Written by
Omer Tarin |
You asked me what it was all about,
Why men and women dwelt so much
On the slanting tangents
Of come vague philosophy
And what I felt it was, and why
It was like this?
Sometimes, then, to answer your questions,
I dress my thoughts in brilliant costumes,
Beautiful, eloquent words,
But to tell the truth
There is no way I can really say
Anything at all;
People have experienced these things--and these
Things are better felt, after all.
As to the 'why'
Hanging over your brow
Like a dark raincloud of expectancy--
That you must resolve for yourself
Before the thunder finally breaks...
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(Pub in ''Bitter Oleander Review'', USA 2012)
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Written by
Omer Tarin |
It has been some time, since we spoke in rhyme
my love;
And tonight I behold you anew
Burning with your adored endlessness
As reckless as the morning dew,
caressing the rose in its repose
Rising with the sun,
to be one,
descending with the rain,
Reborn in pain
torn in twain
driven insane;
Somewhere, out there,
within your vast domain,
when we unite
there is no day or night.
(from ''Burnt Offerings'', 1996)
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Written by
Omer Tarin |
I. You are not dead
Why do they call you
Mohen-jo-daro,
“ Mounds-of-the-Dead”?
You are not dead!
You have never been dead
Or buried
Or cremated
By the scorching banks of the Sindhu;
Historians have conspired against you
A thousand and one tales
Have besmirched your name
Misguided fools have imagined
Your obituary to be true;
Sentimental fools have sung elegies
By their own graves
Garlanded their own biers,
Cursed the stars and howled at the heavens
Self-piteous tears, in the hope
That some part of their practiced grief would be remembered
As poetry,
A fitting tribute to your eternal face;
Maybe, they would be able to, by their ululations,
Raise demons from the earth
Or bring forth spectres
From darkest shadows of the thinnest air, precipitating
Some prophecy, nameless and foreboding, a small
Tin medal on their pathetic breasts,
Stark in their hunger for inspired flights;
Other dust should fashion other jars, not having the consistency
Of ours.
It has been foretold that you will not die
That you will not die thus, at the behest of historians
Or for the research of archaeologists
Or even the yapping lap-dogs
Aping the tawny shades of our leonine skins;
It has been foretold,
And we are witnesses to you survival.
II. Priest-Kings and dancing girls
The sands have shifted,
As the river has---
You are only abandoned,
“Mound-abandoned-and-shifted”.
Take heart! Be not sad,
The sons of Sindhu are around you;
You cannot die while your sons live,
While the children of the river still ply their wide boats
On your consort’s undulating breast;
While your daughters carry their vessels
Fashioned from your clay;
In every face, you are alive.
In the mien of priest-kings who have renounced
Their crowns and pulpits for lives of love and freedom—
At Bhit Shah, they sing your songs;
At Sehwan, they celebrate your being;
In every prayer and call to prayer you are revealed
Rising gradually towards the heights of Kirthar
Rolling ceaselessly over the sands of Kutch
With every partridge crooning in the cotton,
With every mallard winging over Manchar,
You come forth—
The Breaker-of-the-Shackles-of-Tyranny
The-Keeper-of-the-Honour-of-Dancing –girls
Friend-of-the-Imprisoned-Hari
Last-Flower-amidst-the-Thorns-of-Despair!
You are the yellow turmeric staining the red ajrak
Of our wounds
Anointing your martyrs
Healing your casualties
Soothing us with your whispered lullaby
Such as our mothers used to sing us
In our cradles
From the earliest dawn of creation;
Even now, your humped oxen plod home in the evening
Of their tillage;
Every day I hear the rise and fall of your undeciphered script
In the cadences of children
In the chattering of women
In the murmur of lovers
In the gestures of old men
In the anger of the young.
III. A Dream Untold
It was said, long ago, that you will not die
That forever you will live in the eyes of every child,
That you will rise from your gargantuan sleep,
Arise, woken by the winds!
When the Eastern Gates of your citadel are opened wide
All wars will cease
Your sons will no longer flinch under the lash,
Your daughters will no longer be distraught,
The pillars of fire and smoke will settle down
And the silent waste-lands speak with voices of prophecy;
When precious stones will once again etch the bright circumference
Of your ruins
And the heavens shake themselves into fleeting shapes,
Vain and irresolute constellations plunge
Into narrow circles of despair—
It has been said that you will flourish again,
When the crashing shores
Of sea and river
Melt into each other
When waves shiver
Into the rock’s embrace.
Then I, too, shall awaken, I trust,
And behold you in your truth.
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* (c) Omer Tarin. Pub ''The Glasgow Seeker'', UK, 2005
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Written by
Omer Tarin |
Elves lived here, once,
where today the blanched shells lie
of snails
who have outlived their selves;
I would, if I could,
bring back elves
but I feel they would, too, like snails,
who have outlived their time,
lose themselves where once they lived.
(from A Sad Piper, 1994)
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Written by
Omer Tarin |
Once before I've heard this
anguished cry
A long-drawn note of many-lettered woe,
The great open beak straining
against the roar of raging surf;
Head, thrown back, taut
against the distant sails
Anger flickering in eyes flecked with amber,
rolling in lonely knowledge,
this bond servant of the sea,
tied by its giant wingspan
to the torturous flight of sainthood
Martyred
in its terrible existence
murdered
by the yellow fog of banality
Victim
to the squalor of urban beachfronts ,
snuffed out in the face of its own metaphor
screaming curses unto heaven,
proud to the very last;
''Once before'', I said,
''I've heard this cry''.
(from ''Burnt Offerings'', 1996)
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Written by
Omer Tarin |
You draw your breath
yearning
a sadness infinite
in its contemplation;
I, who embraced death
in dumbfounded rapture
am reborn
in the eternal question
imprisoned in your eyes;
Are we to celebrate
this reprieve
relying
on our doomed songs
of desperate desire?
Let's be buried together.
(from ''Burnt Offerings, 1996)
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Written by
Omer Tarin |
I
One quarter of a century has elapsed
the diurnal movement of a life-cycle
rotating on its own axis
turned inwards and away from
hung by a nail upon the casement
II
Two of the nine lives have drifted
sinking somewhere near the embankment
while out prowling the empty streets at night
digging in this corner and that
poking here and there
in the trashcans lining the alley
III
Three horsemen have appeared
riding on fiery horses, spewing
their sulphurous flame into the darkness
scorching one and all with their terrible message
blazed ominously across the bedstead
IV
Four has come arrayed
the number of an ephemeral end
a hermetic transmutation ordained
by the fluctuations of fatality,
falling like some ill-omened comet
helter-skelter with the dice.
(from ''A Sad Piper'', 1994)
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Written by
Omer Tarin |
Some souls pass away so quietly that not even the suspiration of their fleeting wings
is heard, or known, to us, among so many other activities, so many other things;
so, this was one such soul, that breathed its last, effortlessly and without pain,
melting away into the unknown, rising to the snowy Himalayan heights, shining forth beyond these dusty plains;
only now, people seem to have woken up to her plaudits, her praise,
something she never sought in her long and eventful life, through years of joy and strife
yet all this is somehow her due, more than many who falsely claim it
and its no small achievement, hers, at so many levels, when we think of it-
personal and national-- daughter, wife, mother; and an inspiring enabling guide
to millions, who flounder in the shallows, or sink with each fickle tide;
for these, the poor, the helpless, the friendless, the outcast,
she brought hope and comfort and a vision eternal, one that will last
and outlive us all.
(BR magazine 25th March 2015)
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Written by
Omer Tarin |
Of my own salt, these hills are made
I am made of them
grey stone
red dust
black wash--
from the jagged edge I look down
the land stares up at me
it is as me, stark and thorny,
it prickles as I do,
it is of my own salt.
(c) Omer Tarin, 'A Sad Piper' 1994
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Written by
Omer Tarin |
As in the Vale of Sorrow the cage'd woodlark sings
songs of hope for tomorrow, so shall we sing our woodnotes wild,
amongst rushes and wildness of wild lemon-grass;
For hope springs eternal in the heart
and some larks are set free,
(From 'Selected Poems')
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