Written by
Robinson Jeffers |
Unhappy about some far off things
That are not my affair, wandering
Along the coast and up the lean ridges,
I saw in the evening
The stars go over the lonely ocean,
And a black-maned wild boar
Plowing with his snout on Mal Paso Mountain.
The old monster snuffled, "Here are sweet roots,
Fat grubs, slick beetles and sprouted acorns.
The best nation in Europe has fallen,
And that is Finland,
But the stars go over the lonely ocean,"
The old black-bristled boar,
Tearing the sod on Mal Paso Mountain.
"The world's in a bad way, my man,
And bound to be worse before it mends;
Better lie up in the mountain here
Four or five centuries,
While the stars go over the lonely ocean,"
Said the old father of wild pigs,
Plowing the fallow on Mal Paso Mountain.
"Keep clear of the dupes that talk democracy
And the dogs that talk revolution,
Drunk with talk, liars and believers.
I believe in my tusks.
Long live freedom and damn the ideologies,"
Said the gamey black-maned boar
Tusking the turf on Mal Paso Mountain.
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Written by
Walt Whitman |
1
BEAT! beat! drums!—Blow! bugles! blow!
Through the windows—through doors—burst like a ruthless force,
Into the solemn church, and scatter the congregation;
Into the school where the scholar is studying;
Leave not the bridegroom quiet—no happiness must he have now with his bride;
Nor the peaceful farmer any peace, plowing his field or gathering his grain;
So fierce you whirr and pound, you drums—so shrill you bugles blow.
2
Beat! beat! drums!—Blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the streets:
Are beds prepared for sleepers at night in the houses? No sleepers must sleep in those
beds;
No bargainers’ bargains by day—no brokers or speculators—Would they
continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums—you bugles wilder blow.
3
Beat! beat! drums!—Blow! bugles! blow!
Make no parley—stop for no expostulation;
Mind not the timid—mind not the weeper or prayer;
Mind not the old man beseeching the young man;
Let not the child’s voice be heard, nor the mother’s entreaties;
Make even the trestles to shake the dead, where they lie awaiting the hearses,
So strong you thump, O terrible drums—so loud you bugles blow.
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Written by
Robert Bly |
I start out for a walk at last after weeks at the desk.
Moon gone plowing underfoot no stars; not a trace of light!
Suppose a horse were galloping toward me in this open field?
Every day I did not spend in solitude was wasted.
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Written by
Adrienne Rich |
1.
Sex, as they harshly call it,
I fell into this morning
at ten o'clock, a drizzling hour
of traffic and wet newspapers.
I thought of him who yesterday
clearly didn't
turn me to a hot field
ready for plowing,
and longing for that young man
pierced me to the roots
bathing every vein, etc.
All day he appears to me
touchingly desirable,
a prize one could wreck one's peace for.
I'd call it love if love
didn't take so many years
but lust too is a jewel
a sweet flower and what
pure happiness to know
all our high-toned questions
breed in a lively animal.
2.
That "old last act"!
And yet sometimes
all seems post coitum triste
and I a mere bystander.
Somebody else is going off,
getting shot to the moon.
Or a moon-race!
Split seconds after
my opposite number lands
I make it--
we lie fainting together
at a crater-edge
heavy as mercury in our moonsuits
till he speaks--
in a different language
yet one I've picked up
through cultural exchanges...
we murmur the first moonwords:
Spasibo. Thanks. O.K.
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Written by
Carl Sandburg |
WHEN the sea is everywhere
from horizon to horizon ..
when the salt and blue
fill a circle of horizons ..
I swear again how I know
the sea is older than anything else
and the sea younger than anything else.
My first father was a landsman.
My tenth father was a sea-lover,
a gipsy sea-boy, a singer of chanties.
(Oh Blow the Man Down!)
The sea is always the same:
and yet the sea always changes.
The sea gives all,
and yet the sea keeps something back.
The sea takes without asking.
The sea is a worker, a thief and a loafer.
Why does the sea let go so slow?
Or never let go at all?
The sea always the same
day after day,
the sea always the same
night after night,
fog on fog and never a star,
wind on wind and running white sheets,
bird on bird always a sea-bird—
so the days get lost:
it is neither Saturday nor Monday,
it is any day or no day,
it is a year, ten years.
Fog on fog and never a star,
what is a man, a child, a woman,
to the green and grinding sea?
The ropes and boards squeak and groan.
On the land they know a child they have named Today.
On the sea they know three children they have named:
Yesterday, Today, To-morrow.
I made a song to a woman:—it ran:
I have wanted you.
I have called to you
on a day I counted a thousand years.
In the deep of a sea-blue noon
many women run in a man’s head,
phantom women leaping from a man’s forehead
.. to the railings … into the sea … to the
sea rim …
.. a man’s mother … a man’s wife … other
women …
I asked a sure-footed sailor how and he said:
I have known many women but there is only one sea.
I saw the North Star once
and our old friend, The Big Dipper,
only the sea between us:
“Take away the sea
and I lift The Dipper,
swing the handle of it,
drink from the brim of it.”
I saw the North Star one night
and five new stars for me in the rigging ropes,
and seven old stars in the cross of the wireless
plunging by night,
plowing by night—
Five new cool stars, seven old warm stars.
I have been let down in a thousand graves by my kinfolk.
I have been left alone with the sea and the sea’s wife, the wind, for my last friends
And my kinfolk never knew anything about it at all.
Salt from an old work of eating our graveclothes is here.
The sea-kin of my thousand graves,
The sea and the sea’s wife, the wind,
They are all here to-night
between the circle of horizons,
between the cross of the wireless
and the seven old warm stars.
Out of a thousand sea-holes I came yesterday.
Out of a thousand sea-holes I come to-morrow.
I am kin of the changer.
I am a son of the sea
and the sea’s wife, the wind.
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Written by
Alden Nowlan |
Down from the purple mist of trees on the mountain,
lurching through forests of white spruce and cedar,
stumbling through tamarack swamps,
came the bull moose
to be stopped at last by a pole-fenced pasture.
Too tired to turn or, perhaps, aware
there was no place left to go, he stood with the cattle.
They, scenting the musk of death, seeing his great head
like the ritual mask of a blood god, moved to the other end
of the field, and waited.
The neighbours heard of it, and by afternoon
cars lined the road. The children teased him
with alder switches and he gazed at them
like an old, tolerant collie. The woman asked
if he could have escaped from a Fair.
The oldest man in the parish remembered seeing
a gelded moose yoked with an ox for plowing.
The young men snickered and tried to pour beer
down his throat, while their girl friends took their pictures.
And the bull moose let them stroke his tick-ravaged flanks,
let them pry open his jaws with bottles, let a giggling girl
plant a little purple cap
of thistles on his head.
When the wardens came, everyone agreed it was a shame
to shoot anything so shaggy and cuddlesome.
He looked like the kind of pet
women put to bed with their sons.
So they held their fire. But just as the sun dropped in the river
the bull moose gathered his strength
like a scaffolded king, straightened and lifted his horns
so that even the wardens backed away as they raised their rifles.
When he roared, people ran to their cars. All the young men
leaned on their automobile horns as he toppled.
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Written by
Carl Sandburg |
AFTER the last red sunset glimmer,
Black on the line of a low hill rise,
Formed into moving shadows, I saw
A plowboy and two horses lined against the gray,
Plowing in the dusk the last furrow.
The turf had a gleam of brown,
And smell of soil was in the air,
And, cool and moist, a haze of April.
I shall remember you long,
Plowboy and horses against the sky in shadow.
I shall remember you and the picture
You made for me,
Turning the turf in the dusk
And haze of an April gloaming.
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Written by
Li Po |
Last year we fought by the head-stream of the Sang-kan,
This year we are fighting on the Tsung-ho road.
We have washed our armor in the waves of the Chiao-chi lake,
We have pastured our horses on Tien-shan's snowy slopes.
The long, long war goes on ten thousand miles from home,
Our three armies are worn and grown old.
The barbarian does man-slaughter for plowing;
On this yellow sand-plains nothing has been seen but
blanched skulls and bones.
Where the Chin emperor built the walls against the Tartars,
There the defenders of Han are burning beacon fires.
The beacon fires burn and never go out,
There is no end to war!—
In the battlefield men grapple each other and die;
The horses of the vanquished utter lamentable cries to heaven,
While ravens and kites peck at human entrails,
Carry them up in their flight, and hang them on the branches of dead trees.
So, men are scattered and smeared over the desert grass,
And the generals have accomplished nothing.
Oh, nefarious war! I see why arms
Were so seldom used by the benign sovereigns.
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Written by
Robert Frost |
I've known ere now an interfering branch
Of alder catch my lifted ax behind me.
But that was in the woods, to hold my hand
From striking at another alder's roots,
And that was, as I say, an alder branch.
This was a man, Baptiste, who stole one day
Behind me on the snow in my own yard
Where I was working at the chopping block,
And cutting nothing not cut down already.
He caught my ax expertly on the rise,
When all my strength put forth was in his favor,
Held it a moment where it was, to calm me,
Then took it from me — and I let him take it.
I didn't know him well enough to know
What it was all about. There might be something
He had in mind to say to a bad neighbor
He might prefer to say to him disarmed.
But all he had to tell me in French-English
Was what he thought of— not me, but my ax;
Me only as I took my ax to heart.
It was the bad ax-helve some one had sold me —
“Made on machine,' he said, plowing the grain
With a thick thumbnail to show how it ran
Across the handle's long-drawn serpentine,
Like the two strokes across a dollar sign.
“You give her 'one good crack, she's snap raght off.
Den where's your hax-ead flying t'rough de hair?”
Admitted; and yet, what was that to him?
“Come on my house and I put you one in
What's las' awhile — good hick'ry what's grow crooked,
De second growt' I cut myself—tough, tough!”
Something to sell? That wasn't how it sounded.
“Den when you say you come? It's cost you nothing.
To-naght?”
As well to-night as any night.
Beyond an over-warmth of kitchen stove
My welcome differed from no other welcome.
Baptiste knew best why I was where I was.
So long as he would leave enough unsaid,
I shouldn't mind his being overjoyed
(If overjoyed he was) at having got me
Where I must judge if what he knew about an ax
That not everybody else knew was to count
For nothing in the measure of a neighbor.
Hard if, though cast away for life with Yankees,
A Frenchman couldn't get his human rating!
Mrs. Baptiste came in and rocked a chair
That had as many motions as the world:
One back and forward, in and out of shadow,
That got her nowhere; one more gradual,
Sideways, that would have run her on the stove
In time, had she not realized her danger
And caught herself up bodily, chair and all,
And set herself back where she ,started from.
“She ain't spick too much Henglish— dat's too bad.”
I was afraid, in brightening first on me,
Then on Baptiste, as if she understood
What passed between us, she was only reigning.
Baptiste was anxious for her; but no more
Than for himself, so placed he couldn't hope
To keep his bargain of the morning with me
In time to keep me from suspecting him
Of really never having meant to keep it.
Needlessly soon he had his ax-helves out,
A quiverful to choose from, since he wished me
To have the best he had, or had to spare —
Not for me to ask which, when what he took
Had beauties he had to point me out at length
To ensure their not being wasted on me.
He liked to have it slender as a whipstock,
Free from the least knot, equal to the strain
Of bending like a sword across the knee.
He showed me that the lines of a good helve
Were native to the grain before the knife
Expressed them, and its curves were no false curves
Put on it from without. And there its strength lay
For the hard work. He chafed its long white body
From end to end with his rough hand shut round it.
He tried it at the eye-hold in the ax-head.
“Hahn, hahn,” he mused, “don't need much taking down.”
Baptiste knew how to make a short job long
For love of it, and yet not waste time either.
Do you know, what we talked about was knowledge?
Baptiste on his defense about the children
He kept from school, or did his best to keep —
Whatever school and children and our doubts
Of laid-on education had to do
With the curves of his ax-helves and his having
Used these unscrupulously to bring me
To see for once the inside of his house.
Was I desired in friendship, partly as someone
To leave it to, whether the right to hold
Such doubts of education should depend
Upon the education of those who held them.
But now he brushed the shavings from his knee
And stood the ax there on its horse's hoof,
Erect, but not without its waves, as when
The snake stood up for evil in the Garden—
Top-heavy with a heaviness his short,
Thick hand made light of, steel-blue chin drawn down
And in a little — a French touch in that.
Baptiste drew back and squinted at it, pleased:
“See how she's cock her head!”
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Written by
Carl Sandburg |
I AM the people--the mob--the crowd--the mass.
Do you know that all the great work of the world is
done through me?
I am the workingman, the inventor, the maker of the
world's food and clothes.
I am the audience that witnesses history. The Napoleons
come from me and the Lincolns. They die. And
then I send forth more Napoleons and Lincolns.
I am the seed ground. I am a prairie that will stand
for much plowing. Terrible storms pass over me.
I forget. The best of me is sucked out and wasted.
I forget. Everything but Death comes to me and
makes me work and give up what I have. And I
forget.
Sometimes I growl, shake myself and spatter a few red
drops for history to remember. Then--I forget.
When I, the People, learn to remember, when I, the
People, use the lessons of yesterday and no longer
forget who robbed me last year, who played me for
a fool--then there will be no speaker in all the world
say the name: "The People," with any fleck of a
sneer in his voice or any far-off smile of derision.
The mob--the crowd--the mass--will arrive then.
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