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Best Famous Outermost Poems

Here is a collection of the all-time best famous Outermost poems. This is a select list of the best famous Outermost poetry. Reading, writing, and enjoying famous Outermost poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of outermost poems.

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Written by Denise Levertov | Create an image from this poem

A Tree Telling of Orpheus

 White dawn.
Stillness.
When the rippling began I took it for sea-wind, coming to our valley with rumors of salt, of treeless horizons.
But the white fog didn't stir; the leaves of my brothers remained outstretched, unmoving.
Yet the rippling drew nearer – and then my own outermost branches began to tingle, almost as if fire had been lit below them, too close, and their twig-tips were drying and curling.
Yet I was not afraid, only deeply alert.
I was the first to see him, for I grew out on the pasture slope, beyond the forest.
He was a man, it seemed: the two moving stems, the short trunk, the two arm-branches, flexible, each with five leafless twigs at their ends, and the head that's crowned by brown or golden grass, bearing a face not like the beaked face of a bird, more like a flower's.
He carried a burden made of some cut branch bent while it was green, strands of a vine tight-stretched across it.
From this, when he touched it, and from his voice which unlike the wind's voice had no need of our leaves and branches to complete its sound, came the ripple.
But it was now no longer a ripple (he had come near and stopped in my first shadow) it was a wave that bathed me as if rain rose from below and around me instead of falling.
And what I felt was no longer a dry tingling: I seemed to be singing as he sang, I seemed to know what the lark knows; all my sap was mounting towards the sun that by now had risen, the mist was rising, the grass was drying, yet my roots felt music moisten them deep under earth.
He came still closer, leaned on my trunk: the bark thrilled like a leaf still-folded.
Music! There was no twig of me not trembling with joy and fear.
Then as he sang it was no longer sounds only that made the music: he spoke, and as no tree listens I listened, and language came into my roots out of the earth, into my bark out of the air, into the pores of my greenest shoots gently as dew and there was no word he sang but I knew its meaning.
He told me of journeys, of where sun and moon go while we stand in dark, of an earth-journey he dreamed he would take some day deeper than roots .
.
.
He told of the dreams of man, wars, passions, griefs, and I, a tree, understood words – ah, it seemed my thick bark would split like a sapling's that grew too fast in the spring when a late frost wounds it.
Fire he sang, that trees fear, and I, a tree, rejoiced in its flames.
New buds broke forth from me though it was full summer.
As though his lyre (now I knew its name) were both frost and fire, its chords flamed up to the crown of me.


Written by Rudyard Kipling | Create an image from this poem

The Sea And the Hills

 1902
Who hath desired the Sea? -- the sight of salt wind-hounded --
The heave and the halt and the hurl and the crash of the comber win hounded?
The sleek-barrelled swell before storm, grey, foamless, enormous, and growing --
Stark calm on the lap of the Line or the crazy-eyed hurricane blowing --
His Sea in no showing the same his Sea and the same 'neath each showing:
 His Sea as she slackens or thrills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills!

Who hath desired the Sea? -- the immense and contemptuous surges?
The shudder, the stumble, the swerve, as the star-stabbing bow-sprit emerges?
The orderly clouds of the Trades, the ridged, roaring sapphire thereunder --
Unheralded cliff-haunting flaws and the headsail's low-volleying thunder --
His Sea in no wonder the same his Sea and the same through each wonder:
 His Sea as she rages or stills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.
Who hath desired the Sea? Her menaces swift as her mercies? The in-rolling walls of the fog and the silver-winged breeze that disperses? The unstable mined berg going South and the calvings and groans that de clare it -- White water half-guessed overside and the moon breaking timely to bare it -- His Sea as his fathers have dared -- his Sea as his children shall dare it: His Sea as she serves him or kills? So and no otherwise -- so and no otherwisc -- hillmen desire their Hills.
Who hath desired the Sea? Her excellent loneliness rather Than forecourts of kings, and her outermost pits than the streets where men gather Inland, among dust, under trees -- inland where the slayer may slay him -- Inland, out of reach of her arms, and the bosom whereon he must lay him His Sea from the first that betrayed -- at the last that shall never betray him: His Sea that his being fulfils? So and no otherwise -- so and no otherwise -- hillmen desire their Hills.

Book: Shattered Sighs