Written by
Kahlil Gibran |
One hour devoted to the pursuit of Beauty
And Love is worth a full century of glory
Given by the frightened weak to the strong.
From that hour comes man's Truth; and
During that century Truth sleeps between
The restless arms of disturbing dreams.
In that hour the soul sees for herself
The Natural Law, and for that century she
Imprisons herself behind the law of man;
And she is shackled with irons of oppression.
That hour was the inspiration of the Songs
Of Solomon, an that century was the blind
Power which destroyed the temple of Baalbek.
That hour was the birth of the Sermon on the
Mount, and that century wrecked the castles of
Palmyra and the Tower of Babylon.
That hour was the Hegira of Mohammed and that
Century forgot Allah, Golgotha, and Sinai.
One hour devoted to mourning and lamenting the
Stolen equality of the weak is nobler than a
Century filled with greed and usurpation.
It is at that hour when the heart is
Purified by flaming sorrow and
Illuminated by the torch of Love.
And in that century, desires for Truth
Are buried in the bosom of the earth.
That hour is the root which must flourish.
That hour of meditation, the hour of
Prayer, and the hour of a new era of good.
And that century is a life of Nero spent
On self-investment taken solely from
Earthly substance.
This is life.
Portrayed on the stage for ages;
Recorded earthly for centuries;
Lived in strangeness for years;
Sung as a hymn for days;
Exalted but for an hour, but the
Hour is treasured by Eternity as a jewel.
|
Written by
Stephen Dunn |
A woman's taking her late-afternoon walk
on Chestnut where no sidewalk exists
and houses with gravel driveways
sit back among the pines.
Only the house
with the vicious dog is close to the road.
An electric fence keeps him in check.
When she comes to that house, the woman
always crosses to the other side.
I'm the woman's husband.
It's a problem
loving your protagonist too much.
Soon the dog is going to break through
that fence, teeth bared, and go for my wife.
She will be helpless.
I'm out of town,
helpless too.
Here comes the dog.
What kind of dog? A mad dog, a dog
like one of those teenagers who just loses it
on the playground, kills a teacher.
Something's going to happen that can't happen
in a good story: out of nowhere a car
comes and kills the dog.
The dog flies
in the air, lands in a patch of delphiniums.
My wife is crying now.
The woman who hit
the dog has gotten out of her car.
She holds
both hands to her face.
The woman who owns
the dog has run out of her house.
Three women
crying in the street, each for different reasons.
All of this is so unlikely; it's as if
I've found myself in a country of pure fact,
miles from truth's more demanding realm.
When I listened to my wife's story on the phone
I knew I'd take it from her, tell it
every which way until it had an order
and a deceptive period at the end.
That's what
I always do in the face of helplessness,
make some arrangements if I can.
Praise the odd, serendipitous world.
Nothing I'd be inclined to think of
would have stopped that dog.
Only the facts saved her.
|
Written by
Weldon Kees |
Unmanageable as history: these
Followers of Tammuz to the land
That offered no return, where dust
Grew thick on every bolt and door.
And so the world
Chilled, and the women wept, tore at their hair.
Yet, in the skies, a goddess governed Sirius, the Dog,
Who shines alike on mothers, lesbians, and whores.
What are we governed by? Dido and Carrie
Chapman Catt arrange themselves as statues near
The playground and the Tivoli.
While warming up the beans,
Miss Sanders broods on the Rhamnusian, the whole earth worshipping
Her godhead.
Later, vegetables in Athens.
Chaste in the dungeon, swooning with voluptuousness,
The Lady of the Castle weds pure Christ, the feudal groom.
Their bowels almost drove Swift mad.
"Sad stem,
Sweet evil, stretching out a lion's jaws," wrote Marbode.
Now we cling together in our caves.
That not impossible she
That rots and wrinkles in the sun, the shadow
Of all men, man's counterpart, sweet rois
Of vertew and of gentilness.
.
.
The brothel and the crib endure.
Past reason hunted.
How we die! Their pain, their blood, are ours.
|
Written by
Vernon Scannell |
And now another autumn morning finds me
With chalk dust on my sleeve and in my breath,
Preoccupied with vague, habitual speculation
On the huge inevitability of death.
Not wholly wretched, yet knowing absolutely
That I shall never reacquaint myself with joy,
I sniff the smell of ink and chalk and my mortality
And think of when I rolled, a gormless boy,
And rollicked round the playground of my hours,
And wonder when precisely tolled the bell
Which summoned me from summer liberties
And brought me to this chill autumnal cell
From which I gaze upon the april faces
That gleam before me, like apples ranged on shelves,
And yet I feel no pinch or prick of envy
Nor would I have them know their sentenced selves.
With careful effort I can separate the faces,
The dull, the clever, the various shapes and sizes,
But in the autumn shades I find I only
Brood upon death, who carries off all the prizes.
|
Written by
Philip Levine |
from an officer's diary during the last war
I
The sour daylight cracks through my sleep-caked lids.
"Stephan! Stephan!" The rattling orderly
Comes on a trot, the cold tray in his hands:
Toast whitening with oleo, brown tea,
Yesterday's napkins, and an opened letter.
"Your asthma's bad, old man.
" He doesn't answer,
And turns to the grey windows and the weather.
"Don't worry, Stephan, the lungs will go to cancer.
"
II
I speak, "the enemy's exhausted, victory
Is almost ours.
.
.
" These twenty new recruits,
Conscripted for the battles lost already,
Were once the young, exchanging bitter winks,
And shuffling when I rose to eloquence,
Determined not to die and not to show
The fear that held them in their careless stance,
And yet they died, how many wars ago?
Or came back cream puffs, 45, and fat.
I know that I am touched for my eyes brim
With tears I had forgotten.
Death is not
For these car salesmen whose only dream
Is of a small percentage of the take.
Oh my eternal smilers, weep for death
Whose harvest withers with your aged aches
And cannot make the grave for lack of breath.
III
Did you wet? Oh no, he had not wet.
How could he say it, it was hard to say
Because he did not understand it yet.
It had to do, maybe, with being away,
With being here where nothing seemed to matter.
It will be better, you will see tomorrow,
I told him, in a while it will be better,
And all the while staring from the mirror
I saw those eyes, my eyes devouring me.
I cannot fire my rifle, I'm aftaid
Even to aim at what I cannot see.
This was his voice, or was it mine I heard?
How do I know that in this foul latrine
I calmed a soldier, infantile, manic?
Could he be real with such eyes pinched between
The immense floating shoulders of his tunic?
IV
Around the table where the map is spread
The officers gather.
Now the colonel leans
Into the blinkered light from overhead
And with a penknife improvises plans
For our departure.
Plans delivered by
An old staff courier on his bicycle.
One looks at him and wonders does he say,
I lean out and I let my shadow fall
Shouldering the picture that we call the world
And there is darkness? Does he say such things?
Or is there merely silence in his head?
Or other voices which the silence rings?
Such a fine skull and forehead, broad and flat,
The eyes opaque and slightly animal.
I can come closer to a starving cat,
I can read hunger in its eyes and feel
In the irregular motions of its tail
A need that I could feel.
He slips his knife
Into the terminal where we entrain
And something seems to issue from my life.
V
In the mice-sawed potato fields dusk waits.
My dull ones march by fours on the playground,
Kicking up dust; The column hesitates
As though in answer to the rising wind,
To darkness and the coldness it must enter.
Listen, my heroes, my half frozen men,
The corporal calls us to that distant winter
Where we will merge the nothingness within.
And they salute as one and stand at peace.
Keeping an arm's distance from everything,
I answer them, knowing they see no face
Between my helmet and my helmet thong.
VI
But three more days and we'll be moving out.
The cupboard of the state is bare, no one,
Not God himself, can raise another recruit.
Drinking my hot tea, listening to the rain,
I sit while Stephan packs, grumbling a bit.
He breaks the china that my mother sent,
Her own first china, as a wedding gift.
"Now that your wife is dead, Captain, why can't
The two of us really make love together?"
I cannot answer.
When I lift a plate
It seems I almost hear my long-dead mother
Saying, Watch out, the glass is underfoot.
Stephan is touching me.
"Captain, why not?
Three days from now and this will all be gone.
It no longer is!" Son, you don't shout,
In the long run it doesn't help the pain.
I gather the brittle bits and cut my finger
On the chipped rim of my wife's favorite glass,
And cannot make the simple bleeding linger.
"Captain, Captain, there's no one watching us.
"
|
Written by
Edgar Albert Guest |
The crowded street his playground is, a patch of blue his sky;
A puddle in a vacant lot his sea where ships pass by:
Poor little orphan boy of five, the city smoke and grime
Taint every cooling breeze he gets throughout the summer time;
And he is just as your boy is, a child who loves to play,
Except that he is drawn and white and cannot get away.
And he would like the open fields, for often in his dreams
The angels kind bear him off to where are pleasant streams,
Where he may sail a splendid boat, sometimes he flies a kite,
Or romps beside a shepherd dog and shouts with all his might;
But when the dawn of morning comes he wakes to find once more
That what he thought were sun-kissed hills are rags upon the floor.
Then through the hot and sultry day he plays at "make-pretend,"
The alley is a sandy beach where all the rich folks send
Their little boys and girls to play, a barrel is his boat,
But, oh, the air is tifling and the dust fills up his throat;
And though he tries so very hard to play, somehow it seems
He never gets such wondrous joys as angels bring in dreams.
Poor little orphan boy of five, except that he is pale,
With sunken cheeks and hollow eyes and very wan and frail,
Just like that little boy of yours, with same desire to play,
Fond of the open fields and skies, he's built the self-same way;
But kept by fate and circumstance away from shady streams,
His only joy comes when he sleeps and angels bring him dreams.
|
Written by
William Topaz McGonagall |
A little child stood thinking, sorrowfully and ill at ease,
In a forest beneath the branches of the tall pine trees -
And his big brown eyes with tears seemed dim,
While one soft arm rested on a huge dog close by him.
And only four summers had passed o'er his baby head,
And, poor little child, his twin brother was dead,
Who had died but a few days before,
And now he must play alone, for he'd see him no more.
And for many generations 'tis said for a truth
That the eldest bairn of the Cronberg family died early in youth,
Owing to a curse that pursued them for many a day,
Because the Cronberg chief had carried a lovely maiden away,
That belonged, 'tis said, to the bold Viking chief,
And her aged mother could find no relief;
And she cursed the Cronberg family in accents wild,
For the loss of her darling, beautiful child.
So at last the little child crept back to its home,
And entered the silent nursery alone,
Where he knew since morning his twin brother had lain,
But, alas! they would never walk hand in hand again.
And, pausing breathless, he gazed into the darkened room,
And there he saw in the dark gloom
The aged Gudrun keeping her lonely watch o'er the dead,
Sad and forlorn at the head of the bed.
Then little Olaf sprang joyfully into the room,
And bounding upon the bed, not fearing the corpse in the gloom;
And crept close beside the white form,
That was wont to walk by his side night and morn.
And with his dimpled hands his brother he did stroke,
And with grief his little heart almost broke;
And he whispered in baby talk his brother's name,
But, alas! to him no answer came.
But his good old nurse let little Olaf be,
The more it was very sad to see;
But she could not check the child, nor on him frown,
And as she watched him, the tears came trickling down.
Then Olaf cried, "Oh, nursey, when will he speak again?"
And old Gudrun said, "My lamb,'tis all in vain,
He is singing sweet songs with the angels now,"
And kissed him fondly on cheek and brow.
And the same evening, Olaf wandered out on the green,
Which to him and his brother oft a playground had been;
And lying down on the messy bank, their old play place,
He fell asleep with a heavenly smile upon his face.
And as he slept if seemed to him an angel drew near,
And bending o'er him seemed to drop a tear,
And swept his closed eyes with her downy wing,
Then in whispers softly she did sing -
"Love God and be good to all, and one day
You'll meet your brother in Heaven in grand array,
On that bright and golden happy shore,
Where you and your brother shall part no more.
"
Then the angel kissed him and vanished away,
And Olaf started to his feet in great dismay;
Then he turned his eyes to Heaven, for his heart felt sore,
And from that day the house of Cronberg was cursed no more.
|
Written by
Robert William Service |
They say that Monte Carlo is
A sunny place for shady people;
But I'm not in the gambling biz,
And sober as a parish steeple.
so though this paradisal spot
The devil's playground of the rich is,
I love it and I love it not,
As men may sometimes fall for bitches.
I lazed beneath the sky's blue bliss,
The sea swooned with a sequin glimmer;
The breeze was shy as maiden kiss,
The palms sashayed in silken shimmr.
The peace I soaked in every pore
did me more good than ten religions .
.
.
And then: Bang! Bang! my joy was o'er;
Says I: "There goes them poor dam pigeons.
"
I see them bob from out their traps,
the swarded green aroud them ringing;
bewildered, full of joy perhaps,
With sudden hope of skyway winging.
They blink a moment at the sun,
They flutter free of earthy tether .
.
.
A fat man holds a smoking gun,
A boy collects some blood and feather.
And so through all the sainted day,
Bang! Bang! a bunch of plumage gory.
Five hundred francs they cost to slay,
And few there live to tell the story .
.
.
Yet look! there's one so swift to fly,
Despite the shots a course he's steering .
.
.
Brave little bird! he's winging high,
He's gained the trees - I feel like cheering.
In Monte Carlo's garden glades
With dreamful bliss one softly lingers,
And lazily in leafy shades
The doves pick breadcrumbs from one fingers .
.
.
Bang! Bang! Farewell, oh sylvan courts!
Where peace and joy are sweetly blended .
.
.
God curse these lousy Latin sports!
My pigeons scat, my dream is ended.
|
Written by
D. H. Lawrence |
It is stormy, and raindrops cling like silver bees to the pane,
The thin sycamores in the playground are swinging with flattened leaves;
The heads of the boys move dimly through a yellow gloom that stains
The class; over them all the dark net of my discipline weaves.
It is no good, dear, gentleness and forbearance, I endured too long:
I have pushed my hands in the dark soil, under the flower of my soul
And the gentle leaves, and have felt where the roots are strong
Fixed in the darkness, grappling for the deep soil's little control.
And there is the dark, my darling, where the roots are entangled and fight
Each one for its hold on the oblivious darkness, I know that there
In the night where we first have being, before we rise on the light,
We are not brothers, my darling, we fight and we do not spare.
And in the original dark the roots cannot keep, cannot know
Any communion whatever, but they bind themselves on to the dark,
And drawing the darkness together, crush from it a twilight, a slow
Burning that breaks at last into leaves and a flower's bright spark.
I came to the boys with love, my dear, but they turned on me;
I came with gentleness, with my heart 'twixt my hands like a bowl,
Like a loving-cup, like a grail, but they spilt it triumphantly
And tried to break the vessel, and to violate my soul.
But what have I to do with the boys, deep down in my soul, my love?
I throw from out of the darkness my self like a flower into sight,
Like a flower from out of the night-time, I lift my face, and those
Who will may warm their hands at me, comfort this night.
But whosoever would pluck apart my flowering shall burn their hands,
So flowers are tender folk, and roots can only hide,
Yet my flowerings of love are a fire, and the scarlet brands
Of my love are roses to look at, but flames to chide.
But comfort me, my love, now the fires are low,
Now I am broken to earth like a winter destroyed, and all
Myself but a knowledge of roots, of roots in the dark that throw
A net on the undersoil, which lies passive beneath their thrall.
But comfort me, for henceforth my love is yours alone,
To you alone will I offer the bowl, to you will I give
My essence only, but love me, and I will atone
To you for my general loving, atone as long as I live.
|
Written by
Rudyard Kipling |
Yearly, with tent and rifle, our careless white men go
By the Pass called Muttianee, to shoot in the vale below.
Yearly by Muttianee he follows our white men in --
Matun, the old blind beggar, bandaged from brow to chin.
Eyeless, noseless, and lipless -- toothless, broken of speech,
Seeking a dole at the doorway he mumbles his tale to each;
Over and over the story, ending as he began:
"Make ye no truce with Adam-zad -- the Bear that walks like a Man!
"There was a flint in my musket -- pricked and primed was the pan,
When I went hunting Adam-zad -- the Bear that stands like a Man.
I looked my last on the timber, I looked my last on the snow,
When I went hunting Adam-zad fifty summers ago!
"I knew his times and his seasons, as he knew mine, that fed
By night in the ripened maizefield and robbed my house of bread.
I knew his strength and cunning, as he knew mine, that crept
At dawn to the crowded goat-pens and plundered while I slept.
"Up from his stony playground -- down from his well-digged lair --
Out on the naked ridges ran Adam-zad the Bear --
Groaning, grunting, and roaring, heavy with stolen meals,
Two long marches to northward, and I was at his heels!
"Two long marches to northward, at the fall of the second night,
I came on mine enemy Adam-zad all panting from his flight.
There was a charge in the musket -- pricked and primed was the pan --
My finger crooked on the trigger -- when he reared up like a man.
"Horrible, hairy, human, with paws like hands in prayer,
Making his supplication rose Adam-zad the Bear!
I looked at the swaying shoulders, at the paunch's swag and swing,
And my heart was touched with pity for the monstrous, pleading thing.
"Touched witth pity and wonder, I did not fire then .
.
.
I have looked no more on women -- I have walked no more with men.
Nearer he tottered and nearer, with paws like hands that pray --
From brow to jaw that steel-shod paw, it ripped my face away!
"Sudden, silent, and savage, searing as flame the blow --
Faceless I fell before his feet, fifty summers ago.
I heard him grunt and chuckle -- I heard him pass to his den.
He left me blind to the darkened years and the little mercy of men.
"Now ye go down in the morning with guns of the newer style,
That load (I have felt) in the middle and range (I have heard) a mile?
Luck to the white man's rifle, that shoots so fast and true,
But -- pay, and I lift my bandage and show what the Bear can do!"
(Flesh like slag in the furnace, knobbed and withered and grey --
Matun, the old blind beggar, he gives good worth for his pay.
)
"Rouse him at noon in the bushes, follow and press him hard --
Not for his ragings and roarings flinch ye from Adam-zad.
"But (pay, and I put back the bandage) this is the time to fear,
When he stands up like a tired man, tottering near and near;
When he stands up as pleading, in wavering, man-brute guise,
When he veils the hate and cunning of his little, swinish eyes;
"When he shows as seeking quarter, with paws like hands in prayer
That is the time of peril -- the time of the Truce of the Bear!"
Eyeless, noseless, and lipless, asking a dole at the door,
Matun, the old blind beggar, he tells it o'er and o'er;
Fumbling and feeling the rifles, warming his hands at the flame,
Hearing our careless white men talk of the morrow's game;
Over and over the story, ending as he began: --
"There is no trnce with Adam-zad, the Bear that looks like a Man!"
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