Written by
Les Murray |
To go home and wear shorts forever
in the enormous paddocks, in that warm climate,
adding a sweater when winter soaks the grass,
to camp out along the river bends
for good, wearing shorts, with a pocketknife,
a fishing line and matches,
or there where the hills are all down, below the plain,
to sit around in shorts at evening
on the plank verandah -
If the cardinal points of costume
are Robes, Tat, Rig and Scunge,
where are shorts in this compass?
They are never Robes
as other bareleg outfits have been:
the toga, the kilt, the lava-lava
the Mahatma's cotton dhoti;
archbishops and field marshals
at their ceremonies never wear shorts.
The very word
means underpants in North America.
Shorts can be Tat,
Land-Rovering bush-environmental tat,
socio-political ripped-and-metal-stapled tat,
solidarity-with-the-Third World tat tvam asi,
likewise track-and-field shorts worn to parties
and the further humid, modelling negligee
of the Kingdom of Flaunt,
that unchallenged aristocracy.
More plainly climatic, shorts
are farmers' rig, leathery with salt and bonemeal;
are sailors' and branch bankers' rig,
the crisp golfing style
of our youngest male National Costume.
Most loosely, they are Scunge,
ancient Bengal bloomers or moth-eaten hot pants
worn with a former shirt,
feet, beach sand, hair
and a paucity of signals.
Scunge, which is real negligee
housework in a swimsuit, pyjamas worn all day,
is holiday, is freedom from ambition.
Scunge makes you invisible
to the world and yourself.
The entropy of costume,
scunge can get you conquered by more vigorous cultures
and help you notice it less.
To be or to become
is a serious question posed by a work-shorts counter
with its pressed stack, bulk khaki and blue,
reading Yakka or King Gee, crisp with steely warehouse odour.
Satisfied ambition, defeat, true unconcern,
the wish and the knack of self-forgetfulness
all fall within the scunge ambit
wearing board shorts of similar;
it is a kind of weightlessness.
Unlike public nakedness, which in Westerners
is deeply circumstantial, relaxed as exam time,
artless and equal as the corsetry of a hussar regiment,
shorts and their plain like
are an angelic nudity,
spirituality with pockets!
A double updraft as you drop from branch to pool!
Ideal for getting served last
in shops of the temperate zone
they are also ideal for going home, into space,
into time, to farm the mind's Sabine acres
for product and subsistence.
Now that everyone who yearned to wear long pants
has essentially achieved them,
long pants, which have themselves been underwear
repeatedly, and underground more than once,
it is time perhaps to cherish the culture of shorts,
to moderate grim vigour
with the knobble of bare knees,
to cool bareknuckle feet in inland water,
slapping flies with a book on solar wind
or a patient bare hand, beneath the cadjiput trees,
to be walking meditatively
among green timber, through the grassy forest
towards a calm sea
and looking across to more of that great island
and the further tropics.
|
Written by
Andrew Barton Paterson |
'Twas on the famous Empire run,
Whose sun does never set,
Whose grass and water, so they say,
Have never failed them yet --
They carry many million sheep,
Through seasons dry and wet.
They call the homestead Albion House,
And then, along with that,
There's Welshman's Gully, Scotchman's Hill,
And Paddymelon Flat:
And all these places are renowned
For making jumbacks fat.
And the out-paddocks -- holy frost!
There wouldn't be no sense
For me to try and tell you half --
They really are immense;
A man might ride for days and weeks
And never strike a fence.
But still for years they never had
Been known a sheep to lose;
Old Billy Gladstone managed it,
And you can bet your shoes
He'd scores of supers under him,
And droves of jackaroos.
Old Billy had an eagle eye,
And kept his wits about --
If any chaps got trespassing
He quickly cleared 'em out;
And coves that used to "work a cross",
They hated him, no doubt.
But still he managed it in style,
Until the times got dry,
And Billy gave the supers word
To see and mind their eye --
"If any paddocks gets a-fire
I'll know the reason why."
Now on this point old Bill was sure,
Because, for many a year,
Whenever times got dry at all,
As sure as you are here,
The Paddymelon Flat got burnt
Which Bill thought rather *****.
He sent his smartest supers there
To try and keep things right.
No use! The grass was always dry --
They'd go to sleep at night,
And when they woke they'd go and find
The whole concern alight.
One morning it was very hot --
The sun rose in a haze;
Old Bill was cutting down some trees
(One of his little ways);
A black boy came hot-foot to say
The Flat was in a blaze.
Old Bill he swears a fearful oath
And lets the tommy fall --
Says he: "'ll take this business up,
And fix it once for all;
If this goes on the cursed run
Will send us to the wall."
So he withdrew his trespass suits,
He'd one with Dutchy's boss --
In prosecutions criminal
He entered nolle pros.,
But these were neither here nor there --
They always meant a loss.
And off to Paddymelon Flat
He started double quick
Drayloads of men with lots of grog
Lest heat should make them sick,
And all the strangers came around
To see him do the trick.
And there the fire was flaming bright,
For miles and miles it spread,
And many a sheep and horse and cow
Were numbered with the dead --
The super came to meet Old Bill,
And this is what he said:
"No use, to try to beat it out,
'Twill dry you up like toast,
I've done as much as man can do,
Although I never boast;
I think you'd better chuck it up,
And let the jumbucks roast."
Then Bill said just two words: "You're sacked,"
And pitches off his coat,
And wrenches down a blue gum bough
And clears his manly throat,
And into it like threshing wheat
Right sturdily he smote.
And beat the blazing grass until
His shirt was dripping wet;
And all the people watched him there
To see what luck he'd get,
"Gosh! don't he make the cinders fly,"
And, Golly, don't he sweat!"
But though they worked like Trojans all,
The fire still went ahead
So far as you could see around,
The very skies were red,
Sometimes the flames would start afresh,
Just where they thought it dead.
His men, too, quarreled 'mongst themselves
And some coves gave it best
And some said, "Light a fire in front,
And burn from east to west" --
But Bill he still kept sloggin' in,
And never took no rest.
Then through the crowd a cornstalk kid
Come ridin' to the spot
Says he to Bill, "Now take a spell,
You're lookin' very 'ot,
And if you'll only listen, why,
I'll tell you what is what.
"These coves as set your grass on fire,
There ain't no mortal doubt,
I've seen 'em ridin' here and there,
And pokin' round about;
It ain't no use your workin' here,
Until you finds them out.
"See yonder, where you beat the fire --
It's blazin' up again,
And fires are starting right and left
On Tipperary Plain,
Beating them out is useless quite,
Unless Heaven sends the rain.
Then Bill, he turns upon the boy,
"Oh, hold your tongue, you pup!"
But a cinder blew across the creek
While Bill stopped for a sup,
And fired the Albion paddocks, too --
It was a bitter cup;
Old Bill's heart was broke at last,
He had to chuck it up.
Moral
The run is England's Empire great,
The fire is the distress
That burns the stock they represent --
Prosperity you'll guess.
And the blue gum bough is the Home Rule Bill
That's making such a mess.
And Ireland green, of course I mean
By Paddymelon Flat;
All men can see the fire, of course,
Spreads on at such a bat,
But who are setting it alight,
I cannot tell you that.
But this I think all men will see,
And hold it very true --
"Don't quarrel with effects until
The cause is brought to view."
What is the cause? That cornstalk boy --
He seemed to think he knew.
|
Written by
Andrew Barton Paterson |
We have sung the song of the droving days,
Of the march of the travelling sheep;
By silent stages and lonely ways
Thin, white battalions creep.
But the man who now by the land would thrive
Must his spurs to a plough-share beat.
Is there ever a man in the world alive
To sing the song of the Wheat!
It's west by south of the Great Divide
The grim grey plains run out,
Where the old flock-masters lived and died
In a ceaseless fight with drought.
Weary with waiting and hope deferred
They were ready to own defeat,
Till at last they heard the master-word—
And the master-word was Wheat.
Yarran and Myall and Box and Pine—
’Twas axe and fire for all;
They scarce could tarry to blaze the line
Or wait for the trees to fall,
Ere the team was yoked, and the gates flung wide,
And the dust of the horses’ feet
Rose up like a pillar of smoke to guide
The wonderful march of Wheat.
Furrow by furrow, and fold by fold,
The soil is turned on the plain;
Better than silver and better than gold
Is the surface-mine of the grain;
Better than cattle and better than sheep
In the fight with drought and heat;
For a streak of stubbornness, wide and deep,
Lies hid in a grain of Wheat.
When the stock is swept by the hand of fate,
Deep down in his bed of clay
The brave brown Wheat will lie and wait
For the resurrection day:
Lie hid while the whole world thinks him dead;
But the Spring-rain, soft and sweet,
Will over the steaming paddocks spread
The first green flush of the Wheat.
Green and amber and gold it grows
When the sun sinks late in the West;
And the breeze sweeps over the rippling rows
Where the quail and the skylark nest.
Mountain or river or shining star,
There’s never a sight can beat—
Away to the sky-line stretching far—
A sea of the ripening Wheat.
When the burning harvest sun sinks low,
And the shadows stretch on the plain,
The roaring strippers come and go
Like ships on a sea of grain;
Till the lurching, groaning waggons bear
Their tale of the load complete.
Of the world’s great work he has done his share
Who has gathered a crop of wheat.
Princes and Potentates and Czars,
They travel in regal state,
But old King Wheat has a thousand cars
For his trip to the water-gate;
And his thousand steamships breast the tide
And plough thro’ the wind and sleet
To the lands where the teeming millions bide
That say: “Thank God for Wheat!”
|
Written by
Henry Lawson |
I am back from up the country -- very sorry that I went --
Seeking for the Southern poets' land whereon to pitch my tent;
I have lost a lot of idols, which were broken on the track --
Burnt a lot of fancy verses, and I'm glad that I am back.
Further out may be the pleasant scenes of which our poets boast,
But I think the country's rather more inviting round the coast --
Anyway, I'll stay at present at a boarding-house in town
Drinking beer and lemon-squashes, taking baths and cooling down.
Sunny plains! Great Scot! -- those burning wastes of barren soil and sand
With their everlasting fences stretching out across the land!
Desolation where the crow is! Desert! where the eagle flies,
Paddocks where the luny bullock starts and stares with reddened eyes;
Where, in clouds of dust enveloped, roasted bullock-drivers creep
Slowly past the sun-dried shepherd dragged behind his crawling sheep.
Stunted "peak" of granite gleaming, glaring! like a molten mass
Turned, from some infernal furnace, on a plain devoid of grass.
Miles and miles of thirsty gutters -- strings of muddy waterholes
In the place of "shining rivers" (walled by cliffs and forest boles).
"Range!" of ridgs, gullies, ridges, barren! where the madden'd flies --
Fiercer than the plagues of Egypt -- swarm about your blighted eyes!
Bush! where there is no horizon! where the buried bushman sees
Nothing. Nothing! but the maddening sameness of the stunted trees!
Lonely hut where drought's eternal -- suffocating atmosphere --
Where the God forgottcn hatter dreams of city-life and beer.
Treacherous tracks that trap the stranger, endless roads that gleam and glare,
Dark and evil-looking gullies -- hiding secrets here and there!
Dull, dumb flats and stony "rises," where the bullocks sweat and bake,
And the sinister "gohanna," and the lizard, and the snake.
Land of day and night -- no morning freshness, and no afternoon,
For the great, white sun in rising brings with him the heat of noon.
Dismal country for the exile, when the shades begin to fall
From the sad, heart-breaking sunset, to the new-chum, worst of all.
Dreary land in rainy weather, with the endless clouds that drift
O'er the bushman like a blanket that the Lord will never lift --
Dismal land when it is raining -- growl of floods and oh! the "woosh"
Of the rain and wind together on the dark bed of the bush --
Ghastly fires in lonely humpies where the granite rocks are pil'd
On the rain-swept wildernesses that are wildest of the wild.
Land where gaunt and haggard women live alone and work like men,
Till their husbands, gone a-droving, will return to them again --
Homes of men! if homes had ever such a God-forgotten place,
Where the wild selector's children fly before a stranger's face.
Home of tragedy applauded by the dingoes' dismal yell,
Heaven of the shanty-keeper -- fitting fiend for such a hell --
And the wallaroos and wombats, and, of course, the "curlew's call" --
And the lone sundowner tramping ever onward thro' it all!
I am back from up the country -- up the country where I went
Seeking for the Southern poets' land whereon to pitch my tent;
I have left a lot of broken idols out along the track,
Burnt a lot of fancy verses -- and I'm glad that I am back --
I believe the Southern poet's dream will not be realised
Till the plains are irrigated and the land is humanised.
I intend to stay at present -- as I said before -- in town
Drinking beer and lemon-squashes -- taking baths and cooling down.
|
Written by
Dorothea Mackeller |
My Country
The love of field and coppice
Of green and shaded lanes,
Of ordered woods and gardens
Is running in your veins.
Strong love of grey-blue distance,
Brown streams and soft, dim skies
I know, but cannot share it,
My love is otherwise.
I love a sunburnt country,
A land of sweeping plains,
Of ragged mountain ranges,
Of droughts and flooding rains.
I love her far horizons,
I love her jewel-sea,
Her beauty and her terror
The wide brown land for me!
The stark white ring-barked forests,
All tragic to the moon,
The sapphire-misted mountains,
The hot gold hush of noon,
Green tangle of the brushes
Where lithe lianas coil,
And orchids deck the tree-tops,
And ferns the warm dark soil.
Core of my heart, my country!
Her pitiless blue sky,
When, sick at heart, around us
We see the cattle die
But then the grey clouds gather,
And we can bless again
The drumming of an army,
The steady soaking rain.
Core of my heart, my country!
Land of the rainbow gold,
For flood and fire and famine
She pays us back threefold.
Over the thirsty paddocks,
Watch, after many days,
The filmy veil of greenness
That thickens as we gaze ...
An opal-hearted country,
A wilful, lavish land
All you who have not loved her,
You will not understand
though Earth holds many splendours,
Wherever I may die,
I know to what brown country
My homing thoughts will fly.
|
Written by
Les Murray |
The paddocks shave black
with a foam of smoke that stays,
welling out of red-black wounds.
In the white of a drought
this happens. The hardcourt game.
Logs that fume are mostly cattle,
inverted, stubby. Tree stumps are kilns.
Walloped, wiped, hand-pumped,
even this day rolls over, slowly.
At dusk, a family drives sheep
out through the yellow
of the Aboriginal flag.
|
Written by
Andrew Barton Paterson |
What! you don't like him; well, maybe -- we all have our fancies, of course:
Brumby to look at, you reckon? Well, no; he's a thoroughbred horse;
Sired by a son of old Panic -- look at his ears and his head --
Lop-eared and Roman-nosed, ain't he? -- well, that's how the Panics are bred.
Gluttonous, ugly and lazy, rough as a tipcart to ride,
Yet if you offered a sovereign apiece for the hairs on his hide
That wouldn't buy him, nor twice that; while I've a pound to the good,
This here old stager stays by me and lives like a thoroughbred should;
Hunt him away from his bedding, and sit yourself down by the wall,
Till you hear how the old fellow saved me from Gilbert, O'Meally and Hall.
*
Gilbert and Hall and O'Meally, back in the bushranging days,
Made themselves kings of the district -- ruled it in old-fashioned ways --
Robbing the coach and the escort, stealing our horses at night,
Calling sometimes at the homesteads and giving the women a fright:
Came to the station one morning (and why they did this no one knows)
Took a brood mare from the paddock--wanting some fun, I suppose --
Fastened a bucket beneath her, hung by a strap around her flank,
Then turned her loose in the timber back of the seven-mile tank.
Go? She went mad! She went tearing and screaming with fear through the trees,
While the curst bucket beneath her was banging her flanks and her knees.
Bucking and racing and screaming she ran to the back of the run,
Killed herself there in a gully; by God, but they paid for their fun!
Paid for it dear, for the black-boys found tracks, and the bucket, and all,
And I swore that I'd live to get even with Gilbert, O'Meally and Hall.
Day after day then I chased them -- 'course they had friends on the sly,
Friends who were willing to sell them to those who were willing to buy.
Early one morning we found them in camp at the Cockatoo Farm;
One of us shot at O'Meally and wounded him under the arm:
Ran them for miles in the ranges, till Hall, with his horse fairly beat,
Took to the rocks and we lost him -- the others made good their retreat.
It was war to the knife then, I tell you, and once, on the door of my shed,
They nailed up a notice that offered a hundred reward for my head!
Then we heard they were gone from the district; they stuck up a coach in the West,
And I rode by myself in the paddocks, just taking a bit of a rest,
Riding this colt as a youngster -- awkward, half-broken and shy,
He wheeled round one day on a sudden; I looked, but I couldn't see why --
But I soon found out why, for before me the hillside rose up like a wall,
And there on the top with their rifles were Gilbert, O'Meally and Hall!
'Twas a good three-mile run to the homestead -- bad going, with plenty of trees --
So I gathered the youngster together, and gripped at his ribs with my knees.
'Twas a mighty poor chance to escape them! It puts a man's nerve to the test
On a half-broken colt to be hunted by the best mounted men in the West.
But the half-broken colt was a racehorse! He lay down to work with a will.
Flashed through the scrub like a clean-skin-by heavens, we flew down the hill!
Over a twenty-foot gully he swept with the spring of a deer,
And they fired as we jumped, but they missed me -- a bullet sang close to my ear --
And the jump gained us ground, for they shirked it: but I saw as we raced through the gap
That the rails at the homestead were fastened -- I was caught like a rat in a trap.
Fenced with barbed wire was the paddock -- barbed wire that would cut like a knife --
How was a youngster to clear it that never had jumped in his life?
Bang went a rifle behind me -- the colt gave a spring, he was hit;
Straight at the sliprails I rode him -- I felt him take hold of the bit;
Never a foot to the right or the left did he swerve in his stride,
Awkward and frightened, but honest, the sort it's a pleasure to ride!
Straight at the rails, where they'd fastened barbed wire on the top of the post,
Rose like a stag and went over, with hardly a scratch at the most;
Into the homestead I darted, and snatched down my gun from the wall,
And I tell you I made them step lively, Gilbert, O'Meally and Hail.
Yes! There's the mark of the bullet -- he's got it inside of him yet,
Mixed up somehow with his victuals; but, bless you, he don't seem to fret!
Gluttonous, ugly, and lazy -- eats anything he can bite;
Now, let us shut up the stable, and bid the old fellow good night.
Ah! we can't breed 'em, the son that were bred when we old uns were young....
Yes, as I said, these bushrangers, none of 'em lived to be hung.
Gilbert was shot by the troopers, Hall was betrayed by his friend,
Campbell disposed of O'Meally, bringing the lot to an end.
But you can talk about riding -- I've ridden a lot in the past --
Wait till there's rifles behind you, you'll know what it means to go fast!
I've steeplechased, raced, and "run horses", but I think the most dashing of all
Was the ride when that old fellow saved me from Gilbert, O'Meally and Hall!
|
Written by
Robert Herrick |
Here a little child I stand
Heaving up my either hand;
Cold as paddocks though they be,
Here I lift them up to Thee,
For a benison to fall
On our meat, and on us all. Amen.
|
Written by
Robert Herrick |
HERE a little child I stand
Heaving up my either hand;
Cold as paddocks though they be,
Here I lift them up to Thee,
For a benison to fall
On our meat and on us all. Amen.
|
Written by
Les Murray |
It was built of things that must not mix:
paint, cream, and water, fire and dusty oil.
You heard the water dreaming in its large
kneed pipes, up from the weir. And the cordwood
our fathers cut for the furnace stood in walls
like the sleeper-stacks of a continental railway.
The cream arrived in lorried tides; its procession
crossed a platform of workers' stagecraft: Come here
Friday-Legs! Or I'll feel your hernia--
Overalled in milk's colour, men moved the heart of milk,
separated into thousands, along a roller track--Trucks?
That one of mine, son, it pulls like a sixteen-year-old--
to the tester who broached the can lids, causing fat tears,
who tasted, dipped and did his thin stoppered chemistry
on our labour, as the empties chattered downstage and fumed.
Under the high roof, black-crusted and stainless steels
were walled apart: black romped with leather belts
but paddlewheels sailed the silvery vats where muscles
of the one deep cream were exercised to a bullion
to be blocked in paper. And between waves of delivery
the men trod on water, hosing the rainbows of a shift.
It was damp April even at Christmas round every
margin of the factory. Also it opened the mouth
to see tackles on glibbed gravel, and the mossed char louvres
of the ice-plant's timber tower streaming with
heavy rain all day, above the droughty paddocks
of the totem cows round whom our lives were dancing.
|