Written by
John Keats |
O blush not so! O blush not so!
Or I shall think you knowing;
And if you smile the blushing while,
Then maidenheads are going.
There's a blush for want, and a blush for shan't,
And a blush for having done it;
There's a blush for thought, and a blush for nought,
And a blush for just begun it.
O sigh not so! O sigh not so!
For it sounds of Eve's sweet pippin;
By these loosen'd lips you have tasted the pips
And fought in an amorous nipping.
Will you play once more at nice-cut-core,
For it only will last our youth out,
And we have the prime of the kissing time,
We have not one sweet tooth out.
There's a sigh for aye, and a sigh for nay,
And a sigh for "I can't bear it!"
O what can be done, shall we stay or run?
O cut the sweet apple and share it!
|
Written by
Vladimir Mayakovsky |
I'd tear
like a wolf
at bureaucracy.
For mandates
my respect's but the slightest.
To the devil himself
I'd chuck without mercy
every red-taped paper.
But this .
.
.
Down the long front
of coupés and cabins
File the officials
politely.
They gather up passports
and I give in
My own vermilion booklet.
For one kind of passport -
smiling lips part
For others -
an attitude scornful.
They take
with respect, for instance,
the passport
From a sleeping-car
English Lionel.
The good fellows eyes
almost slip like pips
when,
bowing as low as men can,
they take,
as if they were taking a tip,
the passport
from an American.
At the Polish,
they dolefully blink and wheeze
in dumb
police elephantism -
where are they from,
and what are these
geographical novelties?
And without a turn
of their cabbage heads,
their feelings
hidden in lower regions,
they take without blinking,
the passports from Swedes
and various
old Norwegians.
Then sudden
as if their mouths were
aquake
those gentlemen almost
whine
Those very official gentlemen
take
that red-skinned passport
of mine.
Take-
like a bomb
take - like a hedgehog,
like a razor
double-edge stropped,
take -
like a rattlesnake huge and long
with at least
20 fangs
poison-tipped.
The porter's eyes
give a significant flick
(I'll carry your baggage
for nix,
mon ami.
.
.
)
The gendarmes enquiringly
look at the tec,
the tec, -
at the gendarmerie.
With what delight
that gendarme caste
would have me
strung-up and whipped raw
because I hold
in my hands
hammered-fast
sickle-clasped
my red Soviet passport.
I'd tear
like a wolf
at bureaucracy.
For mandates
my respect's but the slightest.
To the devil himself
I'd chuck
without mercy
every red-taped paper,
But this .
.
.
I pull out
of my wide trouser-pockets
duplicate
of a priceless cargo.
You now:
read this
and envy,
I'm a citizen
of the Soviet Socialist Union!
Transcribed: by Liviu Iacob.
|
Written by
John Davidson |
The room was suddenly rich and the great bay-window was
Spawning snow and pink rose against it
Soundlessly collateral and incompatible:
World is suddener than we fancy it.
World is crazier and more of it than we think,
Incorrigibly plural.
I peel and portion
A tangerine and spit the pips and feel
The drunkenness of things being various.
And the fire flames with a bubbling sound for world
Is more spiteful and gay than one supposes --
On the tongue on the eyes on the ears in the palms of one's hands--
There is more than glass between the snow and the huge roses.
|
Written by
John Clare |
In the cowslip pips I lie,
Hidden from the buzzing fly,
While green grass beneath me lies,
Pearled with dew like fishes' eyes,
Here I lie, a clock-o'-clay,
Waiting for the time o' day.
While the forest quakes surprise,
And the wild wind sobs and sighs,
My home rocks as like to fall,
On its pillar green and tall;
When the pattering rain drives by
Clock-o'-clay keeps warm and dry.
Day by day and night by night,
All the week I hide from sight;
In the cowslip pips I lie,
In the rain still warm and dry;
Day and night and night and day,
Red, black-spotted clock-o'-clay.
My home shakes in wind and showers,
Pale green pillar topped with flowers,
Bending at the wild wind's breath,
Till I touch the grass beneath;
Here I live, lone clock-o'-clay,
Watching for the time of day.
|
Written by
Louise Bogan |
I've come to give you fruit from out my orchard,
Of wide report.
I have trees there that bear me many apples.
Of every sort:
Clear, streaked; red and russet; green and golden;
Sour and sweet.
This apple's from a tree yet unbeholden,
Where two kinds meet,—
So that this side is red without a dapple,
And this side's hue
Is clear and snowy.
It's a lovely apple.
It is for you.
Within are five black pips as big as peas,
As you will find,
Potent to breed you five great apple trees
Of varying kind:
To breed you wood for fire, leaves for shade,
Apples for sauce.
Oh, this is a good apple for a maid,
It is a cross,
Fine on the finer, so the flesh is tight,
And grained like silk.
Sweet Burning gave the red side, and the white
Is Meadow Milk.
Eat it, and you will taste more than the fruit:
The blossom, too,
The sun, the air, the darkness at the root,
The rain, the dew,
The earth we came to, and the time we flee,
The fire and the breast.
I claim the white part, maiden, that's for me.
You take the rest.
|
Written by
D. H. Lawrence |
There are only two things now,
The great black night scooped out
And this fireglow.
This fireglow, the core,
And we the two ripe pips
That are held in store.
Listen, the darkness rings
As it circulates round our fire.
Take off your things.
Your shoulders, your bruised throat!
You breasts, your nakedness!
This fiery coat!
As the darkness flickers and dips,
As the firelight falls and leaps
From your feet to your lips!
|