remember the 1340's? We were doing a dance called the Catapult.
You always wore brown, the color craze of the decade,
and I was draped in one of those capes that were popular,
the ones with unicorns and pomegranates in needlework.
Everyone would pause for beer and onions in the afternoon,
and at night we would play a game called "Find the Cow."
Everything was hand-lettered then, not like today.

Where has the summer of 1572 gone? Brocade and sonnet
marathons were the rage. We used to dress up in the flags
of rival baronies and conquer one another in cold rooms of stone.
Out on the dance floor we were all doing the Struggle
while your sister practiced the Daphne all alone in her room.
We borrowed the jargon of farriers for our slang.
These days language seems transparent a badly broken code.

The 1790's will never come again. Childhood was big.
People would take walks to the very tops of hills
and write down what they saw in their journals without speaking.
Our collars were high and our hats were extremely soft.
We would surprise each other with alphabets made of twigs.
It was a wonderful time to be alive, or even dead.

I am very fond of the period between 1815 and 1821.
Europe trembled while we sat still for our portraits.
And I would love to return to 1901 if only for a moment,
time enough to wind up a music box and do a few dance steps,
or shoot me back to 1922 or 1941, or at least let me
recapture the serenity of last month when we picked
berries and glided through afternoons in a canoe.

Even this morning would be an improvement over the present.
I was in the garden then, surrounded by the hum of bees
and the Latin names of flowers, watching the early light
flash off the slanted windows of the greenhouse
and silver the limbs on the rows of dark hemlocks.

As usual, I was thinking about the moments of the past,
letting my memory rush over them like water
rushing over the stones on the bottom of a stream.
I was even thinking a little about the future, that place
where people are doing a dance we cannot imagine,
a dance whose name we can only guess.


Written by Christina Rossetti | Create an image from this poem

A Birthday

 My heart is like a singing bird
Whose nest is in a water'd shoot;
My heart is like an apple-tree
Whose boughs are bent with thickset fruit;
My heart is like a rainbow shell
That paddles in a halcyon sea;
My heart is gladder than all these
Because my love is come to me.

Raise me a dais of silk and down;
Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
And peacocks with a hundred eyes;
Work it in gold and silver grapes,
In leaves and silver fleurs-de-lys;
Because the birthday of my life
Is come, my love is come to me.
Written by Robert Browning | Create an image from this poem

The Englishman In Italy

 (PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes— 
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider's back,
As I told you last night,— 
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that's known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o'er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle— 
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain's driving,
Your girls that are older,— 
For under the hedges of aloe,
And where, on its bed
Of the orchard's black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,— 
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they've brought you,— 
The rain-water slips
O'er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence— 
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion's, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,— 
And end with the prickly-pear's red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
...Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one's track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,— 
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-balls, black, glossy and luscious,— 
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the faggots, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e'en grudged
'Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-weed
That clung to the path,
And dark rosemary, ever a-dying,
That, 'spite the wind's wrath,
So loves the salt rock's face to seaward,— 
And lentisks as staunch
To the stone where they root and bear berries,— 
And... what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves— 
Over all trod my mule with the caution
Of gleaners o'er sheaves,
Still, foot after foot like a lady— 
So, round after round,
He climbed to the top of Calvano,
And God's own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you— 
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them— 
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E'en the myrtle-leaves curl, shrink and shut— 
All is silent and grave— 
'Tis a sensual and timorous beauty— 
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses— 
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds' quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life's secret,
I hear and I know!

Ah, see! The sun breaks o'er Calvano— 
He strikes the great gloom
And flutters it o'er the mount's summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews'-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot's own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow's the Feast
Of the Rosary's Virgin, by no means
Of Virgins the least— 
As you'll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but's dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest's hoarse,
Will strike us up something that's brisk
For the feast's second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a hoe on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

..."Such trifles"—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If 'tis proper, Scirocco should vanish
In black from the skies!
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Three Kings

 Three Kings came riding from far away,
Melchior and Gaspar and Baltasar;
Three Wise Men out of the East were they,
And they travelled by night and they slept by day,
For their guide was a beautiful, wonderful star. 

The star was so beautiful, large, and clear,
That all the other stars of the sky
Became a white mist in the atmosphere,
And by this they knew that the coming was near
Of the Prince foretold in the prophecy. 

Three caskets they bore on their saddle-bows,
Three caskets of gold with golden keys;
Their robes were of crimson silk with rows
Of bells and pomegranates and furbelows,
Their turbans like blossoming almond-trees. 

And so the Three Kings rode into the West,
Through the dusk of night, over hill and dell,
And sometimes they nodded with beard on breast
And sometimes talked, as they paused to rest,
With the people they met at some wayside well. 

"Of the child that is born," said Baltasar,
"Good people, I pray you, tell us the news;
For we in the East have seen his star,
And have ridden fast, and have ridden far,
To find and worship the King of the Jews." 

And the people answered, "You ask in vain;
We know of no king but Herod the Great!"
They thought the Wise Men were men insane,
As they spurred their horses across the plain,
Like riders in haste, and who cannot wait. 

And when they came to Jerusalem,
Herod the Great, who had heard this thing,
Sent for the Wise Men and questioned them;
And said, "Go down unto Bethlehem,
And bring me tidings of this new king." 

So they rode away; and the star stood still,
The only one in the gray of morn
Yes, it stopped, it stood still of its own free will,
Right over Bethlehem on the hill, 
The city of David where Christ was born. 

And the Three Kings rode through the gate and the guard,
Through the silent street, till their horses turned
And neighed as they entered the great inn-yard;
But the windows were closed, and the doors were barred,
And only a light in the stable burned. 

And cradled there in the scented hay,
In the air made sweet by the breath of kine,
The little child in the manger lay,
The child, that would be king one day
Of a kingdom not human but divine. 

His mother Mary of Nazareth
Sat watching beside his place of rest,
Watching the even flow of his breath,
For the joy of life and the terror of death
Were mingled together in her breast. 

They laid their offerings at his feet:
The gold was their tribute to a King,
The frankincense, with its odor sweet,
Was for the Priest, the Paraclete,
The myrrh for the body's burying. 

And the mother wondered and bowed her head,
And sat as still as a statue of stone;
Her heart was troubled yet comforted,
Remembering what the Angel had said
Of an endless reign and of David's throne. 

Then the Kings rode out of the city gate,
With a clatter of hoofs in proud array;
But they went not back to Herod the Great,
For they knew his malice and feared his hate,
And returned to their homes by another way.
Written by Oscar Wilde | Create an image from this poem

With A Copy Of A House Of Pomegranates

 Go, little book,
To him who, on a lute with horns of pearl,
Sang of the white feet of the Golden Girl:
And bid him look
Into thy pages: it may hap that he
May find that golden maidens dance through thee.


Written by Paul Muldoon | Create an image from this poem

Pineapples And Pomegranates

 To think that, as a boy of thirteen, I would grapple 
with my first pineapple, 
its exposed breast 
setting itself as another test 
of my will-power, knowing in my bones 
that it stood for something other than itself alone 
while having absolutely no sense 
of its being a world-wide symbol of munificence. 
Munificence—right? Not munitions, if you understand 
where I'm coming from. As if the open hand 
might, for once, put paid 
to the hand-grenade 
in one corner of the planet. 
I'm talking about pineapples—right?—not pomegranates.
Written by George Meredith | Create an image from this poem

Phoebus with Admetus

 WHEN by Zeus relenting the mandate was revoked, 
 Sentencing to exile the bright Sun-God, 
Mindful were the ploughmen of who the steer had yoked, 
 Who: and what a track show'd the upturn'd sod! 
Mindful were the shepherds, as now the noon severe 
 Bent a burning eyebrow to brown evetide, 
How the rustic flute drew the silver to the sphere, 
 Sister of his own, till her rays fell wide. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 
Chirping none, the scarlet cicalas crouch'd in ranks: 
 Slack the thistle-head piled its down-silk gray: 
Scarce the stony lizard suck'd hollows in his flanks: 
 Thick on spots of umbrage our drowsed flocks lay. 
Sudden bow'd the chestnuts beneath a wind unheard, 
 Lengthen'd ran the grasses, the sky grew slate: 
Then amid a swift flight of wing'd seed white as curd, 
 Clear of limb a Youth smote the master's gate. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Water, first of singers, o'er rocky mount and mead, 
 First of earthly singers, the sun-loved rill, 
Sang of him, and flooded the ripples on the reed, 
 Seeking whom to waken and what ear fill. 
Water, sweetest soother to kiss a wound and cool, 
 Sweetest and divinest, the sky-born brook, 
Chuckled, with a whimper, and made a mirror-pool 
 Round the guest we welcomed, the strange hand shook. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Many swarms of wild bees descended on our fields: 
 Stately stood the wheatstalk with head bent high: 
Big of heart we labour'd at storing mighty yields, 
 Wool and corn, and clusters to make men cry! 
Hand-like rush'd the vintage; we strung the bellied skins 
 Plump, and at the sealing the Youth's voice rose: 
Maidens clung in circle, on little fists their chins; 
 Gentle beasties through push'd a cold long nose. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Foot to fire in snowtime we trimm'd the slender shaft: 
 Often down the pit spied the lean wolf's teeth 
Grin against his will, trapp'd by masterstrokes of craft; 
 Helpless in his froth-wrath as green logs seethe! 
Safe the tender lambs tugg'd the teats, and winter sped 
 Whirl'd before the crocus, the year's new gold. 
Hung the hooky beak up aloft, the arrowhead 
 Redden'd through his feathers for our dear fold. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Tales we drank of giants at war with gods above: 
 Rocks were they to look on, and earth climb'd air! 
Tales of search for simples, and those who sought of love 
 Ease because the creature was all too fair. 
Pleasant ran our thinking that while our work was good. 
 Sure as fruits for sweat would the praise come fast. 
He that wrestled stoutest and tamed the billow-brood 
 Danced in rings with girls, like a sail-flapp'd mast. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Lo, the herb of healing, when once the herb is known, 
 Shines in shady woods bright as new-sprung flame. 
Ere the string was tighten'd we heard the mellow tone, 
 After he had taught how the sweet sounds came. 
Stretch'd about his feet, labour done, 'twas as you see 
 Red pomegranates tumble and burst hard rind. 
So began contention to give delight and be 
 Excellent in things aim'd to make life kind. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

You with shelly horns, rams! and, promontory goats, 
 You whose browsing beards dip in coldest dew! 
Bulls, that walk the pastures in kingly-flashing coats! 
 Laurel, ivy, vine, wreathed for feasts not few! 
You that build the shade-roof, and you that court the rays, 
 You that leap besprinkling the rock stream-rent: 
He has been our fellow, the morning of our days; 
 Us he chose for housemates, and this way went. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

 NOW the North wind ceases, 
 The warm South-west awakes; 
 Swift fly the fleeces, 
 Thick the blossom-flakes. 

Now hill to hill has made the stride, 
And distance waves the without-end: 
Now in the breast a door flings wide; 
Our farthest smiles, our next is friend. 
And song of England's rush of flowers 
Is this full breeze with mellow stops, 
That spins the lark for shine, for showers; 
He drinks his hurried flight, and drops. 
The stir in memory seem these things, 
Which out of moisten'd turf and clay, 
Astrain for light push patient rings, 
Or leap to find the waterway. 
'Tis equal to a wonder done, 
Whatever simple lives renew 
Their tricks beneath the father sun, 
As though they caught a broken clue: 
So hard was earth an eyewink back; 
But now the common life has come, 
The blotting cloud a dappled pack, 
The grasses one vast underhum. 
A City clothed in snow and soot, 
With lamps for day in ghostly rows, 
Breaks to the scene of hosts afoot, 
The river that reflective flows: 
And there did fog down crypts of street 
Play spectre upon eye and mouth:-- 
Their faces are a glass to greet 
This magic of the whirl for South. 
A burly joy each creature swells 
With sound of its own hungry quest; 
Earth has to fill her empty wells, 
And speed the service of the nest; 
The phantom of the snow-wreath melt, 
That haunts the farmer's look abroad, 
Who sees what tomb a white night built, 
Where flocks now bleat and sprouts the clod. 
For iron Winter held her firm; 
Across her sky he laid his hand; 
And bird he starved, he stiffen'd worm; 
A sightless heaven, a shaven land. 
Her shivering Spring feign'd fast asleep, 
The bitten buds dared not unfold: 
We raced on roads and ice to keep 
Thought of the girl we love from cold. 

 But now the North wind ceases, 
 The warm South-west awakes, 
 The heavens are out in fleeces, 
 And earth's green banner shakes.
Written by Stephen Vincent Benet | Create an image from this poem

Alexander VI Dines with the Cardinal of Capua

 Next, then, the peacock, gilt 
With all its feathers. Look, what gorgeous dyes 
Flow in the eyes! 
And how deep, lustrous greens are splashed and spilt 
Along the back, that like a sea-wave's crest 
Scatters soft beauty o'er th' emblazoned breast! 

A strange fowl! But most fit 
For feasts like this, whereby I honor one 
Pure as the sun! 
Yet glowing with the fiery zeal of it! 
Some wine? Your goblet's empty? Let it foam! 
It is not often that you come to Rome! 

You like the Venice glass? 
Rippled with lines that float like women's curls, 
Neck like a girl's, 
Fierce-glowing as a chalice in the Mass? 
You start -- 'twas artist then, not Pope who spoke! 
Ave Maria stella! -- ah, it broke! 

'Tis said they break alone 
When poison writhes within. A foolish tale! 
What, you look pale? 
Caraffa, fetch a silver cup! . . . You own 
A Birth of Venus, now -- or so I've heard, 
Lovely as the breast-plumage of a bird. 

Also a Dancing Faun, 
Hewn with the lithe grace of Praxiteles; 
Globed pearls to please 
A sultan; golden veils that drop like lawn -- 
How happy I could be with but a tithe 
Of your possessions, fortunate one! Don't writhe 

But take these cushions here! 
Now for the fruit! Great peaches, satin-skinned, 
Rough tamarind, 
Pomegranates red as lips -- oh they come dear! 
But men like you we feast at any price -- 
A plum perhaps? They're looking rather nice! 

I'll cut the thing in half. 
There's yours! Now, with a one-side-poisoned knife 
One might snuff life 
And leave one's friend with -- "fool" for epitaph! 
An old trick? Truth! But when one has the itch 
For pretty things and isn't very rich. . . . 

There, eat it all or I'll 
Be angry! You feel giddy? Well, it's hot! 
This bergamot 
Take home and smell -- it purges blood of bile! 
And when you kiss Bianca's dimpled knee, 
Think of the poor Pope in his misery! 

Now you may kiss my ring! 
Ho there, the Cardinal's litter! -- You must dine 
When the new wine 
Is in, again with me -- hear Bice sing, 
Even admire my frescoes -- though they're nought 
Beside the calm Greek glories you have bought! 

Godspeed, Sir Cardinal! 
And take a weak man's blessing! Help him there 
To the cool air! . . . 
Lucrezia here? You're ready for the ball? 
-- He'll die within ten hours, I suppose -- 
Mhm! Kiss your poor old father, little rose!
Written by William Cowper | Create an image from this poem

Living and a Dead Faith

 The Lord receives his highest praise
From humble minds and hearts sincere;
While all the loud professor says
Offends the righteous Judge's ear.

To walk as children of the day,
To mark the precepts' holy light,
To wage the warfare, watch, and pray,
Show who are pleasing in His sight.

Not words alone it cost the Lord,
To purchase pardon for His own;
Nor will a soul by grace restored
Return the Saviour words alone.

With golden bells, the priestly vest,
And rich pomegranates border'd round,
The need of holiness expressed,
And called for fruit as well as sound.

Easy indeed it were to reach
A mansion in the courts above,
If swelling words and fluent speech
Might serve instead of faith and love.

But none shall gain the blissful place,
Or God's unclouded glory see,
Who talks of free and sovereign grace,
Unless that grace has made him free!
Written by Paul Laurence Dunbar | Create an image from this poem

Dreams

Dream on, for dreams are sweet:
Do not awaken!
Dream on, and at thy feet
Pomegranates shall be shaken.
Who likeneth the youth
Of life to morning?
'Tis like the night in truth,
Rose-coloured dreams adorning.
The wind is soft above,
The shadows umber.
 (There is a dream called Love.) Take thou the fullest slumber!
In Lethe's soothing stream,
Thy thirst thou slakest.
Sleep, sleep; 't is sweet to dream.
Oh, weep when thou awakest!

Book: Radiant Verses: A Journey Through Inspiring Poetry