Written by
Johann Wolfgang von Goethe |
THE warder looks down at the mid hour of night,
On the tombs that lie scatter'd below:
The moon fills the place with her silvery light,
And the churchyard like day seems to glow.
When see! first one grave, then another opes wide,
And women and men stepping forth are descried,
In cerements snow-white and trailing.
In haste for the sport soon their ankles they twitch,
And whirl round in dances so gay;
The young and the old, and the poor, and the rich,
But the cerements stand in their way;
And as modesty cannot avail them aught here,
They shake themselves all, and the shrouds soon appear
Scatter'd over the tombs in confusion.
Now waggles the leg, and now wriggles the thigh,
As the troop with strange gestures advance,
And a rattle and clatter anon rises high,
As of one beating time to the dance.
The sight to the warder seems wondrously *****,
When the villainous Tempter speaks thus in his ear:
"Seize one of the shrouds that lie yonder!"
Quick as thought it was done! and for safety he fled
Behind the church-door with all speed;
The moon still continues her clear light to shed
On the dance that they fearfully lead.
But the dancers at length disappear one by one,
And their shrouds, ere they vanish, they carefully don,
And under the turf all is quiet.
But one of them stumbles and shuffles there still,
And gropes at the graves in despair;
Yet 'tis by no comrade he's treated so ill
The shroud he soon scents in the air.
So he rattles the door--for the warder 'tis well
That 'tis bless'd, and so able the foe to repel,
All cover'd with crosses in metal.
The shroud he must have, and no rest will allow,
There remains for reflection no time;
On the ornaments Gothic the wight seizes now,
And from point on to point hastes to climb.
Alas for the warder! his doom is decreed!
Like a long-legged spider, with ne'er-changing speed,
Advances the dreaded pursuer.
The warder he quakes, and the warder turns pale,
The shroud to restore fain had sought;
When the end,--now can nothing to save him avail,--
In a tooth formed of iron is caught.
With vanishing lustre the moon's race is run,
When the bell thunders loudly a powerful One,
And the skeleton fails, crush'd to atoms.
1813.
|
Written by
Henry Wadsworth Longfellow |
January
Janus am I; oldest of potentates;
Forward I look, and backward, and below
I count, as god of avenues and gates,
The years that through my portals come and go.
I block the roads, and drift the fields with snow;
I chase the wild-fowl from the frozen fen;
My frosts congeal the rivers in their flow,
My fires light up the hearths and hearts of men.
February
I am lustration, and the sea is mine!
I wash the sands and headlands with my tide;
My brow is crowned with branches of the pine;
Before my chariot-wheels the fishes glide.
By me all things unclean are purified,
By me the souls of men washed white again;
E'en the unlovely tombs of those who died
Without a dirge, I cleanse from every stain.
March
I Martius am! Once first, and now the third!
To lead the Year was my appointed place;
A mortal dispossessed me by a word,
And set there Janus with the double face.
Hence I make war on all the human race;
I shake the cities with my hurricanes;
I flood the rivers and their banks efface,
And drown the farms and hamlets with my rains.
April
I open wide the portals of the Spring
To welcome the procession of the flowers,
With their gay banners, and the birds that sing
Their song of songs from their aerial towers.
I soften with my sunshine and my showers
The heart of earth; with thoughts of love I glide
Into the hearts of men; and with the Hours
Upon the Bull with wreathed horns I ride.
May
Hark! The sea-faring wild-fowl loud proclaim
My coming, and the swarming of the bees.
These are my heralds, and behold! my name
Is written in blossoms on the hawthorn-trees.
I tell the mariner when to sail the seas;
I waft o'er all the land from far away
The breath and bloom of the Hesperides,
My birthplace.
I am Maia.
I am May.
June
Mine is the Month of Roses; yes, and mine
The Month of Marriages! All pleasant sights
And scents, the fragrance of the blossoming vine,
The foliage of the valleys and the heights.
Mine are the longest days, the loveliest nights;
The mower's scythe makes music to my ear;
I am the mother of all dear delights;
I am the fairest daughter of the year.
July
My emblem is the Lion, and I breathe
The breath of Libyan deserts o'er the land;
My sickle as a sabre I unsheathe,
And bent before me the pale harvests stand.
The lakes and rivers shrink at my command,
And there is thirst and fever in the air;
The sky is changed to brass, the earth to sand;
I am the Emperor whose name I bear.
August
The Emperor Octavian, called the August,
I being his favorite, bestowed his name
Upon me, and I hold it still in trust,
In memory of him and of his fame.
I am the Virgin, and my vestal flame
Burns less intensely than the Lion's rage;
Sheaves are my only garlands, and I claim
The golden Harvests as my heritage.
September
I bear the Scales, where hang in equipoise
The night and day; and whenunto my lips
I put my trumpet, with its stress and noise
Fly the white clouds like tattered sails of ships;
The tree-tops lash the air with sounding whips;
Southward the clamorous sea-fowl wing their flight;
The hedges are all red with haws and hips,
The Hunter's Moon reigns empress of the night.
October
My ornaments are fruits; my garments leaves,
Woven like cloth of gold, and crimson dyed;
I do no boast the harvesting of sheaves,
O'er orchards and o'er vineyards I preside.
Though on the frigid Scorpion I ride,
The dreamy air is full, and overflows
With tender memories of the summer-tide,
And mingled voices of the doves and crows.
November
The Centaur, Sagittarius, am I,
Born of Ixion's and the cloud's embrace;
With sounding hoofs across the earth I fly,
A steed Thessalian with a human face.
Sharp winds the arrows are with which I chase
The leaves, half dead already with affright;
I shroud myself in gloom; and to the race
Of mortals bring nor comfort nor delight.
December
Riding upon the Goat, with snow-white hair,
I come, the last of all.
This crown of mine
Is of the holly; in my hand I bear
The thyrsus, tipped with fragrant cones of pine.
I celebrate the birth of the Divine,
And the return of the Saturnian reign;--
My songs are carols sung at every shrine,
Proclaiming "Peace on earth, good will to men.
"
|
Written by
Walt Whitman |
MYSELF and mine gymnastic ever,
To stand the cold or heat—to take good aim with a gun—to sail a boat—to
manage
horses—to beget superb children,
To speak readily and clearly—to feel at home among common people,
And to hold our own in terrible positions, on land and sea.
Not for an embroiderer;
(There will always be plenty of embroiderers—I welcome them also;)
But for the fibre of things, and for inherent men and women.
Not to chisel ornaments,
But to chisel with free stroke the heads and limbs of plenteous Supreme Gods, that The
States
may realize them, walking and talking.
Let me have my own way;
Let others promulge the laws—I will make no account of the laws;
Let others praise eminent men and hold up peace—I hold up agitation and conflict;
I praise no eminent man—I rebuke to his face the one that was thought most worthy.
(Who are you? you mean devil! And what are you secretly guilty of, all your life?
Will you turn aside all your life? Will you grub and chatter all your life?)
(And who are you—blabbing by rote, years, pages, languages, reminiscences,
Unwitting to-day that you do not know how to speak a single word?)
Let others finish specimens—I never finish specimens;
I shower them by exhaustless laws, as Nature does, fresh and modern continually.
I give nothing as duties;
What others give as duties, I give as living impulses;
(Shall I give the heart’s action as a duty?)
Let others dispose of questions—I dispose of nothing—I arouse unanswerable
questions;
Who are they I see and touch, and what about them?
What about these likes of myself, that draw me so close by tender directions and
indirections?
I call to the world to distrust the accounts of my friends, but listen to my
enemies—as I
myself do;
I charge you, too, forever, reject those who would expound me—for I cannot expound
myself;
I charge that there be no theory or school founded out of me;
I charge you to leave all free, as I have left all free.
After me, vista!
O, I see life is not short, but immeasurably long;
I henceforth tread the world, chaste, temperate, an early riser, a steady grower,
Every hour the semen of centuries—and still of centuries.
I will follow up these continual lessons of the air, water, earth;
I perceive I have no time to lose.
|
Written by
Marge Piercy |
Tomatoes rosy as perfect baby's buttocks,
eggplants glossy as waxed fenders,
purple neon flawless glistening
peppers, pole beans fecund and fast
growing as Jack's Viagra-sped stalk,
big as truck tire zinnias that mildew
will never wilt, roses weighing down
a bush never touched by black spot,
brave little fruit trees shouldering up
their spotless ornaments of glass fruit:
I lie on the couch under a blanket
of seed catalogs ordering far
too much.
Sleet slides down
the windows, a wind edged
with ice knifes through every crack.
Lie to me, sweet garden-mongers:
I want to believe every promise,
to trust in five pound tomatoes
and dahlias brighter than the sun
that was eaten by frost last week.
|
Written by
Walt Whitman |
1
I SAY whatever tastes sweet to the most perfect person, that is finally right.
2
I say nourish a great intellect, a great brain;
If I have said anything to the contrary, I hereby retract it.
3
I say man shall not hold property in man;
I say the least developed person on earth is just as important and sacred to himself or
herself, as the most developed person is to himself or herself.
4
I say where liberty draws not the blood out of slavery, there slavery draws the blood out
of
liberty,
I say the word of the good old cause in These States, and resound it hence over the world.
5
I say the human shape or face is so great, it must never be made ridiculous;
I say for ornaments nothing outre can be allowed,
And that anything is most beautiful without ornament,
And that exaggerations will be sternly revenged in your own physiology, and in other
persons’ physiology also;
And I say that clean-shaped children can be jetted and conceived only where natural forms
prevail in public, and the human face and form are never caricatured;
And I say that genius need never more be turned to romances,
(For facts properly told, how mean appear all romances.
)
6
I say the word of lands fearing nothing—I will have no other land;
I say discuss all and expose all—I am for every topic openly;
I say there can be no salvation for These States without innovators—without free
tongues,
and ears willing to hear the tongues;
And I announce as a glory of These States, that they respectfully listen to propositions,
reforms, fresh views and doctrines, from successions of men and women,
Each age with its own growth.
7
I have said many times that materials and the Soul are great, and that all depends on
physique;
Now I reverse what I said, and affirm that all depends on the æsthetic or
intellectual,
And that criticism is great—and that refinement is greatest of all;
And I affirm now that the mind governs—and that all depends on the mind.
8
With one man or woman—(no matter which one—I even pick out the lowest,)
With him or her I now illustrate the whole law;
I say that every right, in politics or what-not, shall be eligible to that one man or
woman, on
the same terms as any.
|
Written by
Thomas Warton |
Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,
That deck'd heroic Albion's elder day;
To mark the mouldering halls of barons bold,
And the rough castle, cast in giant mould;
With Gothic manners Gothic arts explore,
And muse on the magnificence of yore.
But chief, enraptur'd have I lov'd to roam,
A lingering votary, the vaulted dome,
Where the tall shafts, that mount in massy pride,
Their mingling branches shoot from side to side;
Where elfin sculptors, with fantastic clew,
O'er the long roof their wild embroidery drew;
Where Superstition with capricious hand
In many a maze the wreathed window plann'd,
With hues romantic ting'd the gorgeous pane,
To fill with holy light the wondrous fane;
To aid the builder's model, richly rude,
By no Vitruvian symmetry subdu'd;
To suit the genius of the mystic pile:
Whilst as around the far-retiring aisle,
And fretted shrines, with hoary trophies hung,
Her dark illumination wide she flung,
With new solemnity, the nooks profound,
The caves of death, and the dim arches frown'd.
From bliss long felt unwillingly we part:
Ah, spare the weakness of a lover's heart!
Chase not the phantoms of my fairy dream,
Phantoms that shrink at Reason's painful gleam!
That softer touch, insidious artist, stay,
Nor to new joys my struggling breast betray!
Such was a pensive bard's mistaken strain.
--
But, oh, of ravish'd pleasures why complain?
No more the matchless skill I call unkind,
That strives to disenchant my cheated mind.
For when again I view thy chaste design,
The just proportion, and the genuine line;
Those native portraitures of Attic art,
That from the lucid surface seem to start;
Those tints, that steal no glories from the day,
Nor ask the sun to lend his streaming ray:
The doubtful radiance of contending dyes,
That faintly mingle, yet distinctly rise;
'Twixt light and shade the transitory strife;
The feature blooming with immortal life:
The stole in casual foldings taught to flow,
Not with ambitious ornaments to glow;
The tread majestic, and the beaming eye,
That lifted speaks its commerce with the sky;
Heaven's golden emanation, gleaming mild
O'er the mean cradle of the Virgin's child:
Sudden, the sombrous imagery is fled,
Which late my visionary rapture fed:
Thy powerful hand has broke the Gothic chain,
And brought my bosom back to truth again;
To truth, by no peculiar taste confin'd,
Whose universal pattern strikes mankind;
To truth, whose bold and unresisted aim
Checks frail caprice, and fashion's fickle claim;
To truth, whose charms deception's magic quell,
And bind coy Fancy in a stronger spell.
Ye brawny Prophets, that in robes so rich,
At distance due, possess the crisped niche;
Ye rows of Patriarchs, that sublimely rear'd
Diffuse a proud primeval length of beard:
Ye Saints, who clad in crimson's bright array,
More pride than humble poverty display:
Ye Virgins meek, that wear the palmy crown
Of patient faith, and yet so fiercely frown:
Ye Angels, that from clouds of gold recline,
But boast no semblance to a race divine:
Ye tragic tales of legendary lore,
That draw devotion's ready tear no more;
Ye martyrdoms of unenlighten'd days,
Ye miracles, that now no wonder raise:
Shapes, that with one broad glare the gazer strike,
Kings, bishops, nuns, apostles, all alike!
Ye colours, that th' unwary sight amaze,
And only dazzle in the noontide blaze!
No more the sacred window's round disgrace,
But yield to Grecian groups the shining space.
Lo, from the canvas Beauty shifts her throne,
Lo, Picture's powers a new formation own!
Behold, she prints upon the crystal plain,
With her own energy, th' expressive stain!
The mighty master spreads his mimic toil
More wide, nor only blends the breathing oil;
But calls the lineaments of life complete
From genial alchymy's creative heat;
Obedient forms to the bright fusion gives,
While in the warm enamel Nature lives.
Reynolds, 'tis thine, from the broad window's height,
To add new lustre to religious light:
Not of its pomp to strip this ancient shrine,
But bid that pomp with purer radiance shine:
With arts unknown before, to reconcile
The willing Graces to the Gothic pile.
|
Written by
Robert Herrick |
Down with the rosemary and bays,
Down with the misletoe;
Instead of holly, now up-raise
The greener box, for show.
The holly hitherto did sway;
Let box now domineer,
Until the dancing Easter-day,
Or Easter's eve appear.
Then youthful box, which now hath grace
Your houses to renew,
Grown old, surrender must his place
Unto the crisped yew.
When yew is out, then birch comes in,
And many flowers beside,
Both of a fresh and fragrant kin,
To honour Whitsuntide.
Green rushes then, and sweetest bents,
With cooler oaken boughs,
Come in for comely ornaments,
To re-adorn the house.
Thus times do shift; each thing his turn does hold;
New things succeed, as former things grow old.
|
Written by
Ben Jonson |
XII.
— EPISTLE TO ELIZABETH COUNTESS OF RUTLAND.
That which, to boot with hell, is thought worth heaven,
And for it, life, conscience, yea souls are given,
Toils, by grave custom, up and down the court,
To every squire, or groom, that will report
Well or ill, only all the following year,
Just to the weight their this day's presents bear ;
While it makes huishers serviceable men,Of some grand peer, whose air doth make rejoice
The fool that gave it ; who will want and weep,
When his proud patron's favors are asleep ;
While thus it buys great grace, and hunts poor fame ;
Runs between man and man ; 'tween dame, and dame ;
Solders crack'd friendship ; makes love last a day ;
Or perhaps less : whilst gold bears all this sway,
I, that have none to send you, send you verse.
Than this our gilt, nor golden age can deem,
When gold was made no weapon to cut throats,
Or put to flight Astrea, when her ingóts
Were yet unfound, and better placed in earth,
Than here, to give pride fame, and peasants birth,
But let this dross carry what price it will
With noble ignorants, and let them still
Turn upon scorned verse, their quarter-face :Were it to think, that you should not inherit
His love unto the Muses, when his skill
Almost you have, or may have when you will !
Wherein wise nature you a dowry gave,
Worth an estate, treble to that you have.
Beauty I know is good, and blood is more ;
Riches thought most ; but, madam, think what store
The world hath seen, which all these had in trust,And at her strong arm's end, hold up, and even,
The souls she loves.
Those other glorious notes,
Inscribed in touch or marble, or the coats
Painted, or carv'd upon our great men's tombs,
Or in their windows, do but prove the wombs
That bred them, graves : when they were born they died,
That had no muse to make their fame abide.
How many equal with the Argive queen,Or, in an army's head, that lock'd in brass
Gave killing strokes.
There were brave men before
Ajax, or Idomen, or all the store
That Homer brought to Troy ; yet none so live,
Because they lack'd the sacred pen could give
Like life unto them.
Who heav'd Hercules
Unto the stars, or the Tindarides ?
Who placed Jason's Argo in the sky,Or lifted Cassiopea in her chair,
But only poets, rapt with rage divine ?
And such, or my hopes fail, shall make you shine.
You, and that other star, that purest light,
Of all Lucina's train, Lucy the bright ;
Than which a nobler heaven itself knows not ;
Who, though she hath a better verser got,
Or poet, in the court-account, than I,To my less sanguine muse, wherein she hath won
My grateful soul, the subject of her powers,
I have already used some happy hours,
To her remembrance ; which when time shall bring
To curious light, to notes I then shall sing,
Will prove old Orpheus' act no tale to be :
For I shall move stocks, stones, no less than he.
Then all that have but done my Muse least grace,Had not their form touch'd by an English wit.
There, like a rich and golden pyramed,
Borne up by statues, shall I rear your head
Above your under-carved ornaments,
And shew how to the life my soul presents
Your form imprest there : not with tickling rhymes,
Or common-places, filch'd, that take these times,
But high and noble matter, such as fliesAnd your brave friend and mine so well did love.
Who, wheresoe'er he be ?
The rest is lost.
Whilst that for which all virtue now is sold,
And almost every vice, almighty gold,
That which, to boot with hell, is thought worth heaven,
And for it, life, conscience, yea souls are given,
Toils, by grave custom, up and down the court,
To every squire, or groom, that will report
Well or ill, only all the following year,
Just to the weight their this day's presents bear ;
While it makes huishers serviceable men,
|
Written by
Alexander Pope |
Est brevitate opus, ut currat sententia, neu se
Impediat verbis lassas onerantibus aures:
Et sermone opus est modo tristi, saepe jocoso,
Defendente vicem modo Rhetoris atque Poetae,
Interdum urbani, parcentis viribus, atque
Extenuantis eas consulto.
(Horace, Satires, I, x, 17-22)
'Tis strange, the miser should his cares employ
To gain those riches he can ne'er enjoy:
Is it less strange, the prodigal should waste
His wealth to purchase what he ne'er can taste?
Not for himself he sees, or hears, or eats;
Artists must choose his pictures, music, meats:
He buys for Topham, drawings and designs,
For Pembroke, statues, dirty gods, and coins;
Rare monkish manuscripts for Hearne alone,
And books for Mead, and butterflies for Sloane.
Think we all these are for himself? no more
Than his fine wife, alas! or finer whore.
For what his Virro painted, built, and planted?
Only to show, how many tastes he wanted.
What brought Sir Visto's ill got wealth to waste?
Some daemon whisper'd, "Visto! have a taste.
"
Heav'n visits with a taste the wealthy fool,
And needs no rod but Ripley with a rule.
See! sportive fate, to punish awkward pride,
Bids Bubo build, and sends him such a guide:
A standing sermon, at each year's expense,
That never coxcomb reach'd magnificence!
You show us, Rome was glorious, not profuse,
And pompous buildings once were things of use.
Yet shall (my Lord) your just, your noble rules
Fill half the land with imitating fools;
Who random drawings from your sheets shall take,
And of one beauty many blunders make;
Load some vain church with old theatric state,
Turn arcs of triumph to a garden gate;
Reverse your ornaments, and hang them all
On some patch'd dog-hole ek'd with ends of wall;
Then clap four slices of pilaster on't,
That lac'd with bits of rustic, makes a front.
Or call the winds through long arcades to roar,
Proud to catch cold at a Venetian door;
Conscious they act a true Palladian part,
And, if they starve, they starve by rules of art.
Oft have you hinted to your brother peer,
A certain truth, which many buy too dear:
Something there is more needful than expense,
And something previous ev'n to taste--'tis sense:
Good sense, which only is the gift of Heav'n,
And though no science, fairly worth the sev'n:
A light, which in yourself you must perceive;
Jones and Le Notre have it not to give.
To build, to plant, whatever you intend,
To rear the column, or the arch to bend,
To swell the terrace, or to sink the grot;
In all, let Nature never be forgot.
But treat the goddess like a modest fair,
Nor overdress, nor leave her wholly bare;
Let not each beauty ev'rywhere be spied,
Where half the skill is decently to hide.
He gains all points, who pleasingly confounds,
Surprises, varies, and conceals the bounds.
Consult the genius of the place in all;
That tells the waters or to rise, or fall;
Or helps th' ambitious hill the heav'ns to scale,
Or scoops in circling theatres the vale;
Calls in the country, catches opening glades,
Joins willing woods, and varies shades from shades,
Now breaks, or now directs, th' intending lines;
Paints as you plant, and, as you work, designs.
Still follow sense, of ev'ry art the soul,
Parts answ'ring parts shall slide into a whole,
Spontaneous beauties all around advance,
Start ev'n from difficulty, strike from chance;
Nature shall join you; time shall make it grow
A work to wonder at--perhaps a Stowe.
Without it, proud Versailles! thy glory falls;
And Nero's terraces desert their walls:
The vast parterres a thousand hands shall make,
Lo! Cobham comes, and floats them with a lake:
Or cut wide views through mountains to the plain,
You'll wish your hill or shelter'd seat again.
Ev'n in an ornament its place remark,
Nor in an hermitage set Dr.
Clarke.
Behold Villario's ten years' toil complete;
His quincunx darkens, his espaliers meet;
The wood supports the plain, the parts unite,
And strength of shade contends with strength of light;
A waving glow his bloomy beds display,
Blushing in bright diversities of day,
With silver-quiv'ring rills meander'd o'er--
Enjoy them, you! Villario can no more;
Tir'd of the scene parterres and fountains yield,
He finds at last he better likes a field.
Through his young woods how pleas'd Sabinus stray'd,
Or sat delighted in the thick'ning shade,
With annual joy the redd'ning shoots to greet,
Or see the stretching branches long to meet!
His son's fine taste an op'ner vista loves,
Foe to the dryads of his father's groves;
One boundless green, or flourish'd carpet views,
With all the mournful family of yews;
The thriving plants ignoble broomsticks made,
Now sweep those alleys they were born to shade.
At Timon's villa let us pass a day,
Where all cry out, "What sums are thrown away!"
So proud, so grand of that stupendous air,
Soft and agreeable come never there.
Greatness, with Timon, dwells in such a draught
As brings all Brobdingnag before your thought.
To compass this, his building is a town,
His pond an ocean, his parterre a down:
Who but must laugh, the master when he sees,
A puny insect, shiv'ring at a breeze!
Lo, what huge heaps of littleness around!
The whole, a labour'd quarry above ground.
Two cupids squirt before: a lake behind
Improves the keenness of the Northern wind.
His gardens next your admiration call,
On ev'ry side you look, behold the wall!
No pleasing intricacies intervene,
No artful wildness to perplex the scene;
Grove nods at grove, each alley has a brother,
And half the platform just reflects the other.
The suff'ring eye inverted Nature sees,
Trees cut to statues, statues thick as trees;
With here a fountain, never to be play'd;
And there a summerhouse, that knows no shade;
Here Amphitrite sails through myrtle bow'rs;
There gladiators fight, or die in flow'rs;
Unwater'd see the drooping sea horse mourn,
And swallows roost in Nilus' dusty urn.
My Lord advances with majestic mien,
Smit with the mighty pleasure, to be seen:
But soft--by regular approach--not yet--
First through the length of yon hot terrace sweat;
And when up ten steep slopes you've dragg'd your thighs,
Just at his study door he'll bless your eyes.
His study! with what authors is it stor'd?
In books, not authors, curious is my Lord;
To all their dated backs he turns you round:
These Aldus printed, those Du Sueil has bound.
Lo, some are vellum, and the rest as good
For all his Lordship knows, but they are wood.
For Locke or Milton 'tis in vain to look,
These shelves admit not any modern book.
And now the chapel's silver bell you hear,
That summons you to all the pride of pray'r:
Light quirks of music, broken and uneven,
Make the soul dance upon a jig to heaven.
On painted ceilings you devoutly stare,
Where sprawl the saints of Verrio or Laguerre,
On gilded clouds in fair expansion lie,
And bring all paradise before your eye.
To rest, the cushion and soft dean invite,
Who never mentions Hell to ears polite.
But hark! the chiming clocks to dinner call;
A hundred footsteps scrape the marble hall:
The rich buffet well-colour'd serpents grace,
And gaping Tritons spew to wash your face.
Is this a dinner? this a genial room?
No, 'tis a temple, and a hecatomb.
A solemn sacrifice, perform'd in state,
You drink by measure, and to minutes eat.
So quick retires each flying course, you'd swear
Sancho's dread doctor and his wand were there.
Between each act the trembling salvers ring,
From soup to sweet wine, and God bless the King.
In plenty starving, tantaliz'd in state,
And complaisantly help'd to all I hate,
Treated, caress'd, and tir'd, I take my leave,
Sick of his civil pride from morn to eve;
I curse such lavish cost, and little skill,
And swear no day was ever pass'd so ill.
Yet hence the poor are cloth'd, the hungry fed;
Health to himself, and to his infants bread
The lab'rer bears: What his hard heart denies,
His charitable vanity supplies.
Another age shall see the golden ear
Embrown the slope, and nod on the parterre,
Deep harvests bury all his pride has plann'd,
And laughing Ceres reassume the land.
Who then shall grace, or who improve the soil?
Who plants like Bathurst, or who builds like Boyle.
'Tis use alone that sanctifies expense,
And splendour borrows all her rays from sense.
His father's acres who enjoys in peace,
Or makes his neighbours glad, if he increase:
Whose cheerful tenants bless their yearly toil,
Yet to their Lord owe more than to the soil;
Whose ample lawns are not asham'd to feed
The milky heifer and deserving steed;
Whose rising forests, not for pride or show,
But future buildings, future navies, grow:
Let his plantations stretch from down to down,
First shade a country, and then raise a town.
You too proceed! make falling arts your care,
Erect new wonders, and the old repair;
Jones and Palladio to themselves restore,
And be whate'er Vitruvius was before:
Till kings call forth th' ideas of your mind,
Proud to accomplish what such hands design'd,
Bid harbours open, public ways extend,
Bid temples, worthier of the God, ascend;
Bid the broad arch the dang'rous flood contain,
The mole projected break the roaring main;
Back to his bounds their subject sea command,
And roll obedient rivers through the land;
These honours, peace to happy Britain brings,
These are imperial works, and worthy kings.
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Written by
Edmund Spenser |
CALM was the day, and through the trembling air
Sweet-breathing Zephyrus did softly play¡ª
A gentle spirit, that lightly did delay
Hot Titan's beams, which then did glister fair;
When I, (whom sullen care, 5
Through discontent of my long fruitless stay
In princes' court, and expectation vain
Of idle hopes, which still do fly away
Like empty shadows, did afflict my brain,)
Walk'd forth to ease my pain 10
Along the shore of silver-streaming Thames,
Whose rutty bank, the which his river hems,
Was painted all with variable flowers,
And all the meads adorn'd with dainty gems
Fit to deck maidens' bowers, 15
And crown their paramours
Against the bridal day, which is not long:
Sweet Thames! run softly, till I end my song.
There in a meadow by the river's side
A flock of nymphs I chanc¨¨d to espy, 20
All lovely daughters of the flood thereby,
With goodly greenish locks all loose untied
As each had been a bride;
And each one had a little wicker basket
Made of fine twigs, entrail¨¨d curiously.
25
In which they gather'd flowers to fill their flasket,
And with fine fingers cropt full feateously
The tender stalks on high.
Of every sort which in that meadow grew
They gather'd some¡ªthe violet, pallid blue, 30
The little daisy that at evening closes,
The virgin lily and the primrose true,
With store of vermeil roses,
To deck their bridegrooms' posies
Against the bridal day, which was not long: 35
Sweet Thames! run softly, till I end my song.
With that I saw two swans of goodly hue
Come softly swimming down along the Lee:
Two fairer birds I yet did never see;
The snow which doth the top of Pindus strow 40
Did never whiter show,
Nor Jove himself, when he a swan would be
For love of Leda, whiter did appear;
Yet Leda was (they say) as white as he,
Yet not so white as these, nor nothing near; 45
So purely white they were
That even the gentle stream, the which them bare?
Seem'd foul to them, and bade his billows spare
To wet their silken feathers, lest they might
Soil their fair plumes with water not so fair, 50
And mar their beauties bright
That shone as Heaven's light
Against their bridal day, which was not long:
Sweet Thames! run softly, till I end my song.
Eftsoons the nymphs, which now had flowers their fill? 55
Ran all in haste to see that silver brood
As they came floating on the crystal flood;
Whom when they saw, they stood amaz¨¨d still
Their wondering eyes to fill;
Them seem'd they never saw a sight so fair 60
Of fowls, so lovely, that they sure did deem
Them heavenly born, or to be that same pair
Which through the sky draw Venus' silver team;
For sure they did not seem
To be begot of any earthly seed, 65
But rather Angels, or of Angels' breed;
Yet were they bred of summer's heat, they say,
In sweetest season, when each flower and weed
The earth did fresh array;
So fresh they seem'd as day, 70
Ev'n as their bridal day, which was not long:
Sweet Thames! run softly, till I end my song.
Then forth they all out of their baskets drew
Great store of flowers, the honour of the field,
That to the sense did fragrant odours yield, 75
All which upon those goodly birds they threw
And all the waves did strew,
That like old Peneus' waters they did seem
When down along by pleasant Tempe's shore
Scatter'd with flowers, through Thessaly they stream, 80
That they appear, through lilies' plenteous store,
Like a bride's chamber-floor.
Two of those nymphs meanwhile two garlands bound
Of freshest flowers which in that mead they found,
The which presenting all in trim array, 85
Their snowy foreheads therewithal they crown'd;
Whilst one did sing this lay
Prepared against that day,
Against their bridal day, which was not long:
Sweet Thames! run softly, till I end my song.
90
"Ye gentle birds! the world's fair ornament,
And heaven's glory, whom this happy hour
Doth lead unto your lovers' blissful bower,
Joy may you have, and gentle heart's content
Of your love's couplement; 95
And let fair Venus, that is queen of love,
With her heart-quelling son upon you smile,
Whose smile, they say, hath virtue to remove
All love's dislike, and friendship's faulty guile
For ever to assoil.
100
Let endless peace your steadfast hearts accord,
And blessed plenty wait upon your board;
And let your bed with pleasures chaste abound,
That fruitful issue may to you afford
Which may your foes confound, 105
And make your joys redound
Upon your bridal day, which is not long:
Sweet Thames! run softly, till I end my song.
"
So ended she; and all the rest around
To her redoubled that her undersong, 110
Which said their bridal day should not be long;
And gentle Echo from the neighbour ground
Their accents did resound.
So forth those joyous birds did pass along
Adown the Lee that to them murmur'd low, 115
As he would speak but that he lack'd a tongue;
Yet did by signs his glad affection show,
Making his stream run slow.
And all the fowl which in his flood did dwell
'Gan flock about these twain, that did excel 120
The rest, so far as Cynthia doth shend
The lesser stars.
So they, enrang¨¨d well,
Did on those two attend,
And their best service lend
Against their wedding day, which was not long: 125
Sweet Thames! run softly, till I end my song.
At length they all to merry London came,
To merry London, my most kindly nurse,
That to me gave this life's first native source,
Though from another place I take my name, 130
An house of ancient fame:
There when they came whereas those bricky towers
The which on Thames' broad aged back do ride,
Where now the studious lawyers have their bowers,
There whilome wont the Templar-knights to bide, 135
Till they decay'd through pride;
Next whereunto there stands a stately place,
Where oft I gain¨¨d gifts and goodly grace
Of that great lord, which therein wont to dwell,
Whose want too well now feels my friendless case: 140
But ah! here fits not well
Old woes, but joys to tell
Against the bridal day, which is not long:
Sweet Thames! run softly, till I end my song.
Yet therein now doth lodge a noble peer, 145
Great England's glory and the world's wide wonder,
Whose dreadful name late through all Spain did thunder,
And Hercules' two pillars standing near
Did make to quake and fear:
Fair branch of honour, flower of chivalry! 150
That fillest England with thy triumphs' fame
Joy have thou of thy noble victory,
And endless happiness of thine own name
That promiseth the same;
That through thy prowess and victorious arms 155
Thy country may be freed from foreign harms,
And great Elisa's glorious name may ring
Through all the world, fill'd with thy wide alarms,
Which some brave Muse may sing
To ages following: 160
Upon the bridal day, which is not long:
Sweet Thames! run softly, till I end my song.
From those high towers this noble lord iss¨²ing
Like radiant Hesper, when his golden hair
In th' ocean billows he hath bath¨¨d fair, 165
Descended to the river's open viewing
With a great train ensuing.
Above the rest were goodly to be seen
Two gentle knights of lovely face and feature,
Beseeming well the bower of any queen, 170
With gifts of wit and ornaments of nature,
Fit for so goodly stature,
That like the twins of Jove they seem'd in sight
Which deck the baldric of the heavens bright;
They two, forth pacing to the river's side, 175
Received those two fair brides, their love's delight;
Which, at th' appointed tide,
Each one did make his bride
Against their bridal day, which is not long:
Sweet Thames! run softly, till I end my song.
180
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