Get Your Premium Membership

Best Famous Outsiders Poems

Here is a collection of the all-time best famous Outsiders poems. This is a select list of the best famous Outsiders poetry. Reading, writing, and enjoying famous Outsiders poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of outsiders poems.

Search and read the best famous Outsiders poems, articles about Outsiders poems, poetry blogs, or anything else Outsiders poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Eavan Boland | Create an image from this poem

Outside History

 These are outsiders, always. These stars—
these iron inklings of an Irish January,
whose light happened
thousands of years before
our pain did; they are, they have always been
outside history.
They keep their distance. Under them remains
a place where you found
you were human, and
a landscape in which you know you are mortal.
And a time to choose between them.
I have chosen:
out of myth in history I move to be
part of that ordeal
who darkness is
only now reaching me from those fields,
those rivers, those roads clotted as
firmaments with the dead.
How slowly they die
as we kneel beside them, whisper in their ear.
And we are too late. We are always too late.


Written by Robert Frost | Create an image from this poem

I. The Witch of Coös

 I stayed the night for shelter at a farm
Behind the mountains, with a mother and son,
Two old-believers. They did all the talking.

MOTHER: Folks think a witch who has familiar spirits
She could call up to pass a winter evening,
But won’t, should be burned at the stake or something.
Summoning spirits isn’t “Button, button,
Who’s got the button,” I would have them know.

SON: Mother can make a common table rear
And kick with two legs like an army mule.
MOTHER: And when I’ve done it, what good have I done?
Rather than tip a table for you, let me
Tell you what Ralle the Sioux Control once told me.
He said the dead had souls, but when I asked him
How could that be — I thought the dead were souls—
He broke my trance. Don’t that make you suspicious
That there’s something the dead are keeping back?
Yes, there’s something the dead are keeping back.

SON: You wouldn’t want to tell him what we have
Up attic, mother?

MOTHER: Bones — a skeleton.
SON: But the headboard of mother’s bed is pushed
Against the” attic door: the door is nailed.
It’s harmless. Mother hears it in the night
Halting perplexed behind the barrier
Of door and headboard. Where it wants to get
Is back into the cellar where it came from.

MOTHER: We’ll never let them, will we, son! We’ll never!

SON: It left the cellar forty years ago
And carried itself like a pile of dishes
Up one flight from the cellar to the kitchen,
Another from the kitchen to the bedroom,
Another from the bedroom to the attic,
Right past both father and mother, and neither stopped it.
Father had gone upstairs; mother was downstairs.
I was a baby: I don’t know where I was.
35
MOTHER: The only fault my husband found with me —
I went to sleep before I went to bed,
Especially in winter when the bed
Might just as well be ice and the clothes snow.
The night the bones came up the cellar-stairs
Toffile had gone to bed alone and left me,
But left an open door to cool the room off
So as to sort of turn me out of it.
I was just coming to myself enough
To wonder where the cold was coming from,
When I heard Toffile upstairs in the bedroom
And thought I heard him downstairs in the cellar.
The board we had laid down to walk dry-shod on
When there was water in the cellar in spring
Struck the hard cellar bottom. And then someone
Began the stairs, two footsteps for each step,
The way a man with one leg and a crutch,
Or a little child, comes up. It wasn’t Toffile:
It wasn’t anyone who could be there.
The bulkhead double-doors were double-locked
And swollen tight and buried under snow.
The cellar windows were banked up with sawdust
And swollen tight and buried under snow.
It was the bones. I knew them — and good reason.
My first impulse was to get to the knob
And hold the door. But the bones didn’t try
The door; they halted helpless on the landing,
Waiting for things to happen in their favor.”
The faintest restless rustling ran all through them.
I never could have done the thing I did
If the wish hadn’t been too strong in me
To see how they were mounted for this walk.
I had a vision of them put together
Not like a man, but like a chandelier.
So suddenly I flung the door wide on him.
A moment he stood balancing with emotion,
And all but lost himself. (A tongue of fire
Flashed out and licked along his upper teeth.
Smoke rolled inside the sockets of his eyes.)
Then he came at me with one hand outstretched,
The way he did in life once; but this time
I struck the hand off brittle on the floor,
And fell back from him on the floor myself.
The finger-pieces slid in all directions.
(Where did I see one of those pieces lately?
Hand me my button-box- it must be there.)
I sat up on the floor and shouted, “Toffile,
It’s coming up to you.” It had its choice
Of the door to the cellar or the hall.
It took the hall door for the novelty,
And set off briskly for so slow a thing,
Still going every which way in the joints, though,
So that it looked like lightning or a scribble,
From the slap I had just now given its hand.
I listened till it almost climbed the stairs
From the hall to the only finished bedroom,
Before I got up to do anything;
Then ran and shouted, “Shut the bedroom door,
Toffile, for my sake!” “Company?” he said,
“Don’t make me get up; I’m too warm in bed.”
So lying forward weakly on the handrail
I pushed myself upstairs, and in the light
(The kitchen had been dark) I had to own
I could see nothing. “Toffile, I don’t see it.
It’s with us in the room though. It’s the bones.”
“What bones?” “The cellar bones— out of the grave.”
That made him throw his bare legs out of bed
And sit up by me and take hold of me.
I wanted to put out the light and see
If I could see it, or else mow the room,
With our arms at the level of our knees,
And bring the chalk-pile down. “I’ll tell you what-
It’s looking for another door to try.
The uncommonly deep snow has made him think
Of his old song, The Wild Colonial Boy,
He always used to sing along the tote-road.
He’s after an open door to get out-doors.
Let’s trap him with an open door up attic.”
Toffile agreed to that, and sure enough,
Almost the moment he was given an opening,
The steps began to climb the attic stairs.
I heard them. Toffile didn’t seem to hear them.
“Quick !” I slammed to the door and held the knob.
“Toffile, get nails.” I made him nail the door shut,
And push the headboard of the bed against it.
Then we asked was there anything
Up attic that we’d ever want again.
The attic was less to us than the cellar.
If the bones liked the attic, let them have it.
Let them stay in the attic. When they sometimes
Come down the stairs at night and stand perplexed
Behind the door and headboard of the bed,
Brushing their chalky skull with chalky fingers,
With sounds like the dry rattling of a shutter,
That’s what I sit up in the dark to say—
To no one any more since Toffile died.
Let them stay in the attic since they went there.
I promised Toffile to be cruel to them
For helping them be cruel once to him.

SON: We think they had a grave down in the cellar.

MOTHER: We know they had a grave down in the cellar.

SON: We never could find out whose bones they were.

MOTHER: Yes, we could too, son. Tell the truth for once.
They were a man’s his father killed for me.
I mean a man he killed instead of me.
The least I could do was to help dig their grave.
We were about it one night in the cellar.
Son knows the story: but “twas not for him
To tell the truth, suppose the time had come.
Son looks surprised to see me end a lie
We’d kept all these years between ourselves
So as to have it ready for outsiders.
But to-night I don’t care enough to lie—
I don’t remember why I ever cared.
Toffile, if he were here, I don’t believe
Could tell you why he ever cared himself-

She hadn’t found the finger-bone she wanted
Among the buttons poured out in her lap.
I verified the name next morning: Toffile.
The rural letter-box said Toffile Lajway.
Written by Wang Wei | Create an image from this poem

A Song Of Peach-blossom River

A fisherman is drifting, enjoying the spring mountains, 
And the peach-trees on both banks lead him to an ancient source. 
Watching the fresh-coloured trees, he never thinks of distance 
Till he comes to the end of the blue stream and suddenly- strange men! 
It's a cave-with a mouth so narrow that he has to crawl through; 
But then it opens wide again on a broad and level path -- 
And far beyond he faces clouds crowning a reach of trees, 
And thousands of houses shadowed round with flowers and bamboos.... 
Woodsmen tell him their names in the ancient speech of Han; 
And clothes of the Qin Dynasty are worn by all these people 
Living on the uplands, above the Wuling River, 
On farms and in gardens that are like a world apart, 
Their dwellings at peace under pines in the clear moon, 
Until sunrise fills the low sky with crowing and barking. 
...At news of a stranger the people all assemble, 
And each of them invites him home and asks him where he was born. 
Alleys and paths are cleared for him of petals in the morning, 
And fishermen and farmers bring him their loads at dusk.... 
They had left the world long ago, they had come here seeking refuge; 
They have lived like angels ever since, blessedly far away, 
No one in the cave knowing anything outside, 
Outsiders viewing only empty mountains and thick clouds. 
...The fisherman, unaware of his great good fortune, 
Begins to think of country, of home, of worldly ties, 
Finds his way out of the cave again, past mountains and past rivers, 
Intending some time to return, when he has told his kin. 
He studies every step he takes, fixes it well in mind, 
And forgets that cliffs and peaks may vary their appearance. 
...It is certain that to enter through the deepness of the mountain, 
A green river leads you, into a misty wood. 
But now, with spring-floods everywhere and floating peachpetals -- 
Which is the way to go, to find that hidden source? 
Written by Wang Wei | Create an image from this poem

A Song of Peach-Blossom River

 A fisherman is drifting, enjoying the spring mountains, 
And the peach-trees on both banks lead him to an ancient source. 
Watching the fresh-coloured trees, he never thinks of distance 
Till he comes to the end of the blue stream and suddenly- strange men! 
It's a cave-with a mouth so narrow that he has to crawl through; 
But then it opens wide again on a broad and level path -- 
And far beyond he faces clouds crowning a reach of trees, 
And thousands of houses shadowed round with flowers and bamboos.... 
Woodsmen tell him their names in the ancient speech of Han; 
And clothes of the Qin Dynasty are worn by all these people 
Living on the uplands, above the Wuling River, 
On farms and in gardens that are like a world apart, 
Their dwellings at peace under pines in the clear moon, 
Until sunrise fills the low sky with crowing and barking. 
...At news of a stranger the people all assemble, 
And each of them invites him home and asks him where he was born. 
Alleys and paths are cleared for him of petals in the morning, 
And fishermen and farmers bring him their loads at dusk.... 
They had left the world long ago, they had come here seeking refuge; 
They have lived like angels ever since, blessedly far away, 
No one in the cave knowing anything outside, 
Outsiders viewing only empty mountains and thick clouds. 
...The fisherman, unaware of his great good fortune, 
Begins to think of country, of home, of worldly ties, 
Finds his way out of the cave again, past mountains and past rivers, 
Intending some time to return, when he has told his kin. 
He studies every step he takes, fixes it well in mind, 
And forgets that cliffs and peaks may vary their appearance. 
...It is certain that to enter through the deepness of the mountain, 
A green river leads you, into a misty wood. 
But now, with spring-floods everywhere and floating peachpetals -- 
Which is the way to go, to find that hidden source?

Book: Radiant Verses: A Journey Through Inspiring Poetry