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Best Famous One Of These Days Poems

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Written by Robert Browning | Create an image from this poem

Garden Francies

 I.
THE FLOWER'S NAME Here's the garden she walked across, Arm in my arm, such a short while since: Hark, now I push its wicket, the moss Hinders the hinges and makes them wince! She must have reached this shrub ere she turned, As back with that murmur the wicket swung; For she laid the poor snail, my chance foot spurned, To feed and forget it the leaves among.
II.
Down this side ofthe gravel-walk She went while her rope's edge brushed the box: And here she paused in her gracious talk To point me a moth on the milk-white phlox.
Roses, ranged in valiant row, I will never think that she passed you by! She loves you noble roses, I know; But yonder, see, where the rock-plants lie! III.
This flower she stopped at, finger on lip, Stooped over, in doubt, as settling its claim; Till she gave me, with pride to make no slip, Its soft meandering Spanish name: What a name! Was it love or praise? Speech half-asleep or song half-awake? I must learn Spanish, one of these days, Only for that slow sweet name's sake.
IV.
Roses, if I live and do well, I may bring her, one of these days, To fix you fast with as fine a spell, Fit you each with his Spanish phrase; But do not detain me now; for she lingers There, like sunshine over the ground, And ever I see her soft white fingers Searching after the bud she found.
V.
Flower, you Spaniard, look that you grow not, Stay as you are and be loved for ever! Bud, if I kiss you 'tis that you blow not: Mind, the shut pink mouth opens never! For while it pouts, her fingers wrestle, Twinkling the audacious leaves between, Till round they turn and down they nestle--- Is not the dear mark still to be seen? VI.
Where I find her not, beauties vanish; Whither I follow ber, beauties flee; Is there no method to tell her in Spanish June's twice June since she breathed it with me? Come, bud, show me the least of her traces, Treasure my lady's lightest footfall! ---Ah, you may flout and turn up your faces--- Roses, you are not so fair after all! II.
SIBRANDUS SCHAFNABURGENSIS.
Plague take all your pedants, say I! He who wrote what I hold in my hand, Centuries back was so good as to die, Leaving this rubbish to cumber the land; This, that was a book in its time, Printed on paper and bound in leather, Last month in the white of a matin-prime Just when the birds sang all together.
II.
Into the garden I brought it to read, And under the arbute and laurustine Read it, so help me grace in my need, From title-page to closing line.
Chapter on chapter did I count, As a curious traveller counts Stonehenge; Added up the mortal amount; And then proceeded to my revenge.
III.
Yonder's a plum-tree with a crevice An owl would build in, were he but sage; For a lap of moss, like a fine pont-levis In a castle of the Middle Age, Joins to a lip of gum, pure amber; When he'd be private, there might he spend Hours alone in his lady's chamber: Into this crevice I dropped our friend.
IV.
Splash, went he, as under he ducked, ---At the bottom, I knew, rain-drippings stagnate: Next, a handful of blossoms I plucked To bury him with, my bookshelf's magnate; Then I went in-doors, brought out a loaf, Half a cheese, and a bottle of Chablis; Lay on the grass and forgot the oaf Over a jolly chapter of Rabelais.
V.
Now, this morning, betwixt the moss And gum that locked our friend in limbo, A spider had spun his web across, And sat in the midst with arms akimbo: So, I took pity, for learning's sake, And, _de profundis, accentibus ltis, Cantate!_ quoth I, as I got a rake; And up I fished his delectable treatise.
VI.
Here you have it, dry in the sun, With all the binding all of a blister, And great blue spots where the ink has run, And reddish streaks that wink and glister O'er the page so beautifully yellow: Oh, well have the droppings played their tricks! Did he guess how toadstools grow, this fellow? Here's one stuck in his chapter six! VII.
How did he like it when the live creatures Tickled and toused and browsed him all over, And worm, slug, eft, with serious features, Came in, each one, for his right of trover? ---When the water-beetle with great blind deaf face Made of her eggs the stately deposit, And the newt borrowed just so much of the preface As tiled in the top of his black wife's closet? VIII.
All that life and fun and romping, All that frisking and twisting and coupling, While slowly our poor friend's leaves were swamping And clasps were cracking and covers suppling! As if you bad carried sour John Knox To the play-house at Paris, Vienna or Munich, Fastened him into a front-row box, And danced off the ballet with trousers and tunic.
IX.
Come, old martyr! What, torment enough is it? Back to my room shall you take your sweet self.
Good-bye, mother-beetle; husband-eft, _sufficit!_ See the snug niche I have made on my shelf! A.
's book shall prop you up, B.
's shall cover you, Here's C.
to be grave with, or D.
to be gay, And with E.
on each side, and F.
right over you, Dry-rot at ease till the Judgment-day!


Written by Edwin Arlington Robinson | Create an image from this poem

Merlin

 “Gawaine, Gawaine, what look ye for to see, 
So far beyond the faint edge of the world? 
D’ye look to see the lady Vivian, 
Pursued by divers ominous vile demons 
That have another king more fierce than ours?
Or think ye that if ye look far enough 
And hard enough into the feathery west 
Ye’ll have a glimmer of the Grail itself? 
And if ye look for neither Grail nor lady, 
What look ye for to see, Gawaine, Gawaine?”

So Dagonet, whom Arthur made a knight 
Because he loved him as he laughed at him, 
Intoned his idle presence on a day 
To Gawaine, who had thought himself alone, 
Had there been in him thought of anything
Save what was murmured now in Camelot 
Of Merlin’s hushed and all but unconfirmed 
Appearance out of Brittany.
It was heard At first there was a ghost in Arthur’s palace, But soon among the scullions and anon Among the knights a firmer credit held All tongues from uttering what all glances told— Though not for long.
Gawaine, this afternoon, Fearing he might say more to Lancelot Of Merlin’s rumor-laden resurrection Than Lancelot would have an ear to cherish, Had sauntered off with his imagination To Merlin’s Rock, where now there was no Merlin To meditate upon a whispering town Below him in the silence.
—Once he said To Gawaine: “You are young; and that being so, Behold the shining city of our dreams And of our King.
”—“Long live the King,” said Gawaine.
— “Long live the King,” said Merlin after him; “Better for me that I shall not be King; Wherefore I say again, Long live the King, And add, God save him, also, and all kings— All kings and queens.
I speak in general.
Kings have I known that were but weary men With no stout appetite for more than peace That was not made for them.
”—“Nor were they made For kings,” Gawaine said, laughing.
—“You are young, Gawaine, and you may one day hold the world Between your fingers, knowing not what it is That you are holding.
Better for you and me, I think, that we shall not be kings.
” Gawaine, Remembering Merlin’s words of long ago, Frowned as he thought, and having frowned again, He smiled and threw an acorn at a lizard: “There’s more afoot and in the air to-day Than what is good for Camelot.
Merlin May or may not know all, but he said well To say to me that he would not be King.
Nor more would I be King.
” Far down he gazed On Camelot, until he made of it A phantom town of many stillnesses, Not reared for men to dwell in, or for kings To reign in, without omens and obscure Familiars to bring terror to their days; For though a knight, and one as hard at arms As any, save the fate-begotten few That all acknowledged or in envy loathed, He felt a foreign sort of creeping up And down him, as of moist things in the dark,— When Dagonet, coming on him unawares, Presuming on his title of Sir Fool, Addressed him and crooned on till he was done: “What look ye for to see, Gawaine, Gawaine?” “Sir Dagonet, you best and wariest Of all dishonest men, I look through Time, For sight of what it is that is to be.
I look to see it, though I see it not.
I see a town down there that holds a king, And over it I see a few small clouds— Like feathers in the west, as you observe; And I shall see no more this afternoon Than what there is around us every day, Unless you have a skill that I have not To ferret the invisible for rats.
” “If you see what’s around us every day, You need no other showing to go mad.
Remember that and take it home with you; And say tonight, ‘I had it of a fool— With no immediate obliquity For this one or for that one, or for me.
’” Gawaine, having risen, eyed the fool curiously: “I’ll not forget I had it of a knight, Whose only folly is to fool himself; And as for making other men to laugh, And so forget their sins and selves a little, There’s no great folly there.
So keep it up, As long as you’ve a legend or a song, And have whatever sport of us you like Till havoc is the word and we fall howling.
For I’ve a guess there may not be so loud A sound of laughing here in Camelot When Merlin goes again to his gay grave In Brittany.
To mention lesser terrors, Men say his beard is gone.
” “Do men say that?” A twitch of an impatient weariness Played for a moment over the lean face Of Dagonet, who reasoned inwardly: “The friendly zeal of this inquiring knight Will overtake his tact and leave it squealing, One of these days.
”—Gawaine looked hard at him: “If I be too familiar with a fool, I’m on the way to be another fool,” He mused, and owned a rueful qualm within him: “Yes, Dagonet,” he ventured, with a laugh, “Men tell me that his beard has vanished wholly, And that he shines now as the Lord’s anointed, And wears the valiance of an ageless youth Crowned with a glory of eternal peace.
” Dagonet, smiling strangely, shook his head: “I grant your valiance of a kind of youth To Merlin, but your crown of peace I question; For, though I know no more than any churl Who pinches any chambermaid soever In the King’s palace, I look not to Merlin For peace, when out of his peculiar tomb He comes again to Camelot.
Time swings A mighty scythe, and some day all your peace Goes down before its edge like so much clover.
No, it is not for peace that Merlin comes, Without a trumpet—and without a beard, If what you say men say of him be true— Nor yet for sudden war.
” Gawaine, for a moment, Met then the ambiguous gaze of Dagonet, And, making nothing of it, looked abroad As if at something cheerful on all sides, And back again to the fool’s unasking eyes: “Well, Dagonet, if Merlin would have peace, Let Merlin stay away from Brittany,” Said he, with admiration for the man Whom Folly called a fool: “And we have known him; We knew him once when he knew everything.
” “He knew as much as God would let him know Until he met the lady Vivian.
I tell you that, for the world knows all that; Also it knows he told the King one day That he was to be buried, and alive, In Brittany; and that the King should see The face of him no more.
Then Merlin sailed Away to Vivian in Broceliande, Where now she crowns him and herself with flowers And feeds him fruits and wines and many foods Of many savors, and sweet ortolans.
Wise books of every lore of every land Are there to fill his days, if he require them, And there are players of all instruments— Flutes, hautboys, drums, and viols; and she sings To Merlin, till he trembles in her arms And there forgets that any town alive Had ever such a name as Camelot.
So Vivian holds him with her love, they say, And he, who has no age, has not grown old.
I swear to nothing, but that’s what they say.
That’s being buried in Broceliande For too much wisdom and clairvoyancy.
But you and all who live, Gawaine, have heard This tale, or many like it, more than once; And you must know that Love, when Love invites Philosophy to play, plays high and wins, Or low and loses.
And you say to me, ‘If Merlin would have peace, let Merlin stay Away from Brittany.
’ Gawaine, you are young, And Merlin’s in his grave.
” “Merlin said once That I was young, and it’s a joy for me That I am here to listen while you say it.
Young or not young, if that be burial, May I be buried long before I die.
I might be worse than young; I might be old.
”— Dagonet answered, and without a smile: “Somehow I fancy Merlin saying that; A fancy—a mere fancy.
” Then he smiled: “And such a doom as his may be for you, Gawaine, should your untiring divination Delve in the veiled eternal mysteries Too far to be a pleasure for the Lord.
And when you stake your wisdom for a woman, Compute the woman to be worth a grave, As Merlin did, and say no more about it.
But Vivian, she played high.
Oh, very high! Flutes, hautboys, drums, and viols,—and her love.
Gawaine, farewell.
” “Farewell, Sir Dagonet, And may the devil take you presently.
” He followed with a vexed and envious eye, And with an arid laugh, Sir Dagonet’s Departure, till his gaunt obscurity Was cloaked and lost amid the glimmering trees.
“Poor fool!” he murmured.
“Or am I the fool? With all my fast ascendency in arms, That ominous clown is nearer to the King Than I am—yet; and God knows what he knows, And what his wits infer from what he sees And feels and hears.
I wonder what he knows Of Lancelot, or what I might know now, Could I have sunk myself to sound a fool To springe a friend.
… No, I like not this day.
There’s a cloud coming over Camelot Larger than any that is in the sky,— Or Merlin would be still in Brittany, With Vivian and the viols.
It’s all too strange.
” And later, when descending to the city, Through unavailing casements he could hear The roaring of a mighty voice within, Confirming fervidly his own conviction: “It’s all too strange, and half the world’s half crazy!”— He scowled: “Well, I agree with Lamorak.
” He frowned, and passed: “And I like not this day.
Written by Erica Jong | Create an image from this poem

Colder

 He was six foot four, and forty-six
and even colder than he thought he was
James Thurber, The Thirteen Clocks

Not that I cared about the other woman.
Those perfumed breasts with hearts of pure rock salt.
Lot's wives- all of them.
I didn't care if they fondled him at parties, eased him in at home between a husband & a child, sucked him dry with vacuum cleaner kisses.
It was the coldness that I minded, though he's warned me.
"I'm cold," He said- (as if that helped any).
But he was colder than he thought he was.
Cold sex.
A woman has to die & be exhumed four times a week to know the meaning of it.
His hips are razors his pelvic bones are knives, even his elbows could cut butter.
Cold flows from his mouth like a cloud of carbon dioxide.
Hie ***** is pure dry ice which turns to smoke.
His face hands over my face- An ice carving.
One of these days he'll shatter or he'll melt.
Written by Carl Sandburg | Create an image from this poem

Interior

 IN the cool of the night time
The clocks pick off the points
And the mainsprings loosen.
They will need winding.
One of these days… they will need winding.
Rabelais in red boards, Walt Whitman in green, Hugo in ten-cent paper covers, Here they stand on shelves In the cool of the night time And there is nothing… To be said against them… Or for them… In the cool of the night time And the clocks.
A man in pigeon-gray pyjamas.
The open window begins at his feet And goes taller than his head.
Eight feet high is the pattern.
Moon and mist make an oblong layout.
Silver at the man’s bare feet.
He swings one foot in a moon silver.
And it costs nothing.
One more day of bread and work.
One more day … so much rags… The man barefoot in moon silver Mutters “You” and “You” To things hidden In the cool of the night time, In Rabelais, Whitman, Hugo, In an oblong of moon mist.
Out from the window … prairielands.
Moon mist whitens a golf ground.
Whiter yet is a limestone quarry.
The crickets keep on chirring.
Switch engines of the Great Western Sidetrack box cars, make up trains For Weehawken, Oskaloosa, Saskatchewan; The cattle, the coal, the corn, must go In the night … on the prairielands.
Chuff-chuff go the pulses.
They beat in the cool of the night time.
Chuff-chuff and chuff-chuff… These heartbeats travel the night a mile And touch the moon silver at the window And the bones of the man.
It costs nothing.
Rabelais in red boards, Whitman in green, Hugo in ten-cent paper covers, Here they stand on shelves In the cool of the night time And the clocks.

Book: Shattered Sighs