Written by
William Butler Yeats |
Epilogue to "A Vision'
MIDNIGHT has come, and the great Christ Church Bell
And may a lesser bell sound through the room;
And it is All Souls' Night,
And two long glasses brimmed with muscatel
Bubble upon the table.
A ghost may come;
For it is a ghost's right,
His element is so fine
Being sharpened by his death,
To drink from the wine-breath
While our gross palates drink from the whole wine.
I need some mind that, if the cannon sound
From every quarter of the world, can stay
Wound in mind's pondering
As mummies in the mummy-cloth are wound;
Because I have a marvellous thing to say,
A certain marvellous thing
None but the living mock,
Though not for sober ear;
It may be all that hear
Should laugh and weep an hour upon the clock.
Horton's the first I call.
He loved strange thought
And knew that sweet extremity of pride
That's called platonic love,
And that to such a pitch of passion wrought
Nothing could bring him, when his lady died,
Anodyne for his love.
Words were but wasted breath;
One dear hope had he:
The inclemency
Of that or the next winter would be death.
Two thoughts were so mixed up I could not tell
Whether of her or God he thought the most,
But think that his mind's eye,
When upward turned, on one sole image fell;
And that a slight companionable ghost,
Wild with divinity,
Had so lit up the whole
Immense miraculous house
The Bible promised us,
It seemed a gold-fish swimming in a bowl.
On Florence Emery I call the next,
Who finding the first wrinkles on a face
Admired and beautiful,
And knowing that the future would be vexed
With 'minished beauty, multiplied commonplace,
preferred to teach a school
Away from neighbour or friend,
Among dark skins, and there
permit foul years to wear
Hidden from eyesight to the unnoticed end.
Before that end much had she ravelled out
From a discourse in figurative speech
By some learned Indian
On the soul's journey.
How it is whirled about,
Wherever the orbit of the moon can reach,
Until it plunge into the sun;
And there, free and yet fast,
Being both Chance and Choice,
Forget its broken toys
And sink into its own delight at last.
And I call up MacGregor from the grave,
For in my first hard springtime we were friends.
Although of late estranged.
I thought him half a lunatic, half knave,
And told him so, but friendship never ends;
And what if mind seem changed,
And it seem changed with the mind,
When thoughts rise up unbid
On generous things that he did
And I grow half contented to be blind!
He had much industry at setting out,
Much boisterous courage, before loneliness
Had driven him crazed;
For meditations upon unknown thought
Make human intercourse grow less and less;
They are neither paid nor praised.
but he d object to the host,
The glass because my glass;
A ghost-lover he was
And may have grown more arrogant being a ghost.
But names are nothing.
What matter who it be,
So that his elements have grown so fine
The fume of muscatel
Can give his sharpened palate ecstasy
No living man can drink from the whole wine.
I have mummy truths to tell
Whereat the living mock,
Though not for sober ear,
For maybe all that hear
Should laugh and weep an hour upon the clock.
Such thought -- such thought have I that hold it tight
Till meditation master all its parts,
Nothing can stay my glance
Until that glance run in the world's despite
To where the damned have howled away their hearts,
And where the blessed dance;
Such thought, that in it bound
I need no other thing,
Wound in mind's wandering
As mummies in the mummy-cloth are wound.
Oxford, Autumn 1920
|
Written by
Ogden Nash |
Some singers sing of ladies' eyes,
And some of ladies lips,
Refined ones praise their ladylike ways,
And course ones hymn their hips.
The Oxford Book of English Verse
Is lush with lyrics tender;
A poet, I guess, is more or less
Preoccupied with gender.
Yet I, though custom call me crude,
Prefer to sing in praise of food.
Food,
Yes, food,
Just any old kind of food.
Pheasant is pleasant, of course,
And terrapin, too, is tasty,
Lobster I freely endorse,
In pate or patty or pasty.
But there's nothing the matter with butter,
And nothing the matter with jam,
And the warmest greetings I utter
To the ham and the yam and the clam.
For they're food,
All food,
And I think very fondly of food.
Through I'm broody at times
When bothered by rhymes,
I brood
On food.
Some painters paint the sapphire sea,
And some the gathering storm.
Others portray young lambs at play,
But most, the female form.
“Twas trite in that primeval dawn
When painting got its start,
That a lady with her garments on
Is Life, but is she Art?
By undraped nymphs
I am not wooed;
I'd rather painters painted food.
Food,
Just food,
Just any old kind of food.
Go purloin a sirloin, my pet,
If you'd win a devotion incredible;
And asparagus tips vinaigrette,
Or anything else that is edible.
Bring salad or sausage or scrapple,
A berry or even a beet.
Bring an oyster, an egg, or an apple,
As long as it's something to eat.
If it's food,
It's food;
Never mind what kind of food.
When I ponder my mind
I consistently find
It is glued
On food.
|
Written by
Barry Tebb |
Quarter to three: I wake again at the hour of his birth
Thirty years ago and now he paces corridors of dark
In nightmares of self-condemnation where random thoughts
Besiege his fevered imagination – England’s
Imminent destruction, his own, the world’s…
Sixty to eighty cigarettes a day, unavailing depot injections,
Failed abscondings, failed everything: Eton and Balliol
Hold no sway on ward one, nor even being
‘A six language master,’ on PICU madness is the only qualification.
There was the ‘shaving incident’ at school, which
Made him ready to walk out at fifteen, the alcohol
Defences at Oxford which shut us out then petered out
During the six years in India, studying Bengali at Shantiniketan.
He tottered from the plane, penniless and unshaven,
To hide away in the seediest bedsit Beeston could boast
Where night turned to day and vaguely he applied
For jobs as clerk and court usher and drank in pubs with yobs.
When the crisis came – "I feel my head coming off my body’ –
I was ready and unready, making the necessary calls
To get a bed, to keep him on the ward, to visit and reassure
Us both that some way out could be found.
The ‘Care Home’ was the next disaster, trying to cure
Schizophrenia with sticking plaster: "We don’t want
Carers’ input, we call patients ‘residents’ and insist on chores
Not medication", then the letters of terrible abuse, the finding of a flat,
‘The discharge into the community.
’
His ‘keyworker’ was the keyworker from hell: the more
Isaiah’s care fell apart the more she encouraged
Him to blame us and ‘Make his life his own’, vital signs
Of decline ignored or consigned to files, ‘confidentiality’ reigned supreme.
Insidiously the way back to the ward unveiled
Over painful months, the self-neglect, the inappropriate remarks
In pubs, the neglected perforated eardrum, keeping
Company with his feckless cousins between their bouts in prison.
The pointless team meetings he was patted through,
My abrupt dismissal as carer at the keyworker’s instigation,
The admission we knew nothing of, the abscondings we were told of
And had to sort out, then the phone call from the ASW.
"We are about to section your son for six months, have you
Any comment?" Then the final absconding to London
From a fifteen minute break on PICU, to face his brother’s
Drunken abuse, the police were kindness itself as they drove him to the secure unit.
Two nurses came by taxi from Leeds the next day to collect him
The Newsam Centre’s like a hotel – Informality and first class treatment
Behind the locked doors he freezes before and whispers
"Daddy, I was damned in hell but now I am God’s friend.
"
Note: PICU- Psychiatric Intensive Care Unit
Beeston- An inner city area of Leeds
ASW- Approved Social Worker
|
Written by
T S (Thomas Stearns) Eliot |
GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims,
Rejoicing in his title of "The Terror of the Thames.
"
His manners and appearance did not calculate to please;
His coat was torn and seedy, he was baggy at the knees;
One ear was somewhat missing, no need to tell you why,
And he scowled upon a hostile world from one forbidding eye.
The cottagers of Rotherhithe knew something of his fame,
At Hammersmith and Putney people shuddered at his name.
They would fortify the hen-house, lock up the silly goose,
When the rumour ran along the shore: GROWLTIGER'S ON THE LOOSE!
Woe to the weak canary, that fluttered from its cage;
Woe to the pampered Pekinese, that faced Growltiger's rage.
Woe to the bristly Bandicoot, that lurks on foreign ships,
And woe to any Cat with whom Growltiger came to grips!
But most to Cats of foreign race his hatred had been vowed;
To Cats of foreign name and race no quarter was allowed.
The Persian and the Siamese regarded him with fear--
Because it was a Siamese had mauled his missing ear.
Now on a peaceful summer night, all nature seemed at play,
The tender moon was shining bright, the barge at Molesey lay.
All in the balmy moonlight it lay rocking on the tide--
And Growltiger was disposed to show his sentimental side.
His bucko mate, GRUMBUSKIN, long since had disappeared,
For to the Bell at Hampton he had gone to wet his beard;
And his bosun, TUMBLEBRUTUS, he too had stol'n away-
In the yard behind the Lion he was prowling for his prey.
In the forepeak of the vessel Growltiger sate alone,
Concentrating his attention on the Lady GRIDDLEBONE.
And his raffish crew were sleeping in their barrels and their bunks--
As the Siamese came creeping in their sampans and their junks.
Growltiger had no eye or ear for aught but Griddlebone,
And the Lady seemed enraptured by his manly baritone,
Disposed to relaxation, and awaiting no surprise--
But the moonlight shone reflected from a thousand bright blue eyes.
And closer still and closer the sampans circled round,
And yet from all the enemy there was not heard a sound.
The lovers sang their last duet, in danger of their lives--
For the foe was armed with toasting forks and cruel carving knives.
Then GILBERT gave the signal to his fierce Mongolian horde;
With a frightful burst of fireworks the Chinks they swarmed aboard.
Abandoning their sampans, and their pullaways and junks,
They battened down the hatches on the crew within their bunks.
Then Griddlebone she gave a screech, for she was badly skeered;
I am sorry to admit it, but she quickly disappeared.
She probably escaped with ease, I'm sure she was not drowned--
But a serried ring of flashing steel Growltiger did surround.
The ruthless foe pressed forward, in stubborn rank on rank;
Growltiger to his vast surprise was forced to walk the plank.
He who a hundred victims had driven to that drop,
At the end of all his crimes was forced to go ker-flip, ker-flop.
Oh there was joy in Wapping when the news flew through the land;
At Maidenhead and Henley there was dancing on the strand.
Rats were roasted whole at Brentford, and at Victoria Dock,
And a day of celebration was commanded in Bangkok.
|
Written by
Barry Tebb |
( I )
for ‘JC’ of the TLS
Nightmare of metropolitan amalgam
Grand Hotel and myself as a guest there
Lost with my room rifled, my belongings scattered,
Purse, diary and vital list of numbers gone –
Vague sad memories of mam n’dad
Leeds 1942 back-to-back with shared outside lav.
Hosannas of sweet May mornings
Whitsun glory of lilac blooming
Sixty years on I run and run
From death, from loss, from everyone.
Which are the paths I never ventured down,
Or would they, too, be vain?
O for the secret anima of Leeds girlhood
A thousand times better than snide attacks in the TLS
By ‘JC’.
**** you, Jock, you should be ashamed,
Attacking Brenda Williams, who had a background
Worse than yours, an alcoholic schizophrenic father
And an Irish immigrant mother who died when Brenda was fifteen
But still she managed to read Proust on her day off
As a library girl, turned down by David Jenkins,
‘As rising star of the left’ for a place at Leeds
To read theology started her as a protest poet
Sitting out on the English lawn, mistaken for a snow sculpture
In the depths of winter.
Her sit-in protest lasted seven months,
Months, eight hours a day, her libellous verse scorching
The academic groves of Leeds in sheets by the thousand,
Mailed through the university's internal post.
She called
The VC 'a mouse from the mountain'; Bishop of Durham to-be
David Jenkins a wimp and worse and all in colourful verse
And 'Guntrip's Ghost' went to every VC in England in a
Single day.
When she sat on the English lawn Park Honan
Flew paper aeroplanes with messages down and
And when she was in Classics they took away her chair
So she sat on the floor reading Virgil and the Chairman of the
Department sent her an official Christmas card
'For six weeks on the university lawn, learning the
Hebrew alphabet'.
And that was just the beginning: in Oxford Magdalen College
School turned our son away for the Leeds protest so she
Started again, in Magdalen Quad, sitting through Oxford's
Worst ever winter and finally they arrested her on the
Eve of the May Ball so she wrote 'Oxford from a Prison
Cell' her most famous poem and her protest letter went in
A single day to every MP and House of Lords Member and
It was remembered years after and when nobody nominated
Her for the Oxford Chair she took her own and sat there
In the cold for almost a year, well-wishers pinning messages
To the tree she sat under - "Tityre, tu patulae recubans
Sub tegmine fagi" and twelve hundred and forty dons had
"The Pain Clinic" in a single day and she was fourteen
Times in the national press, a column in "The Guardian"
And a whole page with a picture in the 'Times Higher' -
"A Well Versed Protester"
JC, if you call Myslexia’s editor a ‘kick-**** virago’
You’ve got to expect a few kicks back.
All this is but the dust
We must shake from our feet
Purple heather still with blossom
In Haworth and I shall gather armfuls
To toss them skywards and you,
Madonna mia, I shall bed you there
In blazing summer by High Wythens,
Artist unbroken from the highest peak
I raise my hands to heaven.
( II )
Sweet Anna, I do not know you from Eve
But your zany zine in the post
Is the best I’ve ever seen, inspiring this rant
Against the cant of stuck-up cunts currying favour
I name no name but if the Dutch cap fits
Then wear it and share it.
Who thought at sixty one
I’d have owned a watch
Like this one, chased silver cased
Quartz reflex Japanese movement
And all for a fiver at the back of Leeds Market
Where I wander in search of oil pastels
Irish folk and cheap socks.
The TLS mocks our magazine
With its sixties Cadillac pink
Psychedelic cover and every page crimson
Orange or mauve, revolutionary sonnets
By Brenda Williams from her epic ‘Pain Clinic’
And my lacerating attacks on boring Bloodaxe
Neil Ghastly and Anvil’s preciosity and all the
Stuck-up ****-holes in their cubby-holes sending out
Rejection slip by rote – LPW
|
Written by
T S (Thomas Stearns) Eliot |
En l’an trentiesme do mon aage
Que toutes mes hontes j’ay beues.
.
.
PIPIT sate upright in her chair
Some distance from where I was sitting;
Views of the Oxford Colleges
Lay on the table, with the knitting.
Daguerreotypes and silhouettes,
Here grandfather and great great aunts,
Supported on the mantelpiece
An Invitation to the Dance.
.
.
.
.
.
I shall not want Honour in Heaven
For I shall meet Sir Philip Sidney
And have talk with Coriolanus
And other heroes of that kidney.
I shall not want Capital in Heaven
For I shall meet Sir Alfred Mond.
We two shall lie together, lapt
In a five per cent.
Exchequer Bond.
I shall not want Society in Heaven,
Lucretia Borgia shall be my Bride;
Her anecdotes will be more amusing
Than Pipit’s experience could provide.
I shall not want Pipit in Heaven:
Madame Blavatsky will instruct me
In the Seven Sacred Trances;
Piccarda de Donati will conduct me.
.
.
.
.
.
But where is the penny world I bought
To eat with Pipit behind the screen?
The red-eyed scavengers are creeping
From Kentish Town and Golder’s Green;
Where are the eagles and the trumpets?
Buried beneath some snow-deep Alps.
Over buttered scones and crumpets
Weeping, weeping multitudes
Droop in a hundred A.
B.
C.
’s.
|
Written by
Barry Tebb |
It brings to mind Swift leaving a fortune to Dublin
‘For the founding of a lunatic asylum - no place needs it more’.
The breathing beauty of the moors and cheap accommodation
Drew me but the total barbarity of the town stopped me from
Writing a single line: from the hideous facade of its railway
Station - Betjeman must have been drunk or mad to praise it -
To that lump of stone on Castle Hill - her savage spirit broods.
I remember trying to teach there, at Bradley, where the head
Was some kind of ex-P.
T.
teacher, who thought poetry something
You did to children and his workaholic jackass deputy, obsessed
With practical science and lesson preparation and team teaching
And everything on, above and beneath the earth except ‘The Education
Of the Poetic Spirit’ and without that and as an example of what
Pound meant about how a country treats its poets "is a measure
Of its civilisation".
I once had a holiday job in a mill and the
Nightwatchman’s killer alsatian had more civilisation than
Huddersfield’s Deputy Direction of Education.
For a while I was granted temporary asylum at Royds Hall -
At least some of the staff there had socialism if not art -
But soon it was spoilt for everyone when Jenks came to head
English, sweating for his OU degree and making us all suffer,
The kids hating his sarcasm and the staff his vaulting ambition
And I was the only one not afraid of him.
His Achilles’ heel was
Culture - he was a yob through and through - and the Head said to me
"I’ve had enough of him throwing his weight around, if it comes
To a showdown I’ll back you against him any day" but he got
The degree and the job and the dollars - my old T.
C.
took him
But that was typical, after Roy Rich went came a fat appointee
Who had written nothing and knew nothing but knew everyone on
The appointing committee.
Everyday I was in Huddersfield I thought I was in hell and
Sartre was right and so was Jonson - "Hell’s a grammar school
To this" - too (Peter Porter I salute you!) and always I dreamed
Of Leeds and my beautiful gifted ten-year olds and Sheila, my
Genius-child-poet and a head who left me alone to teach poetry
And painting day in, day out and Dave Clark and Diane and I,
In the staffroom discussing phenomenology and daseinanalysis
Applied to Dewey’s theory of education and the essence of the
Forms in Plato and Plotinus and plaiting a rose in Sheila’s
Hair and Johns, the civilised HMI, asking for a copy of my poems
And Horovitz putting me in ‘Children of Albion’ and ‘The
Statesman’ giving me good reviews.
Decades later, in Byram Arcade, I am staring at the facade of
‘The Poetry Business’ and its proprietors sitting on the steps
Outside, trying to look civilised and their letter, "Your poetry
Is good but its not our kind" and I wondered what their kind was
And besides they’re not my kind of editor and I’m back in Leeds
With a letter from Seamus Heaney - thank you, Nobel Laureate, for
Liking ‘My Perfect Rose’ and yes, you’re right about my wanting
To get those New Generation Poets into my classroom at Wyther
Park and show them a thing or two and a phone call from
Horovitz who is my kind of editor still, after thirty years,
His mellifluous voice with its blend of an Oxford accent and
American High Camp, so warm and full of knowledge and above all
PASSIONATE ABOUT POETRY and I remember someone saying,
"If Oxford is the soul of England, Huddersfield is its arsehole".
|
Written by
Thomas Warton |
Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,
That deck'd heroic Albion's elder day;
To mark the mouldering halls of barons bold,
And the rough castle, cast in giant mould;
With Gothic manners Gothic arts explore,
And muse on the magnificence of yore.
But chief, enraptur'd have I lov'd to roam,
A lingering votary, the vaulted dome,
Where the tall shafts, that mount in massy pride,
Their mingling branches shoot from side to side;
Where elfin sculptors, with fantastic clew,
O'er the long roof their wild embroidery drew;
Where Superstition with capricious hand
In many a maze the wreathed window plann'd,
With hues romantic ting'd the gorgeous pane,
To fill with holy light the wondrous fane;
To aid the builder's model, richly rude,
By no Vitruvian symmetry subdu'd;
To suit the genius of the mystic pile:
Whilst as around the far-retiring aisle,
And fretted shrines, with hoary trophies hung,
Her dark illumination wide she flung,
With new solemnity, the nooks profound,
The caves of death, and the dim arches frown'd.
From bliss long felt unwillingly we part:
Ah, spare the weakness of a lover's heart!
Chase not the phantoms of my fairy dream,
Phantoms that shrink at Reason's painful gleam!
That softer touch, insidious artist, stay,
Nor to new joys my struggling breast betray!
Such was a pensive bard's mistaken strain.
--
But, oh, of ravish'd pleasures why complain?
No more the matchless skill I call unkind,
That strives to disenchant my cheated mind.
For when again I view thy chaste design,
The just proportion, and the genuine line;
Those native portraitures of Attic art,
That from the lucid surface seem to start;
Those tints, that steal no glories from the day,
Nor ask the sun to lend his streaming ray:
The doubtful radiance of contending dyes,
That faintly mingle, yet distinctly rise;
'Twixt light and shade the transitory strife;
The feature blooming with immortal life:
The stole in casual foldings taught to flow,
Not with ambitious ornaments to glow;
The tread majestic, and the beaming eye,
That lifted speaks its commerce with the sky;
Heaven's golden emanation, gleaming mild
O'er the mean cradle of the Virgin's child:
Sudden, the sombrous imagery is fled,
Which late my visionary rapture fed:
Thy powerful hand has broke the Gothic chain,
And brought my bosom back to truth again;
To truth, by no peculiar taste confin'd,
Whose universal pattern strikes mankind;
To truth, whose bold and unresisted aim
Checks frail caprice, and fashion's fickle claim;
To truth, whose charms deception's magic quell,
And bind coy Fancy in a stronger spell.
Ye brawny Prophets, that in robes so rich,
At distance due, possess the crisped niche;
Ye rows of Patriarchs, that sublimely rear'd
Diffuse a proud primeval length of beard:
Ye Saints, who clad in crimson's bright array,
More pride than humble poverty display:
Ye Virgins meek, that wear the palmy crown
Of patient faith, and yet so fiercely frown:
Ye Angels, that from clouds of gold recline,
But boast no semblance to a race divine:
Ye tragic tales of legendary lore,
That draw devotion's ready tear no more;
Ye martyrdoms of unenlighten'd days,
Ye miracles, that now no wonder raise:
Shapes, that with one broad glare the gazer strike,
Kings, bishops, nuns, apostles, all alike!
Ye colours, that th' unwary sight amaze,
And only dazzle in the noontide blaze!
No more the sacred window's round disgrace,
But yield to Grecian groups the shining space.
Lo, from the canvas Beauty shifts her throne,
Lo, Picture's powers a new formation own!
Behold, she prints upon the crystal plain,
With her own energy, th' expressive stain!
The mighty master spreads his mimic toil
More wide, nor only blends the breathing oil;
But calls the lineaments of life complete
From genial alchymy's creative heat;
Obedient forms to the bright fusion gives,
While in the warm enamel Nature lives.
Reynolds, 'tis thine, from the broad window's height,
To add new lustre to religious light:
Not of its pomp to strip this ancient shrine,
But bid that pomp with purer radiance shine:
With arts unknown before, to reconcile
The willing Graces to the Gothic pile.
|
Written by
Michael Drayton |
Fair stood the wind for France,
When we our sails advance;
Nor now to prove our chance
Longer will tarry;
But putting to the main,
At Caux, the mouth of Seine,
With all his martial train
Landed King Harry.
And taking many a fort,
Furnish'd in warlike sort,
Marcheth towards Agincourt
In happy hour;
Skirmishing day by day
With those that stopp'd his way,
Where the French gen'ral lay
With all his power.
Which, in his height of pride,
King Henry to deride,
His ransom to provide
To the King sending;
Which he neglects the while,
As from a nation vile
Yet with an angry smile
Their fall portending.
And turning to his men
Quoth our brave Henry then:
"Though they to one be ten
Be not amazed.
Yet have we well begun:
Battles so bravely won
Have ever to the sun
By Fame been raised!
"And for myself," quoth he,
"This my full rest shall be:
England ne'er mourn for me,
Nor more esteem me;
Victor I will remain,
Or on this earth lie slain;
Never shall she sustain
Loss to redeem me!
"Poitiers and Cressy tell
When most their pride did swell
Under our swords they fell;
No less our skill is
Than when our grandsire great,
Claiming the regal seat,
By many a warlike feat
Lopp'd the French lilies.
"
The Duke of York so dread
The eager vaward led;
With the main Henry sped
Amongst his henchmen:
Excester had the rear,
A braver man not there
O Lord, how hot they were
On the false Frenchmen!
They now to fight are gone;
Armour on armour shone;
Drum now to drum did groan:
To hear, was wonder;
That, with cries they make,
The very earth did shake;
Trumpet to trumpet spake,
Thunder to thunder.
Well it thine age became,
O noble Erpingham,
Which didst the signal aim
To our hid forces;
When, from a meadow by,
Like a storm suddenly,
The English archery
Stuck the French horses
With Spanish yew so strong,
Arrows a cloth-yard long,
That like to serpents stung,
Piercing the weather.
None from his fellow starts,
But playing manly parts,
And like true English hearts
Stuck close together.
When down their bows they threw,
And forth their bilboes drew,
And on the French they flew,
Not one was tardy;
Arms were from shoulders sent,
Scalps to the teeth were rent,
Down the French peasants went:
Our men were hardy.
This while our noble King,
His broad sword brandishing,
Down the French host did ding,
As to o'erwhelm it.
And many a deep wound lent,
His arms with blood besprent,
And many a cruel dent
Bruised his helmet.
Gloster, that duke so good,
Next of the royal blood,
For famous England stood
With his brave brother.
Clarence, in steel so bright,
Though but a maiden knight,
Yet in that furious fight
Scarce such another!
Warwick in blood did wade,
Oxford the foe invade,
And cruel slaughter made,
Still as they ran up.
Suffolk his axe did ply;
Beaumont and Willoughby
Bare them right doughtily;
Ferrers and Fanhope.
Upon Saint Crispin's Day
Fought was this noble fray,
Which fame did not delay
To England to carry.
O when shall English men
With such acts fill a pen,
Or England breed again
Such a King Harry?
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Written by
Michael Drayton |
FAIR stood the wind for France
When we our sails advance,
Nor now to prove our chance
Longer will tarry;
But putting to the main,
At Caux, the mouth of Seine,
With all his martial train
Landed King Harry.
And taking many a fort,
Furnish'd in warlike sort,
Marcheth tow'rds Agincourt
In happy hour;
Skirmishing day by day
With those that stopp'd his way,
Where the French gen'ral lay
With all his power.
Which, in his height of pride,
King Henry to deride,
His ransom to provide
Unto him sending;
Which he neglects the while
As from a nation vile,
Yet with an angry smile
Their fall portending.
And turning to his men,
Quoth our brave Henry then,
'Though they to one be ten
Be not amazed:
Yet have we well begun;
Battles so bravely won
Have ever to the sun
By fame been raised.
'And for myself (quoth he)
This my full rest shall be:
England ne'er mourn for me
Nor more esteem me:
Victor I will remain
Or on this earth lie slain,
Never shall she sustain
Loss to redeem me.
'Poitiers and Cressy tell,
When most their pride did swell,
Under our swords they fell:
No less our skill is
Than when our grandsire great,
Claiming the regal seat,
By many a warlike feat
Lopp'd the French lilies.
'
The Duke of York so dread
The eager vaward led;
With the main Henry sped
Among his henchmen.
Excester had the rear,
A braver man not there;
O Lord, how hot they were
On the false Frenchmen!
They now to fight are gone,
Armour on armour shone,
Drum now to drum did groan,
To hear was wonder;
That with the cries they make
The very earth did shake:
Trumpet to trumpet spake,
Thunder to thunder.
Well it thine age became,
O noble Erpingham,
Which didst the signal aim
To our hid forces!
When from a meadow by,
Like a storm suddenly
The English archery
Stuck the French horses.
With Spanish yew so strong,
Arrows a cloth-yard long
That like to serpents stung,
Piercing the weather;
None from his fellow starts,
But playing manly parts,
And like true English hearts
Stuck close together.
When down their bows they threw,
And forth their bilbos drew,
And on the French they flew,
Not one was tardy;
Arms were from shoulders sent,
Scalps to the teeth were rent,
Down the French peasants went--
Our men were hardy.
This while our noble king,
His broadsword brandishing,
Down the French host did ding
As to o'erwhelm it;
And many a deep wound lent,
His arms with blood besprent,
And many a cruel dent
Bruised his helmet.
Gloster, that duke so good,
Next of the royal blood,
For famous England stood
With his brave brother;
Clarence, in steel so bright,
Though but a maiden knight,
Yet in that furious fight
Scarce such another.
Warwick in blood did wade,
Oxford the foe invade,
And cruel slaughter made
Still as they ran up;
Suffolk his axe did ply,
Beaumont and Willoughby
Bare them right doughtily,
Ferrers and Fanhope.
Upon Saint Crispin's Day
Fought was this noble fray,
Which fame did not delay
To England to carry.
O when shall English men
With such acts fill a pen?
Or England breed again
Such a King Harry?
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