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Best Famous Passageways Poems

Here is a collection of the all-time best famous Passageways poems. This is a select list of the best famous Passageways poetry. Reading, writing, and enjoying famous Passageways poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of passageways poems.

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Written by Antonio Machado | Create an image from this poem

Passageways

 Who set, between those rocks like cinder,
to show the honey of dream,
that golden broom,
those blue rosemaries?
Who painted the purple mountains
and the saffron, sunset sky?
The hermitage, the beehives,
the cleft of the river
the endless rolling water deep in rocks,
the pale-green of new fields,
all of it, even the white and pink
under the almond trees!


Written by Rg Gregory | Create an image from this poem

a reader's de profundis

 in my reading of the moment i have learned
the figure next to christ in da vinci’s last supper
(a painting i have actually seen in a milan church
fragilely restored) is a woman – an honour earned
by mary magdalene who (according to research)
turns out to be christ’s wife – hang on what a whopper

cry those who can’t contemplate centuries of teaching
down the drain – who suck up to the precious thought
of divine purity (eternity’s abstention from all
the dirty business of the body) pasteurising preaching
let christ stay a product of the time before the fall
(da vinci had a darkness different from what’s taught)

mona lisa (amon-isis) – enigmatic smile and code
for male and female balance – offensive to the powers
that ran the bible their way (hoodwinked future ages)
turned the bright sun black to mask the path they strode
wrapped their ascetic bloodstreams in the holy pages
before which (even today) the congregation cowers

da vinci was an artist scientist (probably a necromancer)
had his own black sun – dabbled in the anti-matter
that official truth hates (creates) – that nurtures riddles 
through passageways that breed the ill-reputed answer
(soiled honour’s defence against sly caesar’s fiddles)
hissing its way lightwards through conspiracy chatter

christ had a woman at his right hand – locked together
(so da vinci had the painting say) like the letter m
the rumoured whore redeemed – the partner siamesed
into the one flesh – sharing the equal tragic tether
the whole edifice of the holy roman church teased
into collapse – virginal rose snapped at the stem

not that it seemed to make a difference – the vatican
still had its glory years ahead (its gory inquisitions)
da vinci stayed honoured in the breeches the word advanced
though its priests wore skirts – the brutality of man
multiplied its converts (scientifically enhanced)
not one power in the world changed its dirty dispositions

yesterday was aeons ago – tomorrow’s loath to come
no one really cares if magdalene was wife or whore
da vinci is someone to gawp at – all’s mutable (unreal)
what’s truth - we still know bugger-all (live by rule of thumb)
so educatedly dumb can’t trust what we think know feel
a thriller brought this on – half opened a not-there door
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Preludes

 I

THE WINTER evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps.
And then the lighting of the lamps.
II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands.
With the other masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand furnished rooms.
III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered against the ceiling.
And when all the world came back And the light crept up between the shutters And you heard the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of both soiled hands.
IV His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers, and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world.
I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing.
Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women Gathering fuel in vacant lots.
Written by Philip Levine | Create an image from this poem

Salts And Oils

 In Havana in 1948 I ate fried dog
believing it was Peking duck.
Later, in Tampa I bunked with an insane sailor who kept a .
38 Smith and Wesson in his shorts.
In the same room were twins, oilers from Toledo, who argued for hours each night whose turn it was to get breakfast and should he turn the eggs or not.
On the way north I lived for three days on warm water in a DC-6 with a burned out radio on the runway at Athens, Georgia.
We sang a song, "Georgia's Big Behind," and prayed for WWIII and complete, unconditional surrender.
Napping in an open field near Newport News, I chewed on grass while the shadows of September lengthened; in the distance a man hammered on the roof of a hangar and groaned how he was out of luck and vittles.
Bummed a ride in from Mitchell Field and had beet borscht and white bread at 34th and 8th Avenue.
I threw up in the alley behind the YMCA and slept until they turned me out.
I walked the bridge to Brooklyn while the East River browned below.
A mile from Ebbetts Field, from all that history, I found Murray, my papa's buddy, in his greasy truck shop, polishing replacement parts.
Short, unshaven, puffed, he strutted the filthy aisles, a tiny Ghengis Khan.
He sent out for soup and sandwiches.
The world turned on barley, pickled meats, yellow mustard, kasha, rye breads.
It rained in October, rained so hard I couldn't walk and smoke, so I chewed pepsin chewing gum.
The rain spoiled Armistice Day in Lancaster, Pa.
The open cars overflowed, girls cried, the tubas and trombones went dumb, the floral displays shredded, the gutters clogged with petals.
Afterwards had ham on buttered whole-wheat bread, ham and butter for the first time on the same day in Zanesville with snow forecast, snow, high winds, closed roads, solid darkness before 5 p.
m.
These were not the labors of Hercules, these were not of meat or moment to anyone but me or destined for story or to learn from or to make me fit to take the hand of a toad or a toad princess or to stand in line for food stamps.
One quiet morning at the end of my thirteenth year a little bird with a dark head and tattered tail feathers had come to the bedroom window and commanded me to pass through the winding miles of narrow dark corridors and passageways of my growing body the filth and glory of the palatable world.
Since then I've been going out and coming back the way a swallow does with unerring grace and foreknowledge because all of this was prophesied in the final, unread book of the Midrash and because I have to grow up and because it pleases me.

Book: Shattered Sighs