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Best Famous Objectionable Poems

Here is a collection of the all-time best famous Objectionable poems. This is a select list of the best famous Objectionable poetry. Reading, writing, and enjoying famous Objectionable poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of objectionable poems.

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Written by Philip Levine | Create an image from this poem

Passing Out

 The doctor fingers my bruise.
"Magnificent," he says, "black at the edges and purple cored.
" Seated, he spies for clues, gingerly probing the slack flesh, while I, standing, fazed, pull for air, losing the battle.
Faced by his aged diploma, the heavy head of the X- ray, and the iron saddle, I grow lonely.
He finds my secrets common and my sex neither objectionable nor lovely, though he is on the hunt for significance.
The shelved cutlery twinkles behind glass, and I am on the way out, "an instance of the succumbed through extreme fantasy.
" He is alarmed at last, and would raise me, but I am floorward in a dream of lowered trousers, unarmed and weakly fighting to shut the window of my drawers.
There are others in the room, voices of women above white oxfords; and the old floor, the friendly linoleum, departs.
I whisper, "my love," and am safe, tabled, sniffing spirits of ammonia in the land of my fellows.
"Open house!" my openings sing: pores, nose, anus let go their charges, a shameless flow into the outer world; and the ceiling, equipped with intelligence, surveys my produce.
The doctor is thrilled by my display, for he is half the slave of necessity; I, enormous in my need, justify his sciences.
"We have alternatives," he says, "Removal.
.
.
" (And my blood whitens as on their dull trays the tubes dance.
I must study the dark bellows of the gas machine, the painless maker.
) ".
.
.
and learning to live with it.
" Oh, but I am learning fast to live with any pain, ache, growth to keep myself intact; and in imagination I hug my bruise like an old Pooh Bear, already attuned to its moods.
"Oh, my dark one, tell of the coming of cold and of Kings, ancient and ruined.
"


Written by Rudyard Kipling | Create an image from this poem

Giffens Debt

 Imprimis he was "broke.
" Thereafter left His Regiment and, later, took to drink; Then, having lost the balance of his friends, "Went Fantee" -- joined the people of the land, Turned three parts Mussulman and one Hindu, And lived among the Gauri villagers, Who gave him shelter and a wife or twain.
And boasted that a thorough, full-blood sahib Had come among them.
Thus he spent his time, Deeply indebted to the village shroff (Who never asked for payment), always drunk, Unclean, abominable, out-at-heels; Forgetting that he was an Englishman.
You know they dammed the Gauri with a dam, And all the good contractors scamped their work And all the bad material at hand Was used to dam the Gauri -- which was cheap, And, therefore, proper.
Then the Gauri burst, And several hundred thousand cubic tons Of water dropped into the valley, flop, And drowned some five-and-twenty villagers, And did a lakh or two of detriment To crops and cattle.
When the flood went down We found him dead, beneath an old dead horse, Full six miles down the valley.
So we said He was a victim to the Demon Drink, And moralised upon him for a week, And then forgot him.
Which was natural.
But, in the valley of the Gauri, men Beneath the shadow of the big new dam, Relate a foolish legend of the flood, Accounting for the little loss of life (Only those five-and-twenty villagers) In this wise: -- On the evening of the flood, They heard the groaning of the rotten dam, And voices of the Mountain Devils.
Then And incarnation of the local God, Mounted upon a monster-neighing horse, And flourishing a flail-like whip, came down, Breathing ambrosia, to the villages, And fell upon the simple villagers With yells beyond the power of mortal throat, And blows beyond the power of mortal hand, And smote them with his flail-like whip, and drove Them clamorous with terror up the hill, And scattered, with the monster-neighing steed, Their crazy cottages about their ears, And generally cleared those villages.
Then came the water, and the local God, Breathing ambrosia, flourishing his whip, And mounted on his monster-neighing steed, Went down the valley with the flying trees And residue of homesteads, while they watched Safe on the mountain-side these wondrous things, And knew that they were much beloved of Heaven.
Wherefore, and when the dam was newly built, They raised a temple to the local God, And burnt all manner of unsavoury things Upon his altar, and created priests, And blew into a conch and banged a bell, And told the story of the Gauri flood With circumstance and much embroidery.
.
.
.
So hi, the whiskified Objectionable, Unclean, abominable, out-at-heels, Became the tutelary Deity Of all the Gauri valley villages, And may in time become a Solar Myth.
Written by Ehsan Sehgal | Create an image from this poem

Denial of talents

“To display ones talents is not objectionable.
However denial of other's talents is tantamount to denying your own.
"

Book: Reflection on the Important Things