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Best Famous No Account Poems

Here is a collection of the all-time best famous No Account poems. This is a select list of the best famous No Account poetry. Reading, writing, and enjoying famous No Account poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of no account poems.

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Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive! that everything was alive! To think that you and I did not see, feel, think, nor bear our part! To think that we are now here, and bear our part! 2 Not a day passes—not a minute or second, without an accouchement! Not a day passes—not a minute or second, without a corpse! The dull nights go over, and the dull days also, The soreness of lying so much in bed goes over, The physician, after long putting off, gives the silent and terrible look for an answer, The children come hurried and weeping, and the brothers and sisters are sent for, Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) The faithful hand of the living does not desert the hand of the dying, The twitching lips press lightly on the forehead of the dying, The breath ceases, and the pulse of the heart ceases, The corpse stretches on the bed, and the living look upon it, It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight, But without eye-sight lingers a different living, and looks curiously on the corpse.
3 To think the thought of Death, merged in the thought of materials! To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon others as upon us now—yet not act upon us! To think of all these wonders of city and country, and others taking great interest in them—and we taking no interest in them! To think how eager we are in building our houses! To think others shall be just as eager, and we quite indifferent! (I see one building the house that serves him a few years, or seventy or eighty years at most, I see one building the house that serves him longer than that.
) Slow-moving and black lines creep over the whole earth—they never cease—they are the burial lines, He that was President was buried, and he that is now President shall surely be buried.
4 A reminiscence of the vulgar fate, A frequent sample of the life and death of workmen, Each after his kind: Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in the streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, A hearse and stages—other vehicles give place—the funeral of an old Broadway stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the new-dug grave is halted at, the living alight, the hearse uncloses, The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin, the earth is swiftly shovel’d in, The mound above is flatted with the spades—silence, A minute—no one moves or speaks—it is done, He is decently put away—is there anything more? He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to take his own part, witty, sensitive to a slight, ready with life or death for a friend, fond of women, gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited toward the last, sicken’d, was help’d by a contribution, died, aged forty-one years—and that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing on somebody, headway, man before and man behind, good day’s work, bad day’s work, pet stock, mean stock, first out, last out, turning-in at night; To think that these are so much and so nigh to other drivers—and he there takes no interest in them! 5 The markets, the government, the working-man’s wages—to think what account they are through our nights and days! To think that other working-men will make just as great account of them—yet we make little or no account! The vulgar and the refined—what you call sin, and what you call goodness—to think how wide a difference! To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is! Have you pleasure from looking at the sky? have you pleasure from poems? Do you enjoy yourself in the city? or engaged in business? or planning a nomination and election? or with your wife and family? Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares? —These also flow onward to others—you and I flow onward, But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are! To think there will still be farms, profits, crops—yet for you, of what avail? 6 What will be, will be well—for what is, is well, To take interest is well, and not to take interest shall be well.
The sky continues beautiful, The pleasure of men with women shall never be sated, nor the pleasure of women with men, nor the pleasure from poems, The domestic joys, the daily housework or business, the building of houses—these are not phantasms—they have weight, form, location; Farms, profits, crops, markets, wages, government, are none of them phantasms, The difference between sin and goodness is no delusion, The earth is not an echo—man and his life, and all the things of his life, are well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself; Yourself! Yourself! Yourself, forever and ever! 7 It is not to diffuse you that you were born of your mother and father—it is to identify you; It is not that you should be undecided, but that you should be decided; Something long preparing and formless is arrived and form’d in you, You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is systematic.
The preparations have every one been justified, The orchestra have sufficiently tuned their instruments—the baton has given the signal.
The guest that was coming—he waited long, for reasons—he is now housed, He is one of those who are beautiful and happy—he is one of those that to look upon and be with is enough.
The law of the past cannot be eluded, The law of the present and future cannot be eluded, The law of the living cannot be eluded—it is eternal, The law of promotion and transformation cannot be eluded, The law of heroes and good-doers cannot be eluded, The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8 Slow moving and black lines go ceaselessly over the earth, Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and they on the Pacific, and they between, and all through the Mississippi country, and all over the earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well, The known leaders and inventors, and the rich owners and pious and distinguish’d, may be well, But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing, The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing—the American aborigines are not nothing, The infected in the immigrant hospital are not nothing—the murderer or mean person is not nothing, The perpetual successions of shallow people are not nothing as they go, The lowest prostitute is not nothing—the mocker of religion is not nothing as he goes.
9 Of and in all these things, I have dream’d that we are not to be changed so much, nor the law of us changed, I have dream’d that heroes and good-doers shall be under the present and past law, And that murderers, drunkards, liars, shall be under the present and past law, For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung, If maggots and rats ended us, then Alarum! for we are betray’d! Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now, Do you think I could walk pleasantly and well-suited toward annihilation? 10 Pleasantly and well-suited I walk, Whither I walk I cannot define, but I know it is good, The whole universe indicates that it is good, The past and the present indicate that it is good.
How beautiful and perfect are the animals! How perfect the earth, and the minutest thing upon it! What is called good is perfect, and what is called bad is just as perfect, The vegetables and minerals are all perfect, and the imponderable fluids are perfect; Slowly and surely they have pass’d on to this, and slowly and surely they yet pass on.
11 I swear I think now that everything without exception has an eternal Soul! The trees have, rooted in the ground! the weeds of the sea have! the animals! I swear I think there is nothing but immortality! That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is for it; And all preparation is for it! and identity is for it! and life and materials are altogether for it


Written by Rudyard Kipling | Create an image from this poem

The Ballad of the Red Earl

 (It is not for them to criticize too minutely
the methods the Irish followed, though they might deplore some of
their results.
During the past few years Ireland had been going through what was tantamount to a revolution.
-- EARL SPENCER) Red Earl, and will ye take for guide The silly camel-birds, That ye bury your head in an Irish thorn, On a desert of drifting words? Ye have followed a man for a God, Red Earl, As the Lod o' Wrong and Right; But the day is done with the setting sun Will ye follow into the night? He gave you your own old words, Red Earl, For food on the wastrel way; Will ye rise and eat in the night, Red Earl, That fed so full in the day? Ye have followed fast, ye have followed far, And where did the wandering lead? From the day that ye praised the spoken word To the day ye must gloss the deed.
And as ye have given your hand for gain, So must ye give in loss; And as ye ha' come to the brink of the pit, So must ye loup across.
For some be rogues in grain, Red Earl, And some be rogues in fact, And rogues direct and rogues elect; But all be rogues in pact.
Ye have cast your lot with these, Red Earl; Take heed to where ye stand.
Ye have tied a knot with your tongue, Red Earl, That ye cannot loose with your hand.
Ye have travelled fast, ye have travelled far, In the grip of a tightening tether, Till ye find at the end ye must take for friend The quick and their dead together.
Ye have played with the Law between your lips, And mouthed it daintilee; But the gist o' the speech is ill to teach, For ye say: "Let wrong go free.
" Red Earl, ye wear the Garter fair, And gat your place from a King: Do ye make Rebellion of no account, And Treason a little thing? And have ye weighed your words, Red Earl, That stand and speak so high? And is it good that the guilt o' blood, Be cleared at the cost of a sigh? And is it well for the sake of peace, Our tattered Honour to sell, And higgle anew with a tainted crew -- Red Earl, and is it well? Ye have followed fast, ye have followed far, On a dark and doubtful way, And the road is hard, is hard, Red Earl, And the price is yet to pay.
Ye shall pay that price as ye reap reward For the toil of your tongue and pen -- In the praise of the blamed and the thanks of the shamed, And the honour o' knavish men.
They scarce shall veil their scorn, Red Earl, And the worst at the last shall be, When you tell your heart that it does not know And your eye that it does not see.
Written by Cornelius Eady | Create an image from this poem

Im A Fool To Love You

 Some folks will tell you the blues is a woman,
Some type of supernatural creature.
My mother would tell you, if she could, About her life with my father, A strange and sometimes cruel gentleman.
She would tell you about the choices A young black woman faces.
Is falling in love with some man A deal with the devil In blue terms, the tongue we use When we don't want nuance To get in the way, When we need to talk straight.
My mother chooses my father After choosing a man Who was, as we sing it, Of no account.
This man made my father look good, That's how bad it was.
He made my father seem like an island In the middle of a stormy sea, He made my father look like a rock.
And is the blues the moment you realize You exist in a stacked deck, You look in a mirror at your young face, The face my sister carries, And you know it's the only leverage You've got.
Does this create a hurt that whispers How you going to do? Is the blues the moment You shrug your shoulders And agree, a girl without money Is nothing, dust To be pushed around by any old breeze.
Compared to this, My father seems, briefly, To be a fire escape.
This is the way the blues works Its sorry wonders, Makes trouble look like A feather bed, Makes the wrong man's kisses A healing.
Written by Walt Whitman | Create an image from this poem

Myself and Mine

 MYSELF and mine gymnastic ever, 
To stand the cold or heat—to take good aim with a gun—to sail a boat—to
 manage
 horses—to beget superb children, 
To speak readily and clearly—to feel at home among common people, 
And to hold our own in terrible positions, on land and sea.
Not for an embroiderer; (There will always be plenty of embroiderers—I welcome them also;) But for the fibre of things, and for inherent men and women.
Not to chisel ornaments, But to chisel with free stroke the heads and limbs of plenteous Supreme Gods, that The States may realize them, walking and talking.
Let me have my own way; Let others promulge the laws—I will make no account of the laws; Let others praise eminent men and hold up peace—I hold up agitation and conflict; I praise no eminent man—I rebuke to his face the one that was thought most worthy.
(Who are you? you mean devil! And what are you secretly guilty of, all your life? Will you turn aside all your life? Will you grub and chatter all your life?) (And who are you—blabbing by rote, years, pages, languages, reminiscences, Unwitting to-day that you do not know how to speak a single word?) Let others finish specimens—I never finish specimens; I shower them by exhaustless laws, as Nature does, fresh and modern continually.
I give nothing as duties; What others give as duties, I give as living impulses; (Shall I give the heart’s action as a duty?) Let others dispose of questions—I dispose of nothing—I arouse unanswerable questions; Who are they I see and touch, and what about them? What about these likes of myself, that draw me so close by tender directions and indirections? I call to the world to distrust the accounts of my friends, but listen to my enemies—as I myself do; I charge you, too, forever, reject those who would expound me—for I cannot expound myself; I charge that there be no theory or school founded out of me; I charge you to leave all free, as I have left all free.
After me, vista! O, I see life is not short, but immeasurably long; I henceforth tread the world, chaste, temperate, an early riser, a steady grower, Every hour the semen of centuries—and still of centuries.
I will follow up these continual lessons of the air, water, earth; I perceive I have no time to lose.
Written by Robert William Service | Create an image from this poem

Externalism

 The Greatest Writer of to-day
(With Maupassant I almost set him)
Said to me in a weary way,
The last occasion that I met him:
"Old chap, this world is more and more
Becoming bourgeois, blasé, blousy:
Thank God I've lived so long before
It got so definitely lousy.
" Said I: "Old chap, I don't agree.
Why should one so dispraise the present? For gainful guys like you and me, It still can be extremely pleasant.
Have we not Women, Wine and Song - A gleeful trio to my thinking; So blithely we can get along With laughing, loving, eating, drinking.
" Said he: "Dear Boy, it may be so, But I'm fed up with war and worry; I would escape this world of woe, Of wrath and wrong, of hate and hurry.
I fain would gain the peace of mind Of Lamas on Thibetan highlands, Or maybe sanctuary find With beach-combers on coral islands.
" Said I: "Dear Boy, don't go so far: Just live a life of simple being; Forgetting all the ills that are, Be satisfied with hearing, seeing.
The sense of smell and taste and touch Can bring you bliss in ample measure: If only you don't think too much, Your programme can be packed with pleasure.
"But do not try to probe below This fairy film of Nature's screening; Look on it as a surface show, Without a purpose of a meaning.
Take no account of social strife, And dread no coming cataclysm: Let your philosophy of life Be what I call: EXTERNALISM.
The moon shines down with borrowed light, So savants say - I do not doubt it.
Suffice its silver trance my sight, That's all I want to know about it.
A fig for science - 'how' and 'why' Distract me in my happy dreaming: Through line and form and colour I Am all content with outward seeming.
.
.
.
" The Greatest Writer of to-day (I would have loved to call him Willie), looked wry at me and went his way - I think he thought me rather silly.
Maybe I am, but I insist My point of view will take some beating: Don't mock this old Externalist - The pudding's proof is in the eating.


Written by William Butler Yeats | Create an image from this poem

The Curse Of Cromwell

 You ask what - I have found, and far and wide I go:
Nothing but Cromwell's house and Cromwell's murderous crew,
The lovers and the dancers are beaten into the clay,
And the tall men and the swordsmen and the horsemen, where are they?
And there is an old beggar wandering in his pride - -
His fathers served their fathers before Christ was crucified.
O what of that, O what of that, What is there left to say? All neighbourly content and easy talk are gone, But there's no good complaining, for money's rant is on.
He that's mounting up must on his neighbour mount, And we and all the Muses are things of no account.
They have schooling of their own, but I pass their schooling by, What can they know that we know that know the time to die? O what of that, O what of that, What is there left to say? But there's another knowledge that my heart destroys, As the fox in the old fable destroyed the Spartan boy's Because it proves that things both can and cannot be; That the swordsmen and the ladies can still keep company, Can pay the poet for a verse and hear the fiddle sound, That I am still their setvant though all are underground.
O what of that, O what of that, What is there left to say? I came on a great house in the middle of the night, Its open lighted doorway and its windows all alight, And all my friends were there and made me welcome too; But I woke in an old ruin that the winds howled through; And when I pay attention I must out and walk Among the dogs and horses that understand my talk.
O what of that, O what of that, What is there left to say?
Written by Isaac Watts | Create an image from this poem

Hymn 31 part 1

 Condescending grace.
Psa.
138:6.
When the Eternal bows the skies To visit earthly things, With scorn divine he turns his eyes From towers of haughty kings.
He bids his aweful chariot roll Far downward from the skies, To visit every humble soul With pleasure in his eyes.
Why should the Lord that reigns above Disdain so lofty kings? Say, Lord, and why such looks of love Upon such worthless things? Mortals, be dumb; what creature dares Dispute his aweful will? Ask no account of his affairs, But tremble and be still.
Just like his nature is his grace, All sovereign and all free; Great God, how searchless are thy ways, How deep thy judgments be!

Book: Reflection on the Important Things