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Best Famous Not At All Poems

Here is a collection of the all-time best famous Not At All poems. This is a select list of the best famous Not At All poetry. Reading, writing, and enjoying famous Not At All poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of not at all poems.

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Written by Maya Angelou | Create an image from this poem

Life doesn't frighten me at all

Shadows on the wall
Noises down the hall
Life doesn't frighten me at all
 
Bad dogs barking loud
Big ghosts in a cloud
Life doesn't frighten me at all
 
Mean old Mother Goose
Lions on the loose
They don't frighten me at all
 
Dragons breathing flame
On my counterpane
That doesn't frighten me at all.
 
I go boo
Make them shoo
I make fun
Way they run
I won't cry
So they fly
I just smile
They go wild
 
Life doesn't frighten me at all.
 
Tough guys fight
All alone at night
Life doesn't frighten me at all.
 
Panthers in the park
Strangers in the dark
No, they don't frighten me at all.
 
That new classroom where
Boys all pull my hair
(Kissy little girls
With their hair in curls)
They don't frighten me at all.
 
Don't show me frogs and snakes
And listen for my scream,
If I'm afraid at all
It's only in my dreams.
 
I've got a magic charm
That I keep up my sleeve
I can walk the ocean floor
And never have to breathe.
 
Life doesn't frighten me at all
Not at all
Not at all.
 
Life doesn't frighten me at all.


Written by Derek Walcott | Create an image from this poem

The Star-Apple Kingdom

 There were still shards of an ancient pastoral 
in those shires of the island where the cattle drank 
their pools of shadow from an older sky, 
surviving from when the landscape copied such objects as 
"Herefords at Sunset in the valley of the Wye.
" The mountain water that fell white from the mill wheel sprinkling like petals from the star-apple trees, and all of the windmills and sugar mills moved by mules on the treadmill of Monday to Monday, would repeat in tongues of water and wind and fire, in tongues of Mission School pickaninnies, like rivers remembering their source, Parish Trelawny, Parish St David, Parish St Andrew, the names afflicting the pastures, the lime groves and fences of marl stone and the cattle with a docile longing, an epochal content.
And there were, like old wedding lace in an attic, among the boas and parasols and the tea-colored daguerreotypes, hints of an epochal happiness as ordered and infinite to the child as the great house road to the Great House down a perspective of casuarinas plunging green manes in time to the horses, an orderly life reduced by lorgnettes day and night, one disc the sun, the other the moon, reduced into a pier glass: nannies diminished to dolls, mahogany stairways no larger than those of an album in which the flash of cutlery yellows, as gamboge as the piled cakes of teatime on that latticed bougainvillea verandah that looked down toward a prospect of Cuyp-like Herefords under a sky lurid as a porcelain souvenir with these words: "Herefords at Sunset in the Valley of the Wye.
" Strange, that the rancor of hatred hid in that dream of slow rivers and lily-like parasols, in snaps of fine old colonial families, curled at the edge not from age of from fire or the chemicals, no, not at all, but because, off at its edges, innocently excluded stood the groom, the cattle boy, the housemaid, the gardeners, the tenants, the good ******* down in the village, their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly all night, that was bringing in heavier clouds, more black smoke than cloud, frightening the cattle in whose bulging eyes the Great House diminished; a scorching wind of a scream that began to extinguish the fireflies, that dried the water mill creaking to a stop as it was about to pronounce Parish Trelawny all over, in the ancient pastoral voice, a wind that blew all without bending anything, neither the leaves of the album nor the lime groves; blew Nanny floating back in white from a feather to a chimerical, chemical pin speck that shrank the drinking Herefords to brown porcelain cows on a mantelpiece, Trelawny trembling with dusk, the scorched pastures of the old benign Custos; blew far the decent servants and the lifelong cook, and shriveled to a shard that ancient pastoral of dusk in a gilt-edged frame now catching the evening sun in Jamaica, making both epochs one.
He looked out from the Great House windows on clouds that still held the fragrance of fire, he saw the Botanical Gardens officially drown in a formal dusk, where governors had strolled and black gardeners had smiled over glinting shears at the lilies of parasols on the floating lawns, the flame trees obeyed his will and lowered their wicks, the flowers tightened their fists in the name of thrift, the porcelain lamps of ripe cocoa, the magnolia's jet dimmed on the one circuit with the ginger lilies and left a lonely bulb on the verandah, and, had his mandate extended to that ceiling of star-apple candelabra, he would have ordered the sky to sleep, saying, I'm tired, save the starlight for victories, we can't afford it, leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended from tangerine daybreaks to star-apple dusks, his hand could not dam that ceaseless torrent of dust that carried the shacks of the poor, to their root-rock music, down the gullies of Yallahs and August Town, to lodge them on thorns of maca, with their rags crucified by cactus, tins, old tires, cartons; from the black Warieka Hills the sky glowed fierce as the dials of a million radios, a throbbing sunset that glowed like a grid where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music of the country dancers, the fiddlers like fifes put aside.
He had to heal this malarial island in its bath of bay leaves, its forests tossing with fever, the dry cattle groaning like winches, the grass that kept shaking its head to remember its name.
No vowels left in the mill wheel, the river.
Rock stone.
Rock stone.
The mountains rolled like whales through phosphorous stars, as he swayed like a stone down fathoms into sleep, drawn by that magnet which pulls down half the world between a star and a star, by that black power that has the assassin dreaming of snow, that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls his mind is a mill wheel in moonlight, and he hears, in the sleep of his moonlight, the drowned bell of Port Royal's cathedral, sees the copper pennies of bubbles rising from the empty eye-pockets of green buccaneers, the parrot fish floating from the frayed shoulders of pirates, sea horses drawing gowned ladies in their liquid promenade across the moss-green meadows of the sea; he heard the drowned choirs under Palisadoes, a hymn ascending to earth from a heaven inverted by water, a crab climbing the steeple, and he climbed from that submarine kingdom as the evening lights came on in the institute, the scholars lamplit in their own aquarium, he saw them mouthing like parrot fish, as he passed upward from that baptism, their history lessons, the bubbles like ideas which he could not break: Jamaica was captured by Penn and Venables, Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals from Santiago to Caracas, where penitential archbishops washed the feet of paupers (a parenthetical moment that made the Caribbean a baptismal font, turned butterflies to stone, and whitened like doves the buzzards circling municipal garbage), the Caribbean was borne like an elliptical basin in the hands of acolytes, and a people were absolved of a history which they did not commit; the slave pardoned his whip, and the dispossessed said the rosary of islands for three hundred years, a hymn that resounded like the hum of the sea inside a sea cave, as their knees turned to stone, while the bodies of patriots were melting down walls still crusted with mute outcries of La Revolucion! "San Salvador, pray for us,St.
Thomas, San Domingo, ora pro nobis, intercede for us, Sancta Lucia of no eyes," and when the circular chaplet reached the last black bead of Sancta Trinidad they began again, their knees drilled into stone, where Colon had begun, with San Salvador's bead, beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle, ulcers formed on the municipal portraits, the hotels went up, and the casinos and brothels, and the empires of tobacco, sugar, and bananas, until a black woman, shawled like a buzzard, climbed up the stairs and knocked at the door of his dream, whispering in the ear of the keyhole: "Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.
" She was as beautiful as a stone in the sunrise, her voice had the gutturals of machine guns across khaki deserts where the cactus flower detonates like grenades, her sex was the slit throat of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out by the wind of revolution, La Madre Dolorosa, a black rose of sorrow, a black mine of silence, raped wife, empty mother, Aztec virgin transfixed by arrows from a thousand guitars, a stone full of silence, which, if it gave tongue to the tortures done in the name of the Father, would curdle the blood of the marauding wolf, the fountain of generals, poets, and cripples who danced without moving over their graves with each revolution; her Caesarean was stitched by the teeth of machine guns,and every sunset she carried the Caribbean's elliptical basin as she had once carried the penitential napkins to be the footbath of dictators, Trujillo, Machado, and those whose faces had yellowed like posters on municipal walls.
Now she stroked his hair until it turned white, but she would not understand that he wanted no other power but peace, that he wanted a revolution without any bloodshed, he wanted a history without any memory, streets without statues, and a geography without myth.
He wanted no armies but those regiments of bananas, thick lances of cane, and he sobbed,"I am powerless, except for love.
" She faded from him, because he could not kill; she shrunk to a bat that hung day and night in the back of his brain.
He rose in his dream.
(to be continued)
Written by Louisa May Alcott | Create an image from this poem

The Lay of a Golden Goose

 Long ago in a poultry yard 
One dull November morn, 
Beneath a motherly soft wing 
A little goose was born.
Who straightway peeped out of the shell To view the world beyond, Longing at once to sally forth And paddle in the pond.
"Oh! be not rash," her father said, A mild Socratic bird; Her mother begged her not to stray With many a warning word.
But little goosey was perverse, And eagerly did cry, "I've got a lovely pair of wings, Of course I ought to fly.
" In vain parental cacklings, In vain the cold sky's frown, Ambitious goosey tried to soar, But always tumbled down.
The farmyard jeered at her attempts, The peacocks screamed, "Oh fie! You're only a domestic goose, So don't pretend to fly.
" Great cock-a-doodle from his perch Crowed daily loud and clear, "Stay in the puddle, foolish bird, That is your proper sphere," The ducks and hens said, one and all, In gossip by the pool, "Our children never play such pranks; My dear, that fowl's a fool.
" The owls came out and flew about, Hooting above the rest, "No useful egg was ever hatched From transcendental nest.
" Good little goslings at their play And well-conducted chicks Were taught to think poor goosey's flights Were naughty, ill-bred tricks.
They were content to swim and scratch, And not at all inclined For any wild goose chase in search Of something undefined.
Hard times she had as one may guess, That young aspiring bird, Who still from every fall arose Saddened but undeterred.
She knew she was no nightingale Yet spite of much abuse, She longed to help and cheer the world, Although a plain gray goose She could not sing, she could not fly, Nor even walk, with grace, And all the farmyard had declared A puddle was her place.
But something stronger than herself Would cry, "Go on, go on! Remember, though an humble fowl, You're cousin to a swan.
" So up and down poor goosey went, A busy, hopeful bird.
Searched many wide unfruitful fields, And many waters stirred.
At length she came unto a stream Most fertile of all Niles, Where tuneful birds might soar and sing Among the leafy isles.
Here did she build a little nest Beside the waters still, Where the parental goose could rest Unvexed by any bill.
And here she paused to smooth her plumes, Ruffled by many plagues; When suddenly arose the cry, "This goose lays golden eggs.
" At once the farmyard was agog; The ducks began to quack; Prim Guinea fowls relenting called, "Come back, come back, come back.
" Great chanticleer was pleased to give A patronizing crow, And the contemptuous biddies clucked, "I wish my chicks did so.
" The peacocks spread their shining tails, And cried in accents soft, "We want to know you, gifted one, Come up and sit aloft.
" Wise owls awoke and gravely said, With proudly swelling breasts, "Rare birds have always been evoked From transcendental nests!" News-hunting turkeys from afar Now ran with all thin legs To gobble facts and fictions of The goose with golden eggs.
But best of all the little fowls Still playing on the shore, Soft downy chicks and goslings gay, Chirped out, "Dear Goose, lay more.
" But goosey all these weary years Had toiled like any ant, And wearied out she now replied "My little dears, I can't.
"When I was starving, half this corn Had been of vital use, Now I am surfeited with food Like any Strasbourg goose.
" So to escape too many friends, Without uncivil strife, She ran to the Atlantic pond And paddled for her life.
Soon up among the grand old Alps She found two blessed things, The health she had so nearly lost, And rest for weary limbs.
But still across the briny deep Couched in most friendly words, Came prayers for letters, tales, or verse From literary birds.
Whereat the renovated fowl With grateful thanks profuse, Took from her wing a quill and wrote This lay of a Golden Goose.
Written by Robert William Service | Create an image from this poem

The Ballad Of Caseys Billy-Goat

 You've heard of "Casey at The Bat,"
 And "Casey's Tabble Dote";
 But now it's time
 To write a rhyme
 Of "Casey's Billy-goat.
" Pat Casey had a billy-goat he gave the name of Shamus, Because it was (the neighbours said) a national disgrace.
And sure enough that animal was eminently famous For masticating every rag of laundry round the place.
For shirts to skirts prodigiously it proved its powers of chewing; The question of digestion seemed to matter not at all; But you'll agree, I think with me, its limit of misdoing Was reached the day it swallowed Missis Rooney's ould red shawl.
Now Missis Annie Rooney was a winsome widow women, And many a bouncing boy had sought to make her change her name; And living just across the way 'twas surely only human A lonesome man like Casey should be wishfully the same.
So every Sunday, shaved and shined, he'd make the fine occasion To call upon the lady, and she'd take his and coat; And supping tea it seemed that she might yield to his persuasion, But alas! he hadn't counted on that devastating goat.
For Shamus loved his master with a deep and dumb devotion, And everywhere that Casey went that goat would want to go; And though I cannot analyze a quadruped's emotion, They said the baste was jealous, and I reckon it was so.
For every time that Casey went to call on Missis Rooney, Beside the gate the goat would wait with woefulness intense; Until one day it chanced that they were fast becoming spooney, When Shamus spied that ould red shawl a-flutter on the fence.
Now Missis Rooney loved that shawl beyond all rhyme or reason, And maybe 'twas an heirloom or a cherished souvenir; For judging by the way she wore it season after season, I might have been as precious as a product of Cashmere.
So Shamus strolled towards it, and no doubt the colour pleased him, For he biffed it and he sniffed it, as most any goat might do; Then his melancholy vanished as a sense of hunger seized him, And he wagged his tail with rapture as he started in to chew.
"Begorrah! you're a daisy," said the doting Mister Casey to the blushing Widow Rooney as they parted at the door.
"Wid yer tinderness an' tazin' sure ye've set me heart a-blazin', And I dread the day I'll nivver see me Anniw anny more.
" "Go on now wid yer blarney," said the widow softly sighing; And she went to pull his whiskers, when dismay her bosom smote.
.
.
.
Her ould red shawl! 'Twas missin' where she'd left it bravely drying - Then she saw it disappearing - down the neck of Casey's goat.
Fiercely flamed her Irish temper, "Look!" says she, "The thavin' divvle! Sure he's made me shawl his supper.
Well, I hope it's to his taste; But excuse me, Mister Casey, if I seem to be oncivil, For I'll nivver wed a man wid such a misbegotten baste.
" So she slammed the door and left him in a state of consternation, And he couldn't understand it, till he saw that grinning goat: Then with eloquence he cussed it, and his final fulmination Was a poem of profanity impossible to quote.
So blasting goats and petticoats and feeling downright sinful, Despairfully he wandered in to Shinnigan's shebeen; And straightway he proceeded to absorb a might skinful Of the deadliest variety of Shinnigan's potheen.
And when he started homeward it was in the early morning, But Shamus followed faithfully, a yard behind his back; Then Casey slipped and stumbled, and without the slightest warning like a lump of lead he tumbled - right across the railroad track.
And there he lay, serenely, and defied the powers to budge him, Reposing like a baby, with his head upon the rail; But Shamus seemed unhappy, and from time to time would nudge him, Though his prods to protestation were without the least avail.
Then to that goatish mind, maybe, a sense of fell disaster Came stealing like a spectre in the dim and dreary dawn; For his bleat of warning blended with the snoring of his master In a chorus of calamity - but Casey slumbered on.
Yet oh, that goat was troubled, for his efforts were redoubled; Now he tugged at Casey's whisker, now he nibbled at his ear; Now he shook him by the shoulder, and with fear become bolder, He bellowed like a fog-horn, but the sleeper did not hear.
Then up and down the railway line he scampered for assistance; But anxiously he hurried back and sought with tug and strain To pull his master off the track .
.
.
when sudden! in the distance He heard the roar and rumble of the fast approaching train.
Did Shamus faint and falter? No, he stood there stark and splendid.
True, his tummy was distended, but he gave his horns a toss.
By them his goathood's honour would be gallantly defended, And if their valour failed him - he would perish with his boss So dauntlessly he lowered his head, and ever clearer, clearer, He heard the throb and thunder of the Continental Mail.
He would face the mighty monster.
It was coming nearer, nearer; He would fight it, he would smite it, but he'd never show his tail.
Can you see that hirsute hero, standing there in tragic glory? Can you hear the Pullman porters shrieking horror to the sky? No, you can't; because my story has no end so grim and gory, For Shamus did not perish and his master did not die.
At this very present moment Casey swaggers hale and hearty, And Shamus strolls beside him with a bright bell at his throat; While recent Missis Rooney is the gayest of the party, For now she's Missis Casey and she's crazy for that goat.
You're wondering what happened? Well, you know that truth is stranger Than the wildest brand of fiction, so Ill tell you without shame.
.
.
.
There was Shamus and his master in the face of awful danger, And the giant locomotive dashing down in smoke and flame.
.
.
.
What power on earth could save them? Yet a golden inspiration To gods and goats alike may come, so in that brutish brain A thought was born - the ould red shawl.
.
.
.
Then rearing with elation, Like lightning Shamus threw it up - AND FLAGGED AND STOPPED THE TRAIN.
Written by Edward Estlin (E E) Cummings | Create an image from this poem

Anyone Lived In A Pretty How Town

anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did

Women and men(both little and samll)
cared for anyone not at all
they sowed their isn't they reaped their
same
sun moon stars rain

children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more

when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her

someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream

stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)

one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was

all by all and deep by deep
and more by moe they dream their sleep
noone and anyone earth by april

wish by spirit and if by yes

Women and men(both dong and ding)
summer sutumn winter spring
reaped their sowing and went their came
sun moon stars rain


Written by Jane Kenyon | Create an image from this poem

Having it Out with Melancholy

 1FROM THE NURSERY


When I was born, you waited 
behind a pile of linen in the nursery, 
and when we were alone, you lay down 
on top of me, pressing
the bile of desolation into every pore.
And from that day on everything under the sun and moon made me sad -- even the yellow wooden beads that slid and spun along a spindle on my crib.
You taught me to exist without gratitude.
You ruined my manners toward God: "We're here simply to wait for death; the pleasures of earth are overrated.
" I only appeared to belong to my mother, to live among blocks and cotton undershirts with snaps; among red tin lunch boxes and report cards in ugly brown slipcases.
I was already yours -- the anti-urge, the mutilator of souls.
2BOTTLES Elavil, Ludiomil, Doxepin, Norpramin, Prozac, Lithium, Xanax, Wellbutrin, Parnate, Nardil, Zoloft.
The coated ones smell sweet or have no smell; the powdery ones smell like the chemistry lab at school that made me hold my breath.
3SUGGESTION FROM A FRIEND You wouldn't be so depressed if you really believed in God.
4OFTEN Often I go to bed as soon after dinner as seems adult (I mean I try to wait for dark) in order to push away from the massive pain in sleep's frail wicker coracle.
5ONCE THERE WAS LIGHT Once, in my early thirties, I saw that I was a speck of light in the great river of light that undulates through time.
I was floating with the whole human family.
We were all colors -- those who are living now, those who have died, those who are not yet born.
For a few moments I floated, completely calm, and I no longer hated having to exist.
Like a crow who smells hot blood you came flying to pull me out of the glowing stream.
"I'll hold you up.
I never let my dear ones drown!" After that, I wept for days.
6IN AND OUT The dog searches until he finds me upstairs, lies down with a clatter of elbows, puts his head on my foot.
Sometimes the sound of his breathing saves my life -- in and out, in and out; a pause, a long sigh.
.
.
.
7PARDON A piece of burned meat wears my clothes, speaks in my voice, dispatches obligations haltingly, or not at all.
It is tired of trying to be stouthearted, tired beyond measure.
We move on to the monoamine oxidase inhibitors.
Day and night I feel as if I had drunk six cups of coffee, but the pain stops abruptly.
With the wonder and bitterness of someone pardoned for a crime she did not commit I come back to marriage and friends, to pink fringed hollyhocks; come back to my desk, books, and chair.
8CREDO Pharmaceutical wonders are at work but I believe only in this moment of well-being.
Unholy ghost, you are certain to come again.
Coarse, mean, you'll put your feet on the coffee table, lean back, and turn me into someone who can't take the trouble to speak; someone who can't sleep, or who does nothing but sleep; can't read, or call for an appointment for help.
There is nothing I can do against your coming.
When I awake, I am still with thee.
9WOOD THRUSH High on Nardil and June light I wake at four, waiting greedily for the first note of the wood thrush.
Easeful air presses through the screen with the wild, complex song of the bird, and I am overcome by ordinary contentment.
What hurt me so terribly all my life until this moment? How I love the small, swiftly beating heart of the bird singing in the great maples; its bright, unequivocal eye.
Written by Philip Larkin | Create an image from this poem

Best Society

 When I was a child, I thought,
Casually, that solitude
Never needed to be sought.
Something everybody had, Like nakedness, it lay at hand, Not specially right or specially wrong, A plentiful and obvious thing Not at all hard to understand.
Then, after twenty, it became At once more difficult to get And more desired - though all the same More undesirable; for what You are alone has, to achieve The rank of fact, to be expressed In terms of others, or it's just A compensating make-believe.
Much better stay in company! To love you must have someone else, Giving requires a legatee, Good neighbours need whole parishfuls Of folk to do it on - in short, Our virtues are all social; if, Deprived of solitude, you chafe, It's clear you're not the virtuous sort.
Viciously, then, I lock my door.
The gas-fire breathes.
The wind outside Ushers in evening rain.
Once more Uncontradicting solitude Supports me on its giant palm; And like a sea-anemone Or simple snail, there cautiously Unfolds, emerges, what I am.
Written by Allama Muhammad Iqbal | Create an image from this poem

A Mothers Dream

One night while sleeping
I dreamt
Seeing which I began
To get impatient

I saw that
To a place I am going
Where everywhere was dark
And paths are not reaching

As I proceeded
With the confidence I gathered
A queue I saw
Where boys had assembled

Emerald-like garment
They were wearing
In every hand
A little lamp was burning

Without making any noise
To and fro they were moving
Lord alone knows
Where exactly were they going?

While in this thought
My son did I find
Standing in this set
And left behind.
He was at the back 'coz he was not quick.
The lamp in his hand Was not getting burnt.
I said 'Dear One! Remember me.
Leaving me behind, Where have you come? Restless I am In your separation Enjoining I am A necklace of tears To us you have showed No concern at all The wound once healed Loyal you are not at all When saw the children My fret and fume Turning his face The reply came If you are sad When from you I separate Neither for your lad Is there any profit (in separation)! Saying this, the child For sometime remained quiet.
Then lamp in his hand held He spoke thus: Are you wondering, What to this is happening? Your tears flowing Has barred it from burning.
Written by Algernon Charles Swinburne | Create an image from this poem

A Watch In The Night

 Watchman, what of the night? - 
Storm and thunder and rain, 
Lights that waver and wane,
Leaving the watchfires unlit.
Only the balefires are bright, And the flash of the lamps now and then From a palace where spoilers sit, Trampling the children of men.
Prophet, what of the night? - I stand by the verge of the sea, Banished, uncomforted, free, Hearing the noise of the waves And sudden flashes that smite Some man's tyrannous head, Thundering, heard among graves That hide the hosts of his dead.
Mourners, what of the night? - All night through without sleep We weep, and we weep, and we weep.
Who shall give us our sons ? Beaks of raven and kite, Mouths of wolf and of hound, Give us them back whom the guns Shot for you dead on the ground.
Dead men, what of the night? - Cannon and scaffold and sword, Horror of gibbet and cord, Mowed us as sheaves for the grave, Mowed us down for the right.
We do not grudge or repent.
Freely to freedom we gave Pledges, till life should be spent.
Statesman, what of the night? - The night will last me my time.
The gold on a crown or a crime Looks well enough yet by the lamps.
Have we not fingers to write, Lips to swear at a need? Then, when danger decamps, Bury the word with the deed.
Warrior, what of the night? - Whether it be not or be Night, is as one thing to me.
I for one, at the least, Ask not of dews if they blight, Ask not of flames if they slay, Ask not of prince or of priest How long ere we put them away.
Master, what of the night? - Child, night is not at all Anywhere, fallen or to fall, Save in our star-stricken eyes.
Forth of our eyes it takes flight, Look we but once nor before Nor behind us, but straight on the skies; Night is not then any more.
Exile, what of the night? - The tides and the hours run out, The seasons of death and of doubt, The night-watches bitter and sore.
In the quicksands leftward and right My feet sink down under me; But I know the scents of the shore And the broad blown breaths of the sea.
Captives, what of the night? - It rains outside overhead Always, a rain that is red, And our faces are soiled with the rain.
Here in the seasons' despite Day-time and night-time are one, Till the curse of the kings and the chain Break, and their toils be undone.
Christian, what of the night? - I cannot tell; I am blind.
I halt and hearken behind If haply the hours will go back And return to the dear dead light, To the watchfires and stars that of old Shone where the sky now is black, Glowed where the earth now is cold.
High priest, what of the night? - The night is horrible here With haggard faces and fear, Blood, and the burning of fire.
Mine eyes are emptied of sight, Mine hands are full of the dust, If the God of my faith be a liar, Who is it that I shall trust? Princes, what of the night? - Night with pestilent breath Feeds us, children of death, Clothes us close with her gloom.
Rapine and famine and fright Crouch at our feet and are fed.
Earth where we pass is a tomb, Life where we triumph is dead.
Martyrs, what of the night? - Nay, is it night with you yet? We, for our part, we forget What night was, if it were.
The loud red mouths of the fight Are silent and shut where we are.
In our eyes the tempestuous air Shines as the face of a star.
England, what of the night? - Night is for slumber and sleep, Warm, no season to weep.
Let me alone till the day.
Sleep would I still if I might, Who have slept for two hundred years.
Once I had honour, they say; But slumber is sweeter than tears.
France, what of the night? - Night is the prostitute's noon, Kissed and drugged till she swoon, Spat upon, trod upon, whored.
With bloodred rose-garlands dight, Round me reels in the dance Death, my saviour, my lord, Crowned; there is no more France.
Italy, what of the night? - Ah, child, child, it is long! Moonbeam and starbeam and song Leave it dumb now and dark.
Yet I perceive on the height Eastward, not now very far, A song too loud for the lark, A light too strong for a star.
Germany, what of the night ? - Long has it lulled me with dreams; Now at midwatch, as it seems, Light is brought back to mine eyes, And the mastery of old and the might Lives in the joints of mine hands, Steadies my limbs as they rise, Strengthens my foot as it stands.
Europe, what of the night ? - Ask of heaven, and the sea, And my babes on the bosom of me, Nations of mine, but ungrown.
There is one who shall surely requite All that endure or that err: She can answer alone: Ask not of me, but of her.
Liberty, what of the night ? - I feel not the red rains fall, Hear not the tempest at all, Nor thunder in heaven any more.
All the distance is white With the soundless feet of the sun.
Night, with the woes that it wore, Night is over and done.
Written by Rudyard Kipling | Create an image from this poem

Justice

 October, 1918
Across a world where all men grieve
 And grieving strive the more,
The great days range like tides and leave
 Our dead on every shore.
Heavy the load we undergo, And our own hands prepare, If we have parley with the foe, The load our sons must bear.
Before we loose the word That bids new worlds to birth, Needs must we loosen first the sword Of Justice upon earth; Or else all else is vain Since life on earth began, And the spent world sinks back again Hopeless of God and Man.
A People and their King Through ancient sin grown strong, Because they feared no reckoning Would set no bound to wrong; But now their hour is past, And we who bore it find Evil Incarnate hell at last To answer to mankind.
For agony and spoil Of nations beat to dust, For poisoned air and tortured soil And cold, commanded lust, And every secret woe The shuddering waters saw.
Willed and fulfilled by high and low.
Let them relearn the Low.
That when the dooms are read, Not high nor low shall say:-- " My haughty or my humble head Was saved me in this day.
" That, till the end of time, Their remnant shall recall Their fathers old, confederate crime Availed them not at all.
That neither schools nor priests, Nor Kings may build again A people with the heart of beasts Made wise concerning men.
Whereby our dead shall sleep In honour, unbetrayed, And we in faith and honour keep That peace for which they paid.

Book: Shattered Sighs