Written by
Allen Ginsberg |
What thoughts I have of you tonight, Walt Whit-
man, for I walked down the sidestreets under the trees
with a headache self-conscious looking at the full moon.
In my hungry fatigue, and shopping for images,
I went into the neon fruit supermarket, dreaming of
your enumerations!
What peaches and what penumbras! Whole fam-
ilies shopping at night! Aisles full of husbands! Wives
in the avocados, babies in the tomatoes!--and you,
Garcia Lorca, what were you doing down by the
watermelons?
I saw you, Walt Whitman, childless, lonely old
grubber, poking among the meats in the refrigerator
and eyeing the grocery boys.
I heard you asking questions of each: Who killed
the pork chops? What price bananas? Are you my
Angel?
I wandered in and out of the brilliant stacks of
cans following you, and followed in my imagination
by the store detective.
We strode down the open corridors together in
our solitary fancy tasting artichokes, possessing every
frozen delicacy, and never passing the cashier.
Where are we going, Walt Whitman? The doors
close in an hour. Which way does your beard point
tonight?
(I touch your book and dream of our odyssey in the
supermarket and feel absurd.)
Will we walk all night through solitary streets?
The trees add shade to shade, lights out in the houses,
we'll both be lonely.
Will we stroll dreaming ofthe lost America of love
past blue automobiles in driveways, home to our silent
cottage?
Ah, dear father, graybeard, lonely old courage-
teacher, what America did you have when Charon quit
poling his ferry and you got out on a smoking bank
and stood watching the boat disappear on the black
waters of Lethe?
|
Written by
Elinor Wylie |
1
When the world turns completely upside down
You say we'll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We'll live among wild peach trees, miles from town,
You'll wear a coonskin cap, and I a gown
Homespun, dyed butternut's dark gold colour.
Lost, like your lotus-eating ancestor,
We'll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter's over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colours of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird's beak,
We shall live well -- we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We'll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There's something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There's something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom's breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
|
Written by
Walt Whitman |
1
SOMETHING startles me where I thought I was safest;
I withdraw from the still woods I loved;
I will not go now on the pastures to walk;
I will not strip the clothes from my body to meet my lover the sea;
I will not touch my flesh to the earth, as to other flesh, to renew me.
O how can it be that the ground does not sicken?
How can you be alive, you growths of spring?
How can you furnish health, you blood of herbs, roots, orchards, grain?
Are they not continually putting distemper’d corpses within you?
Is not every continent work’d over and over with sour dead?
Where have you disposed of their carcasses?
Those drunkards and gluttons of so many generations;
Where have you drawn off all the foul liquid and meat?
I do not see any of it upon you to-day—or perhaps I am deceiv’d;
I will run a furrow with my plough—I will press my spade through the sod, and turn it
up
underneath;
I am sure I shall expose some of the foul meat.
2
Behold this compost! behold it well!
Perhaps every mite has once form’d part of a sick person—Yet behold!
The grass of spring covers the prairies,
The bean bursts noislessly through the mould in the garden,
The delicate spear of the onion pierces upward,
The apple-buds cluster together on the apple-branches,
The resurrection of the wheat appears with pale visage out of its graves,
The tinge awakes over the willow-tree and the mulberry-tree,
The he-birds carol mornings and evenings, while the she-birds sit on their nests,
The young of poultry break through the hatch’d eggs,
The new-born of animals appear—the calf is dropt from the cow, the colt from the
mare,
Out of its little hill faithfully rise the potato’s dark green leaves,
Out of its hill rises the yellow maize-stalk—the lilacs bloom in the door-yards;
The summer growth is innocent and disdainful above all those strata of sour dead.
What chemistry!
That the winds are really not infectious,
That this is no cheat, this transparent green-wash of the sea, which is so amorous after
me,
That it is safe to allow it to lick my naked body all over with its tongues,
That it will not endanger me with the fevers that have deposited themselves in it,
That all is clean forever and forever.
That the cool drink from the well tastes so good,
That blackberries are so flavorous and juicy,
That the fruits of the apple-orchard, and of the orange-orchard—that melons, grapes,
peaches, plums, will none of them poison me,
That when I recline on the grass I do not catch any disease,
Though probably every spear of grass rises out of what was once a catching disease.
3
Now I am terrified at the Earth! it is that calm and patient,
It grows such sweet things out of such corruptions,
It turns harmless and stainless on its axis, with such endless successions of
diseas’d
corpses,
It distils such exquisite winds out of such infused fetor,
It renews with such unwitting looks, its prodigal, annual, sumptuous crops,
It gives such divine materials to men, and accepts such leavings from them at last.
|
Written by
Charles Webb |
"Don't overdo it," Dad yelled, watching me
Play shortstop, collect stamps and shells,
Roll on the grass laughing until I peed my pants.
"Screw him," I said, and grabbed every cowry
I could find, hogged all the books I could
From Heights Library, wore out the baseball
Diamond dawn to dusk, and—parents in Duluth—
Gorged on bountiful Candy dusk to dawn.
Not until a Committee wrote of my poems,
"Enthusiasm should be tempered,"
Did I change my song. I write now
The way I live: calm and sober, steering
Toward the Golden Mean. The Committee
Was right to withhold funds. I'd have bought
A hundred box turtles with lemon-speckled shells,
Flyfished for rainbows six months straight,
Flown to the Great Barrier Reef and dived
Non-stop among pink coral and marble cones,
Living on chocolate malts, peaches, and barbecue.
I'd have turned into a ski bum, married
Ten women in ten states, written nothing
Poetry would glance at twice, instead
Of rising at 5:00 as I do now, writing
'Til noon about matters serious and deep,
Teaching 'til 6:00, eating a low-fat meal
High in fiber and cruciferous vegetables,
Then bed by 9:00, alarm clock set
Five minutes late: my one indulgence of the day.
|
Written by
Wendell Berry |
In a dream I meet
my dead friend. He has,
I know, gone long and far,
and yet he is the same
for the dead are changeless.
They grow no older.
It is I who have changed,
grown strange to what I was.
Yet I, the changed one,
ask: "How you been?"
He grins and looks at me.
"I been eating peaches
off some mighty fine trees."
|
Written by
James Tate |
Speaking of sunsets,
last night's was shocking.
I mean, sunsets aren't supposed to frighten you, are they?
Well, this one was terrifying.
Sure, it was beautiful, but far too beautiful.
It wasn't natural.
One climax followed another and then another
until your knees went weak
and you couldn't breathe.
The colors were definitely not of this world,
peaches dripping opium,
pandemonium of tangerines,
inferno of irises,
Plutonian emeralds,
all swirling and churning, swabbing,
like it was playing with us,
like we were nothing,
as if our whole lives were a preparation for this,
this for which nothing could have prepared us
and for which we could not have been less prepared.
The mockery of it all stung us bitterly.
And when it was finally over
we whimpered and cried and howled.
And then the streetlights came on as always
and we looked into one another's eyes--
ancient caves with still pools
and those little transparent fish
who have never seen even one ray of light.
And the calm that returned to us
was not even our own.
|
Written by
Christina Rossetti |
There's blood between us, love, my love,
There's father's blood, there's brother's blood,
And blood's a bar I cannot pass.
I choose the stairs that mount above,
Stair after golden sky-ward stair,
To city and to sea of glass.
My lily feet are soiled with mud,
With scarlet mud which tells a tale
Of hope that was, of guilt that was,
Of love that shall not yet avail;
Alas, my heart, if I could bare
My heart, this selfsame stain is there:
I seek the sea of glass and fire
To wash the spot, to burn the snare;
Lo, stairs are meant to lift us higher--
Mount with me, mount the kindled stair.
Your eyes look earthward, mine look up.
I see the far-off city grand,
Beyond the hills a watered land,
Beyond the gulf a gleaming strand
Of mansions where the righteous sup;
Who sleep at ease among their trees,
Or wake to sing a cadenced hymn
With Cherubim and Seraphim;
They bore the Cross, they drained the cup,
Racked, roasted, crushed, wrenched limb from limb,
They the offscouring of the world.
The heaven of starry heavens unfurled,
The sun before their face is dim.
You looking earthward, what see you?
Milk-white, wine-flushed among the vines,
Up and down leaping, to and fro,
Most glad, most full, made strong with wines,
Blooming as peaches pearled with dew,
Their golden windy hair afloat,
Love-music warbling in their throat,
Young men and women come and go.
You linger, yet the time is short:
Flee for your life, gird up your strength
To flee; the shadows stretched at length
Show that day wanes, that night draws nigh;
Flee to the mountain, tarry not.
Is this a time for smile and sigh,
For songs among the secret trees
Where sudden blue birds nest and sport?
The time is short and yet you stay:
To-day, while it is called to-day,
Kneel, wrestle, knock, do violence, pray;
To-day is short, to-morrow nigh:
Why will you die? why will you die?
You sinned with me a pleasant sin:
Repent with me, for I repent.
Woe's me the lore I must unlearn!
Woe's me that easy way we went,
So rugged when I would return!
How long until my sleep begin
How long shall stretch these nights and days?
Surely, clean Angels cry, she prays;
She laves her soul with tedious tears:
How long must stretch these years and years?
I turn from you my cheeks and eyes,
My hair which you shall see no more--
Alas for joy that went before,
For joy that dies, for love that dies.
Only my lips still turn to you,
My livid lips that cry, Repent.
O weary life, O weary Lent,
O weary time whose stars are few.
How shall I rest in Paradise,
Or sit on steps of heaven alone
If Saints and Angels spoke of love
Should I not answer from my throne:
Have pity upon me, ye my friends,
For I have heard the sound thereof:
Should I not turn with yearning eyes,
Turn earthwards with a pitiful pang?
Oh save me from a pang in heaven.
By all the gifts we took and gave,
Repent, repent, and be forgiven:
This life is long, but yet it ends;
Repent and purge your soul and save:
No gladder song the morning stars
Upon their birthday morning sang
Than Angels sing when one repents.
I tell you what I dreamed last night:
A spirit with transfigured face
Fire-footed clomb an infinite space.
I heard his hundred pinions clang,
Heaven-bells rejoicing rang and rang,
Heaven-air was thrilled with subtle scents,
Worlds spun upon their rushing cars.
He mounted, shrieking, "Give me light!"
Still light was poured on him, more light;
Angels, Archangels he outstripped,
Exulting in exceeding might,
And trod the skirts of Cherubim.
Still "Give me light," he shrieked; and dipped
His thirsty face, and drank a sea,
Athirst with thirst it could not slake.
I saw him, drunk with knowledge, take
From aching brows the aureole crown--
His locks writhe like a cloven snake--
He left his throne to grovel down
And lick the dust of Seraphs' feet;
For what is knowledge duly weighed?
Knowledge is strong, but love is sweet;
Yea, all the progress he had made
Was but to learn that all is small
Save love, for love is all in all.
I tell you what I dreamed last night:
It was not dark, it was not light,
Cold dews had drenched my plenteous hair
Through clay; you came to seek me there.
And "Do you dream of me?" you said.
My heart was dust that used to leap
To you; I answered half asleep:
"My pillow is damp, my sheets are red,
There's a leaden tester to my bed;
Find you a warmer playfellow,
A warmer pillow for your head,
A kinder love to love than mine."
You wrung your hands, while I, like lead,
Crushed downwards through the sodden earth;
You smote your hands but not in mirth,
And reeled but were not drunk with wine.
For all night long I dreamed of you;
I woke and prayed against my will,
Then slept to dream of you again.
At length I rose and knelt and prayed.
I cannot write the words I said,
My words were slow, my tears were few;
But through the dark my silence spoke
Like thunder. When this morning broke,
My face was pinched, my hair was grey,
And frozen blood was on the sill
Where stifling in my struggle I lay.
If now you saw me you would say:
Where is the face I used to love?
And I would answer: Gone before;
It tarries veiled in paradise.
When once the morning star shall rise,
When earth with shadow flees away
And we stand safe within the door,
Then you shall lift the veil thereof.
Look up, rise up: for far above
Our palms are grown, our place is set;
There we shall meet as once we met,
And love with old familiar love.
|
Written by
Carl Sandburg |
RUM tiddy um,
tiddy um,
tiddy um tum tum.
My knees are loose-like, my feet want to sling their selves.
I feel like tickling you under the chin—honey—and a-asking: Why Does a Chicken Cross the Road?
When the hens are a-laying eggs, and the roosters pluck-pluck-put-akut and you—honey—put new potatoes and gravy on the table, and there ain’t too much rain or too little:
Say, why do I feel so gabby?
Why do I want to holler all over the place?. . .
Do you remember I held empty hands to you
and I said all is yours
the handfuls of nothing?. . .
I ask you for white blossoms.
I bring a concertina after sunset under the apple trees.
I bring out “The Spanish Cavalier” and “In the Gloaming, O My Darling.”
The orchard here is near and home-like.
The oats in the valley run a mile.
Between are the green and marching potato vines.
The lightning bugs go criss-cross carrying a zigzag of fire: the potato bugs are asleep under their stiff and yellow-striped wings: here romance stutters to the western stars, “Excuse … me…”. . .
Old foundations of rotten wood.
An old barn done-for and out of the wormholes ten-legged roaches shook up and scared by sunlight.
So a pickax digs a long tooth with a short memory.
Fire can not eat this rubbish till it has lain in the sun.. . .
The story lags.
The story has no connections.
The story is nothing but a lot of banjo plinka planka plunks.
The roan horse is young and will learn: the roan horse buckles into harness and feels the foam on the collar at the end of a haul: the roan horse points four legs to the sky and rolls in the red clover: the roan horse has a rusty jag of hair between the ears hanging to a white star between the eyes.. . .
In Burlington long ago
And later again in Ashtabula
I said to myself:
I wonder how far Ophelia went with Hamlet.
What else was there Shakespeare never told?
There must have been something.
If I go bugs I want to do it like Ophelia.
There was class to the way she went out of her head.. . .
Does a famous poet eat watermelon?
Excuse me, ask me something easy.
I have seen farmhands with their faces in fried catfish on a Monday morning.
And the Japanese, two-legged like us,
The Japanese bring slices of watermelon into pictures.
The black seeds make oval polka dots on the pink meat.
Why do I always think of niggers and buck-and-wing dancing whenever I see watermelon?
Summer mornings on the docks I walk among bushel peach baskets piled ten feet high.
Summer mornings I smell new wood and the river wind along with peaches.
I listen to the steamboat whistle hong-honging, hong-honging across the town.
And once I saw a teameo straddling a street with a hayrack load of melons.. . .
Niggers play banjos because they want to.
The explanation is easy.
It is the same as why people pay fifty cents for tickets to a policemen’s masquerade ball or a grocers-and-butchers’ picnic with a fat man’s foot race.
It is the same as why boys buy a nickel’s worth of peanuts and eat them and then buy another nickel’s worth.
Newsboys shooting craps in a back alley have a fugitive understanding of the scientific principle involved.
The jockey in a yellow satin shirt and scarlet boots, riding a sorrel pony at the county fair, has a grasp of the theory.
It is the same as why boys go running lickety-split
away from a school-room geography lesson
in April when the crawfishes come out
and the young frogs are calling
and the pussywillows and the cat-tails
know something about geography themselves.. . .
I ask you for white blossoms.
I offer you memories and people.
I offer you a fire zigzag over the green and marching vines.
I bring a concertina after supper under the home-like apple trees.
I make up songs about things to look at:
potato blossoms in summer night mist filling the garden with white spots;
a cavalryman’s yellow silk handkerchief stuck in a flannel pocket over the left side of the shirt, over the ventricles of blood, over the pumps of the heart.
Bring a concertina after sunset under the apple trees.
Let romance stutter to the western stars, “Excuse … me…”
|
Written by
Robert Burns |
IN Tarbolton, ye ken, there are proper young men,
And proper young lasses and a’, man;
But ken ye the Ronalds that live in the Bennals,
They carry the gree frae them a’, man.
Their father’s laird, and weel he can spare’t,
Braid money to tocher them a’, man;
To proper young men, he’ll clink in the hand
Gowd guineas a hunder or twa, man.
There’s ane they ca’ Jean, I’ll warrant ye’ve seen
As bonie a lass or as braw, man;
But for sense and guid taste she’ll vie wi’ the best,
And a conduct that beautifies a’, man.
The charms o’ the min’, the langer they shine,
The mair admiration they draw, man;
While peaches and cherries, and roses and lilies,
They fade and they wither awa, man,
If ye be for Miss Jean, tak this frae a frien’,
A hint o’ a rival or twa, man;
The Laird o’ Blackbyre wad gang through the fire,
If that wad entice her awa, man.
The Laird o’ Braehead has been on his speed,
For mair than a towmond or twa, man;
The Laird o’ the Ford will straught on a board,
If he canna get her at a’, man.
Then Anna comes in, the pride o’ her kin,
The boast of our bachelors a’, man:
Sae sonsy and sweet, sae fully complete,
She steals our affections awa, man.
If I should detail the pick and the wale
O’ lasses that live here awa, man,
The fau’t wad be mine if they didna shine
The sweetest and best o’ them a’, man.
I lo’e her mysel, but darena weel tell,
My poverty keeps me in awe, man;
For making o’ rhymes, and working at times,
Does little or naething at a’, man.
Yet I wadna choose to let her refuse,
Nor hae’t in her power to say na, man:
For though I be poor, unnoticed, obscure,
My stomach’s as proud as them a’, man.
Though I canna ride in weel-booted pride,
And flee o’er the hills like a craw, man,
I can haud up my head wi’ the best o’ the breed,
Though fluttering ever so braw, man.
My coat and my vest, they are Scotch o’ the best,
O’ pairs o’ guid breeks I hae twa, man;
And stockings and pumps to put on my stumps,
And ne’er a wrang steek in them a’, man.
My sarks they are few, but five o’ them new,
Twal’ hundred, as white as the snaw, man,
A ten-shillings hat, a Holland cravat;
There are no mony poets sae braw, man.
I never had frien’s weel stockit in means,
To leave me a hundred or twa, man;
Nae weel-tocher’d aunts, to wait on their drants,
And wish them in hell for it a’, man.
I never was cannie for hoarding o’ money,
Or claughtin’t together at a’, man;
I’ve little to spend, and naething to lend,
But deevil a shilling I awe, man.
|
Written by
Amy Lowell |
Cross-ribboned shoes; a muslin gown,
High-waisted, girdled with bright blue;
A straw poke bonnet which hid the frown
She pluckered her little brows into
As she picked her dainty passage through
The dusty street. "Ah, Mademoiselle,
A dirty pathway, we need rain,
My poor fruits suffer, and the shell
Of this nut's too big for its kernel, lain
Here in the sun it has shrunk again.
The baker down at the corner says
We need a battle to shake the clouds;
But I am a man of peace, my ways
Don't look to the killing of men in crowds.
Poor fellows with guns and bayonets for shrouds!
Pray, Mademoiselle, come out of the sun.
Let me dust off that wicker chair. It's cool
In here, for the green leaves I have run
In a curtain over the door, make a pool
Of shade. You see the pears on that stool --
The shadow keeps them plump and fair."
Over the fruiterer's door, the leaves
Held back the sun, a greenish flare
Quivered and sparked the shop, the sheaves
Of sunbeams, glanced from the sign on the eaves,
Shot from the golden letters, broke
And splintered to little scattered lights.
Jeanne Tourmont entered the shop, her poke
Bonnet tilted itself to rights,
And her face looked out like the moon on nights
Of flickering clouds. "Monsieur Popain, I
Want gooseberries, an apple or two,
Or excellent plums, but not if they're high;
Haven't you some which a strong wind blew?
I've only a couple of francs for you."
Monsieur Popain shrugged and rubbed his hands.
What could he do, the times were sad.
A couple of francs and such demands!
And asking for fruits a little bad.
Wind-blown indeed! He never had
Anything else than the very best.
He pointed to baskets of blunted pears
With the thin skin tight like a bursting vest,
All yellow, and red, and brown, in smears.
Monsieur Popain's voice denoted tears.
He took up a pear with tender care,
And pressed it with his hardened thumb.
"Smell it, Mademoiselle, the perfume there
Is like lavender, and sweet thoughts come
Only from having a dish at home.
And those grapes! They melt in the mouth like wine,
Just a click of the tongue, and they burst to honey.
They're only this morning off the vine,
And I paid for them down in silver money.
The Corporal's widow is witness, her pony
Brought them in at sunrise to-day.
Those oranges -- Gold! They're almost red.
They seem little chips just broken away
From the sun itself. Or perhaps instead
You'd like a pomegranate, they're rarely gay,
When you split them the seeds are like crimson spray.
Yes, they're high, they're high, and those Turkey figs,
They all come from the South, and Nelson's ships
Make it a little hard for our rigs.
They must be forever giving the slips
To the cursed English, and when men clips
Through powder to bring them, why dainties mounts
A bit in price. Those almonds now,
I'll strip off that husk, when one discounts
A life or two in a ****** row
With the man who grew them, it does seem how
They would come dear; and then the fight
At sea perhaps, our boats have heels
And mostly they sail along at night,
But once in a way they're caught; one feels
Ivory's not better nor finer -- why peels
From an almond kernel are worth two sous.
It's hard to sell them now," he sighed.
"Purses are tight, but I shall not lose.
There's plenty of cheaper things to choose."
He picked some currants out of a wide
Earthen bowl. "They make the tongue
Almost fly out to suck them, bride
Currants they are, they were planted long
Ago for some new Marquise, among
Other great beauties, before the Chateau
Was left to rot. Now the Gardener's wife,
He that marched off to his death at Marengo,
Sells them to me; she keeps her life
From snuffing out, with her pruning knife.
She's a poor old thing, but she learnt the trade
When her man was young, and the young Marquis
Couldn't have enough garden. The flowers he made
All new! And the fruits! But 'twas said that
he
Was no friend to the people, and so they laid
Some charge against him, a cavalcade
Of citizens took him away; they meant
Well, but I think there was some mistake.
He just pottered round in his garden, bent
On growing things; we were so awake
In those days for the New Republic's sake.
He's gone, and the garden is all that's left
Not in ruin, but the currants and apricots,
And peaches, furred and sweet, with a cleft
Full of morning dew, in those green-glazed pots,
Why, Mademoiselle, there is never an eft
Or worm among them, and as for theft,
How the old woman keeps them I cannot say,
But they're finer than any grown this way."
Jeanne Tourmont drew back the filigree ring
Of her striped silk purse, tipped it upside down
And shook it, two coins fell with a ding
Of striking silver, beneath her gown
One rolled, the other lay, a thing
Sparked white and sharply glistening,
In a drop of sunlight between two shades.
She jerked the purse, took its empty ends
And crumpled them toward the centre braids.
The whole collapsed to a mass of blends
Of colours and stripes. "Monsieur Popain, friends
We have always been. In the days before
The Great Revolution my aunt was kind
When you needed help. You need no more;
'Tis we now who must beg at your door,
And will you refuse?" The little man
Bustled, denied, his heart was good,
But times were hard. He went to a pan
And poured upon the counter a flood
Of pungent raspberries, tanged like wood.
He took a melon with rough green rind
And rubbed it well with his apron tip.
Then he hunted over the shop to find
Some walnuts cracking at the lip,
And added to these a barberry slip
Whose acrid, oval berries hung
Like fringe and trembled. He reached a round
Basket, with handles, from where it swung
Against the wall, laid it on the ground
And filled it, then he searched and found
The francs Jeanne Tourmont had let fall.
"You'll return the basket, Mademoiselle?"
She smiled, "The next time that I call,
Monsieur. You know that very well."
'Twas lightly said, but meant to tell.
Monsieur Popain bowed, somewhat abashed.
She took her basket and stepped out.
The sunlight was so bright it flashed
Her eyes to blindness, and the rout
Of the little street was all about.
Through glare and noise she stumbled, dazed.
The heavy basket was a care.
She heard a shout and almost grazed
The panels of a chaise and pair.
The postboy yelled, and an amazed
Face from the carriage window gazed.
She jumped back just in time, her heart
Beating with fear. Through whirling light
The chaise departed, but her smart
Was keen and bitter. In the white
Dust of the street she saw a bright
Streak of colours, wet and gay,
Red like blood. Crushed but fair,
Her fruit stained the cobbles of the way.
Monsieur Popain joined her there.
"Tiens, Mademoiselle,
c'est le General Bonaparte,
partant pour la Guerre!"
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