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Best Famous Ng Poems

Here is a collection of the all-time best famous Ng poems. This is a select list of the best famous Ng poetry. Reading, writing, and enjoying famous Ng poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of ng poems.

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Written by T Wignesan | Create an image from this poem

Who dares to take this life from me Knows no better

for Eric Mottram

"Nur wenn das Herz erschlossen,

Dann ist die Erde schön."

Goethe.

I

An important thing in living
Is to know when to go;
He who does not know this
Has not far to go,
Though death may come and go
When you do not know.


Come, give me your hand,
Together shoulder and cheek to shoulder
We'll go, sour kana in cheeks
And in the mornings cherry sticks
To gum: the infectious chilli smiles
Over touch-me-not thorns, crushing snails
From banana leaves, past
Clawing outstretched arms of the bougainvilias
To stone the salt-bite mangoes.

Tread carefully through this durian kampong
For the ripe season has pricked many a sole.

II
la la la tham'-pong
Let's go running intermittent
To the spitting, clucking rubber fruit
And bamboo lashes through the silent graves,
Fresh sod, red mounds, knee stuck, incensing joss sticks
All night long burning, exhuming, expelling the spirit.
Let's scour, hiding behind the lowing boughs of the hibiscus
Skirting the school-green parapet thorny fields.
Let us now squawk, piercing the sultry, humid blanket
In the shrill wakeful tarzan tones,
Paddle high on.the swings
Naked thighs, testicles dry.

Let us now vanish panting on the climbing slopes
Bare breasted, steaming rolling with perspiration,
Biting with lalang burn.
Let us now go and stand under the school
Water tap, thrashing water to and fro.
Then steal through the towkay's
Barbed compound to pluck the hairy
Eyeing rambutans, blood red, parang in hand,
And caoutchouc pungent with peeling.
Now scurrying through the estate glades
Crunching, kicking autumnal rubber leavings,
Kneading, rolling milky latex balls,
Now standing to water by the corner garden post.

III
This is the land of the convectional rains
Which vie on the monsoon back scrubbing streets
This is the land at half-past four
The rainbow rubs the chilli face of the afternoon
And an evening-morning pervades the dripping, weeping
Rain tree, and gushing, tumbling, sewerless rain drains
Sub-cutaneously eddy sampan fed, muddy, fingerless rivers
Down with crocodile logs to the Malacca Sea.

This is the land of stately dipterocarp, casuarina
And coco-palms reeding north easterly over ancient rites
Of turtle bound breeding sands.

This is the land of the chignoned swaying bottoms
Of sarong-kebaya, sari and cheongsam.
The residual perch of promises
That threw the meek in within
The legs of the over-eager fledgelings.

The land since the Carnatic conquerors
Shovelling at the bottom of the offering mountains
The bounceable verdure brought to its bowers
The three adventurers.

A land frozen in a thousand
Climatic, communal ages
Wags its primordial bushy tail to the Himalayas
Within a three cornered monsoon sea -
In reincarnate churches
And cracker carousels.
The stranglehold of boasting strutting pedigrees
And infidel hordes of marauding thieves,
Where pullulant ideals
Long rocketed in other climes
Ride flat-foot on flat tyres.

IV
Let us go then, hurrying by
Second show nights and jogget parks
Listening to the distant whinings of wayangs
Down the sidewalk frying stalls on Campbell Road
Cheong-Kee mee and queh teow plates
Sateh, rojak and kachang puteh
(rediffusion vigil plates)
Let us then dash to the Madras stalls
To the five cent lye chee slakes.

la la la step stepping
Each in his own inordinate step
Shuffling the terang bulan.
Blindly buzzes the bee
Criss-crossing
Weep, rain tree, weep
The grass untrampled with laughter
In the noonday sobering shade.

Go Cheena-becha Kling-qui Sakai

V
Has it not occurred to you how I sat with you
dear sister, counting the chicking back of the
evening train by the window sill and then
got up to wind my way down the snake infested rail
to shoo shoo the cows home to brood
while you gee geaed the chicks to coop
and did we not then plan of a farm
a green milking farm to warm the palm
then turned to scratch the itch over in our minds
lay down on the floors, mat aside
our thoughts to cushion heads
whilst dug tapioca roots heaped the dream
and we lay scrapping the kernel-less
fiber shelled coconuts

O Bhama, my goatless daughter kid
how I nursed you with the callow calves
those mutual moments forced in these common lives
and then, that day when they sold you
the blistering shirtless sun never flinching
an eye, defiant I stood caressing your creamy coat
and all you could say was a hopeless baaa..a..aa
and then, then, that day as we came over the mountains
two kids you led to the thorny brush, business bent
the eye-balling bharata natyam

VI
O masters of my fading August dream
For should you take this life from me
Know you any better
Than when children we have joyously romped
Down and deep in the August river
Washing on the mountain tin.

Now on the growing granite's precipitous face
In our vigilant wassail
Remember the children downstream playing
Where your own little voices are speechless lingering

Let it not be simply said that a river flows
to flourish a land
More than that he who is high at the source
take heed:
For a river putrid in the cradle is worse
than the plunging flooding rain.

And the eclectic monsoons may have come
Have gathered and may have gone
While the senses still within torrid membranes


thap-po-ng
                           thap-pong
                                                      thap-pong


Written by Gerard Manley Hopkins | Create an image from this poem

The Woodlark

 Teevo cheevo cheevio chee:
O where, what can th?at be? 
Weedio-weedio: there again! 
So tiny a trickle of s?ng-strain; 
And all round not to be found
For brier, bough, furrow, or gr?en ground 
Before or behind or far or at hand 
Either left either right 
Anywhere in the s?nlight. 
Well, after all! Ah but hark—
‘I am the little w?odlark.
. . . . . . . . 
To-day the sky is two and two 
With white strokes and strains of the blue
. . . . . . . . 
Round a ring, around a ring 
And while I sail (must listen) I sing
. . . . . . . .
The skylark is my cousin and he 
Is known to men more than me
. . . . . . . . 
…when the cry within 
Says Go on then I go on 
Till the longing is less and the good gone

But down drop, if it says Stop, 
To the all-a-leaf of the tr?etop 
And after that off the bough
. . . . . . . . 
I ?m so v?ry, O so? very glad 
That I d? th?nk there is not to be had…
. . . . . . . . 
The blue wheat-acre is underneath 
And the braided ear breaks out of the sheath, 
The ear in milk, lush the sash, 
And crush-silk poppies aflash, 
The blood-gush blade-gash
Flame-rash rudred 
Bud shelling or broad-shed 
Tatter-tassel-tangled and dingle-a-dangled 
Dandy-hung dainty head.
. . . . . . . . 
And down … the furrow dry
Sunspurge and oxeye 
And laced-leaved lovely 
Foam-tuft fumitory
. . . . . . . . 
Through the velvety wind V-winged 
To the nest’s nook I balance and buoy
With a sweet joy of a sweet joy, 
Sweet, of a sweet, of a sweet joy 
Of a sweet—a sweet—sweet—joy.’

Book: Reflection on the Important Things