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Written by Victor Hugo | Create an image from this poem

A Sunset

 I love the evenings, passionless and fair, I love the evens, 
Whether old manor-fronts their ray with golden fulgence leavens, 
In numerous leafage bosomed close; 
Whether the mist in reefs of fire extend its reaches sheer, 
Or a hundred sunbeams splinter in an azure atmosphere 
On cloudy archipelagos.
Oh, gaze ye on the firmament! a hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword.
The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance.
Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe.
Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back.
These vapors, with their leaden, golden, iron, bronzèd glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms,-- 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflamèd spaume.
O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.


Written by Mark Strand | Create an image from this poem

The Story Of Our Lives

 1
We are reading the story of our lives
which takes place in a room.
The room looks out on a street.
There is no one there, no sound of anything.
The tress are heavy with leaves, the parked cars never move.
We keep turning the pages, hoping for something, something like mercy or change, a black line that would bind us or keep us apart.
The way it is, it would seem the book of our lives is empty.
The furniture in the room is never shifted, and the rugs become darker each time our shadows pass over them.
It is almost as if the room were the world.
We sit beside each other on the couch, reading about the couch.
We say it is ideal.
It is ideal.
2 We are reading the story of our lives, as though we were in it, as though we had written it.
This comes up again and again.
In one of the chapters I lean back and push the book aside because the book says it is what I am doing.
I lean back and begin to write about the book.
I write that I wish to move beyond the book.
Beyond my life into another life.
I put the pen down.
The book says: "He put the pen down and turned and watched her reading the part about herself falling in love.
" The book is more accurate than we can imagine.
I lean back and watch you read about the man across the street.
They built a house there, and one day a man walked out of it.
You fell in love with him because you knew that he would never visit you, would never know you were waiting.
Night after night you would say that he was like me.
I lean back and watch you grow older without me.
Sunlight falls on your silver hair.
The rugs, the furniture, seem almost imaginary now.
"She continued to read.
She seemed to consider his absence of no special importance, as someone on a perfect day will consider the weather a failure because it did not change his mind.
" You narrow your eyes.
You have the impulse to close the book which describes my resistance: how when I lean back I imagine my life without you, imagine moving into another life, another book.
It describes your dependence on desire, how the momentary disclosures of purpose make you afraid.
The book describes much more than it should.
It wants to divide us.
3 This morning I woke and believed there was no more to to our lives than the story of our lives.
When you disagreed, I pointed to the place in the book where you disagreed.
You fell back to sleep and I began to read those mysterious parts you used to guess at while they were being written and lose interest in after they became part of the story.
In one of them cold dresses of moonlight are draped over the chairs in a man's room.
He dreams of a woman whose dresses are lost, who sits in a garden and waits.
She believes that love is a sacrifice.
The part describes her death and she is never named, which is one of the things you could not stand about her.
A little later we learn that the dreaming man lives in the new house across the street.
This morning after you fell back to sleep I began to turn the pages early in the book: it was like dreaming of childhood, so much seemed to vanish, so much seemed to come to life again.
I did not know what to do.
The book said: "In those moments it was his book.
A bleak crown rested uneasily on his head.
He was the brief ruler of inner and outer discord, anxious in his own kingdom.
" 4 Before you woke I read another part that described your absence and told how you sleep to reverse the progress of your life.
I was touched by my own loneliness as I read, knowing that what I feel is often the crude and unsuccessful form of a story that may never be told.
"He wanted to see her naked and vulnerable, to see her in the refuse, the discarded plots of old dreams, the costumes and masks of unattainable states.
It was as if he were drawn irresistably to failure.
" It was hard to keep reading.
I was tired and wanted to give up.
The book seemed aware of this.
It hinted at changing the subject.
I waited for you to wake not knowing how long I waited, and it seemed that I was no longer reading.
I heard the wind passing like a stream of sighs and I heard the shiver of leaves in the trees outside the window.
It would be in the book.
Everything would be there.
I looked at your face and I read the eyes, the nose, the mouth .
.
.
5 If only there were a perfect moment in the book; if only we could live in that moment, we could being the book again as if we had not written it, as if we were not in it.
But the dark approaches to any page are too numerous and the escapes are too narrow.
We read through the day.
Each page turning is like a candle moving through the mind.
Each moment is like a hopeless cause.
If only we could stop reading.
"He never wanted to read another book and she kept staring into the street.
The cars were still there, the deep shade of trees covered them.
The shades were drawn in the new house.
Maybe the man who lived there, the man she loved, was reading the story of another life.
She imagine a bare parlor, a cold fireplace, a man sitting writing a letter to a woman who has sacrificed her life for love.
" If there were a perfect moment in the book, it would be the last.
The book never discusses the causes of love.
It claims confusion is a necessary good.
It never explains.
It only reveals.
6 The day goes on.
We study what we remember.
We look into the mirror across the room.
We cannot bear to be alone.
The book goes on.
"They became silent and did not know how to begin the dialogue which was necessary.
It was words that created divisions in the first place, that created loneliness.
They waited they would turn the pages, hoping something would happen.
They would patch up their lives in secret: each defeat forgiven because it could not be tested, each pain rewarded because it was unreal.
They did nothing.
" 7 The book will not survive.
We are the living proof of that.
It is dark outside, in the room it is darker.
I hear your breathing.
You are asking me if I am tired, if I want to keep reading.
Yes, I am tired.
Yes, I want to keep reading.
I say yes to everything.
You cannot hear me.
"They sat beside each other on the couch.
They were the copies, the tired phantoms of something they had been before.
The attitudes they took were jaded.
They stared into the book and were horrified by their innocence, their reluctance to give up.
They sat beside each other on the couch.
They were determined to accept the truth.
Whatever it was they would accept it.
The book would have to be written and would have to be read.
They are the book and they are nothing else.
Written by A R Ammons | Create an image from this poem

Identity

 1) An individual spider web
identifies a species:

an order of instinct prevails
 through all accidents of circumstance,
  though possibility is
high along the peripheries of
spider
   webs:
   you can go all
  around the fringing attachments

  and find
disorder ripe,
entropy rich, high levels of random,
 numerous occasions of accident:

2) the possible settings
of a web are infinite:

 how does
the spider keep
  identity
 while creating the web
 in a particular place?

 how and to what extent
  and by what modes of chemistry
  and control?

it is
wonderful
 how things work: I will tell you
   about it
   because

it is interesting
and because whatever is
moves in weeds
 and stars and spider webs
and known
   is loved:
  in that love,
  each of us knowing it,
  I love you,

for it moves within and beyond us,
  sizzles in
to winter grasses, darts and hangs with bumblebees
by summer windowsills:

   I will show you
the underlying that takes no image to itself,
 cannot be shown or said,
but weaves in and out of moons and bladderweeds,
   is all and
 beyond destruction
 because created fully in no
particular form:

   if the web were perfectly pre-set,
   the spider could
  never find
  a perfect place to set it in: and

   if the web were
perfectly adaptable,
if freedom and possibility were without limit,
   the web would
lose its special identity:

 the row-strung garden web
keeps order at the center
where space is freest (intersecting that the freest
  "medium" should
  accept the firmest order)

and that
order
   diminishes toward the
periphery
 allowing at the points of contact
  entropy equal to entropy.
Written by Jorie Graham | Create an image from this poem

The Guardian Angel Of The Little Utopia

 Shall I move the flowers again?
Shall I put them further to the left
into the light?
Win that fix it, will that arrange the
thing?
Yellow sky.
Faint cricket in the dried-out bush.
As I approach, my footfall in the leaves drowns out the cricket-chirping I was coming close to hear Yellow sky with black leaves rearranging it.
Wind rearranging the black leaves in it.
But anyway I am indoors, of course, and this is a pane, here, and I have arranged the flowers for you again.
Have taken the dead cordless ones, the yellow bits past apogee, the faded cloth, the pollen-free abandoned marriage-hymn back out, leaving the few crisp blooms to swagger, winglets, limpid debris Shall I arrange these few remaining flowers? Shall I rearrange these gossamer efficiencies? Please don't touch me with your skin.
Please let the thing evaporate.
Please tell me clearly what it is.
The party is so loud downstairs, bristling with souvenirs.
It's a philosophy of life, of course, drinks fluorescent, whips of syntax in the air above the heads -- how small they seem from here, the bobbing universal heads, stuffing the void with eloquence, and also tiny merciless darts of truth.
It's pulled on tight, the air they breathe and rip.
It's like a prize the way it's stretched on tight over the voices, keeping them intermingling, forcing the breaths to marry, marry, cunning little hermeneutic cupola, dome of occasion in which the thoughts re- group, the footprints stall and gnaw in tiny ruts, the napkins wave, are waved , the honeycombing thoughts are felt to dialogue, a form of self- congratulation, no?, or is it suffering? I'm a bit dizzy up here rearranging things, they will come up here soon, and need a setting for their fears, and loves, an architecture for their evolutionary morphic needs -- what will they need if I don't make the place? -- what will they know to miss?, what cry out for, what feel the bitter restless irritations for? A bit dizzy from the altitude of everlastingness, the tireless altitudes of the created place, in which to make a life -- a liberty -- the hollow, fetishized, and starry place, a bit gossamer with dream, a vortex of evaporations, oh little dream, invisible city, invisible hill I make here on the upper floors for you -- down there, where you are entertained, where you are passing time, there's glass and moss on air, there's the feeling of being numerous, mouths submitting to air, lips to protocol, and dreams of sense, tongues, hinges, forceps clicking in anticipation ofas if the moment, freeze-burned by accuracies--of could be thawed open into life again by gladnesses, by rectitude -- no, no -- by the sinewy efforts at sincerity -- can't you feel it gliding round you, mutating, yielding the effort-filled phrases of your talk to air, compounding, stemming them, honeying-open the sheerest innuendoes till the rightness seems to root, in the air, in the compact indoor sky, and the rest, all round, feels like desert, falls away, and you have the sensation of muscular timeliness,and you feel the calligraphic in you reach out like a soul into the midst of others, in conversation, gloved by desire, into the tiny carnage of opinionsSo dizzy.
Life buzzing beneath me though my feeling says the hive is gone, queen gone, the continuum continuing beneath, busy, earnest, in con- versation.
Shall I prepare.
Shall I put this further to the left, shall I move the light, the point-of-view, the shades are drawn, to cast a glow resembling disappearance, slightly red, will that fix it, will that make clear the task, the trellised ongoingness and all these tiny purposes, these parables, this marketplace of tightening truths? Oh knit me that am crumpled dust, the heap is all dispersed.
Knit me that am.
Say therefore.
Say philosophy and mean by that the pane.
Let us look out again.
The yellow sky.
With black leaves rearranging it
Written by Delmore Schwartz | Create an image from this poem

Spiders

 Is the spider a monster in miniature?
His web is a cruel stair, to be sure,
Designed artfully, cunningly placed,
A delicate trap, carefully spun
To bind the fly (innocent or unaware)
In a net as strong as a chain or a gun.
There are far more spiders than the man in the street supposes And the philosopher-king imagines, let alone knows! There are six hundred kinds of spiders and each one Differs in kind and in unkindness.
In variety of behavior spiders are unrivalled: The fat garden spider sits motionless, amidst or at the heart Of the orb of its web: other kinds run, Scuttling across the floor, falling into bathtubs, Trapped in the path of its own wrath, by overconfidence drowned and undone.
Other kinds - more and more kinds under the stars and the sun - Are carnivores: all are relentless, ruthless Enemies of insects.
Their methods of getting food Are unconventional, numerous, various and sometimes hilarious: Some spiders spin webs as beautiful As Japanese drawings, intricate as clocks, strong as rocks: Others construct traps which consist only Of two sticky and tricky threads.
Yet this ambush is enough To bind and chain a crawling ant for long enough: The famished spider feels the vibration Which transforms patience into sensation and satiation.
The handsome wolf spider moves suddenly freely and relies Upon lightning suddenness, stealth and surprise, Possessing accurate eyes, pouncing upon his victim with the speed of surmise.
Courtship is dangerous: there are just as many elaborate and endless techniques and varieties As characterize the wooing of more analytic, more introspective beings: Sometimes the male Arrives with the gift of a freshly caught fly.
Sometimes he ties down the female, when she is frail, With deft strokes and quick maneuvres and threads of silk: But courtship and wooing, whatever their form, are informed By extreme caution, prudence, and calculation, For the female spider, lazier and fiercer than the male suitor, May make a meal of him if she does not feel in the same mood, or if her appetite Consumes her far more than the revelation of love's consummation.
Here among spiders, as in the higher forms of nature, The male runs a terrifying risk when he goes seeking for the bounty of beautiful Alma Magna Mater: Yet clearly and truly he must seek and find his mate and match like every other living creature!


Written by Joseph Brodsky | Create an image from this poem

To Urania

 Everything has its limit, including sorrow.
A windowpane stalls a stare.
Nor does a grill abandon a leaf.
One may rattle the keys, gurgle down a swallow.
Loneless cubes a man at random.
A camel sniffs at the rail with a resentful nostril; a perspective cuts emptiness deep and even.
And what is space anyway if not the body's absence at every given point? That's why Urania's older sister Clio! in daylight or with the soot-rich lantern, you see the globe's pate free of any bio, you see she hides nothing, unlike the latter.
There they are, blueberry-laden forests, rivers where the folk with bare hands catch sturgeon or the towns in whose soggy phone books you are starring no longer; father eastward surge on brown mountain ranges; wild mares carousing in tall sedge; the cheeckbones get yellower as they turn numerous.
And still farther east, steam dreadnoughts or cruisers, and the expanse grows blue like lace underwear.
Written by Andre Breton | Create an image from this poem

Less Time

 Less time than it takes to say it, less tears than it takes to die; I've taken account of everything,
there you have it.
I've made a census of the stones, they are as numerous as my fingers and some others; I've distributed some pamphlets to the plants, but not all were willing to accept them.
I've kept company with music for a second only and now I no longer know what to think of suicide, for if I ever want to part from myself, the exit is on this side and, I add mischievously, the entrance, the re-entrance is on the other.
You see what you still have to do.
Hours, grief, I don't keep a reasonable account of them; I'm alone, I look out of the window; there is no passerby, or rather no one passes (underline passes).
You don't know this man? It's Mr.
Same.
May I introduce Madam Madam? And their children.
Then I turn back on my steps, my steps turn back too, but I don't know exactly what they turn back on.
I consult a schedule; the names of the towns have been replaced by the names of people who have been quite close to me.
Shall I go to A, return to B, change at X? Yes, of course I'll change at X.
Provided I don't miss the connection with boredom! There we are: boredom, beautiful parallels, ah! how beautiful the parallels are under God's perpendicular.
Written by James Tate | Create an image from this poem

Days of Pie and Coffee

 A motorist once said to me, 
and this was in the country, 
on a county lane, a motorist 
slowed his vehicle as I was 
walking my dear old collie,
Sithney, by the side of the road, 
and the motorist came to a halt 
mildly alarming both Sithney and myself, 
not yet accustomed to automobiles, 
and this particular motorist 
sent a little spasm of fright up our spines, 
which in turn panicked the driver a bit 
and it seemed as if we were off to a bad start, 
and that's when Sithney began to bark 
and the man could not be heard, that is, 
if he was speaking or trying to speak 
because I was commanding Sithnewy to be silent, 
though, indeed I was sympathetic 
to his emotional excitement.
It was, as I recall, a day of prodigious beauty.
April 21, 1932--clouds like the inside of your head explained.
Bluebirds, too numerous to mention.
The clover calling you by name.
And fields oozing green.
And this motorist from nowhere moving his lips like the wings of a butterfly and nothing coming out, and Sithney silent now.
He was no longer looking at us, but straight ahead where his election was in doubt.
"That's a fine dog," he said.
"Collies are made in heaven.
" Well, if I were a voting man I'd vote for you, I said.
"A bedoozling day to be lost in the country, I say.
Leastways, I am a misplaced individual.
" We introduced ourselves and swapped a few stories.
He was a veteran and a salesmen who didn't believe in his product-- I've forgotten what it was--hair restorer, parrot feed--and he enjoyed nothing more then a a day spent meandering the back roads in his jalopy.
I gave him directions to the Denton farm, but I doubt that he followed them, he didn't seem to be listening, and it was getting late and Sithney had an idea of his own and I don't know why I am remembering this now, just that he summed himself up by saying "I've missed too many boats" and all these years later I keep thinking that was a man who loved to miss boats, but he didn't miss them that much.
Written by Ralph Waldo Emerson | Create an image from this poem

Threnody

 The south-wind brings
Life, sunshine, and desire,
And on every mount and meadow
Breathes aromatic fire,
But over the dead he has no power,
The lost, the lost he cannot restore,
And, looking over the hills, I mourn
The darling who shall not return.
I see my empty house, I see my trees repair their boughs, And he, —the wondrous child, Whose silver warble wild Outvalued every pulsing sound Within the air's cerulean round, The hyacinthine boy, for whom Morn well might break, and April bloom, The gracious boy, who did adorn The world whereinto he was born, And by his countenance repay The favor of the loving Day, Has disappeared from the Day's eye; Far and wide she cannot find him, My hopes pursue, they cannot bind him.
Returned this day the south-wind searches And finds young pines and budding birches, But finds not the budding man; Nature who lost him, cannot remake him; Fate let him fall, Fate can't retake him; Nature, Fate, men, him seek in vain.
And whither now, my truant wise and sweet, Oh, whither tend thy feet? I had the right, few days ago, Thy steps to watch, thy place to know; How have I forfeited the right? Hast thou forgot me in a new delight? I hearken for thy household cheer, O eloquent child! Whose voice, an equal messenger, Conveyed thy meaning mild.
What though the pains and joys Whereof it spoke were toys Fitting his age and ken;— Yet fairest dames and bearded men, Who heard the sweet request So gentle, wise, and grave, Bended with joy to his behest, And let the world's affairs go by, Awhile to share his cordial game, Or mend his wicker wagon frame, Still plotting how their hungry ear That winsome voice again might hear, For his lips could well pronounce Words that were persuasions.
Gentlest guardians marked serene His early hope, his liberal mien, Took counsel from his guiding eyes To make this wisdom earthly wise.
Ah! vainly do these eyes recall The school-march, each day's festival, When every morn my bosom glowed To watch the convoy on the road;— The babe in willow wagon closed, With rolling eyes and face composed, With children forward and behind, Like Cupids studiously inclined, And he, the Chieftain, paced beside, The centre of the troop allied, With sunny face of sweet repose, To guard the babe from fancied foes, The little Captain innocent Took the eye with him as he went, Each village senior paused to scan And speak the lovely caravan.
From the window I look out To mark thy beautiful parade Stately marching in cap and coat To some tune by fairies played; A music heard by thee alone To works as noble led thee on.
Now love and pride, alas, in vain, Up and down their glances strain.
The painted sled stands where it stood, The kennel by the corded wood, The gathered sticks to stanch the wall Of the snow-tower, when snow should fall, The ominous hole he dug in the sand, And childhood's castles built or planned.
His daily haunts I well discern, The poultry yard, the shed, the barn, And every inch of garden ground Paced by the blessed feet around, From the road-side to the brook; Whereinto he loved to look.
Step the meek birds where erst they ranged, The wintry garden lies unchanged, The brook into the stream runs on, But the deep-eyed Boy is gone.
On that shaded day, Dark with more clouds than tempests are, When thou didst yield thy innocent breath In bird-like heavings unto death, Night came, and Nature had not thee,— I said, we are mates in misery.
The morrow dawned with needless glow, Each snow-bird chirped, each fowl must crow, Each tramper started,— but the feet Of the most beautiful and sweet Of human youth had left the hill And garden,—they were bound and still, There's not a sparrow or a wren, There's not a blade of autumn grain, Which the four seasons do not tend, And tides of life and increase lend, And every chick of every bird, And weed and rock-moss is preferred.
O ostriches' forgetfulness! O loss of larger in the less! Was there no star that could be sent, No watcher in the firmament, No angel from the countless host, That loiters round the crystal coast, Could stoop to heal that only child, Nature's sweet marvel undefiled, And keep the blossom of the earth, Which all her harvests were not worth? Not mine, I never called thee mine, But nature's heir,— if I repine, And, seeing rashly torn and moved, Not what I made, but what I loved.
Grow early old with grief that then Must to the wastes of nature go,— 'Tis because a general hope Was quenched, and all must doubt and grope For flattering planets seemed to say, This child should ills of ages stay,— By wondrous tongue and guided pen Bring the flown muses back to men.
— Perchance, not he, but nature ailed, The world, and not the infant failed, It was not ripe yet, to sustain A genius of so fine a strain, Who gazed upon the sun and moon As if he came unto his own, And pregnant with his grander thought, Brought the old order into doubt.
Awhile his beauty their beauty tried, They could not feed him, and he died, And wandered backward as in scorn To wait an Æon to be born.
Ill day which made this beauty waste; Plight broken, this high face defaced! Some went and came about the dead, And some in books of solace read, Some to their friends the tidings say, Some went to write, some went to pray, One tarried here, there hurried one, But their heart abode with none.
Covetous death bereaved us all To aggrandize one funeral.
The eager Fate which carried thee Took the largest part of me.
For this losing is true dying, This is lordly man's down-lying, This is slow but sure reclining, Star by star his world resigning.
O child of Paradise! Boy who made dear his father's home In whose deep eyes Men read the welfare of the times to come; I am too much bereft; The world dishonored thou hast left; O truths and natures costly lie; O trusted, broken prophecy! O richest fortune sourly crossed; Born for the future, to the future lost! The deep Heart answered, Weepest thou? Worthier cause for passion wild, If I had not taken the child.
And deemest thou as those who pore With aged eyes short way before? Think'st Beauty vanished from the coast Of matter, and thy darling lost? Taught he not thee, — the man of eld, Whose eyes within his eyes beheld Heaven's numerous hierarchy span The mystic gulf from God to man? To be alone wilt thou begin, When worlds of lovers hem thee in? To-morrow, when the masks shall fall That dizen nature's carnival, The pure shall see, by their own will, Which overflowing love shall fill,— 'Tis not within the force of Fate The fate-conjoined to separate.
But thou, my votary, weepest thou? I gave thee sight, where is it now? I taught thy heart beyond the reach Of ritual, Bible, or of speech; Wrote in thy mind's transparent table As far as the incommunicable; Taught thee each private sign to raise Lit by the supersolar blaze.
Past utterance and past belief, And past the blasphemy of grief, The mysteries of nature's heart,— And though no muse can these impart, Throb thine with nature's throbbing breast, And all is clear from east to west.
I came to thee as to a friend, Dearest, to thee I did not send Tutors, but a joyful eye, Innocence that matched the sky, Lovely locks a form of wonder, Laughter rich as woodland thunder; That thou might'st entertain apart The richest flowering of all art; And, as the great all-loving Day Through smallest chambers takes its way, That thou might'st break thy daily bread With Prophet, Saviour, and head; That thou might'st cherish for thine own The riches of sweet Mary's Son, Boy-Rabbi, Israel's Paragon: And thoughtest thou such guest Would in thy hall take up his rest? Would rushing life forget its laws, Fate's glowing revolution pause? High omens ask diviner guess, Not to be conned to tediousness.
And know, my higher gifts unbind The zone that girds the incarnate mind, When the scanty shores are full With Thought's perilous whirling pool, When frail Nature can no more,— Then the spirit strikes the hour, My servant Death with solving rite Pours finite into infinite.
Wilt thou freeze love's tidal flow, Whose streams through nature circling go? Nail the star struggling to its track On the half-climbed Zodiack? Light is light which radiates, Blood is blood which circulates, Life is life which generates, And many-seeming life is one,— Wilt thou transfix and make it none, Its onward stream too starkly pent In figure, bone, and lineament? Wilt thou uncalled interrogate Talker! the unreplying fate? Nor see the Genius of the whole Ascendant in the private soul, Beckon it when to go and come, Self-announced its hour of doom.
Fair the soul's recess and shrine, Magic-built, to last a season, Masterpiece of love benign! Fairer than expansive reason Whose omen 'tis, and sign.
Wilt thou not ope this heart to know What rainbows teach and sunsets show, Verdict which accumulates From lengthened scroll of human fates, Voice of earth to earth returned, Prayers of heart that inly burned; Saying, what is excellent, As God lives, is permanent Hearts are dust, hearts' loves remain, Heart's love will meet thee again.
Revere the Maker; fetch thine eye Up to His style, and manners of the sky.
Not of adamant and gold Built He heaven stark and cold, No, but a nest of bending reeds, Flowering grass and scented weeds, Or like a traveller's fleeting tent, Or bow above the tempest pent, Built of tears and sacred flames, And virtue reaching to its aims; Built of furtherance and pursuing, Not of spent deeds, but of doing.
Silent rushes the swift Lord Through ruined systems still restored, Broad-sowing, bleak and void to bless, Plants with worlds the wilderness, Waters with tears of ancient sorrow Apples of Eden ripe to-morrow; House and tenant go to ground, Lost in God, in Godhead found.
Written by David Lehman | Create an image from this poem

The Difference Between Pepsi And Coke

 Can't swim; uses credit cards and pills to combat
 intolerable feelings of inadequacy;
Won't admit his dread of boredom, chief impulse behind
 numerous marital infidelities;
Looks fat in jeans, mouths clichés with confidence,
 breaks mother's plates in fights;
Buys when the market is too high, and panics during
 the inevitable descent;
Still, Pop can always tell the subtle difference
 between Pepsi and Coke,
Has defined the darkness of red at dawn, memorized
 the splash of poppies along
Deserted railway tracks, and opposed the war in Vietnam
 months before the students,
Years before the politicians and press; give him
 a minute with a road map
And he will solve the mystery of bloodshot eyes;
 transport him to mountaintop
And watch him calculate the heaviness and height
 of the local heavens;
Needs no prompting to give money to his kids; speaks
 French fluently, and tourist German;
Sings Schubert in the shower; plays pinball in Paris;
 knows the new maid steals, and forgives her.

Book: Reflection on the Important Things