Get Your Premium Membership

Best Famous Occupying Poems

Here is a collection of the all-time best famous Occupying poems. This is a select list of the best famous Occupying poetry. Reading, writing, and enjoying famous Occupying poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of occupying poems.

Search and read the best famous Occupying poems, articles about Occupying poems, poetry blogs, or anything else Occupying poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Robert Frost | Create an image from this poem

In the Home Stretch

 SHE stood against the kitchen sink, and looked
Over the sink out through a dusty window
At weeds the water from the sink made tall.
She wore her cape; her hat was in her hand.
Behind her was confusion in the room, Of chairs turned upside down to sit like people In other chairs, and something, come to look, For every room a house has—parlor, bed-room, And dining-room—thrown pell-mell in the kitchen.
And now and then a smudged, infernal face Looked in a door behind her and addressed Her back.
She always answered without turning.
“Where will I put this walnut bureau, lady?” “Put it on top of something that’s on top Of something else,” she laughed.
“Oh, put it where You can to-night, and go.
It’s almost dark; You must be getting started back to town.
” Another blackened face thrust in and looked And smiled, and when she did not turn, spoke gently, “What are you seeing out the window, lady?” “Never was I beladied so before.
Would evidence of having been called lady More than so many times make me a lady In common law, I wonder.
” “But I ask, What are you seeing out the window, lady?” “What I’ll be seeing more of in the years To come as here I stand and go the round Of many plates with towels many times.
” “And what is that? You only put me off.
” “Rank weeds that love the water from the dish-pan More than some women like the dish-pan, Joe; A little stretch of mowing-field for you; Not much of that until I come to woods That end all.
And it’s scarce enough to call A view.
” “And yet you think you like it, dear?” “That’s what you’re so concerned to know! You hope I like it.
Bang goes something big away Off there upstairs.
The very tread of men As great as those is shattering to the frame Of such a little house.
Once left alone, You and I, dear, will go with softer steps Up and down stairs and through the rooms, and none But sudden winds that snatch them from our hands Will ever slam the doors.
” “I think you see More than you like to own to out that window.
” “No; for besides the things I tell you of, I only see the years.
They come and go In alternation with the weeds, the field, The wood.
” “What kind of years?” “Why, latter years— Different from early years.
” “I see them, too.
You didn’t count them?” “No, the further off So ran together that I didn’t try to.
It can scarce be that they would be in number We’d care to know, for we are not young now.
And bang goes something else away off there.
It sounds as if it were the men went down, And every crash meant one less to return To lighted city streets we, too, have known, But now are giving up for country darkness.
” “Come from that window where you see too much for me, And take a livelier view of things from here.
They’re going.
Watch this husky swarming up Over the wheel into the sky-high seat, Lighting his pipe now, squinting down his nose At the flame burning downward as he sucks it.
” “See how it makes his nose-side bright, a proof How dark it’s getting.
Can you tell what time It is by that? Or by the moon? The new moon! What shoulder did I see her over? Neither.
A wire she is of silver, as new as we To everything.
Her light won’t last us long.
It’s something, though, to know we’re going to have her Night after night and stronger every night To see us through our first two weeks.
But, Joe, The stove! Before they go! Knock on the window; Ask them to help you get it on its feet.
We stand here dreaming.
Hurry! Call them back!” “They’re not gone yet.
” “We’ve got to have the stove, Whatever else we want for.
And a light.
Have we a piece of candle if the lamp And oil are buried out of reach?” Again The house was full of tramping, and the dark, Door-filling men burst in and seized the stove.
A cannon-mouth-like hole was in the wall, To which they set it true by eye; and then Came up the jointed stovepipe in their hands, So much too light and airy for their strength It almost seemed to come ballooning up, Slipping from clumsy clutches toward the ceiling.
“A fit!” said one, and banged a stovepipe shoulder.
“It’s good luck when you move in to begin With good luck with your stovepipe.
Never mind, It’s not so bad in the country, settled down, When people ’re getting on in life, You’ll like it.
” Joe said: “You big boys ought to find a farm, And make good farmers, and leave other fellows The city work to do.
There’s not enough For everybody as it is in there.
” “God!” one said wildly, and, when no one spoke: “Say that to Jimmy here.
He needs a farm.
” But Jimmy only made his jaw recede Fool-like, and rolled his eyes as if to say He saw himself a farmer.
Then there was a French boy Who said with seriousness that made them laugh, “Ma friend, you ain’t know what it is you’re ask.
” He doffed his cap and held it with both hands Across his chest to make as ’twere a bow: “We’re giving you our chances on de farm.
” And then they all turned to with deafening boots And put each other bodily out of the house.
“Goodby to them! We puzzle them.
They think— I don’t know what they think we see in what They leave us to: that pasture slope that seems The back some farm presents us; and your woods To northward from your window at the sink, Waiting to steal a step on us whenever We drop our eyes or turn to other things, As in the game ‘Ten-step’ the children play.
” “Good boys they seemed, and let them love the city.
All they could say was ‘God!’ when you proposed Their coming out and making useful farmers.
” “Did they make something lonesome go through you? It would take more than them to sicken you— Us of our bargain.
But they left us so As to our fate, like fools past reasoning with.
They almost shook me.
” “It’s all so much What we have always wanted, I confess It’s seeming bad for a moment makes it seem Even worse still, and so on down, down, down.
It’s nothing; it’s their leaving us at dusk.
I never bore it well when people went.
The first night after guests have gone, the house Seems haunted or exposed.
I always take A personal interest in the locking up At bedtime; but the strangeness soon wears off.
” He fetched a dingy lantern from behind A door.
“There’s that we didn’t lose! And these!”— Some matches he unpocketed.
“For food— The meals we’ve had no one can take from us.
I wish that everything on earth were just As certain as the meals we’ve had.
I wish The meals we haven’t had were, anyway.
What have you you know where to lay your hands on?” “The bread we bought in passing at the store.
There’s butter somewhere, too.
” “Let’s rend the bread.
I’ll light the fire for company for you; You’ll not have any other company Till Ed begins to get out on a Sunday To look us over and give us his idea Of what wants pruning, shingling, breaking up.
He’ll know what he would do if he were we, And all at once.
He’ll plan for us and plan To help us, but he’ll take it out in planning.
Well, you can set the table with the loaf.
Let’s see you find your loaf.
I’ll light the fire.
I like chairs occupying other chairs Not offering a lady—” “There again, Joe! You’re tired.
” “I’m drunk-nonsensical tired out; Don’t mind a word I say.
It’s a day’s work To empty one house of all household goods And fill another with ’em fifteen miles away, Although you do no more than dump them down.
” “Dumped down in paradise we are and happy.
” “It’s all so much what I have always wanted, I can’t believe it’s what you wanted, too.
” “Shouldn’t you like to know?” “I’d like to know If it is what you wanted, then how much You wanted it for me.
” “A troubled conscience! You don’t want me to tell if I don’t know.
” “I don’t want to find out what can’t be known.
But who first said the word to come?” “My dear, It’s who first thought the thought.
You’re searching, Joe, For things that don’t exist; I mean beginnings.
Ends and beginnings—there are no such things.
There are only middles.
” “What is this?” “This life? Our sitting here by lantern-light together Amid the wreckage of a former home? You won’t deny the lantern isn’t new.
The stove is not, and you are not to me, Nor I to you.
” “Perhaps you never were?” “It would take me forever to recite All that’s not new in where we find ourselves.
New is a word for fools in towns who think Style upon style in dress and thought at last Must get somewhere.
I’ve heard you say as much.
No, this is no beginning.
” “Then an end?” “End is a gloomy word.
” “Is it too late To drag you out for just a good-night call On the old peach trees on the knoll to grope By starlight in the grass for a last peach The neighbors may not have taken as their right When the house wasn’t lived in? I’ve been looking: I doubt if they have left us many grapes.
Before we set ourselves to right the house, The first thing in the morning, out we go To go the round of apple, cherry, peach, Pine, alder, pasture, mowing, well, and brook.
All of a farm it is.
” “I know this much: I’m going to put you in your bed, if first I have to make you build it.
Come, the light.
” When there was no more lantern in the kitchen, The fire got out through crannies in the stove And danced in yellow wrigglers on the ceiling, As much at home as if they’d always danced there.


Written by Ted Hughes | Create an image from this poem

Lovesong

 He loved her and she loved him
His kisses sucked out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she sucked
She wanted him complete inside her
Safe and Sure forever and ever
Their little cries fluttered into the curtains

Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy place
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His word were occupying armies
Her laughs were an assasin's attempts
His looks were bullets daggers of revenge
Her glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway 
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows pulled out all her sinews 
He showed her how to make a love-knot
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop

In their entwined sleep they exchanged arms and legs
In their dreams their brains took each other hostage

In the morning they wore each other's face
Written by Weldon Kees | Create an image from this poem

Dead March

 Under the bunker, where the reek of kerosene 
Prepared the marriage rite, leader and whore, 
Imperfect kindling even in this wind, burn on.
Someone in uniform hums Brahms.
Servants prepare Eyewitness stories as the night comes down, as smoking coals await Boots on the stone, the occupying troops.
Howl ministers.
Deep in Kyffhauser Mountain's underground, The Holy Roman Emperor snores on, in sleep enduring Seven centuries.
His long red beard Grows through the table to the floor.
He moves a little.
Far in the labyrinth, low thunder rumbles and dies out.
Twitch and lie still.
Is Hitler now in the Himalayas? We are in Cleveland, or Sioux Falls.
The architecture Seems like Omaha, the air pumped in from Düsseldorf.
Cold rain keeps dripping just outside the bars.
The testicles Burst on the table as the commissar Untwists the vise, removes his gloves, puts down Izvestia.
(Old saboteurs, controlled by Trotsky's Scheming and unconquered ghost, still threaten Novgorod.
) --And not far from the pits, these bones of ours, Burned, bleached, and splintering, are shoveled, ready for the fields.
Written by William Topaz McGonagall | Create an image from this poem

General Roberts in Afghanistan

 'Twas in the year of 1878, and.
the winter had set in, Lord Roberts and the British Army their march did begin, On their way to Afghanistan to a place called Cabul; And the weather was bitter cold and the rivers swollen and full.
And the enemy were posted high up amongst the hills, And when they saw the British, with fear their blood thrills; The savages were camped on the hillsides in war array, And occupying a strong position which before the British lay.
And viewed from the front their position was impregnable, But Lord Roberts was a general of great skill; Therefore to surprise the enemy he thought it was right, To march upon the enemy in the dead of night.
Then the men were mustered without delay, And each man of them was eager for the fray; And in the silent darkness they felt no dismay, And to attack the enemy they marched boldly away.
And on they marched bravely without fear or doubt, And about daybreak the challenge of an Afghan sentinel rang out, And echoed from rock to rock on the frosty biting air; But the challenge didn't the British scare.
Then the Highlanders attacked them left and right, And oh! it was a gorgeoua and an inspiring sight; For a fierce hand to hand struggle raged for a time, While the pibrochs skirled aloud, oh! the scene was sublime.
Then the Ghoorkas did the Afghans fiercely attack, And at every point and turning they were driven back; And a fierce hand to hand struggle raged for a time, While in the morning sunshine the British bayonets did shine.
And around the ridge or knoll the battle raged for three hours, And British bullets fell amongst them in showers; For Captain Kelso brought us his mountain battery, And sent his shells right into the camp of the enemy, Then the left of the Afghans was turned, and began to flee.
Meanwhile, on the enemy's strong position Lord Roberts launched an attack, And from their position they could hardly be driven back Because the Afghans were hid amongst the woods and hills, Still with undaunted courage, the British blood thrills.
And the Afghans pressed the British hotly, but they didn't give way, For the 8th Ghoorkas and the 72nd kept them at bay; And the mountain guns shells upon them did fire, Then the 8th Punjaub, bounding up the heights, made them retire.
Then Major White seized a rifle from one of his men and did retire, And levelled the piece fearlessly and did fire; And with a steady and well-timed shot He shot the Afghan leader dead on the spot.
Then the British with a wild cheer dashed, at them, And on each side around they did them hem; And at the bayonet charge they drove them down the hill, And in hundreds they did them kill.
Then in a confused mass they fled down the opposite side of the hill In hundreds,driven by sheer force sore against their will; And helter-skelter they did run, For all their positions were carried and the victory won.
Then on the 8th of August again Lord Roberts' march began For to fight the rebel Ayoob Khan; And with an army about seven thousand strong On his way to Candahar he fearlessly marched along.
And the battle that followed at Candahar was a complete victory, And Lord Roberts' march to Candahar stands unrivalled in history; And let's thank God that sent Lord Roberts to conquer Ayoob Khan, For from that time there's been no more war in Afghanistan.
Success to Lord Roberts; he's a very brave man, For he conquered the Afghans in Afghanistan, With an army about seven thousand strong, He spread death and desolation all along.
Written by Emily Dickinson | Create an image from this poem

No Bobolink -- reverse His Singing

 No Bobolink -- reverse His Singing
When the only Tree
Ever He minded occupying
By the Farmer be --

Clove to the Root --
His Spacious Future --
Best Horizon -- gone --
Whose Music be His
Only Anodyne --
Brave Bobolink --



Book: Reflection on the Important Things