Written by
Henry Wadsworth Longfellow |
Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupations,
That is known as the Children's Hour.
I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.
From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.
A whisper, and then a silence:
Yet I know by their merry eyes
They are plotting and planning together
To take me by surprise.
A sudden rush from the stairway,
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!
They climb up into my turret
O'er the arms and back of my chair;
If I try to escape, they surround me;
They seem to be everywhere.
They almost devour me with kisses,
Their arms about me entwine,
Till I think of the Bishop of Bingen
In his Mouse-Tower on the Rhine!
Do you think, O blue-eyed banditti,
Because you have scaled the wall,
Such an old mustache as I am
Is not a match for you all!
I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.
And there will I keep you forever,
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away!
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Written by
Lewis Carroll |
A short direction
To avoid dejection,
By variations
In occupations,
And prolongation
Of relaxation,
And combinations
Of recreations,
And disputation
On the state of the nation
In adaptation
To your station,
By invitations
To friends and relations,
By evitation
Of amputation,
By permutation
In conversation,
And deep reflection
You'll avoid dejection.
Learn well your grammar,
And never stammer,
Write well and neatly,
And sing most sweetly,
Be enterprising,
Love early rising,
Go walk of six miles,
Have ready quick smiles,
With lightsome laughter,
Soft flowing after.
Drink tea, not coffee;
Never eat toffy.
Eat bread with butter.
Once more, don't stutter.
Don't waste your money,
Abstain from honey.
Shut doors behind you,
(Don't slam them, mind you.)
Drink beer, not porter.
Don't enter the water
Till to swim you are able.
Sit close to the table.
Take care of a candle.
Shut a door by the handle,
Don't push with your shoulder
Until you are older.
Lose not a button.
Refuse cold mutton.
Starve your canaries.
Believe in fairies.
If you are able,
Don't have a stable
With any mangers.
Be rude to strangers.
Moral: Behave.
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Written by
Mark Doty |
Because she could find no one else to paint a picture of the old family place where she and her sisters lived. . .she attended an adult education class in Montpelier. In one evening Bessie Drennan learned everything she would need to accomplish her goals. . .
The Vermont Folklife Center Newsletter
Bessie, you've made space dizzy
with your perfected technique for snow:
white spatters and a dry brush
feathering everything in the world
seem to make the firmament fly.
Four roads converge on the heart of town,
this knot of white and yellow houses
angling off kilter, their astigmatic windows
almost all in rows. Lucky the skater
threading the yellow tavern's quilt-sized pond,
the yellow dogs who punctuate the village
where our occupations are chasing
and being chaste, sleighing and sledding
and snowshoeing from house to house
in our conical, flamelike hats.
Even the barns are sliding in snow,
though the birches are all golden
and one maple blazes without being consumed.
Is it from a hill nearby we're watching,
or somewhere in the sky? Could we be flying
on slick runners down into the village?
Is that mare with the elegant legs
truly the size of a house,
and is this the store where everyone bought
those pointed hats, the snowshoes that angle
in contradictory directions?
Isn't that Rin Tin Tin, bigtongued
and bounding and in two places at once?
Down there in the world's corner two children
steal away onto the frozen pond,
carrying their toboggan. Even the weathervanes
--bounding fish, a sailing stag--look happy.
The houses are swaying, Bessie,
and nothing is grounded in shadow,
set loose by weather and art
from gravity's constraints.
And though I think this man is falling,
is it anything but joyous,
the arc his red scarf
transcribes in the air?
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Written by
Kahlil Gibran |
And an old priest said, "Speak to us of Religion."
And he said:
Have I spoken this day of aught else?
Is not religion all deeds and all reflection,
And that which is neither deed nor reflection, but a wonder and a surprise ever springing in the soul, even while the hands hew the stone or tend the loom?
Who can separate his faith from his actions, or his belief from his occupations?
Who can spread his hours before him, saying, "This for God and this for myself; This for my soul, and this other for my body?"
All your hours are wings that beat through space from self to self.
He who wears his morality but as his best garment were better naked.
The wind and the sun will tear no holes in his skin.
And he who defines his conduct by ethics imprisons his song-bird in a cage.
The freest song comes not through bars and wires.
And he to whom worshipping is a window, to open but also to shut, has not yet visited the house of his soul whose windows are from dawn to dawn.
Your daily life is your temple and your religion.
Whenever you enter into it take with you your all.
Take the plough and the forge and the mallet and the lute,
The things you have fashioned in necessity or for delight.
For in revery you cannot rise above your achievements nor fall lower than your failures.
And take with you all men:
For in adoration you cannot fly higher than their hopes nor humble yourself lower than their despair.
And if you would know God be not therefore a solver of riddles.
Rather look about you and you shall see Him playing with your children.
And look into space; you shall see Him walking in the cloud, outstretching His arms in the lightning and descending in rain.
You shall see Him smiling in flowers, then rising and waving His hands in trees.
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Written by
William Cowper |
England, with all thy faults, I love thee still--
My country! and, while yet a nook is left
Where English minds and manners may be found,
Shall be constrain'd to love thee. Though thy clime
Be fickle, and thy year most part deform'd
With dripping rains, or wither'd by a frost,
I would not yet exchange thy sullen skies,
And fields without a flow'r, for warmer France
With all her vines; nor for Ausonia's groves
Of golden fruitage, and her myrtle bow'rs.
To shake thy senate, and from heights sublime
Of patriot eloquence to flash down fire
Upon thy foes, was never meant my task:
But I can feel thy fortunes, and partake
Thy joys and sorrows, with as true a heart
As any thund'rer there. And I can feel
Thy follies, too; and with a just disdain
Frown at effeminates, whose very looks
Reflect dishonour on the land I love.
How, in the name of soldiership and sense,
Should England prosper, when such things, as smooth
And tender as a girl, all essenc'd o'er
With odours, and as profligate as sweet;
Who sell their laurel for a myrtle wreath,
And love when they should fight; when such as these
Presume to lay their hand upon the ark
Of her magnificent and awful cause?
Time was when it was praise and boast enough
In ev'ry clime, and travel where we might,
That we were born her children. Praise enough
To fill th' ambition of a private man,
That Chatham's language was his mother tongue,
And Wolfe's great name compatriot with his own.
Farewell those honours, and farewell with them
The hope of such hereafter! They have fall'n
Each in his field of glory; one in arms,
And one in council--Wolfe upon the lap
Of smiling victory that moment won,
And Chatham heart-sick of his country's shame!
They made us many soldiers. Chatham, still
Consulting England's happiness at home,
Secur'd it by an unforgiving frown
If any wrong'd her. Wolfe, where'er he fought,
Put so much of his heart into his act,
That his example had a magnet's force,
And all were swift to follow whom all lov'd.
Those suns are set. Oh, rise some other such!
Or all that we have left is empty talk
Of old achievements, and despair of new....
There is a pleasure in poetic pains
Which only poets know. The shifts and turns,
Th' expedients and inventions multiform
To which the mind resorts in chase of terms
Thought apt, yet coy, and difficult to win,
T' arrest the fleeting images that fill
The mirror of the mind, and hold them fast,
And force them sit, till he has pencill'd off
A faithful likeness of the forms he views;
Then to dispose his copies with such art
That each may find its most propitious light,
And shine by situation hardly less
Than by the labour and the skill it cost,
Are occupations of the poet's mind
So pleasing, and that steal away the thought
With such address from themes of sad import,
That, lost in his own musings, happy man!
He feels th' anxieties of life, denied
Their wonted entertainment, all retire.
Such joys has he that sings. But ah! not such,
Or seldom such, the hearers of his song.
Fastidious, or else listless, or perhaps
Aware of nothing arduous in a task
They never undertook, they little note
His dangers or escapes, and haply find
Their least amusement where he found the most.
But is amusement all? Studious of song,
And yet ambitious not to sing in vain,
I would not trifle merely, though the world
Be loudest in their praise who do no more.
Yet what can satire, whether grave or gay?
It may correct a foible, may chastise
The freaks of fashion, regulate the dress,
Retrench a sword-blade, or displace a patch;
But where are its sublimer trophies found?
What vice has it subdu'd? whose heart reclaim'd
By rigour, or whom laugh'd into reform?
Alas! Leviathan is not so tam'd.
Laugh'd at, he laughs again; and, stricken hard,
Turns to the stroke his adamantine scales,
That fear no discipline of human hands.
The pulpit, therefore, (and I name it fill'd
With solemn awe, that bids me well beware
With what intent I touch that holy thing)--
The pulpit (when the satirist has at last,
Strutting and vapouring in an empty school,
Spent all his force, and made no proselyte)--
I say the pulpit (in the sober use
Of its legitimate, peculiar pow'rs)
Must stand acknowledg'd, while the world shall stand,
The most important and effectual guard,
Support, and ornament of Virtue's cause.....
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