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Best Famous One Line Poems

Here is a collection of the all-time best famous One Line poems. This is a select list of the best famous One Line poetry. Reading, writing, and enjoying famous One Line poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of one line poems.

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Written by Walt Whitman | Create an image from this poem

Respondez!

 RESPONDEZ! Respondez! 
(The war is completed—the price is paid—the title is settled beyond recall;) 
Let every one answer! let those who sleep be waked! let none evade! 
Must we still go on with our affectations and sneaking? 
Let me bring this to a close—I pronounce openly for a new distribution of roles;
Let that which stood in front go behind! and let that which was behind advance to the
 front and
 speak; 
Let murderers, bigots, fools, unclean persons, offer new propositions! 
Let the old propositions be postponed! 
Let faces and theories be turn’d inside out! let meanings be freely criminal, as well
 as
 results! 
Let there be no suggestion above the suggestion of drudgery!
Let none be pointed toward his destination! (Say! do you know your destination?) 
Let men and women be mock’d with bodies and mock’d with Souls! 
Let the love that waits in them, wait! let it die, or pass stillborn to other spheres! 
Let the sympathy that waits in every man, wait! or let it also pass, a dwarf, to other
 spheres!

Let contradictions prevail! let one thing contradict another! and let one line of my poems
 contradict another!
Let the people sprawl with yearning, aimless hands! let their tongues be broken! let their
 eyes
 be discouraged! let none descend into their hearts with the fresh lusciousness of love! 
(Stifled, O days! O lands! in every public and private corruption! 
Smother’d in thievery, impotence, shamelessness, mountain-high; 
Brazen effrontery, scheming, rolling like ocean’s waves around and upon you, O my
 days! my
 lands! 
For not even those thunderstorms, nor fiercest lightnings of the war, have purified the
 atmosphere;)
—Let the theory of America still be management, caste, comparison! (Say! what other
 theory
 would you?) 
Let them that distrust birth and death still lead the rest! (Say! why shall they not lead
 you?)

Let the crust of hell be neared and trod on! let the days be darker than the nights! let
 slumber bring less slumber than waking time brings! 
Let the world never appear to him or her for whom it was all made! 
Let the heart of the young man still exile itself from the heart of the old man! and let
 the
 heart of the old man be exiled from that of the young man!
Let the sun and moon go! let scenery take the applause of the audience! let there be
 apathy
 under the stars! 
Let freedom prove no man’s inalienable right! every one who can tyrannize, let him
 tyrannize to his satisfaction! 
Let none but infidels be countenanced! 
Let the eminence of meanness, treachery, sarcasm, hate, greed, indecency, impotence, lust,
 be
 taken for granted above all! let writers, judges, governments, households, religions,
 philosophies, take such for granted above all! 
Let the worst men beget children out of the worst women!
Let the priest still play at immortality! 
Let death be inaugurated! 
Let nothing remain but the ashes of teachers, artists, moralists, lawyers, and
 learn’d and
 polite persons! 
Let him who is without my poems be assassinated! 
Let the cow, the horse, the camel, the garden-bee—let the mudfish, the lobster, the
 mussel, eel, the sting-ray, and the grunting pig-fish—let these, and the like of
 these, be
 put on a perfect equality with man and woman!
Let churches accommodate serpents, vermin, and the corpses of those who have died of the
 most
 filthy of diseases! 
Let marriage slip down among fools, and be for none but fools! 
Let men among themselves talk and think forever obscenely of women! and let women among
 themselves talk and think obscenely of men! 
Let us all, without missing one, be exposed in public, naked, monthly, at the peril of our
 lives! let our bodies be freely handled and examined by whoever chooses! 
Let nothing but copies at second hand be permitted to exist upon the earth!
Let the earth desert God, nor let there ever henceforth be mention’d the name of God!

Let there be no God! 
Let there be money, business, imports, exports, custom, authority, precedents, pallor,
 dyspepsia, smut, ignorance, unbelief! 
Let judges and criminals be transposed! let the prison-keepers be put in prison! let those
 that
 were prisoners take the keys! Say! why might they not just as well be transposed?) 
Let the slaves be masters! let the masters become slaves!
Let the reformers descend from the stands where they are forever bawling! let an idiot or
 insane person appear on each of the stands! 
Let the Asiatic, the African, the European, the American, and the Australian, go armed
 against
 the murderous stealthiness of each other! let them sleep armed! let none believe in good
 will! 
Let there be no unfashionable wisdom! let such be scorn’d and derided off from the
 earth! 
Let a floating cloud in the sky—let a wave of the sea—let growing mint, spinach,
 onions, tomatoes—let these be exhibited as shows, at a great price for admission! 
Let all the men of These States stand aside for a few smouchers! let the few seize on what
 they
 choose! let the rest gawk, giggle, starve, obey!
Let shadows be furnish’d with genitals! let substances be deprived of their genitals!

Let there be wealthy and immense cities—but still through any of them, not a single
 poet,
 savior, knower, lover! 
Let the infidels of These States laugh all faith away! 
If one man be found who has faith, let the rest set upon him! 
Let them affright faith! let them destroy the power of breeding faith!
Let the she-harlots and the he-harlots be prudent! let them dance on, while seeming lasts!
 (O
 seeming! seeming! seeming!) 
Let the preachers recite creeds! let them still teach only what they have been taught! 
Let insanity still have charge of sanity! 
Let books take the place of trees, animals, rivers, clouds! 
Let the daub’d portraits of heroes supersede heroes!
Let the manhood of man never take steps after itself! 
Let it take steps after eunuchs, and after consumptive and genteel persons! 
Let the white person again tread the black person under his heel! (Say! which is trodden
 under
 heel, after all?) 
Let the reflections of the things of the world be studied in mirrors! let the things
 themselves
 still continue unstudied! 
Let a man seek pleasure everywhere except in himself!
Let a woman seek happiness everywhere except in herself! 
(What real happiness have you had one single hour through your whole life?) 
Let the limited years of life do nothing for the limitless years of death! (What do you
 suppose
 death will do, then?)


Written by Kenneth Koch | Create an image from this poem

One Train May Hide Another

 (sign at a railroad crossing in Kenya)

In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line—
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another. And one person's reputation may hide
The reputation of another. One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia
 Antica one tomb
May hide a number of other tombs. In love, one reproach may hide another,
One small complaint may hide a great one.
One injustice may hide another—one colonial may hide another,
One blaring red uniform another, and another, a whole column. One bath
 may hide another bath
As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple
Hide Life is incredibly complex, as in the prose of Gertrude Stein
One sentence hides another and is another as well. And in the laboratory
One invention may hide another invention,
One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple—this is a painting
By someone after Matisse. One waits at the tracks until they pass,
These hidden doubles or, sometimes, likenesses. One identical twin
May hide the other. And there may be even more in there! The obstetrician
Gazes at the Valley of the Var. We used to live there, my wife and I, but
One life hid another life. And now she is gone and I am here.
A vivacious mother hides a gawky daughter. The daughter hides
Her own vivacious daughter in turn. They are in
A railway station and the daughter is holding a bag
Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by
 the mother's
And has to carry that one, too. So one hitchhiker
May deliberately hide another and one cup of coffee
Another, too, until one is over-excited. One love may hide another love
 or the same love
As when "I love you" suddenly rings false and one discovers
The better love lingering behind, as when "I'm full of doubts"
Hides "I'm certain about something and it is that"
And one dream may hide another as is well known, always, too. In the
 Garden of Eden
Adam and Eve may hide the real Adam and Eve.
Jerusalem may hide another Jerusalem.
When you come to something, stop to let it pass
So you can see what else is there. At home, no matter where,
Internal tracks pose dangers, too: one memory
Certainly hides another, that being what memory is all about,
The eternal reverse succession of contemplated entities. Reading 
 A Sentimental Journey look around
When you have finished, for Tristram Shandy, to see
If it is standing there, it should be, stronger
And more profound and theretofore hidden as Santa Maria Maggiore
May be hidden by similar churches inside Rome. One sidewalk
May hide another, as when you're asleep there, and
One song hide another song; a pounding upstairs
Hide the beating of drums. One friend may hide another, you sit at the
 foot of a tree
With one and when you get up to leave there is another
Whom you'd have preferred to talk to all along. One teacher,
One doctor, one ecstasy, one illness, one woman, one man
May hide another. Pause to let the first one pass.
You think, Now it is safe to cross and you are hit by the next one. It 
 can be important
To have waited at least a moment to see what was already there.
Written by Laura Riding Jackson | Create an image from this poem

The Simple Line

 The secrets of the mind convene splendidly,
Though the mind is meek.
To be aware inwardly
of brain and beauty
Is dark too recognizable.
Thought looking out on thought
Makes one an eye:
Which it shall be, both decide.
One is with the mind alone,
The other is with other thoughts gone
To be seen from afar and not known.

When openly these inmost sights
Flash and speak fully,
Each head at home shakes hopelessly
Of being never ready to see self
And sees a universe too soon.
The immense surmise swims round and round
And heads grow wise
With their own bigness beatified
In cosmos, and the idiot size
Of skulls spells Nature on the ground,
While ears listening the wrong way report
Echoes first and hear words before sounds
Because the mind, being quiet, seems late.
By ears words are copied into books,
By letters minds are taught self-ignorance.
From mouths spring forth vocabularies
To the assemblage of strange objects
Grown foreign to the faithful countryside
Of one king, poverty,
Of one line, humbleness.
Unavowed and false horizons claim pride
For spaces in the head
The native head sees outside.
The flood of wonder rushing from the eyes
Returns lesson by lesson.
The mind, shrunken of time,
Overflows too soon.
The complete vision is the same
As when the world-wideness began
Worlds to describe
The excessiveness of man.

But man's right portion rejects
The surplus in the whole.
This much, made secret first,
Now makes
The knowable, which was
Thought's previous flesh,
And gives instruction of substance to its intelligence
As far as flesh itself,
As bodies upon themselves to where
Understanding is the head
And the identity of breath and breathing are established
And the voice opening to cry: I know,
Closes around the entire declaration
With this evidence of immortality—
The total silence to say:
I am dead.

For death is all ugly, all lovely,
Forbids mysteries to make
Science of splendor, or any separate disclosing
Of beauty to the mind out of body's book
That page by page flutters a world in fragments,
Permits no scribbling in of more
Where spaces are,
Only to look.

Body as Body lies more than still.
The rest seems nothing and nothing is
If nothing need be.
But if need be,
Thought not divided anyway
Answers itself, thinking
All open and everything.
Dead is the mind that parted each head.
But now the secrets of the mind convene
Without pride, without pain
To any onlookers.
What they ordain alone
Cannot be known
The ordinary way of eyes and ears
But only prophesied
If an unnatural mind, refusing to divide,
Dies immediately
Of too plain beauty
Foreseen within too suddenly,
And lips break open of astonishment
Upon the living mouth and rehearse
Death, that seems a simple verse
And, of all ways to know,
Dead or alive, easiest.
Written by Charles Bukowski | Create an image from this poem

The Most

 here comes the fishhead singing
here comes the baked potato in drag
here comes nothing to do all day long
here comes another night of no sleep
here comes the phone wringing the wrong tone
here comes a termite with a banjo
here comes a flagpole with blank eyes
here comes a a cat and a dog wearing nylons
here comes a machine gun saying
here comes bacon burning in the pan
here comes a voice saying something dull
here comes a newspaper stuffed with small red birds
with flat brown beaks
here comes a **** carrying a torch
a grenade
a deathly love
here comes a victory carrying
one bucket of blood
and stumbling over the berry bush
and the sheets hang out the windows
and the bombers head east west north south
get lost
get tossed like salad
as all the fish in the sea line up and form
one line
one long line
one very long thin line
the longest line you could ever imagine
and we get lost
walking past purple mountains
we walk lost
bare at last like the knife
having given
having spit it out like an unexpected olive seed
as the girl at the call service
screams over the phone:
"don't call back! you sound like a jerk!"
Written by John Wilmot | Create an image from this poem

Poems to Mulgrave and Scroope

 Deare Friend. 

I heare this Towne does soe abound, 
With sawcy Censurers, that faults are found, 
With what of late wee (in Poetique Rage) 
Bestowing, threw away on the dull Age; 
But (howsoe're Envy, their Spleen may raise, 
To Robb my Brow, of the deserved Bays) 
Their thanks at least I merit since through me, 
They are Partakers of your Poetry; 
And this is all, I'll say in my defence, 
T'obtaine one Line, of your well worded Sense 

I'd be content t'have writ the Brittish Prince. 
I'm none of those who thinke themselves inspir'd, 
Nor write with the vaine hopes to be admir'd; 
But from a Rule (I have upon long tryall) 
T'avoyd with care, all sort of self denyall. 
Which way soe're desire and fancy leade 
(Contemning Fame) that Path I boldly tread; 
And if exposeing what I take for Witt, 
To my deare self, a Pleasure I beget, 
Noe matter tho' the Censring Crittique fret. 
Those whom my Muse displeases, are at strife 
With equall Spleene, against my Course of life, 
The least delight of which, I'd not forgoe, 
For all the flatt'ring Praise, Man can bestow. 
If I designd to please the way were then, 
To mend my Manners, rather than my Pen; 
The first's unnaturall, therefore unfit, 
And for the Second, I despair of it, 
Since Grace, is not soe hard to get as Witt. 
Perhaps ill Verses, ought to be confin'd, 
In meere good Breeding, like unsav'ry Wind; 
Were Reading forc'd, I shou'd be apt to thinke 
Men might noe more write scurvily, than stinke: 
But 'tis your choyce, whether you'll Read, or noe, 
If likewise of your smelling it were soe, 
I'd Fart just as I write, for my owne ease, 
Nor shou'd you be concern'd, unlesse you please: 
I'll owne, that you write better than I doe, 
But I have as much need to write, as you. 
What though the Excrement of my dull Braine,

Runns in a harsh, insipid Straine, 
Whilst your rich Head, eases it self of Witt? 
Must none but Civet-Catts, have leave to ****? 
In all I write, shou'd Sense, and Witt, and Rhyme 
Faile me at once, yet something soe Sublime, 
Shall stamp my Poem, that the World may see, 
It cou'd have beene produc'd, by none but me. 
And that's my end, for Man, can wish noe more, 
Then soe to write, as none ere writ before. 
Yet why am I noe Poet, of the tymes? 
I have Allusions, Similies and Rhymes, 
And Witt, or else 'tis hard that I alone, 
Of the whole Race of Mankind, shou'd have none. 
Unequally, the Partiall Hand of Heav'n, 
Has all but this one only Blessing giv'n; 
The World appeares like a great Family, 
Whose Lord opprest with Pride, and Poverty, 
(That to a few, great Plenty he may show) 
Is faine to starve the Num'rous Traine below: 
Just soe seemes Providence, as poor and vaine, 
Keeping more Creatures, than it can maintaine. 
Here 'tis profuse, and there it meanly saves, 
And for One Prince, it makes Ten Thousand Slaves: 
In Witt alone, it has beene Magnificent, 
Of which, soe just a share, to each is sent 
That the most Avaricious are content. 
For none e're thought, (the due Division's such), 
His owne too little, or his Friends too much. 
Yet most Men shew, or find great want of Witt, 
Writeing themselves, or Judging what is writ: 
But I, who am of sprightly Vigour full 
Looke on Mankind, as Envious, and dull. 
Borne to my self, my self I like alone, 
And must conclude my Judgment good, or none. 
(For shou'd my Sense be nought, how cou'd I know, 
Whether another Man's, were good, or noe?) 
Thus, I resolve of my owne Poetry, 
That 'tis the best, and there's a Fame for me. 
If then I'm happy, what does it advance, 
Whether to merit due, or Arrogance?

Oh! but the World will take offence thereby, 
Why then the World, shall suffer for't, not I. 
Did e're this sawcy World, and I agree? 
To let it have its Beastly will on me? 
Why shou'd my Prostituted Sense, be drawne, 
To ev'ry Rule, their musty Customes spawne? 
But Men, will Censure you; Tis Two to one 
When e're they Censure, they'll be in the wrong. 
There's not a thing on Earth, that I can name 
Soe foolish, and soe false, as Common Fame. 
It calls the Courtier Knave, the plaine Man rude, 
Haughty the grave, and the delightfull Lewd. 
Impertinent the briske, Morosse the sad, 
Meane the Familiar, the Reserv'd one Mad. 
Poor helplesse Woman, is not favour'd more 
She's a slye Hipocryte, or Publique Whore. 
Then who the Devill, wou'd give this -- to be free 
From th'Innocent Reproach of Infamy? 
These things consider'd, make me (in despight 
Of idle Rumour,) keepe at home, and write.


Written by Robert Louis Stevenson | Create an image from this poem

To the Muse

 Resign the rhapsody, the dream,
To men of larger reach;
Be ours the quest of a plain theme,
The piety of speech. 

As monkish scribes from morning break
Toiled till the close of light,
Nor thought a day too long to make
One line or letter bright: 

We also with an ardent mind,
Time, wealth, and fame forgot,
Our glory in our patience find
And skim, and skim the pot: 

Till last, when round the house we hear
The evensong of birds,
One corner of blue heaven appear
In our clear well of words. 

Leave, leave it then, muse of my heart!
Sans finish and sans frame,
Leave unadorned by needless art
The picture as it came.

Book: Reflection on the Important Things