Written by
Percy Bysshe Shelley |
I met a traveller from an antique land
Who said: "Two vast and trunkless legs of stone
Stand in the desert.Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal these words appear:
'My name is Ozymandias, King of Kings,
Look on my Works, ye Mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away."
|
Written by
Edgar Allan Poe |
Kind solace in a dying hour!
Such, father, is not (now) my theme-
I will not madly deem that power
Of Earth may shrive me of the sin
Unearthly pride hath revell'd in-
I have no time to dote or dream:
You call it hope- that fire of fire!
It is but agony of desire:
If I can hope- Oh God! I can-
Its fount is holier- more divine-
I would not call thee fool, old man,
But such is not a gift of thine.
Know thou the secret of a spirit
Bow'd from its wild pride into shame.
O yearning heart! I did inherit
Thy withering portion with the fame,
The searing glory which hath shone
Amid the jewels of my throne,
Halo of Hell! and with a pain
Not Hell shall make me fear again-
O craving heart, for the lost flowers
And sunshine of my summer hours!
The undying voice of that dead time,
With its interminable chime,
Rings, in the spirit of a spell,
Upon thy emptiness- a knell.
I have not always been as now:
The fever'd diadem on my brow
I claim'd and won usurpingly-
Hath not the same fierce heirdom given
Rome to the Caesar- this to me?
The heritage of a kingly mind,
And a proud spirit which hath striven
Triumphantly with human kind.
On mountain soil I first drew life:
The mists of the Taglay have shed
Nightly their dews upon my head,
And, I believe, the winged strife
And tumult of the headlong air
Have nestled in my very hair.
So late from Heaven- that dew- it fell
(Mid dreams of an unholy night)
Upon me with the touch of Hell,
While the red flashing of the light
From clouds that hung, like banners, o'er,
Appeared to my half-closing eye
The pageantry of monarchy,
And the deep trumpet-thunder's roar
Came hurriedly upon me, telling
Of human battle, where my voice,
My own voice, silly child!- was swelling
(O! how my spirit would rejoice,
And leap within me at the cry)
The battle-cry of Victory!
The rain came down upon my head
Unshelter'd- and the heavy wind
Rendered me mad and deaf and blind.
It was but man, I thought, who shed
Laurels upon me: and the rush-
The torrent of the chilly air
Gurgled within my ear the crush
Of empires- with the captive's prayer-
The hum of suitors- and the tone
Of flattery 'round a sovereign's throne.
My passions, from that hapless hour,
Usurp'd a tyranny which men
Have deem'd, since I have reach'd to power,
My innate nature- be it so:
But father, there liv'd one who, then,
Then- in my boyhood- when their fire
Burn'd with a still intenser glow,
(For passion must, with youth, expire)
E'en then who knew this iron heart
In woman's weakness had a part.
I have no words- alas!- to tell
The loveliness of loving well!
Nor would I now attempt to trace
The more than beauty of a face
Whose lineaments, upon my mind,
Are- shadows on th' unstable wind:
Thus I remember having dwelt
Some page of early lore upon,
With loitering eye, till I have felt
The letters- with their meaning- melt
To fantasies- with none.
O, she was worthy of all love!
Love- as in infancy was mine-
'Twas such as angel minds above
Might envy; her young heart the shrine
On which my every hope and thought
Were incense- then a goodly gift,
For they were childish and upright-
Pure- as her young example taught:
Why did I leave it, and, adrift,
Trust to the fire within, for light?
We grew in age- and love- together,
Roaming the forest, and the wild;
My breast her shield in wintry weather-
And when the friendly sunshine smil'd,
And she would mark the opening skies,
I saw no Heaven- but in her eyes.
Young Love's first lesson is- the heart:
For 'mid that sunshine, and those smiles,
When, from our little cares apart,
And laughing at her girlish wiles,
I'd throw me on her throbbing breast,
And pour my spirit out in tears-
There was no need to speak the rest-
No need to quiet any fears
Of her- who ask'd no reason why,
But turn'd on me her quiet eye!
Yet more than worthy of the love
My spirit struggled with, and strove,
When, on the mountain peak, alone,
Ambition lent it a new tone-
I had no being- but in thee:
The world, and all it did contain
In the earth- the air- the sea-
Its joy- its little lot of pain
That was new pleasure- the ideal,
Dim vanities of dreams by night-
And dimmer nothings which were real-
(Shadows- and a more shadowy light!)
Parted upon their misty wings,
And, so, confusedly, became
Thine image, and- a name- a name!
Two separate- yet most intimate things.
I was ambitious- have you known
The passion, father? You have not:
A cottager, I mark'd a throne
Of half the world as all my own,
And murmur'd at such lowly lot-
But, just like any other dream,
Upon the vapour of the dew
My own had past, did not the beam
Of beauty which did while it thro'
The minute- the hour- the day- oppress
My mind with double loveliness.
We walk'd together on the crown
Of a high mountain which look'd down
Afar from its proud natural towers
Of rock and forest, on the hills-
The dwindled hills! begirt with bowers,
And shouting with a thousand rills.
I spoke to her of power and pride,
But mystically- in such guise
That she might deem it nought beside
The moment's converse; in her eyes
I read, perhaps too carelessly-
A mingled feeling with my own-
The flush on her bright cheek, to me
Seem'd to become a queenly throne
Too well that I should let it be
Light in the wilderness alone.
I wrapp'd myself in grandeur then,
And donn'd a visionary crown-
Yet it was not that Fantasy
Had thrown her mantle over me-
But that, among the rabble- men,
Lion ambition is chained down-
And crouches to a keeper's hand-
Not so in deserts where the grand-
The wild- the terrible conspire
With their own breath to fan his fire.
Look 'round thee now on Samarcand!
Is not she queen of Earth? her pride
Above all cities? in her hand
Their destinies? in all beside
Of glory which the world hath known
Stands she not nobly and alone?
Falling- her veriest stepping-stone
Shall form the pedestal of a throne-
And who her sovereign? Timour- he
Whom the astonished people saw
Striding o'er empires haughtily
A diadem'd outlaw!
O, human love! thou spirit given
On Earth, of all we hope in Heaven!
Which fall'st into the soul like rain
Upon the Siroc-wither'd plain,
And, failing in thy power to bless,
But leav'st the heart a wilderness!
Idea! which bindest life around
With music of so strange a sound,
And beauty of so wild a birth-
Farewell! for I have won the Earth.
When Hope, the eagle that tower'd, could see
No cliff beyond him in the sky,
His pinions were bent droopingly-
And homeward turn'd his soften'd eye.
'Twas sunset: when the sun will part
There comes a sullenness of heart
To him who still would look upon
The glory of the summer sun.
That soul will hate the ev'ning mist,
So often lovely, and will list
To the sound of the coming darkness (known
To those whose spirits hearken) as one
Who, in a dream of night, would fly
But cannot from a danger nigh.
What tho' the moon- the white moon
Shed all the splendour of her noon,
Her smile is chilly, and her beam,
In that time of dreariness, will seem
(So like you gather in your breath)
A portrait taken after death.
And boyhood is a summer sun
Whose waning is the dreariest one-
For all we live to know is known,
And all we seek to keep hath flown-
Let life, then, as the day-flower, fall
With the noon-day beauty- which is all.
I reach'd my home- my home no more
For all had flown who made it so.
I pass'd from out its mossy door,
And, tho' my tread was soft and low,
A voice came from the threshold stone
Of one whom I had earlier known-
O, I defy thee, Hell, to show
On beds of fire that burn below,
A humbler heart- a deeper woe.
Father, I firmly do believe-
I know- for Death, who comes for me
From regions of the blest afar,
Where there is nothing to deceive,
Hath left his iron gate ajar,
And rays of truth you cannot see
Are flashing thro' Eternity-
I do believe that Eblis hath
A snare in every human path-
Else how, when in the holy grove
I wandered of the idol, Love,
Who daily scents his snowy wings
With incense of burnt offerings
From the most unpolluted things,
Whose pleasant bowers are yet so riven
Above with trellis'd rays from Heaven,
No mote may shun- no tiniest fly-
The lightning of his eagle eye-
How was it that Ambition crept,
Unseen, amid the revels there,
Till growing bold, he laughed and leapt
In the tangles of Love's very hair?
|
Written by
Yevgeny Yevtushenko |
Superb,
Like a seasoned lion,
Neruda buys bread in the shop.
He asks for it to be wrapped in paper
And solemly puts it under his arm:
"Let someone at least think
that at some time
I bought a book…"
Waving his hand in farewell,
like a Roman
rather dreamily royal,
in the air scented with mollusks,
oysters,
rice,
he walks with the bread through Valparaiso.
He says:
" Eugenio, look!
You see--
over there, among the puddles and garbage,
standing up under the red lamps
stands Bilbao-with the soul
of a poet -- in bronze.
Bilbao was a tramp and a rebel.
Originally
they set up the monument, fenced off
by a chain, with due pomp, right in the center,
although the poet had lived in the slums.
Then there was some minor overthrow or other,
and the poet was thrown out, beyond the gates.
Sweating,
they removed
the pedestal
to a filthy little red-light district.
And the poet stood,
as the sailor's adopted brother,
against a background
you might call native to him.
Our Bilbao loved cracking jokes.
He would say:
'On this best of possible planets
there are prostitutes and politutes --
as I'm a poet,
I prefer the former.
'"
And Neruda comments, with a hint of slyness:
"A poet is
beyond the rise and fall of values.
It's not hard to remove us from the center,
but the spot where they set us down
becomes the center!"
I remember that noon,
Pablo,
as I tune my transistor at night, ny the window,
now,
when a wicked war with the people of Chile
brings back the smell of Spain.
Playing about at a new overthrow,
politutes in generals' uniforms
wanted, whichever way they could,
to hustle your poetry out of sight.
But today I see Neruda--
he's always right in the center
and, not faltering,
he carries his poetry to the people
as simply and calmly
as a loaf of bread.
Many poets follow false paths,
but if the poet is with the people to the bitter end,
like a conscience-
then nothing
can possibly overthrow poetry.
1973
Translated by Arthur Boyars amd Simon Franklin
|
Written by
Robert Louis Stevenson |
BEHOLD, as goblins dark of mien
And portly tyrants dyed with crime
Change, in the transformation scene,
At Christmas, in the pantomime,
Instanter, at the prompter's cough,
The fairy bonnets them, and they
Throw their abhorred carbuncles off
And blossom like the flowers in May.
- So mankind, to angelic eyes,
So, through the scenes of life below,
In life's ironical disguise,
A travesty of man, ye go:
But fear not: ere the curtain fall,
Death in the transformation scene
Steps forward from her pedestal,
Apparent, as the fairy Queen;
And coming, frees you in a trice
From all your lendings - lust of fame,
Ungainly virtue, ugly vice,
Terror and tyranny and shame.
So each, at last himself, for good
In that dear country lays him down,
At last beloved and understood
And pure in feature and renown.
|
Written by
Edgar Lee Masters |
Observe the clasped hands!
Are they hands of farewell or greeting,
Hands that I helped or hands that helped me?
Would it not be well to carve a hand
With an inverted thumb, like Elagabalus?
And yonder is a broken chain,
The weakest-link idea perhaps --
But what was it?
And lambs, some lying down,
Others standing, as if listening to the shepherd --
Others bearing a cross, one foot lifted up --
Why not chisel a few shambles?
And fallen columns! Carve the pedestal, please,
Or the foundations; let us see the cause of the fall.
And compasses and mathematical instruments,
In irony of the under tenants' ignorance
Of determinants and the calculus of variations.
And anchors, for those who never sailed.
And gates ajar -- yes, so they were;
You left them open and stray goats entered your garden.
And an eye watching like one of the Arimaspi --
So did you -- with one eye.
And angels blowing trumpets -- you are heralded --
It is your horn and your angel and your family's estimate.
It is all very well, but for myself I know
I stirred certain vibrations in Spoon River
Which are my true epitaph, more lasting than stone.
|
Written by
William Topaz McGonagall |
Ye sons of Germany, your noble Emperor William now is dead.
Who oft great armies to battle hath led;
He was a man beloved by his subjects all,
Because he never tried them to enthral.
The people of Germany have cause now to mourn,
The loss of their hero, who to them will ne'er return;
But his soul I hope to Heaven has fled away,
To the realms of endless bliss for ever and aye.
He was much respected throughout Europe by the high and the low,
And all over Germany people's hearts are full of woe;
For in the battlefield he was a hero bold,
Nevertheless, a lover of peace, to his credit be it told.
'Twas in the year of 1888, and on March the 16th day,
That the peaceful William's remains were conveyed away
To the royal mausoleum of Charlottenburg, their last resting-place,
The God-fearing man that never did his country disgrace.
The funeral service was conducted in the cathedral by the court chaplain, Dr.
Kogel,
Which touched the hearts of his hearers, as from his lips it fell,
And in conclusion he recited the Lord's Prayer
In the presence of kings, princes, dukes, and counts assembled there.
And at the end of the service the infantry outside fired volley after volley,
While the people inside the cathedral felt melancholy,
As the sound of the musketry smote upon the ear,
In honour of the illustrous William, whom they loved most dear.
Then there was a solemn pause as the kings and princes took their places,
Whilst the hot tears are trickling down their faces,
And the mourners from shedding tears couldn't refrain;
And in respect of the good man, above the gateway glared a bituminous flame.
Then the coffin was placed on the funeral car,
By the kings and princes that came from afar;
And the Crown Prince William heads the procession alone,
While behind him are the four heirs-apparent to the throne.
Then followed the three Kings of Saxony, and the King of the Belgians also,
Together with the Prince of Wales, with their hearts full of woe,
Besides the Prince of Naples and Prince Rudolph of Austria were there,
Also the Czarevitch, and other princes in their order I do declare.
And as the procession passes the palace the blinds are drawn completely,
And every house is half hidden with the sable drapery;
And along the line of march expansive arches were erected,
While the spectators standing by seemed very dejected.
And through the Central Avenue, to make the decorations complete,
There were pedestals erected, rising fourteen to fifteen feet,
And at the foot and top of each pedestal were hung decorations of green bay,
Also beautiful wreaths and evergreen festoons all in grand array.
And there were torches fastened on pieces of wood stuck in the ground;
And as the people gazed on the weird-like scene, their silence was profound;
And the shopkeepers closed their shops, and hotel-keepers closed in the doorways,
And with torchlight and gaslight, Berlin for once was all ablaze.
The authorities of Berlin in honour of the Emperor considered it no sin,
To decorate with crape the beautiful city of Berlin;
Therefore Berlin I declare was a city of crape,
Because few buildings crape decoration did escape.
First in the procession was the Emperor's bodyguard,
And his great love for them nothing could it retard;
Then followed a squadron of the hussars with their band,
Playing "Jesus, Thou my Comfort," most solemn and grand.
And to see the procession passing the sightseers tried their best,
Especially when the cavalry hove in sight, riding four abreast;
Men and officers with their swords drawn, a magnificent sight to see
In the dim sun's rays, their burnished swords glinting dimly.
Then followed the footguards with slow and solemn tread,
Playing the "Dead March in Saul," most appropriate for the dead;
And behind them followed the artillery, with four guns abreast,
Also the ministers and court officials dressed in their best.
The whole distance to the grave was covered over with laurel and bay,
So that the body should be borne along smoothly all the way;
And the thousands of banners in the procession were beautiful to view,
Because they were composed of cream-coloured silk and light blue.
There were thousands of thousands of men and women gathered there,
And standing ankle deep in snow, and seemingly didn't care
So as they got a glimpse of the funeral car,
Especially the poor souls that came from afar.
And when the funeral car appeared there was a general hush,
And the spectators in their anxiety to see began to crush;
And when they saw the funeral car by the Emperor's charger led,
Every hat and cap was lifted reverently from off each head.
And as the procession moved on to the royal mausoleum,
The spectators remained bareheaded and seemingly quite dumb;
And as the coffin was borne into its last resting-place,
Sorrow seemed depicted in each one's face.
And after the burial service the mourners took a last farewell
Of the noble-hearted William they loved so well;
Then rich and poor dispersed quietly that were assembled there,
While two batteries of field-guns fired a salute which did rend the air
In honour of the immortal hero they loved so dear,
The founder of the Fatherland Germany, that he did revere.
|
Written by
Conrad Aiken |
She looks out in the blue morning
and sees a whole wonderful world
she looks out in the morning
and sees a whole world
she leans out of the window
and this is what she sees
a wet rose singing to the sun
with a chorus of red bees
she leans out of the window
and laughs for the window is high
she is in it like a bird on a perch
and they scoop the blue sky
she and the window scooping
the morning as if it were air
scooping a green wave of leaves
above a stone stair
and an urn hung with leaden garlands
and girls holding hands in a ring
and raindrops on an iron railing
shining like a harp string
an old man draws with his ferrule
in wet sand a map of Spain
the marble soldier on his pedestal
draws a stiff diagram of pain
but the walls around her tremble
with the speed of the earth the floor
curves to the terrestrial center
and behind her the door
opens darkly down to the beginning
far down to the first simple cry
and the animal waking in water
and the opening of the eye
she looks out in the blue morning
and sees a whole wonderful world
she looks out in the morning
and sees a whole world.
|
Written by
Rg Gregory |
now pay attention
(said the teacher)
and look up here
the children looked up
this is william shakespeare
four centuries up
on a pedestal
was shakespeare's head
he was what we call
a great man
the children got sore necks
looking up
and some began to look down
no no
you mustn't look down
(said the teacher)
apart from winston churchill
shakespeare was the greatest
englishman who ever lived
the children's eyes
drained to their feet
and their minds
played around with
their private parts
shakespeare was once
a schoolteacher who
had a second best bed
and he happened to write
thirty six plays
and sonnets and things
he has a noble brow
as you can see
the children stared
from a dusty old head
and a mothridden beard
two sour eyes
glared down
from being a bit bored
then very bored
the children began to have
explosions going off
in many parts of their
bodies
mutters came
out of their mouths
and then anger
followed by flames
shakespeare is a chauvinist
pig
(they screamed)
why don't you piss off
(they shrieked at the teacher)
and take him with you
now now children
(said the teacher)
shakespeare's language
was always as noble
as his brow
he will be shocked
to hear such words
some of the class jumped
on the teacher
(as the young are inclined
to nowadays)
and
the rest began to rock
shakespeare's pedestal
no
please no children
(cried the teacher)
you know not what you do
do you want to destroy
all that is good
in the world
the rocking went on
like an earthquake
and slowly
up four
centuries of stone
shakespeare's head
began to wobble
and all of a sudden
it seemed to
jump from its pedestal
and drop
shaking itself
free of dust and
a beardful of moths
vandals desecrators
(raged the teacher)
wetting himself
no doubt
watch out
(laughed the children)
catch
and the head
fell safely into
their outstretched hands
the teacher shrank away
(wet wet)
terrified to be so close
to the greatest but one
of the greats
the children flocked round
curious to find
what greatness was
shakespeare blew his nose
cleared his throat
(the last of the dust)
and said
hello kids
i'm famished
what's to eat
tell me about yourselves
(and things like that)
he had a real face
and he spoke english
with a kind of
birmingham accent
and he didn't seem to know
much more than they did
he was always pissing around
(he told them)
when he was their age
the teacher gradually
came back
very surprised
and (when he dared to look
at himself) obviously
very relieved
he went away and began
reading the plays
and (discovering
where he'd gone wrong)
got out of teaching
|
Written by
Victor Hugo |
("Non! je n'y puis tenir.")
{CROMWELL, Act III. sc. iv.}
Stay! I no longer can contain myself,
But cry you: Look on John, who bares his mind
To Oliver—to Cromwell, Milton speaks!
Despite a kindling eye and marvel deep
A voice is lifted up without your leave;
For I was never placed at council board
To speak my promptings. When awed strangers come
Who've seen Fox-Mazarin wince at the stings
In my epistles—and bring admiring votes
Of learned colleges, they strain to see
My figure in the glare—the usher utters,
"Behold and hearken! that's my Lord Protector's
Cousin—that, his son-in-law—that next"—who cares!
Some perfumed puppet! "Milton?" "He in black—
Yon silent scribe who trims their eloquence!"
Still 'chronicling small-beer,'—such is my duty!
Yea, one whose thunder roared through martyr bones
Till Pope and Louis Grand quaked on their thrones,
And echoed "Vengeance for the Vaudois," where
The Sultan slumbers sick with scent of roses.
He is but the mute in this seraglio—
"Pure" Cromwell's Council!
But to be dumb and blind is overmuch!
Impatient Issachar kicks at the load!
Yet diadems are burdens painfuller,
And I would spare thee that sore imposition.
Dear brother Noll, I plead against thyself!
Thou aim'st to be a king; and, in thine heart,
What fool has said: "There is no king but thou?"
For thee the multitude waged war and won—
The end thou art of wrestlings and of prayer,
Of sleepless watch, long marches, hunger, tears
And blood prolifically spilled, homes lordless,
And homeless lords! The mass must always suffer
That one should reign! the collar's but newly clamp'd,
And nothing but the name thereon is changed—
Master? still masters! mark you not the red
Of shame unutterable in my sightless white?
Still hear me, Cromwell, speaking for your sake!
These fifteen years, we, to you whole-devoted,
Have sought for Liberty—to give it thee?
To make our interests your huckster gains?
The king a lion slain that you may flay,
And wear the robe—well, worthily—I say't,
For I will not abase my brother!
No! I would keep him in the realm serene,
My own ideal of heroes! loved o'er Israel,
And higher placed by me than all the others!
And such, for tinkling titles, hollow haloes
Like that around yon painted brow—thou! thou!
Apostle, hero, saint-dishonor thyself!
And snip and trim the flag of Naseby-field
As scarf on which the maid-of-honor's dog
Will yelp, some summer afternoon! That sword
Shrink into a sceptre! brilliant bauble! Thou,
Thrown on a lonely rock in storm of state,
Brain-turned by safety's miracle, thou risest
Upon the tott'ring stone whilst ocean ebbs,
And, reeking of no storms to come to-morrow,
Or to-morrow—deem that a certain pedestal
Whereon thou'lt be adored for e'er—e'en while
It shakes—o'ersets the rider! Tremble, thou!
For he who dazzles, makes men Samson-blind,
Will see the pillars of his palace kiss
E'en at the whelming ruin! Then, what word
Of answer from your wreck when I demand
Account of Cromwell! glory of the people
Smothered in ashes! through the dust thou'lt hear;
"What didst thou with thy virtue?" Will it respond:
"When battered helm is doffed, how soft is purple
On which to lay the head, lulled by the praise
Of thousand fluttering fans of flatterers!
Wearied of war-horse, gratefully one glides
In gilded barge, or in crowned, velvet car,
From gay Whitehall to gloomy Temple Bar—"
(Where—had you slipt, that head were bleaching now!
And that same rabble, splitting for a hedge,
Had joined their rows to cheer the active headsman;
Perchance, in mockery, they'd gird the skull
With a hop-leaf crown! Bitter the brewing, Noll!)
Are crowns the end-all of ambition? Remember
Charles Stuart! and that they who make can break!
This same Whitehall may black its front with crape,
And this broad window be the portal twice
To lead upon a scaffold! Frown! or laugh!
Laugh on as they did at Cassandra's speech!
But mark—the prophetess was right! Still laugh,
Like the credulous Ethiop in his faith in stars!
But give one thought to Stuart, two for yourself!
In his appointed hour, all was forthcoming—
Judge, axe, and deathsman veiled! and my poor eyes
Descry—as would thou saw'st!—a figure veiled,
Uplooming there—afar, like sunrise, coming!
With blade that ne'er spared Judas 'midst free brethren!
Stretch not the hand of Cromwell for the prize
Meant not for him, nor his! Thou growest old,
The people are ever young! Like her i' the chase
Who drave a dart into her lover, embowered,
Piercing the incense-clouds, the popular shaft
May slay thee in a random shot at Tyranny!
Man, friend, remain a Cromwell! in thy name,
Rule! and if thy son be worthy, he and his,
So rule the rest for ages! be it grander thus
To be a Cromwell than a Carolus.
No lapdog combed by wantons, but the watch
Upon the freedom that we won! Dismiss
Your flatterers—let no harpings, no gay songs
Prevent your calm dictation of good laws
To guard, to fortify, and keep enlinked
England and Freedom! Be thine old self alone!
And make, above all else accorded me,
My most desired claim on all posterity,
That thou in Milton's verse wert foremost of the free!
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Written by
Russell Edson |
There was a man who didn't know how to sleep; nodding
off every night into a drab, unprofessional sleep.
Sleep that
he'd grown so tired of sleeping.
He tried reading The Manual of Sleep, but it just put him
to sleep.
That same old sleep that he had grown so tired of
sleeping .
.
.
He needed a sleeping master, who with a whip and a
chair would discipline the night, and make him jump through
hoops of gasolined fire.
Someone who could make a tiger sit
on a tiny pedestal and yawn .
.
.
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