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Best Famous Paganini Poems

Here is a collection of the all-time best famous Paganini poems. This is a select list of the best famous Paganini poetry. Reading, writing, and enjoying famous Paganini poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of paganini poems.

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Written by Stephen Vincent Benet | Create an image from this poem

The Fiddling Wood

 Gods, what a black, fierce day! The clouds were iron, 
Wrenched to strange, rugged shapes; the red sun winked 
Over the rough crest of the hairy wood 
In angry scorn; the grey road twisted, kinked, 
Like a sick serpent, seeming to environ 
The trees with magic.
All the wood was still -- Cracked, crannied pines bent like malicious cripples Before the gusty wind; they seemed to nose, Nudge, poke each other, cackling with ill mirth -- Enchantment's days were over -- sh! -- Suppose That crouching log there, where the white light stipples Should -- break its quiet! WAS THAT CRIMSON -- EARTH? It smirched the ground like a lewd whisper, "Danger!" -- I hunched my cloak about me -- then, appalled, Turned ice and fire by turns -- for -- someone stirred The brown, dry needles sharply! Terror crawled Along my spine, as forth there stepped -- a Stranger! And all the pines crooned like a drowsy bird! His stock was black.
His great shoe-buckles glistened.
His fur cuffs ended in a sheen of rings.
And underneath his coat a case bulged blackly -- He swept his beaver in a rush of wings! Then took the fiddle out, and, as I listened, Tightened and tuned the yellowed strings, hung slackly.
Ping! Pang! The clear notes swooped and curved and darted, Rising like gulls.
Then, with a finger skinny, He rubbed the bow with rosin, said, "Your pardon Signor! -- Maestro Nicolo Paganini They used to call me! Tchk! -- The cold grips hard on A poor musician's fingers!" -- His lips parted.
A tortured soul screamed suddenly and loud, From the brown, quivering case! Then, faster, faster, Dancing in flame-like whorls, wild, beating, screaming, The music wailed unutterable disaster; Heartbroken murmurs from pale lips once proud, Dead, choking moans from hearts once nobly dreaming.
Till all resolved in anguish -- died away Upon one minor chord, and was resumed In anguish; fell again to a low cry, Then rose triumphant where the white fires fumed, Terrible, marching, trampling, reeling, gay, Hurling mad, broken legions down to die Through everlasting hells -- The tears were salt Upon my fingers -- Then, I saw, behind The fury of the player, all the trees Crouched like violinists, boughs crooked, jerking, blind, Sweeping mad bows to music without fault, Grey cheeks to greyer fiddles, withered knees.
Gasping, I fled! -- but still that devilish tune Stunned ears and brain alike -- till clouds of dust Blotted the picture, and the noise grew dim -- Shaking, I reached the town -- and turned -- in trust -- Wind-smitten, dread, against the sky-line's rim, Black, dragon branches whipped below a moon!


Written by Ellis Parker Butler | Create an image from this poem

A Study In Feeling

 To be a great musician you must be a man of moods,
You have to be, to understand sonatas and etudes.
To execute pianos and to fiddle with success, With sympathy and feeling you must fairly effervesce; It was so with Paganini, Remenzi and Cho-pang, And so it was with Peterkin Von Gabriel O’Lang.
Monsieur O’Lang had sympathy to such a great degree.
No virtuoso ever lived was quite so great as he; He was either very happy or very, very sad; He was always feeling heavenly or oppositely bad; In fact, so sympathetic that he either must enthuse Or have the dumps; feel ecstacy or flounder in the blues.
So all agreed that Peterkin Von Gabriel O’Lang Was the greatest violinist in the virtuoso gang.
The ladies bought his photographs and put them on the shelves In the place of greatest honor, right beside those of themselves; They gladly gave ten dollars for a stiff backed parquette chair.
And sat in mouth-wide happiness a-looking at his hair.
I say “a looking at his hair,” I mean just what I say, For no one ever had a chance to hear P.
O’Lang play; So subtle was his sympathy, so highly strung was he, His moods were barometric to the very last degree; The slightest change of weather would react upon his brain, And fill his soul with joyousness or murder it with pain.
And when his soul was troubled he had not the heart to play.
But let his head droop sadly down in such a soulful way, That every one that saw him declared it was worth twice (And some there were said three times) the large admission price; And all were quite unanimous and said it would be crude For such a man to fiddle when he wasn’t in the mood.
But when his soul was filled with joy he tossed his flowing hair And waved his violin-bow in great circles in the air; Ecstaticly he flourished it, for so his spirit thrilled, Thus only could he show the joy with which his heart was filled; And so he waved it up and down and ’round and out and in,— But he never, never, NEVER touched it to his violin!

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